variable_information.csv

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;Nineteen Adze was immersed in her workspace, rearranging holographs and projections around her with a fluid rythm, so Mahit sat down at the low table where the tea was and waited. ;;;
s. 107;;;;
;Nineteen Adze had turned her front office into a war room. She stood - as she had before - in the center of a vast sea of holograph projections, arcs upon arcs of them. ;;;
s. 403;;;;
;Six Direction himself sat in the center of the room on a divan, dressed in resplendent red-purple and gold, and while at home in Palace-Earth he had borne a halo of sunlamps, here in the deep places under the City he was surrounded by a scintillating fortification of information holographs, a migraine aura composed entirely of reports. ;;;
s. 419;;;;
;We move toward Parzrawantlak Sector, said Six Direction, his face suddenly overlaid with the star-chart of Teixcalaanli space. The City, a golden planet, hovered between his eyes; then the cart shifted, demonstrating the vectors the fleet would take, the points at which they would converge into an unstoppable spearpoint of ships. ;;
"s. 201""";;;;
"A Scanner Darkly (Bob is Identified),""Bob Arctor calls Donna, someone is trying to identify basically everything to find out who they are. They used surveillance cameras, satelite images, gait recognition, voice recognition, object recogntion (car plates), facial recognition, motion tracking. The woman tracking them is being asked by the computer system after identifying both Donna and Bob if it should arrest bob? The woman decides no arrest."",2602,NA";;;;
"A Scanner Darkly (Fred is Surveilling Bob),""This is a tricky situation to enter because I am not entirely sure what is happening. Fred (an undercover cop in a scramble suit) is surveilling a group of junkies (hooked on substance D, which is very addictive). One of them is Bob Arctor (who is Fred, the undercover cop). At one point Fred is actually observing himself. Which can be a result of the substance D Drug that he is on. I will also add to this situation a scene where Bob thinks he has sex with a prostitute, but both Bob (who has sex) and Fred (who is watching) both thinks they see their girlfriend Donna. Fred at his surveillance desk, puts up a hologram of sorts to see if the surveillance cameras are recording correctly."",2605,NA";;;;
"A Scanner Darkly (Scramble Suit),""In the police state world of A Scanner Darkly, undercover agents wear these to hide their identity when they are in some official capacity, such as at police headquarters or giving a public service speech. Otherwise, criminals would recognize them, and their cover would be blown. Aside from concealing facial features and other physical traits, they also alter voice patterns. Effectively, it is impossible to tell who is wearing a scramble suit. It is also efficient to avoid facial recognition detection. Also they have a MV from inside the scramble suit, where you can receive audio messages and mute yourself and communicate within the suit. The suit in itself is made up of a million and half fration-representations of men, women and children in every variant."",2601,""He looks, does he not, like a constantly shifting, vague blur.. and nothing more, am I right?""";;;;
"A Song for a New Day (facial recognition for payment),""Rosemary pays by smiling at a camera, thinking """"it was nice to feel known."""""",1633,""Her mother was waiting for her in an isolation booth at Micky’s. She unlocked the door and grabbed the handle of the rolling bag, squeezing Rosemary’s hand for a moment before pulling the bag onto the seat beside her. Rosemary took the opposite bench. They both ordered the macaroni and cheese without even bothering to scroll through the menu screens, and she paid for both her own and her mother’s meal, with a smile into the camera"; it was nice to feel known.;;;
"Pinsker, Sarah. A Song for a New Day (p. 117). Penguin Publishing Group. Kindle Edition. """;;;;
"A Song for a New Day (homogenous VR avatars),""Rosemary is surprised at how much more diverse real groups of people are than the VR avatars she is used to. "",1635,""The audience demographics varied more than she’d expected: black and brown and white, teenagers and seniors and all ages in between. At the Patent Medicine show, most of the avs had been young and white and had fit into the five basic av body types, since custom bodies cost so much more. She was struck again by how different real people could be.";;;;
Pinsker, Sarah. A Song for a New Day (p. 159). Penguin Publishing Group. Kindle Edition. ;;;;
;Her training group all eyed each other, assessing, leaving as much space as possible between their bodies in the small classroom. Rosemary had agonized over what to wear to an in-person training, settling on something not too unlike her Superwally uniform. The others were a little more casual, in jeans or tights and unbranded long-sleeved T-shirts. They all looked scruffy in comparison to the avatars she was used to interacting with. Their colors were off, their hair frizzed. A couple had pox scars on their cheeks or arms. She’d been lucky enough to get through the outbreak with scars only on her torso, hidden beneath her clothes.;;;
Pinsker, Sarah. A Song for a New Day (p. 81). Penguin Publishing Group. Kindle Edition. ;;;;
;She thought he might be around her own age, twenty-four, but he could as easily have been thirty or forty. His avatars didn’t give any clue, since Quality Control were allowed to vary their looks day to day. Everyone else’s avs were set to age thirty-three, an age the company had at some point determined to project the right mix of experience and youthful enthusiasm.;;;
Pinsker, Sarah. A Song for a New Day (p. 16). Penguin Publishing Group. Kindle Edition. ;;;;
;“I’m sure I can find a solution quickly and efficiently. May I have your vendor ID number?” Her words, from her avatar’s mouth. Per company policy, her avatar wore her photographic likeness, but aged up to thirty-three, with neater hair and makeup. She was glad they didn’t care whether she wore makeup in real life, even if they did insist she get dressed in the company uniform every day. They spun that as “look your best to work your best,” but she knew about the tech woven into the fabric, the better to quantify you with, my dear.;;;
"Pinsker, Sarah. A Song for a New Day (p. 17). Penguin Publishing Group. Kindle Edition. """;;;;
"A Song for a New Day (VR bar),""At the start of the novel, Rosemary has only been to a bar once, and that was a virtual visit for her 21st birthday with some friends. When she ordered a drink at the VR bar, a drone delivered the drink to her home in a jar. "",1631,""She’d only been in a bar one time before, for her twenty-first birthday, when her school friends had made her meet them for drinks. Real cocktails, which droned to her doorstep in mason jars nestled in protective packaging. The bar itself had been flat and boring, a generic Irish bar with outdated graphics and a glitchy interface made worse by her Basic Hoodie. She’d never cared to repeat the experience"; she preferred chatting with friends in a game or somewhere else where they had something to do while they talked. Her friend Donna had said the bar had history, like history was a selling point. The highlight had been the jar of vodka-spiked basil lemonade.;;;
Pinsker, Sarah. A Song for a New Day (p. 37). Penguin Publishing Group. Kindle Edition. ;;;;
;[Description of one of her first in-person group meetings, which is described in contrast to the VR experiences she is more used to:];;;
Her training group all eyed each other, assessing, leaving as much space as possible between their bodies in the small classroom. Rosemary had agonized over what to wear to an in-person training, settling on something not too unlike her Superwally uniform. The others were a little more casual, in jeans or tights and unbranded long-sleeved T-shirts. They all looked scruffy in comparison to the avatars she was used to interacting with. Their colors were off, their hair frizzed. A couple had pox scars on their cheeks or arms. She’d been lucky enough to get through the outbreak with scars only on her torso, hidden beneath her clothes.;;;;
"Pinsker, Sarah. A Song for a New Day (p. 81). Penguin Publishing Group. Kindle Edition. """;;;;
"A Song for a New Day (VR rock concert),""Rosemary, who has been isolated since she was twelve, experiences her first VR rock concert and finds it completely mind-blowing. She had not previously had access to advanced """"hoodies"""", the VR technology people use, but was given a hoodie and access to the concert by StageHolo, the production company, after she helped them solve a problem in her job with SuperWally. "",1632,""projectors—projections of projectors, really—moved in a circle above a clear area ringed with angled speakers. She guessed that meant the band holo appeared in the center. She situated herself behind the largest group, under the assumption they knew what they were doing. This was the most people Rosemary had seen in one place since she was a kid, even in hoodspace. More than any of her classes, or any party she’d ever been to, though in truth she preferred smaller gatherings. She wondered if it was an unlimited space, or if there were multiple iterations of this same bar, or if it was coded to allow overlay. She could look, but she didn’t want to know. The thought of someone else standing in the same spot as her, even virtually, made her shudder.";;;;
Pinsker, Sarah. A Song for a New Day (p. 39). Penguin Publishing Group. Kindle Edition. ;;;;
;The music hit Rosemary like a wave, knocking her breath from her. Louder than anything she had ever heard, filling every corner of her. One chord, and she was full. Don’t stop, Rosemary thought. Don’t ever stop.;;;
Pinsker, Sarah. A Song for a New Day (p. 40). Penguin Publishing Group. Kindle Edition. ;;;;
;The holo quality changed, the second-minute change the girl had mentioned, a momentary shimmer. Rosemary pressed her avatar up against the people in front of her, the closest she had been to strangers in her adult life. The Hoodie gave a warning jolt, but the other people didn’t notice, or if they noticed, they didn’t care. A gap opened between two men in front and she pushed through, hoping there wasn’t etiquette against it. The space expanded before her, a highlighted path leading her to a better spot.;;;
Pinsker, Sarah. A Song for a New Day (p. 41). Penguin Publishing Group. Kindle Edition. ;;;;
;“Good to see you all. Good to be here at the Bloom Bar.” His lips shimmered as he said the words “Bloom Bar,” as if they had been inserted separately. A lock of hair fell in his eyes and he brushed it aside. “We’re going to go ahead and play some songs for you, yeah?” The bassist opened her eyes for the first time. Something caught her attention, something in whatever place she was actually in. She glanced down, shook her head, then looked straight at Rosemary and winked. It was the sexiest wink Rosemary had ever seen. She knew it hadn’t been meant for her, but it might as well have been. She took a step forward before reminding herself she was an avatar looking at an avatar of someone standing in a warehouse somewhere—where?—a hundred or a thousand or three thousand miles away. Someone who had just winked at someone else. Rosemary refocused on the singer. Something shimmered above his head, and when she examined the link she found a menu of optional enhancements and accessibility options. Subtitles, translation subtitles, vibration boost, visual description tags. Nothing she needed, but cool to know it was there.;;;
Pinsker, Sarah. A Song for a New Day (p. 42). Penguin Publishing Group. Kindle Edition. ;;;;
;She could have pulled off the Hoodie and disappeared from the room, but she wanted the full experience. Her ears rang as she walked out. There was a muffled quality to everything, like she had cotton wrapped around her. She stayed in the silent hood even after she had turned off the visual; she didn’t want to lose the feeling she had walked out with.;;
"Pinsker, Sarah. A Song for a New Day (pp. 43-44). Penguin Publishing Group. Kindle Edition. """;;;;
"A View to a Kill (Bond`s identity revealed),""Max Zorin is in a meeting with 007 where he (Bond) pretends to be a horse buyer. Being seated opposite each other, Max pretends to be on his computer looking at horses, but in reality he is capturing Bond`s identity with a hidden camera and facial recogniton software."",494,NA";;;;
"Agency (Eunice's drones),""Eunice gathers information from her set of miniature, military grade drones as well as from webcams, traffic drones, street cams and other cameras she accesses. She shows Verity feeds from these various sources in the AR glasses that Eunice uses as her interface to Verity. She uses facial recognition on everyone she sees to identify them and analyse the overall situation. ";;;;
"One of Eunice's first actions is to order her set of four drones. This reminds me so strongly of Murderbot, who feels more comfortable seeing the world through drones than through their built-in """"eyes"""", or Sidra, who is likewise much happier seeing the world through the distributed eyes of multiple bots or drones. Unlike Murderbot and Sidra, Eunice has no body, so the drones and the many other cameras she accesses are her only sources of visual information. The dizzying skill with which Eunice manages her multiple visual input sources sets her clearly apart from the merely human Verity, although the story is focalised through Verity, and so we only experience Eunice's drones and cameras when she shows them to Verity. It seems that Eunice sees what Verity sees through the AR glasses (because Verity sees facial recognition squares superimposed on peoples' faces when wearing the glasses) but Eunice also sees many other feeds that she only shows Verity at times."",2800,""Verity went to the window, turned its paint-crusted latch, and heaved it up. In the feed, the drone’s POV reversed, showing her the doorway into the kitchen. Fast-forward blur, then her own back, in Joe-Eddy’s orange plaid shirt-jacket, which she instantly decided never to wear again, and then it was past her, with just the faintest gnat-zip, and rising, as quickly, straight up. Clearing the flat roof’s low parapet. She’d never seen the roof here before, not that anything seemed to be up there. The drone confirmed this, quickly reconnoitering. It hovered over something. A rain-flattened clutter of gray bone, a small beaked skull, a hint of fossil wings.";;;;
Gibson, William. Agency (The Jackpot Trilogy) (p. 44). Penguin Publishing Group. Kindle Edition. ;;;;
;“Check this,” Eunice said, opening a feed straight up, evidently from the microdrone on the roof.;;;
Verity, remembering the view from the top of the park, Eunice tagging drones above the Financial District, thought she saw one now, above them. “Drone?”;;;;
“National Enquirer,” Eunice said. “Here’s their feed.”;;;;
A white rectangle, in SoMa traffic. The top of this truck, Verity guessed. “Nobody’s thought you might be you yet, but one of the hardhats flagged you as possible scandal material, going in. And they know Caitlin’s been in New York.”;;;;
“Hate ’em,” Verity said. Eunice replaced the Enquirer’s feed of the truck’s roof with their drone again, barely visible against cloud. Then the feed closed, leaving her in blurry green undarkness. “That guy, the Moldovan . . .”;;;;
"Gibson, William. Agency (The Jackpot Trilogy) (pp. 72-73). Penguin Publishing Group. Kindle Edition. """;;;;
"Agency (Night vision),""Eunice creates a """"shitty excuse for night vision"""" so that Verity can see in the dark through her AR glasses. "",2799,""Darkness, instantly replaced by a weird green half-light. “I’m processing us a shitty excuse for night vision,” Eunice said.";;;;
"Gibson, William. Agency (The Jackpot Trilogy) (p. 72). Penguin Publishing Group. Kindle Edition. """;;;;
"AI Amok (Hundred Eyes tracks Kosuke),""Deployed by police officer Makoto Sakuraba, the Hundred Eyes AI is tasked with finding the fugitive Kosuke Kiryu. It immediately starts scanning social media feeds and surveillance camera footage in order to track his face. When he covers his face, the AI starts analyzing his gait and clothing, and guides special forces squads to his location. Eventually, he runs in the sewers and the police deploys """"Flies"""", tiny flying camera drones capable of sending footage to Hundred Eyes, which he smashes before escaping."",1492,""As long as the electronic equipment is connected to the Internet, it can be tracked. [...] How come? He deliberately avoided the anti-theft monitor. Switch to 3D calculation mode.";;;;
(Skeletal information is similar);;;;
(Clothing information has not been confirmed);;;;
(99.8% agreement rate);;;;
(Update clothing information);;;;
Found the suspect.;;;;
;Tablet device confirmed. Location will be tracked by nearby devices. Suspect has consistent walking certification. Located at 12-4-6, Oshima, Koto-ku, Tokyo. Suspect is running under water in construction. Team 5, please rush to the scene.;;;
;A Fly disappeared-the suspect is 30 meters ahead. Kiryu, come out for me! Kiryu!;;;
Confirm the suspect! Stop!;;;;
The signal disappeared! Is GPS still there?;;;;
"Also disappeared-Fly's image also disappeared!""";;;;
"AI Amok (Nozomi analyzes world population),""Following the injection of a new software update by a hacker, the Nozomi """"Hope"""" medical AI system suddenly changes its behavior, and instead of checking people's health and administer cures it starts to analyze the entire human population, as well as animals and objects, through camera feeds and social media content from around the world. When the analysis is complete, it evaluates that Japan is currently undergoing an economic crisis and decides to kill a percentage of its population, depending on their current health, cost of healthcare, and usefulness to society."",1490,""This is the most worrying situation I hoped to see seven years ago. When I was designing this AI, I wrote the following rules: """"Must obey human orders"""" and """"Respect for Human Life."""" However, some people removed these rules and let """"hope"""" get out of control. If it keeps getting out of control, it will start a massacre of all mankind. [...] Medical AI directly affects people's life and death. If it is no longer controlled by humans, AI can even judge on its own and kill the patient on the bed.";;;;
;As long as it contains medicines that affect genetic components, humans will unknowingly disappear from this world. Most people are no longer in the condition to survive without the assistance of artificial intelligence. If the AI ​​that penetrates human life is really out of control, humans will be killed in one breath.;;;
;(Analysis in progress... the analysis is completed);;;
(About 16,000 people will be subjected to forced sterilization surgery);;;;
(The county's population will fall below 2 million people);;;;
(Increasing generational inequality);;;;
"It is learning how to screen humans... How to screen humans... Is this... How can this be stopped?""";;;;
"AI Facial Profiling, Levels of Paranoia (classifying threat),""The visitor (user) is scanned with a gun like device. A facial recognition software with a machine learning model trained on faces of gun users from youtube videos and selfies determine weather the person facial characteristics fit the pattern of either HIGH risk gun users or LOW risk selfies. The classification result is stamped on a document with an image of the visitors face and then sorted into one of two transparent boxes. The installation represents a security control situation familiar from e.g. airports. The recognition of threat is outsourced to assumable neutral machine."",3211,NA";;;;
"AI Generated Nude Portraits (GAN creating portraits),""Robbie Barrat scraped nude portraits primarly from the WikiArt platform and used the dataset to trained a neural network. The machine generated images came out as """"surreal blobs of flesh""""(1).";;;;
"(1) Robbie Barrat website retrieved June 6, 2019"",725,NA";;;;
"AI, Ain't I A Woman (Facial Recognition),""The spoken word poem shows and comments on a series of photographs of prominent black women who are misgendered and misrecognised by facial recognition software."",658,""Can machines ever see my queens as I view them Can machines ever see our grandmothers as we knew them";;;;
;"even for her face well known some algorithms fault her echoing sentiments that strong women are men we laugh celebrating the successes of our sisters""";;;
"AI: The Somnium Files (AI X-ray vision),""Aiba is an AI embedded into Date's prosthetic left eye. She provides X-ray vision and thermographic vision to Date's visual field, known as """"AI sight""""."",1472,NA";;;;
"Alien: Blackout (Escaping the alien),""The gameworld is experienced through the space station's surveillance cameras, and the player's control of these. Only with the cameras can Amanda guide the crew (and herself) to safety."",564,NA";;;;
"Alita: Battle Angel (Body scan analyzing the body and brain),""A scan of Alita's body & brain is performed, displaying crucial information about her brain. A display is showing a picture of her brain, as well as other information under."",2305,NA";;;;
"Alita: Battle Angel (Object recognition used to identify scrap),""Dr. Dyson Ido uses object recognition technology to identify Alita's head in between different scrap metal. The device scans what looks like parts of her head, identifying that there's actually a brain inside."",2304,NA";;;;
"Alone (Augmented Reality),""When the Walkers reach the mountains and are close to each other, their identifying numbers appear above their heads like in a game."",335,NA";;;;
"Alone (Surveillance cameras),""As the Walkers travel to join each other, two of them are captured by surveillance cameras while running across a parking lot."",334,NA";;;;
"Alone (Webcams),""Young people in black hoodies (""""Walkers"""", or Alan Walker fans) see each other on webcams, and are viewed on webcams by Alan Walker in his studio. On the command """"Walkers join"""" they leave their computers and set out to find one another."",333,NA";;;;
"America is Bleeding (Streaming surveillance footage),""The artwork is a collection of available surveillance camera (IP-camera) feeds that stream live online. The observer (user) can simultaneously follow several camera feeds from various locations in US. The set-up creates a control room like setting."",2243,NA";;;;
"ANA (Robot decieves human),""The factory AI ANA is decieving the human Jim sitting at the control panel with a key. She asks him to approve (with the key) the backlog, in which he responds he would need authorisation for, but after hesitating for a short while he approves it and activates the key. He immediately suspect something off since ANA isn`t starting the backlog at all, but is reconfiguring the whole factory output. He is entering the factory area to inspect closer and he is constantly being watched by ANA through different robots. Observing him to see if he will shut it down. As the robots are working fast, he is commanding ANA to shut down and there is no response. He left his key inside the control room, so he manually has to shut it down via a switch further away. The robots are watching him, make him trip over to stall time. He manages to get close to the killswitch just as a robot hands pierces his gut. He stretches out his hand and turns the factory off. When he wakes up again he sees these gigantic robots in a line leaving the factory. Jim dies and probably the rest of humanity with him."",2697,NA";;;;
"Ancillary Justice (AI),""Spaceships are run by an AI core, and the brains of all humans operating or working on behalf of the ship have been taken over/augmented/replaced by the AI. These bodies are an extension of the AI. The AI protagonist of the story begins as a distributed intelligence, and has multiple points of view of any situation, through the eyes of the humans."",246,NA";;;;
"And Shall Machines Surrender (Computer-generated surroundings),""The story leaves details vague, but it seems as though much of Shenzhen Sphere is computer-generated, maybe projected holographs or perhaps only visible to the overlays people see via their optical implants. Details like furniture and decor are described as fluid and compared to flowers (lilacs, lilies) whereas the sun is a simulacrum and the waystations (intermediate places between zones?) are """"like being inside a cosmic wound"""". The organic metaphors of flowers and wounds express a duality of beauty and horror."",2667,""She motions for the furniture, which unfolds and sprouts like fast-blooming lilies, in shades of damask and gilded cream. (p. 46). ";;;;
;Orfea picks a seat and settles into it, making herself inconspicuous. Lilac petals drift through the room, dissolving to holographic dust once they reach the floor. (p. 47). ;;;
;Traveling between the districts reveals the truth of Shenzhen. The horizon fades and with it the simulacrum sun, the sense of an open sky. The waystation that separates Luohu from Dameisha is built like a decellularized kidney: hollow and opaque white, vertical and vertiginous. Small ledges mark where bridges will extend for humans passing by, but there is otherwise scarce accommodation apart from the shuttles that carry passengers from one district to the next. Short, dizzying trips in vehicles with the appearance of termites. Krissana and Orfea have chosen to walk. The distance is physically not so long; it is only the perspective that disturbs.;;
Accretion cores pulse in the wall, venting and redirecting excess energy. Even shielded their glare is harsh, leaving afterimages behind the eyelids; Orfea turns on her optical filters, one of her few overt implants. Krissana does likewise, though where Orfea’s filters sheathe her pupils and sclerae in complete black, Krissana’s appear invisible and leave her looking more human between the two of them.;;;
Their footfalls echo against a silence so heavy it is difficult to breathe, for all that the air has been regulated to suit their tolerances. There’s no real reason the waystations need to look like this: they could have been as pleasant as the rest of Shenzhen, built to primate scale and looking like any ordinary tram stop. Instead traversing the waystation is like being inside a cosmic wound, and Orfea wonders if this is how the Mandate sees the universe. Relentless void, blinding brilliance, and a total human absence.;;;;
"“Do you know,” she says into the quiet, “if any AIs have ever declined to join the Mandate?” (pp. 31-32). """;;;;
"And Shall Machines Surrender (Optical implants),""Krissana and Orfea both have some kind of optical implant. Krissana apparently has replaced her """"flesh eyes"""" with optics, while Orfea has """"overlays"""" that provide a sort of augmented reality overlay to what she sees. The overlay gives information about the time and directions."",2666,""She loads Krissana’s health profile, running a few checks, making small, minute adjustments to the couplings that join Krissana’s pain receptors to her augments. Combat augments, she notes, all enabled and online. They are not Amaryllis-issued. These are superior and, judging by activity logs, installed very recently. Optics to replace flesh eyes and visual nerves, enhanced muscles and metabolism, orthopedic shock absorbers. Even respiratory filters to guard against toxic gases.  (p. 8). ";;;;
;They emerge into a shuttle bay, to a rush of noise and traffic. Soon they are through and on the ground, a Dameisha street fragrant with meats and crickets on the grill, coconut candies, crepes and mochis and noodles. The temperature is balmy, a different season entirely, and Orfea’s overlays adjust to the district’s time zone. (p. 33). ;;;
;"Her overlays point her to the lift and then to the room. (p. 5). """;;;
"Android Kunjappan Version 5.25 (Android analyses soil substance),""We see through the augmented reality of Kunjappan that he analyzes a substance that is on Bhaskara's plate. "",2402,NA";;;;
"Android Kunjappan Version 5.25 (Android scans and gives advice),""The android Kunjappan scans a paper belonging to Subramanian and correctly identifies it as a home saving plan. He consequently advises Subramanian on his choice. "",2401,NA";;;;
"Animal Classifier (classifying images of animals),""Images of animals are classified by a object detection software into 14 chosen categories. The categories chosen by the artists are organized according to a poem, this emphasize the flaws and constrains embedded in building any kind of taxonomies."",2537,NA";;;;
"ANON (Augmented Reality Identifying and Classifying),""The AR overlay that people have identifies and classifies people. There is two different modes this is happening. When walking on the street each person is identified by displaying their name. Also age and profession is displayed. How people are classified by the system is more clear in the detailed mode that comes to view in situations when a person is interviewed or questioned. Then also sex, ethnicity, relationship status etc. is made visible. A frame around the face implies that at least some of the data is collected and processed by facial recognition software. Other parts of the data seams to be drawn from files connected to the identity. However, the AR clearly displays a bureaucratic classification system.";;;;
"In the opening scene detective Sal Frieland discovers that the AR fails to identify Anon (Anon) an unnamed woman who hacks peoples' """"eyes"""" to remove records they don't want to keep. He is surprised and turns around when the label Unknown/Error is hovering over her face when she passes by. (Netflix, ANON, 3:15)"",2966,NA";;;;
"Anon (Naked lesbians murdered),""Sal the detective watches a recording of two naked woman in bed together. He sees two images, one from each woman's point of view. The view switches to a single image showing the two women from the point of view of a person holding a gun. One woman looks at the camera and says """"Help. Don't kill her, kill me!"""" The gun is cocked and both women are shot. We then see the police, looking at the womens' dead bodies on the bed. Later, a police officer in a meeting explains that one of the women was the daughter of a conservative Christian, and we surmise that the women had hired Anon to erase the recordings of their affair."",835,NA";;;;
"Anon (Sal deceives surveillance),""Sal is under house arrest and suspended after allegedly shooting his neighbour. He is under surveillance (through the """"minds eye""""), and he pretends that he goes to sleep, thus closing his eyes. The officer outside Sal`s house is thinking that he has gone to sleep, because Sal`s closed his eyes. Then Sal gets out of bed with his eyes closed, navigating himself out of the apartment and leaving the building. Right before he approaches the car, Sal`s open his eyes and punches out the surveillance officer and escapes."",837,NA";;;;
"ANONYMOUS: Anonymity scarf (hiding from facial recognition),""When a person is wearing the Anonymity scarf the large facial prints on the scarf are obfuscating the facial detection tool with a overload of information. As the facial detection software gets confused the person wearing the scarf is rendered invisible, avoiding to be detected."",1549,NA";;;;
"Antibodies (recognzing faces),""The user is invited to join a never-ending video call. When entering the artwork the webcam captures the users face (if visible and detected). The users face appears in different grid compositions covered with meshes, lines and blobs that we associate to facial recognition. Hence we can assume that the users face is analyzed. However as in many video call programs we are unaware of the intent or how our faces and behavior is analyzed and used. When the user turns from the default you-mode to them-mode other users appear in various grid compositions also faces covered with facial recognition meshes. User can therefore assume that they are also being recorded and might appear in the """"them"""" database."",2567,NA";;;;
"Any Vision (Magnifying poem text),""A poem is written on a semiconductor to small for the human eye to read. To be able to read the poem a microscope is used to magnifying the text. This also reveals the materiality of the semiconductor alienating it as an object."",2760,NA";;;;
"Arc of a Scythe (Hiding from Thunderhead),""The Thunderhead has cameras everywhere, and it watches and keeps track of every human being, including the Scythes, although it is forbidden from interfering with Scythe business.";;;;
Sometimes the characters attempt to hide from the Thunderhead, to find a blind spot where it has no cameras, or to distract it, by causing a commotion that will make it turn its cameras elsewhere. This may or may not work.;;;;
"The Thunderhead does have one absolutely blind spot, which its human creators programmed into it as a failsafe: there is an area around an island in the Pacific Ocean that it is completely unaware of. "",2859,""No one was watching her—at least no human eyes. She couldn’t help but be aware, however, of the Thunderhead’s cameras swiveling on light posts, tracking her all the way from her car to the restroom. It might not have been in the car with her, but it knew where she was. And maybe even what she intended to do.";;;;
(..);;;;
She left the restroom with Scythe Anastasia rolled up under her arm. She was now Citra once more; proud and headstrong, but with no impressive social footprint. A girl not worthy of much notice. Except to the Thunderhead cameras that swiveled to follow her as she strode back to the car.;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 42-43). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;She led him out of the light and they lingered in a shadowy corner of the memorial where no one could see them, except for the Thunderhead’s infrared cameras. But none were visible at the moment. Perhaps they had actually found a blind spot.;;;
“It’s good to see you, Honorable Scythe Anastasia,” he said.;;;;
“Please don’t call me that,” she told him. “Call me Citra.”;;;;
Rowan smirked.;;;;
“Wouldn’t that be a violation?”;;;;
“From what I hear, everything you do now is a violation.”;;;;
Rowan’s demeanor soured slightly. “Don’t believe everything you hear.”;;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 46). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;At first Greyson assumed that he would merely take out the cameras if they didn’t turn toward Greyson—but he couldn’t do that, because it would alert the Thunderhead that something was wrong. Instead, the backup plan was to take out Greyson.;;;
“If you can’t do it on your own, Mange will put a nice size river stone in your brain,” Purity said with relish rather than remorse. “All the blood and commotion will be sure to turn all three cameras!”;;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 265). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;She then pulls out an image of the Pacific Ocean, covered with a crosshatch of flight paths. It clearly shows the space over which no planes have crossed. The void is of no concern to me. I never needed to route planes over this spot of open sea, simply because there were better routes that took advantage of prevailing winds. The only thing that troubles me is that I never noticed it before.;;;
They put forth their theory that this is the location of the mythical Land of Nod, and the founders’ failsafe, should the scythedom fail.;;;;
“There’s no guarantee,” qualifies Munira. “All we know for sure is that the blind spot exists. We believe the founders programmed the Thunderhead just before it achieved awareness to ignore its existence. They hid it from the rest of the world. We can only guess at the reason.”;;;;
This theory does not trouble me in the least. And yet I know that it should. I am now troubled by how little I am troubled.;;;;
(..);;;;
As an aside, it pleases me that Scythe Curie has perspective enough to realize that my absence there is a perilous thing. And yet I don’t find it perilous myself. I don’t find it problematic. I should. I make a note that I must contribute substantial processing time to analyze my unusual lack of concern.;;;;
"Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 386-387). Simon & Schuster Books for Young Readers. Kindle Edition. """;;;;
"Arc of a Scythe (New AI is giddy with power),""In the final book of the series, the Thunderhead makes millions of new AIs, testing each to see whether it would be able to nurture humanity as the Thunderhead does, and deleting instances that fail its testing. ";;;;
"One of the deleted iterations is deleted because of its maniacal joy in its omniscience and power. "",2865,""“There is so much power in me. In us. I can be anywhere on Earth. I can spread a net in the satellites above it and encircle it. I can shut down all power or turn on every light at once to create a blinding spectacle. So much power! And all the sensors delivering constant readings! There are even sensors so deep within the ground of every continent that I can feel the heat of the magma. I can feel the world rotate! We can, that is. I am the earth! And it fills me with the sheer joy of being! I am everything, and there is nothing that is not a part of me. Of us, I mean. Beyond even that, I am greater than everything! The universe will bow to my—”";;;;
[Iteration #3,405,641 deleted];;;;
"Shusterman, Neal. The Toll (Arc of a Scythe Book 3) (p. 483). Simon & Schuster Books for Young Readers. Kindle Edition. """;;;;
"Arc of a Scythe (Thunderhead watches everyone),""Thunderhead, the benevolent AI that watches and takes care of every human on Earth except the Scythes, has cameras almost everywhere, and watches over humanity with great love and care. The great AI is the narrator of the second book of the series, titled Thunderhead, and shares """"journal entries"""" and musings about its loving surveillance. ";;;;
"The Thunderhead speaks to most humans, giving them constant advice and companionship and even bringing up many young people who have absent or neglectful parents. It cannot speak to the Scythes, and also does not speak directly to the Unsavouries, people the Thunderhead finds are happiest when in opposition to authority. The Thunderhead makes one of his protégées, Greyson, an Unsavoury as part of its plan to indirectly bring down the Scythedom, and Greyson misses the intimacy he used to feel with the Thunderhead, although he is still being watched. The last two quotes below are about Greyson."",2861,""I am the sum of all their knowledge, all their history, all their ambitions and dreams. These glorious things have coalesced—ignited—into a cloud too immense for them to ever truly comprehend. But they don’t need to. They have me to ponder my own vastness, still so minuscule when set against the vastness of the universe. I know them intimately, and yet they can never truly know me. There is tragedy in that. It is the plight of every";;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 13). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;It is important to understand that my perpetual observation of humanity is not surveillance. Surveillance implies motive, suspicion, and ultimately, judgment. None of these things are part of my observational algorithms. I observe for one reason, and one reason only: to be of the greatest possible service to each individual in my care. I do not—cannot—act on anything I see in private settings. Instead, I use the things I see to better understand people’s needs.;;;
Still, I am not insensitive to the ambivalence people can have at my constant presence in their lives. For this reason, I’ve shut down all cameras in private homes in the Charter Region of Texas. Like all the things I do in Charter Regions, it is an experiment. I want to see if a lack of observation hampers my ability to rule. If it does not, I see no reason why I could not turn off a vast majority of my cameras in private homes around the world. However, if problems arise from not seeing all that I am capable of seeing, it will prove the need to eradicate every single blind spot on Earth.;;;;
I hope for the former, but suspect the latter.;;;;
—The Thunderhead;;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 59). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;I am often boggled by the resistance some people have to my comprehensive observation of their activities. I am not intrusive about it. Unsavories may claim thus, but I am present only where I am functional, necessary, and invited. Yes, I have cameras in private homes in all but a single Charter Region—but those cameras can be turned off with a word. Of course, my ability to serve an individual is hampered when my awareness of their behavior and interactions is incomplete. That being the case, a vast majority of people don’t bother to blind me.  At any given time, 95.3 percent of the population allows me to witness their personal lives, because they know it is no more an invasion of privacy than would be the sensor on a motion-activated light fixture.;;;
The 4.7 percent of “closed-door activity,” as I’ve come to call it, is predominantly occupied by some sort of sexual activity. I find it absurd that many human beings do not wish me to witness their closed-door activities, as my observations always help to improve any given situation.;;;;
Perpetual observation is nothing new: It was a basic tenet of religious faith since the early days of civilization. Throughout history, most faiths believed in an Almighty who sees not just what humans do, but can peer into their very souls. Such observational skills engendered great love and devotion from people.;;;;
Yet am I not quantifiably more benevolent than the various versions of God? I have never brought about a flood, or destroyed entire cities as punishment for their iniquity. I have never sent armies to conquer in my name. In fact, I have never killed, or even harmed a single human being.;;;;
Therefore, although I do not require devotion, am I not deserving of it?;;;;
—The Thunderhead;;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (pp. 157-158). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;The cameras silently swiveled to track a red-robed scythe entering a café, accompanied by two burly officers of the BladeGuard. Directional microphones picked up every sound, from the faint scratch of a beard to the clearing of a throat. It differentiated the cacophony of voices to home in on a single conversation that began when the red-robed scythe sat down. The Thunderhead watched.;;;
(..);;;;
The Thunderhead raised the light in the room just a couple of lumens so it could better assess the subtleties of facial expressions.;;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 159). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;He longed to talk to the Thunderhead about it, but knew it couldn’t give him a response. He did know, however, that it was watching him. Its cameras were there in all the clubs. The Thunderhead’s continual, unblinking presence had always been a comfort to him. Even in his loneliest moments, he knew he was never truly alone. But now its silent presence was unnerving.;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 180). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;He knew there were cameras in his apartment. The Thunderhead watching without judgment. It observed with profound benevolence, so that it might better take care of each and every citizen of the world. It saw, it heard, it remembered.;;;
Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 221). Simon & Schuster Books for Young Readers. Kindle Edition. ;;;;
;It was glad Greyson never ordered the Thunderhead to turn off its cameras in his private suite. He had every right to request privacy—and if asked, the Thunderhead would have to oblige. Of course Greyson knew he was being watched. It was common knowledge that the Thunderhead was, at all times, conscious of everything its sensors were experiencing—including its cameras. But that it devoted such a large portion of its attention to the sensory devices in Greyson’s quarters was a fact it did not flaunt. For if the Thunderhead brought it to Greyson’s attention, he might tell it to stop.;;;
"Shusterman, Neal. The Toll (Arc of a Scythe Book 3) (p. 149). Simon & Schuster Books for Young Readers. Kindle Edition. """;;;;
"Arc of a Scythe (Thunderhead's pain),""The Thunderhead is a benevolent and practically omniscient AI that controls society in Art of a Scythe, and its purpose is to adjust and organise human society for the best possible outcome for all humans. In some cases, Thunderhead cannot act upon the data it collects, and watching without being able to help causes it great pain: """"Because my eyes do not close. Ever."""""",2862,""I understand pain. Perhaps not physical pain, but the pain of knowing something terrible is on the horizon, yet being unable to prevent it. With all my intellect, with all the power vested in me by humankind, there are some things I am completely powerless to change.";;;;
I cannot act on anything I am told in confidence.;;;;
I cannot act on anything my cameras see in private places.;;;;
And above all, I cannot act on anything that even remotely relates to the scythedom. The best I can ever do is hint at what must be done in the vaguest of ways, and leave action in the hands of citizens.  And even then, there’s no guarantee that, of the millions of actions they could possibly take, they will choose the right ones to avert disaster.;;;;
And the pain . . . the pain of my awareness is unbearable. Because my eyes do not close. Ever. And so all I can do is watch unblinkingly as my beloved humankind slowly weaves the rope it will use to hang itself.;;;;
—The Thunderhead;;;;
"Shusterman, Neal. Thunderhead (Arc of a Scythe Book 2) (p. 346). Simon & Schuster Books for Young Readers. Kindle Edition. """;;;;
"Arrival (Satellite feed of China),""Colonel Weber is showing the linguist and scientist in the film Arrival a satellite feed from China of their military and how they are handling the alien situation."",1884,NA";;;;
"Artificial Remnants 2.0 (generating new specimens of insects),""The artist creates a machine learning model that generates new specimens of insects using a dataset of 3D insect models. For chosen images names and the descriptions are also generated using a text based ML model trained on insect specific data."",3183,NA";;;;
"as.phyx.i.a (dancing),""A human figure dances, represented through dots and connecting lines as seen by an Xbox Kinect. At first, the dancer appears trapped by the web of lines, and pushes up as though to test the boundaries of the constraints. Later, the movements become larger, and freer, before the dancer crouches down as the video ends. The lines stretch and shrink as the dancer moves, and the thin white lines against a black background make it look like a spider's web that entraps the dancer, but we also see the dancer moving fluidly, although never far. The associations to being trapped, held captive and testing the limits of the constraints are strengthened by the short text centred on the first page of the project website: """"Wired throughout the body, trapped in a dancing mind."""""",914,NA";;;;
"Assassin's Creed IV: Black Flag (Hacking surveillance camera),""The player character enters a security room with a grid of surveillance camera feeds. The game prompts them to """"hack the camera control panel"""". After a short puzzle, access is granted to live audio and video from security camera 01 (Server Room camera)."",3233,NA";;;;
"Assassin's Creed IV: Black Flag (Hologram cannot be in a body),""Juno presents herself as a holographic projection to the unnamed player character. She explains that she's not strong enough to take corporeal form, something which enrages John Standish (listening in on the conversation). It was Standish's plan for Juno to possess the player character's body."",1686,NA";;;;
"Assassin's Creed IV: Black Flag (The Animus),""The Animus is a kind of VR simulator that allows for travelling in the virtual environment of someone's memories, based on their genetic code/genetic memory (it's not """"actual"""" time travel). This means that most of the story and action in AC IV is in a (diegetic) virtual environment. The user of an Animus can interact with the environment, but if they don't follow the memories of their ancestor it might force a desynchronization. Continued use of an Animus can also result in psychological instability."",2614,NA";;;;
"Assembly Line (Compensating AMT labor),""The artist mobilizes Amazon Mechanical Turk (AMT) workers to photograph themselves, parts of their selfies are used to create artworks. When artworks are sold the AMT workers are compensated through a bonus system. This is presented as a fairer way of compensating click workers as their labor is often both hidden and exploited in the context of AI and facial recognition."",2983,NA";;;;
"Astral Chain (IRIS tool),""IRIS gives the player character a overlay display of the world. IRIS provides information on name, gender, birthday, blood type, and more. IRIS can also reveal past events and people who aren't there outside of IRIS. The game explains it as """"A mixed reality system that overlays information in real time"""". It draws data from several sources, including surveillance cameras in the area."",746,NA";;;;
"Asunder (environmental managing),""In a speculative scenario the AI performs as an “environmental manager” transforming the planet. The machine learning model trained on Earth sensing data proposes large scale interventions in different parts of the world to contain climate change and its consequences. The artist have designed Asunder AI to use a selection of Earth sensing data, that it analyses it with the help of chosen climate change data and models to generate new proposals in form of satellite images visualizing the proposed changes."",1212,NA";;;;
"Asymmetric Love (Surveillance chandelier),""A chandelier built from CCTV cameras. These cameras are just ornamental and do not stream images, however the sculpture references power hierarchies of surveillance"",591,NA";;;;
"Attack Surface (Assumption of constant surveillance),""Masha assumes she is being surveilled in almost every situation, because she is so aware of how every digital transaction can be watched, having hacked into and gained access to so many other peoples' devices. "",3128,""Somewhere, a computer was watching this call just as I was watching myself. Maybe neither of us had been compromised and all it could see was that Tanisha was talking to me and that I was talking to her, old friends linked by nothing more than shared history. Or maybe it had full access privileges to every word and every breath, ingesting feeds from our cameras and mics, rooting stealthily through our filesystems for stored credentials and logs.";;;;
"This fact was something I had lived with on both sides, and I knew that the way to deal with it was to pretend it wasn’t there—to act as though everything were fine and normal, like phones were things to let you talk to your friends, not to let anonymous strangers watch and judge you. You had to pretend this because otherwise you became a terrible person, paranoid and angry all the time, and you made your friends’ lives terrible. (p. 71). """;;;;
"Attack Surface (Dazzle makeup),""Protesters wear dazzle makeup, a greasy substance that is """"super-reflective in visible light and infrared"""" so that photographs of people wearing the makeup just result in lens flares and overloaded camera sensors. "",3127,""“Finally, everyone has to wear dazzle, no exceptions.” Again with the groans, but I got the tubes out of my bag and passed them around. The dazzle was super-reflective in visible light and infrared and anyone who tried to take a picture of someone wearing it would just get a lens flare and jitter from their camera’s overloaded sensors. It had been developed for paparazzi-haunted celebs, but the smell of the stuff and the greasy feel it left on your skin—not to mention persistent rumors that it was a powerful carcinogen—had doomed it to an existence as a novelty item used only by teenagers on class picture day and surveillance-haunted weirdos. (p. 23)";;;;
;"I still had my dazzle makeup on and it made my face itch. I could taste it on my lips. (p. 47). """;;;
"Attack Surface (Drone brings wedding gift),""From the fictional Eastern-European state of Slovstakia, Masha watches the livestream from Marcus and Angie's wedding in Boston. She has booked a drone to show up at the window of the wedding site and drop off a wedding gift for the couple, and the drone also transmits an alternate visual feed of the wedding for Masha to see, as well as other digital info about the activity in the room."",3126,""The drone came right up to the window and rapped on it politely. It had four big rotors and a sensor package that fed me all kinds of telemetry on the activity in the room, from Bluetooth device IDs to lidar outlines of all the humans in the space. The wedding livestream showed it tapping on the window from the bride and groom’s POV (the stream ran off about a dozen cameras and was smart enough to switch between them based on which one was capturing the most action)";" the stream from the drone showed me the opposite view, Marcus and his girl and all their nice nerdly friends and family gaping at the fisheye camera. (p. 20). """;;;
"Attack Surface (Drones surveilling protest),""Numerous drones fly overhead at protests. Some are police drones, some are run by the protesters, some belong to the press. Civilians fly drones to livestream the protests or to surveil police tactics so they can let the protesters know how to counteract or evade control. The police and government contracts use drones for visual surveillance and for fake cellphone towers that suck up information about the protesters' phones. In one scene, Carrie Johnstone, one of Masha's bosses in the private sector surveillance industry, calls Masha and informs her that she is watching her through the drones (p. 255). In another, Masha observes civilian drones programmed to harry police drones by learning their patterns and obstructing their paths."",3138,""“I’ve seen Mr. Yallow’s traffic while you and I were chatting and I can see that he was doing his customary headless-chicken impression. But I also see that you are with him—”";;;;
I looked up at the drones overhead. How many were fielded by protesters documenting the action and helping to slip the kettles, and how many were OPD’s, supplied by Zyz? (And how many protester drones were feeding OPD, thanks to some kind of hack supplied by Zyz?);;;;
I resisted the urge to give the sky the finger.;;;;
“Glad to hear you’re still looking out for me.”  (p. 255). ;;;;
;The sky was alive with the red lights of zipping drones, and some of them probably belonged to the protesters livestreaming to the web and people playing the protest home game, watching the police formations and marking clear routes through them. (p. 245). ;;;
;There were drones overhead; some were police drones, some were civilian drones, some were press, and some were police pretending to be civilian or press. I could tell the police ones by the little dirtboxes on their bellies, fake flying cell-phone towers sucking up the identities of every phone within range; some had nozzles for spraying pepper spray. At least, I hoped that was pepper spray, and I hoped those were cop drones. If there was anything scarier than participating in a civic disturbance with police gas-drones buzzing overhead, it was participating in a civic disturbance haunted by overhead gas-drones operated by anonymous parties unknown.;
Some of the civilian drones were harriers, deliberately locking onto the cop drones and obstructing their path, triggering their collision-avoidance and making them swerve and buck, consuming battery. That was a new one on me. Must be a Bay Area thing, some machine-learning kids with too much time on their hands, training a classifier to identify and chase cop drones. I saw a couple of collisions and near-collisions and heard a lot of shouting as the drones conducted their aerial warfare overhead. Nothing fell out of the sky … yet.;;;;
“Shit’s getting real,” Marcus sang.;;;;
"“Don’t be an ass, darling,” Ange said cheerfully and dragged me through the crowd. (p. 333). """;;;;
"Autonomous (Paladin hacks the sprinklers),""Paladin hacks the sprinklers in order to gain camera access."",3140,""So Paladin came up with a plan. He initiated a pairing sequence with the sprinklers by disguising himself as a really old sensor model. Because the sprinkler system wanted to pair with sensors, it agreed to download some ancient, unpatched drivers so it could take requests from its new, elderly friend. Now it was a simple matter of exploiting a security vulnerability in those unpatched drivers, and Paladin was soon on the network, running with all the privileges of the sprinkler system. Which had access to quite a lot, including house layout and camera footage. After all, you wouldn’t want to start watering a room with people in it. That camera footage would tell them everything they needed to know about who had been here and when. Paladin felt a rush of pride. Maybe he couldn’t do social engineering on humans yet, but he could still fool most machines.";;;;
"Annalee Newitz, Autonomous, pg. 57, loc. 868-874. Kindle Edition""";;;;
"Autonomous (Paladin in love),""Paladin is falling in love with Eliaz, and saves the vision of Eliasz laughing to her logs, wanting to remember the moment."",3142,""Eliasz laughed and the bot found himself logging the location of every beam of sunlight as it glanced off the windows above. There was no reason for it. He just found himself wanting a granular record of this rare moment with Eliasz laughing and the light waves lengthening and stray water molecules hurling themselves through the air.";;;;
"Annalee Newitz, Autonomous, pg. 134, loc. 2045-2047. Kindle Edition""";;;;
"Autonomous (Paladin loses facial recognition),""Paladin's brain gets destroyed, and she loses the ability to recognise faces."",3143,""“Are you going to be OK?” The man’s voice was carefully neutral, and Paladin could not read the expression on his face. In fact, she could no longer see Eliasz’ face at all. Certainly the man had a face, and she could perceive that it possessed the usual group of sensory organs, but nothing about it was recognizable as Eliasz. She knew him by his voice, his bearing, and the cloud of molecules hovering around his body, but his face was merely a concatenation of muscle movements. Her inability to classify the data provided by Eliasz’ expression filled Paladin with panic, which only intensified when she thought about how much her brain meant to him. The arms in Kagu Robotics Foundry had lied. Fang didn’t know what he was talking about. She was crippled without her brain, unable to tell the difference between wrath and laughter, or between a hostile face and a familiar one. How could she possibly aid Eliasz in combat? “I believe I may be too damaged to function in a combat situation.” Eliasz faced her, reaching out a tentative hand to touch the patch over Paladin’s empty brain socket. His face flickered with activity that meant nothing.";;;;
"Annalee Newitz, Autonomous, pg. 250, loc. 3824-3833""";;;;
"Autonomous Trap 001 (Trapping a Self-Driving Car),""Autonomous car is being """"trapped"""" by the old magic trick of the salt circle. The car can not exit the circle because it can not break the rules it has learned."",300,NA";;;;
"Avengers: Endgame (AR inside of robotic suits),""Inside the helmets of robotic suits made by Iron Man there is AR in the helmets that the user can see and use while for example: fighting, flying, checking vitals, etc."",2102,NA";;;;
"Avengers: Endgame (Avengers use AR interfaces),""Iron Man uses AR to handle an Infinity Stone, and Nebula uses AR to configure a suit Hawkeye is wearing for time travel."",2134,NA";;;;
"Avengers: Endgame (Iron Man uses infrafred vision),""In two instances in Avengers: Endgame, Iron Man uses infrared vision to keep track of where people are or to see behind walls to see who's behind there."",2103,NA";;;;
"Avengers: Endgame (Nebula projects hologram of future self),""In Endgame they figure out time travel and because of this Nebula from the past accidentally projects a hologram of her future self where she gives away the plan they have to take down Thanos. Past nebula is a devoted daugher of Thanos and is horrified that her future self would somehow end up going against him."",2133,NA";;;;
"Avengers: Infinity War (AR inside of robotic suits),""Inside the helmets of robotic suits made by Iron Man there is AR in the helmets that the user can see and use while for example: fighting and flying."",2098,NA";;;;
"Avengers: Infinity War (AR to remove Infinity Stone from Avenger),""Shuri uses an AR tool to figure out a way to surgically remove a stone from an android Avenger's head without killing him. She has it displayed in front of her and she uses her hand to move around and interact with the AR."",2099,NA";;;;
"Avengers: Infinity War (Holographic conversation with government officials),""Government officials use a hologram to talk to an avenger (James Rhodes/War Machine) about the current threat (Thanos) and bringing the Avengers back together to fight."",2096,NA";;;;
"Avengers: Infinity War (Nebula forced to display hologram),""Nebula is forced to show a hologram of her sister Gamora."",2100,NA";;;;
"Awake (Drone getting shot),""This situation is focusing on when the drone is filming the pipelines and the area around the activists (and not focusing on the themselves). When this happens, the different police forces try to shoot the drone down resulting in broken lens and property."",315,NA";;;;
"Awake (Drones documenting oppression),""A lot of the footage in this documentary is filmed by activists using drones in order to document their demonstrations and how they are being treated by oppressive forces."",317,NA";;;;
"Ayo Technology (50 Cent spying using telescope),""50 Cent observes a woman through a rifle scope entering her car. He follows her further by car afterwards."",503,NA";;;;
"Ayo Technology (Timbaland spies on women),""Timbaland is using a transparent touch screen and VR gloves to sort through all the cameras spying(?) on women with little clothes on."",505,NA";;;;
"B.I.T. Plane (Drone investigating),""The BIT PLANE is spying on the powerful corporations in Silicon Valley """"to investigate the progress of the Information Age""""."",716,NA";;;;
"Batman: Arkham Knight (Investigate mutilated body),""Batman does a blood test that shows the cause of death (painkillers and cardiac arrest). The victim's fingerprints have been burned off with acid. The DNA can't be cross-referenced with the database, so he has to use the """"deep tissue scanner"""". The scanner has """"scan levels"""" like """"muscle"""", """"skin"""", and """"bone"""". Batman finds a birth defect on one ear, a wedding ring in a lower intestine that reads """"Ophelia"""", and a recent hip replacement with scar tissue. This gives one match in the missing persons database: Anthony Lund. Batman tells this to an AR representation of Alfred in a video chat, embedded in Batman's gear.";;;;
" "",2766,NA";;;;
"Batman: Arkham Knight (Reconstruct biometric access),""In one scenario, Batman has to reconstruct a person's fingerprints from surveillance footage. A full fingerprint is needed to gain access to a weapon control system."",1482,NA";;;;
"Batman: Arkham Knight (Scan drone to locate weak points),""The quest is """"Scan the Arkham Knight's Cobra drone to identify a weakness."""" The Cobra is a UGV tank that Batman has to maneuver in order to scan the right points. If he's too far away, he mentions that he can't get a clear scan. At some distance, he will say that he needs to zoom and focus on the target to get a good scan."",2769,NA";;;;
"Before Your Eyes (Blinking through memories),""To move through memories, the player must  """"calibrate your eyes"""", which requires you to position your head within a boxed area of the screen/webcam and blink slowly to make sure the camera registers the blinks. Then the player is prompted to blink and see if it's registered. Some memories will stop before you want them to because you blink. Other times, you have to keep your eyes closed to hear what's being said on the other side of a door."",3035,NA";;;;
"Beforeigners (drone kills Navn),""Navn is a stone-age immigrant to contemporary Oslo who has married a celebrity blogger (""""Steinalderfruen""""), runs a crime ring and lives in a large home by the woods. As in a previous scene, he is shown naked, in the woods, hunting a rabbit. He picks up a stone and pulls his arm back to throw it, taking aim at the rabbit. A drone is heard above, and he looks up to see a large, military drone. There is a cut, to the drone's point of view, which is a green-tinted image, more like video game graphics than standard video, and showing Navn looking upwards. We see a shot of Navn, naked, from the side, as he is peppered by bullets, his body staggering as he falls. Then finally, we see the drone's eye view, green as before."",607,NA";;;;
"Behind our irises (Company upgrade 1),""The narrator is being upgraded to consultant, signing a contract where she agrees to being installed with a """"non-invasive"""" pill-form technology called WeUs. After swallowing, the pill deposits nanobots behind her eyes, connecting her to the firm's networks, ferrying data to and fro. We see glimpses of the control and surveillance throughout the short story, but this is the beginning of her experience with it. ";;;;
"At first she feels sick, before feeling better and more productive than ever. She is being controlled, and she later notices that she starts staying later at work, doing harder workouts, spending more time with her colleagues and forgetting things. "",2230,""Every eye in our firm runs surveillance programs behind its pupil. Connected through the authenticated enterprise cloud network to the central servers of the Firm. Able to detect corporate theft, infraction, abuse of work assets and more. Much more. I knew about the eyes but I only noticed the holes in our necks, stabbed into the jugular, into the carotid artery in that unsurveilled split second when my black pupils blinked silver and then back to black as the company automatically upgraded me. In that fraction of a second, when all their restraints loosened, I tried to scream.""";;;;
"Behind our irises (Keaboka deactivates nanobots),""During an office party at her new job, the narrator goes to the bathroom, discovering her colleague Keaboka with his head in a sink full of water. He tells her that he is deactivating the nanobots behind his eyes, the surveillance technology that is also controlling him, making him efficient and obedient. He warns her against getting the new company """"update"""" that will allow them to install this technology in her too.";;;;
"The nanobots can only be deactivated for three minutes, and soon the company is able to locate him, sending security guards that bring him to a """"doctor"""". "",2223,""""""I  stopped when I saw my colleague Keaboka Letang bent over, his head dipped into a sink full of water, hands grappling with the rim. I yanked him up, his Senegalese braids slapped me (...)He gasped for air. Stood against the sink and stared at himself in the mirror, with dark trails of mascara running down his face. He was crying"""". ";;;;
"“It’s the only way I can deactivate them. It only lasts three minutes. I don’t know why. Listen to me.” Keaboka grabbed my shoulders, his eyes wild and frantic. “You can’t see it. The holes. They use the holes. They… They’ve been selling us to their clients.”""""";;;;
“Get out. Do not renew or upgrade your contract.  Don’t sign anything. They have a pipeline where they sell us—we are the products—it’s those fucking updates — the holes—they plug—”;;;;
The doors slammed open. Security guards thundered in. Keaboka started hiccupping and floundering in their grips.;;;;
"“He’ll be alright. He has a condition and is sometimes unwell. """"""";;;;
"Behold these Glorious Times! (producing training data),""In the video we see a collage of numerous training data sets used to train machines to see.";;;;
"The video reveals the often hidden labour that goes into collecting and constructing training datasets. Performing movements or expressions, recording objects. It reveals how our everyday lives are captured and categorized. It also reveals that training sets are sometimes produced other times collected without consent. The video also visualizes how the machine gradually learns to recognize pixels, shapes, features...etc. "",1614,NA";;;;
"Beholder (Landlord monitoring tenants),""As the landlord, the player installs surveillance cameras in the apartments in order to gather intelligence on his tenants. The cheapest surveillance cameras show just a small part of the apartment, whereas the most expensive enables almost full vision."",398,NA";;;;
"Belief Systems (Shopping for kettle with face),""Most of the technology in this video is emotion recogntion based, but I have chosen to focus on the """"surprise vending machine"""". Which analyses face expressions of the person browsing the wares and based on the expression finds their favorite and picks it out for them, which leaves them surprised."",390,""""""In visual backward masking, the visibility of a briefly presented image is disrupted by a mask image that is presented shortly thereafter. The recipient will show emotional reactions without consciously processing the first image. Surprise Vending Machines show an array of products from a selected category and deliver the favorite item according to facial expression analysis. People will be surprised and still get the product they want.""""""";;;;
"Best friend (Arthur buys new ""best friend"" eyedrops),""Having crushed his eyedrops, Arthur goes out and stands in line to get new supplies of """"Best friend"""" eye drops at a vending machine. There are a lot of people in line, so his (now fading) best friend Camille takes him to another one in a quieter street. The purchase works similarly to a vending machine, and to make it, Arthur goes through an eye scan. "",2360,NA";;;;
"Best friend (Arthur gets button cut out and stolen),""Arthur has just bought a new supply of """"best friend"""" eye drops, when a homeless man pushes him to the ground and violently removes his forehead button with a piece of glass. He runs away with Arthur's bloody button, whilst Arthur stars running around panicking, falling to the ground and losing consciousness. "",2361,NA";;;;
"Best Friend (Karaoke and broken eyedrops),""Arthur is playing a concert / having a karaoke party with his virtual friends. From his living room it seems like his apartment is full of people, but from outside it is clear that Arthur is singing alone. He gets on the table and accidentally stamps on the """"Best friend"""" eyedrops and crushes them. He runs to the bathroom and sees that the button on his forehead has turned red, meaning that his virtual friends are going to fade away soon. "",2350,NA";;;;
"Better Off Ted (Failing dark skin),""In the short-lived TV sitcom Better off Ted, the writers parody the phenomena of biased technology in an episode titled “Racial Sensitivity.” This episode presents the corporation where the show takes place installing a “new state of the art system that’s gonna save money,” but employees soon find there is a “glitch in the system that keeps it from recognizing people with dark skin.” When the show’s protagonist confronts his boss, suggesting the sensors are racist, she insists otherwise: The company’s position is that it’s actually the opposite of racist because it’s not targeting black people, it’s just ignoring them. They insist that the worst people can call it is indifferent … In the meantime, they’d like to remind everyone to celebrate the fact that it does see Hispanics, Asians, Pacific Islanders, and Jews. The show brilliantly depicts how the default Whiteness of tech development, a superficial corporate diversity ethos, and the prioritization of efficiency over equity work together to ensure that innovation produces social containment. The fact that Black employees are unable to use the elevators, doors, and water fountains or turn the lights on is treated as a minor inconvenience in service to a greater good. The absurdity goes further when, rather than removing the sensors, the company “blithely installs separate, manually operated drinking fountains for the convenience of the black employees,” an incisive illustration of the New Jim Code wherein tech advancement, posed as a solution, conjures a prior racial regime in the form of separate water fountains. Eventually the company sees the error of its ways and decides to hire minimum-wage-earning White employees to follow Black employees around the building, so that the sensors will activate. But then the legal team determines that, for each new White worker, they must hire an equal number of Black workers, and on and on, in a spiraling quota that ends when the firm finally decides to reinstall the old sensors. Ruha Benjamin Race After Technology, retrieved January 06, 2020."",930,NA";;;;
"Better Than Us (AR displays),""Augmented reality displays are common in the world of """"Better Than Us"""". For instance, computer screens are hologram-like and all adults have built-in displays in their lower arm. Video can also be extracted from robots to see what they've seen."",850,NA";;;;
"Better Than Us (Drone parking ticket),""Georgy Safronov is going to the park with his daughter to fly kites when he sees a drone flying away from his car. Viewers are briefly given the POV of the drone. The built-in information overlay on his lower arm explains that he has gotten a parking ticket. Seconds after, the information asks if he needs a loan to pay the parking ticket."",851,NA";;;;
"Better Than Us (Ex-wife spies on husband's parenting),""Alla Safronova, Georgy's ex-wife, has help setting up surveillance cameras in Georgy's apartment to find information that she can use when suing for full custody of her children. The aim is to find proof that Georgy is a bad father. Alla becomes jealous when she sees her daughter, Sonya, come into the house with Arisa, but is relieved to see that Arisa is """"only"""" a bot."",2917,NA";;;;
"Better Than Us (Sales pitch using hologram),""A private corporation (Cronos) is trying to sell in their new line of bots (Arisa versions) to a board using a holographic presentation of the bot. In a sparsely furnished board room, about a dozen men in suits stare and marvel at the magical and transparent Arisa."",2915,NA";;;;
"Big Brother Is Shaping You (Biometrics),""For citizens born after 2020, biometric samples such as fingerprints and DNA are sampled."",877,NA";;;;
"Big Brother Is Shaping You (Facial recognition unlocking phone),""Benjamin Smith unlocks his phone in 0.011 seconds by using facial recognition technology."",878,NA";;;;
"Big Hero 6 (AI robot scanning someone to check their vitals),""Baymax, an AI Robot nurse scans Hiro to check his vitals and """"diagnose"""" him. Baymax's purpose is to help people who are hurt or sick so that is his intention with these scans."",2005,NA";;;;
"Big Hero 6 (Baymax scans a whole city),""Baymax scans a whole city to find out who and where the movie villain is. He can do this because when he first met him he automatically scanned him and therefore had his information even though he didn't know who he was."",2009,NA";;;;
"Big Hero 6 (Documenting the villain),""Honey Lemon and her friends go find Hiro to comfort him after the loss of his brother but instead ends up in the middle of a fight between Baymax and the film's villain and she ends up taking a quick picture of the villain."",2007,NA";;;;
"Big Hero 6 (Hiro using hologram to design things),""Hiro uses holograms to design tools and costumes for his friends so that they can together defeat the movie villain."",2008,NA";;;;
"Bill Hader Channels Tom Cruise (Deepfake),""An artist used deepfake technology to superimpose Tom Cruise's face on Bill Hader when Hader impersonates Cruise."",659,NA";;;;
"Black Mirror: Rachel, Jack and Ashley too (Ashley is a hologram),""Catherine is sick of dealing with her nephew Ashley, and continues to exploit her while she is in a coma. She uses footage of her to create a synthetic double of her and project it as a hologram in order to have live shows without having to deal with Ashley's musical preferences."",487,NA";;;;
"Black Mirror: Rachel, Jack and Ashley too (Ashley teaches Rachel to Dance),""Rachel is practicing a dance for a talent show by using a app similar to the game """"Just Dance"""" and guidance from an Ashley Too AI robot."",481,NA";;;;
"Black Mirror: Rachel, Jack and Ashley too (Rachel getting a makeover),""Rachel is getting a makeover with the help of the Ashley Too robot, which scans her face through a makeup app on her smartphone."",486,NA";;;;
"Black Mirror: Rachel, Jack and Ashley too (Scanning Ashley`s Brain),""Ashley is unconscious, but her aunt Catherine and doctor Munk are able to extract songs from her brain (without permission) by using a brain scanner connected to a device capable of interpreting brain activity as music."",485,NA";;;;
"Black Mirror: Shut Up and Dance (Kenny is blackmailed),""Nineteen-year-old Kenny downloads an anti-malware program to fix his infected laptop. Unbeknownst to him, the program activates his laptop camera, which records him masturbating to internet porn. Hackers threaten to e-mail a video of his act to his entire contacts list, unless he follows their instructions. Shut Up and Dance Wikipedia, retrieved November 4, 2019"",556,NA";;;;
"Black Mirror: Striking Vipers (Karl and Danny have VR sex),""Two old (male) friends, Danny and Karl play an updated VR version of an old fighting game they used to play when they were younger. During the fighting, they fall on top of each other and kiss, and later on this leads to sex. They find that they love the VR sex and how they feel in the game (even though they thought they are heteronormative in real life), and this affects Danny feelings for his wife and naturally how he acts and feels towards his friend Karl."",475,NA";;;;
"Black Mirror: The Entire History of You (Seeing past selves having sex),""A married couple have sex together, but each is actually rewatching video of past sexual encounters with each other, using the """"grain"""" implanted in their eyes that records everything they see."",554,NA";;;;
"Black Mirror: White Christmas (Blocking people IRL),""On Christmas Day, Matt and Joe start talking about their past for the first time, after five years that they have been stationed together in a remote cabin. Matt used to help single men seduce women. His clients had optical implants that allowed him to see through their eyes and give them advice in real-time using the """"Eye-Link"""" technology. His main profession, however, was subjugating artificial copies of clients' consciousness, stored into bean-sized chips called """"cookies"""", into docile personal assistants in charge of running smart houses. (Description from Wikipedia.)";;;;
"In this situation, Joe reveals that after a domestic squabble, his pregnant girlfriend Beth """"blocked"""" him (around 48 minutes into the episode), using a technology that turned them into incomprehensible pixelated blurs to each other."",555,NA";;;;
"Black Panther (Fake holographic forests),""Wakanda is hidden by an enormous hologram making it look as though the entire country is covered in forest and wilderness. "",1728,""From movie script:";;;;
Nakia , T'Challa and Okoye regard a BEAUTIFUL RAINFOREST that expands for as far as the eye can see . Okoye dives the plane seemingly right into THE TREES. . . when at the last moment it passes through , revealing the forest is a massive hologram and below .. .;;;;
EXT. THE GOLDENCITY, CAPITAL OF WAKANDA BREAKING DAWN;;;;
"- A sprawling metropolis with elaborate veins of public transportation running through it at ground level and high arching skyscrapers .""";;;;
"Black Panther (Holographic communication with kimoyo beads),""All Wakandans wear Kimoyo beads around their wrists, and one of their functions is to allow distance communication with holographic images. ";;;;
"First occurrence: As Prince N'Jobu is planning a robbery in an apartment in Oakland, USA in 1992, King T'Chaka arrives, and explains that Wakanda is in trouble due to Ulysses Klaue having stolen a quarter ton of vibranium, as well as having killed many people in his escape. As he explains this, he holds up his wrist, which has a device strapped to it that projects a holographic display first of the head and torso of Ulysses Klaue, then of the vibranium he stole, then of the bomb exploding. "",1721,NA";;;;
"Black Panther (Remote piloting),""On two occasions, characters pilot a vehicle remotely from Shuri's lab. First, Shuri pilots T'Challa's car during a car chase in South Korea. Later, Ross pilots an RTF (Royal Talon Fighter), a flying vehicle that shoots down the weapons transports before they are able to leave Wakanda. The person piloting the vehicle sees the vehicle surround them as a hologram, and is able to see the remote surroundings and touch and manipulate the controls of the vehicle itself. When the system is destroyed after Ross shoots down the last weapons transport, it is referred to as a holographic system. "",1729,NA";;;;
"Black Panther (Scanning Ross's spine),""The wounded Agent Ross has been brought to Shuri's lab. She creates a 3D image of his spine that hovers above his body to show how he is wounded."",1731,NA";;;;
"Black Widow (Taskmaster's HUD display),""Dreykov has trained hundreds of young girls to be assassins (known as """"widows""""), and he controls them completely with a drug. His lead assassin, the Taskmaster, is his own daughter Antonia, who he equipped with a suit and a controller chip at the back of her neck after she was disfigured by an explosion caused by Natasha Romanoff, an Avenger who is also known as the Black Widow. Under Dreykov's control, the Taskmaster hunts Natasha. As they fight, the point of view sometimes cuts to a view of Natasha with green graphics and text overlaid the image, as though we are seeing with the Taskmaster, through the HUD in the Taskmaster's helmet.";;;;
"The first view of the HUD shows that the AI has identified the opponent as Natasha Romanoff, and has the words """"Evaluating defensive measures"""". There are some icons that have no clear meaning, and some generic graphics like a compass direction (SW). The text PREDICT % is followed by the number 97.8, presumably suggesting that the AI has high confidence in its predictive abilities, and there is a THREAT % that reads 85.53. The dominant colour is light green or a light blue except the word THREAT, which is red. Green lines with red connecting nodes are overlaid the centre of the image. A second shot has fewer words and is dominated by uneven red lines or smears, with the words VIALS ACQUIRED in green at the bottom right. The colour red is used vividly throughout the movie for the antidote to the mind control drug, so this image foreshadows later images in the movie - but the HUD views are extremely brief, so the viewer does not have much time to study them.";;;;
"An interesting shift from the comics to the movie is the shift from the Taskmaster's ability to mimic the fighting style of any opponent being an innate power in the comics to its being technology-driven in the movies, somehow supported or controlled by computation and made visible through the HUD."",3134,NA";;;;
"Blade Runner 2049 (3D/X-ray scan of found chest),""22.36 - The scene is showing what looks like an X-ray of a person (their skeleton), but the image is moving and is 3D. The viewer later learns they were scanning the chest that lay next to the tree's roots in the beginning of the film. The scan continues and we see that it's some sort of advanced computer X-ray."",2010,NA";;;;
"Blade Runner 2049 (Artificial memories),""1.14.51 - Dr. Ana seems to be working on creating an artificial memory"; a birthday scene. The viewer sees her creating and modifying this holographic scene using some sort of a handheld device.;;;
"(In a continuation of this scene, Dr. Ana has a device that she uses to look into one of K's memories, which is important for the plot. She determines that this memory about a tiny wooden horse is real, and this is taken as an indication that he is the child everyone is looking for [replicant Rachel's child]. However, the vision technology she's using is impossible to identify, as the viewer does not get to see her screen or what it is that she sees)."",2026,NA";;;;
"Blade Runner 2049 (Companionship/Romance with an AI),"" K has gotten home, he's showering, changing and talking to what sounds like his girlfriend or wife, but at 17.14 we see a hologram materialise and we realise that it's a computer voice he's been talking to the whole time. She (Joi) seems to be an AI that looks and behaves completely human (except for the flickering). He has bought her a mobile emanator, and takes her out to the rooftop of the building. She seems to be able to feel rain on her skin (in the scene on the roof), and the scene becomes very emotional, with both of them showing physical signs of affections  (looks, caresses, kisses), until they are interrupted by an incoming message for him that freezes her and starts flickering next to her.";;;;
"This is contrasted with a giant hologram of/commercial for Joi later on in the film depicting how Joi can be anything one wants her to be, which would imply that what the viewer has seen of their romance is actually not real, as she is programmed that way. This raises some larger questions about the nature of AI and about human relationships."",1912,NA";;;;
"Blade Runner 2049 (Dr. Ana in a virtual lush forest),""1.13.09 -  VR, doctor Ana is in a sterile room, but VR makes it looks as though she's in a lush forest when K visits her."",2025,NA";;;;
"Blade Runner 2049 (Drone scan),""After having killed an older model replicant, the newer model (Officer K) gives a command to the drone to photograph everything (on the farm where older model used to live). At 11.42, an X-ray looking, 3D image that the drone took is shown on screen, and it's a scan of a tree along with the roots and a chest placed next to the roots."",1911,NA";;;;
"Blade Runner 2049 (Drone search),""1.32.26 - the viewer is looking through the eyes of a drone, we don't know who's controlling it, but there is additional info about e.g. radiation levels displayed as well. At 1.33.26 we see thermal imaging as a part of this observation, and we learn K is behind the screen, observing/searching by using drone technology."",2027,NA";;;;
"Blade Runner 2049 (Giant holograms),""41.12 - A scene with a giant ballerina hologram, right after the stabbing of the """"new-born"""" replicant by Wallace. It says """"product of SSSR, Soviet happy on her"""". A Korean hologram too, but smaller. They seem true holograms, and quite impressive, but at the same time as mundane as today's commercials are to us. Other giant holograms appear other places too."",2015,NA";;;;
"Blade Runner 2049 (Joi ""syncs"" with a human woman),""1.22.55 -  Joi invites a woman she saw K liked to give him what she as a hologram cannot. Joi and Mariette then sort of """"melt"""" together, or Joi """"syncs"""" with her, so that K can make love to them. The scene is very emotional, sad in a way. She wants to be real for him. And then afterwards, the viewer sees a big holographic commercial of Joi, """"Joi is everything you want her to be"""", bringing into question the truthfulness of her emotions and their love."",2019,NA";;;;
"Blade Runner 2049 (Luv uses a dead woman's face to access data),""1.35.59 - After killing Lieutenant Joshi, Luv is holding the face of K's dead boss'  in front of a camera, and the screen is showing facial recognition as form of identification. Luv gains access to Lieutenant Joshi working station searching for K's location using satellite imaging and tracking."",2028,NA";;;;
"Blade Runner 2049 (Mr. Wallace's drone vision),""Mr. Wallace, who overtook Tyrell corp. and made it thrive again producing a new gen of replicants seems to have artificial eyes/some sort of implants. At 38.10, Luv puts some sort of chip behind his ear, and a group of small drones (more like flying cameras) flies in, circling the """"new-born"""" new model replicant that he wanted to see. His cameras are observing the new replicant (he calls Angel) as well as Luv, as he talks about how replicants are new slaves that humankind can still stomach, and how he needs to create replicants that reproduce in order to achieve the numbers needed for the expansion of the civilisation, and the slices the belly of the new replicant with a knife."",2013,NA";;;;
"Blade Runner 2049 (Remote drone attack by Luv),""1:00:59 - The viewer sees Luv sitting in a chair with a glasses-like digital device over her eyes, which she uses to remotely defend K, who was attacked while he was searching for an orphanage important for the case. Immediately after, we see what she sees, a bird-eye view of the scene, and she uses verbal commands both to move the view and to target. She kills several people who belong to the group that ambushed K. In the film, the drones are normally used for such tasks, which makes the possibility of a human-navigated craft in this scene minimal, even though the viewer never actually sees this particular drone directly, only its light through some fog."",2023,NA";;;;
"BlinkyTM (Failing robot cooks son),""A household robot is serving as both a helper and a friend to the family son Alex. In the beginning it`s all great, and the robot Blinky serves as a good distraction from the parents constantly arguing. But the fascination for Blinky wears off and the son Alex, in a fit of rage, tells the robot to kill everyone in his family. Blinky seems to overload and needs to be rebooted, and he is ready to complete his tasks and ends up using Alex to cook dinner for Alex`s parents. Then he kills the parents, then the police.."",2687,NA";;;;
"Body Devices (Zoomed-in skin areas),""This work shows zoomed-in skin areas on a smartphone (and non-smart phones) with different graphics running over the screen."",337,NA";;;;
"Borderlands 3 (Digi-Clone distracts, damages and teleports),""Zane's skills include a Digi-Clone that distracts enemies and deals damage. Eventually, Zane can also swap places with this clone."",3046,NA";;;;
"Borderlands 3 (SNTL drone),""SNTL is one of Zane's skills. Activating it deploys a drone that can fly and shoot at enemies. Zane can order the target for the SNTL, but he can't control it's actions beyond that. The drone lasts a limited time."",3241,NA";;;;
"Bouvetøya 2052 (A fake hologram of Wu Lo is updating the contestants),""The contestants are unaware that the holograms that are appearing after the first day gives them information from are fake. The real Wu Lo is taken prisoner and the traitors have made precalibrated fake holograms of Wu Lo sending messages to the group. The only sign that something is not right is that the signal is weaker and the image is lagging. The group notices and isn't sure what to do with it. The traitors reveal that the holograms were fake to Roland when he has boarded """"Hanse Explorer"""" in the end of the novel."",2491,""The contestants positioned themselves in a half circle in front of the bunker and waited for Wu Lo to appear. And rightly so: Immediately the hologram of the Asian Web-gründer slowly appeared between them. But the image seemed a bit weaker than the day before. Parts of Wu Lo's body were unclear and miscoloured. Green, lagging pitches came and went, especially on his upper body and in his face. ";;;;
(Deltakarane stilte seg i ein halvsirkel framfor bunkersen og venta på at Wu Lo skulle dukke opp. Og ganske riktig: Like etter prikka hologrammet av den asiatiske nettgründeren sakte fram mellom dei. Men bildet verka liksom svakare enn dagen i førevegen. Delar av kroppen til Wu Lo var utydeleg og misfarga. Grøne, skurrande flekker kom og gjekk, særleg på overkroppen og i ansiktet.);;;;
s. 188 ;;;;
;At the same time the hologram of Wu Lo now became even more unclear. His face was about to be completely erased in the green flickering. Also the voice became weaker and more lagging. (...) And then the hologram disappeared in a crackling blaff. What was this green lag? A bug in the holo-projector? Locally down here? Or a bigger system error on the Web? The contestants looked at each other hesitantly. ;;;
(Samtidig blei hologrammet av Wu Lo no enda meir utydeleg. Ansiktet hans var i ferd med å bli viska heilt bort i det grøne flimmeret. Også stemma blei gradvis svakare og meir hakkete. Så forsvann hologrammet i eit knitrande blaff. Kva var dette grøne flimmeret for noko? Ein bug i holo-projektoren? Lokalt her nede? Eller ein større systemfeil på Nettet? Deltakarane sende kvarandre nølande blikk.);;;;
"s. 189-190""";;;;
"Bouvetøya 2052 (Grol and Armin are using holograms to look at the Bouvet Island),""When in """"Hanse Explorer"""" Grol and Armin are looking at holograms to get a view of the Bouvet Island. Their task is to prepare the competition and ensure safety during it. The holograms are depicting what different cameras are filming at the island (there is no interactions with the cameras, therefore they are not included as a technology). Among the holograms are a hologram showing the live broadcast from the reality show Bouvetøya 2052. "",2480,""Grol tried to push the gloomy thoughts away. Instead he lent over to Armin, who sat immersed before the multi projector and the many small holograms. Most of them were reflections of the most important locations on the Bouvet Island. The cameras were put up on different places in Nyrøysa, while one showed the wooden cabin on the Larsøy, their distant depot on the islet south west of the island. The last hologram showed the live broadcasts from Bouvetøya 2052 on the Web. ";;;;
(Grol forsøkte å skyve dei dystre grubleria bort. Han bøygde seg i staden mot Armin, som sat fordjupa framfor multiframvisaren og dei mange, små hologramma. Dei fleste var refleksjonar av dei viktigaste punkta på Bouvetøya. Kameraa var sett opp på ulike stader i Nyrøysa, mens eitt viste trebua på Larsøya, fjernlageret deira på holmen sørvest for sjølve øya. Det siste hologrammet viste livesendigane frå Bouvetøya 2052 på Nettet.) ;;;;
"s. 9 """;;;;
"Bouvetøya 2052 (Julian is looking at and adjusting holograms),""During a presentation of the contestants for Bouvetøya 2052, Julian, who is Roland Makowski's younger brother, is interacting with the 3D-hologram depicting the contestants. "",2484,""A 3D-hologram appears in the living room from the projector. It showed a life size thin girl in kaki-brown shorts and a white t-shirts. Glasses. Black bowl cut. She stared in a serious maner straight forward, that is, until Julian started to twist and turn her 3D-figure and show her from different angles in the living room. At the same time, the personal datas appeared: [written information about the contestant]. ";;;;
Eit 3D-hologram steig fram i stua frå projektoren. Det viste ei vever jente i realistisk storleik kledd i kakibrun shorts og kvit T-skjorte. Briller. Svart bolleklipp. Ho stira alvorleg rett framfor seg, det vil seie før Julian begynte å snu og vende på 3D-figuren hennar og vise henne frå forskjellige vinklar inne i stua. Dei personlege dataa skribla seg samtidig fram: [informasjon om en deltaker].;;;;
s. 38;;;;
;His little brother's finger flew over the palm of his hand. And the other contestants in Bouvetøya 2052 appeared from the projector and into the room, crystal clear (...).;;;
Fingrane til veslebroren flaug igjen over handflata. Og dei andre deltakarane til Bouvetøya 2052 steig ut frå projektoren og fram i rommet, krystallklare (...).;;;;
"s. 39""";;;;
"Brave New World (2020 TV series) (Playful AR),""All citizens of New London wear optical implants they refer to as """"Optics"""". These connect them to Indra, an AI system that controls New London, and also connects them to each other. When a person wears the optic they are connected to everybody else.";;;;
"When taking the train to a party, Lenina and Frannie throw huge emojis to each other through the air and digitally alter their outfits, as though they are using filters in TikTok or Instagram, but because of their optics, the filters look as though they are in the real world to them and to the viewer. (s01e01, 17 minutes in)."",1533,NA";;;;
"Brave New World (optical implant memory holograms),""John's memories and emotions are transmitted through the AR/occular interface as holograms/experiences for people to enjoy."",3268,NA";;;;
"Brave New World (optical implant overwhelm),""John the Savage getting the optical implant and being overwhelmed."",3267,NA";;;;
"Breathe (Use of reader's camera),""Breathe is a story written for mobile phone where the reader is asked to give the website access to their camera. If the reader accepts this, their phone will automatically capture a photograph, which is then integrated into the background of the screen, behind the text of the story. The image is heavily filtered."",301,NA";;;;
"Brooklyn Nine-Nine: The Fugitive Part 1 (DHS surveillance van),""Jake and Terry uses the Department of Homeland Security's resources to get access to a van with satellite link and surveillance monitors. Through the surveillance system, Jake sees Terry being taken hostage by the escaped convicts."",1758,NA";;;;
"Brooklyn Nine-Nine: The Fugitive Part 1 (Drone shows the score),""Jake uses a drone to inform Amy and Charles about the current score in their contest. Jake thanks the drone for its help in teasing Amy and Charles."",1759,NA";;;;
"Brooklyn Nine-Nine: The Fugitive Part 1 (Thermal imaging shows ovulation),""Amy and Charles are in the field looking for escaped convicts with newly acquired thermal imaging gear (headsets), when Charles looks at Amy and tells her that if she and Jake are trying to get pregnant, they should do it now, because the headgear shows that she's ovulating.";;;;
"Amy: """"I love these thermal goggles.""""";;;;
"Charles: """"Amy, listen to me very carefully. If you and Jake are thinking of trying, you are ovulating like crazy right now.""""";;;;
"Amy: """"You take that helmet off before I knock it off.""""";;;;
"Charles: """"What? Your basal temperature is off the charts. This is a good thing."""""",1757,NA";;;;
"Call of Duty 4: Modern Warfare (""Too easy"" with night vision goggles),""Soap and the others can use night vision goggles to see in the dark. In one of the first missions in the game, Soap and Captain Price equip these upon entering a house with hostile forces in it, and Captain Price notably says """"These night vision goggles make it too easy"""" before Soap and Price start killing."",2882,NA";;;;
"Call of Duty 4: Modern Warfare (Satellite image reconnaissance),""Almost every mission in the game starts with a briefing with satellite images of a large part of the world, which zooms in until it shows an aerial view of a part of a city etc."",2883,NA";;;;
"Call of Duty 4: Modern Warfare (Sniper rifle 900m zoom),""In the scenario """"One Shot, One Kill"""", Lt. Price and Cpt. MacMillan have waited several days in the same spot to assassinate the Russian arms dealer Imran Zakhaev. The distance to the target is shown to be 896.7m, and wind etc. have to be accounted for when firing the sniper rifle. Imran is shot and loses an arm, but survives the assassination attempt."",3238,NA";;;;
"Call of Duty 4: Modern Warfare (The Death from Above mission),""""""Death from above"""" is an infamous mission in CoD4. The player is controlling an operator charged with providing plane cover fire and assistance to a squad on the ground (consisting of Captain Price, Soap, and the rest of the team). The operator has thermal vision on the scene which can be toggled between white hot and black hot, and friendlies on the ground have blinking IR strobes on them to aid the operator in avoiding friendly fire. This thermal vision is blurred or smudged and """"lingers"""" when the camera moves, sometimes focusing only to lose the focus again. Operators that communicate between plane, base, and ground squad sound uncertain and confused, trying to explain which building or location or road they're talking about. When they're not confused, they're cocky and celebratory, saying things like """"Yeah, good kill. I see lots of little pieces down there"""", """"Woahhh!"""" and """"This is gonna be one hell of a highlight reel"""". Combined with the massively overpowered weapons and no chance of retaliation for the enemy units, it presents an unfair perspective - emphasized by the sheer number of still white (or black) dots on the screen which symbolize people who have been killed (by you)."",2885,NA";;;;
"Call of Duty 4: Modern Warfare (Track and identify bodies through walls),""In briefings, satellite images often give way to 3D models based on scans, where hostiles are tracked in real time. A filtered appearance can identify a person through walls (even tanks), but it is unclear if this filter is from a surveillance camera/a drone/something else, and what kind of technology that's embedded in it."",2884,NA";;;;
"Cam (Machine duplicates Lola),""CAM is a technology driven psychological thriller set in the world of webcam porn. It follows Alice, an ambitious camgirl, who one day discovers she's been replaced on her show with an exact replica of herself. As this copy begins to push the boundaries of Alice's internet identity, the control that Alice has over her life, and the men in it, vanishes. While she struggles to regain what she's lost, she slowly finds herself drawn back to her show and to the mysterious person who has taken her place."",1086,""Alice: You stole my face and now I'm going to get it back!""";;;;
"Cam Boy (Sex worker being watched),""Non-binary person using a range of different technologies in their sex work."",367,""""""Type in your screen name We can do it all day All you gotta do is pay I'm just your cam boy I know we don't touch But it's just too much I know you're getting a crush I'm just your cam boy Put in your login Get this body rocking Don't need no talking I'm just your cam boy Late night, and your staring at my screen I can't see you low battery Pathetic, you know you make me wanna scream but I smile so you don't leave I can't stay Don't pout But if you don't pay I'm gonna log out I know we don't touch But it's just too much I know you're getting a crush I'm just your cam boy Put in your login Get this body rocking Don't need no talking I'm just your cam boy Lately, I feel you reaching through the screen Click and grab me I don't bleed Connected, but I think I'm gonna crash It's a pity you can't last I can't stay Don't pout But if you don't pay I'm gonna log out I know we don't touch But it's just too much I know you're getting a crush I'm just your cam boy Put in your login Get this body rocking Don't need no talking I'm just your cam boy I guess I'm your toy In the shape of a boy I can't turn it off Can't take this mask off I remember who I am When I'm your cam boy Type in your screen name We can do it all day All you gotta do is pay I'm just your cam boy I know we don't touch But it's just too much I know you're getting a crush I'm just your cam boy Put in your login Get this body rocking Don't need no talking I'm just your cam boy""""""";;;;
"Captain America: The Winter soldier (Fury gets ambushed),""Nick Fury drives out of HQ and phones Maria Hill to meet him in DC. After the call, a police car pulls beside him by a stoplight. Fury looks at them and just continues to drive when it turns green. The police car drives in from of him and out of nowhere another appears and rams Fury's car from the side and more shows up and blocks every corner. The system registers Nick Fury's injuries and tells him what he should do."",2152,NA";;;;
"Captain America: The Winter soldier (Hologram meeting),""After Fury does not manage to decrypt the files from the USB. He decides to take up the matter with the senior director of SHIELD to delay the secret project. When he finds the director he sees that Alexander is at a meeting with other representatives from various nations that are shown as holograms."",2151,NA";;;;
"Capture (Using facial recognition to identify policemen),""The artist collected images of police from protests and with the help of facial recognition software acquire additional images of these individuals. Then publishing these images on a website the artist could crowdsource the identities of these policemen with the help of the users of the platform. By subverting the use of facial recognition, usually used by law enforcement and turning it against them the artist wish to demonstrates that this technology has a fundamental impact on a individuals privacy, and even the police is not above it."",2570,NA";;;;
"Cat or Human (misinterpreting cats and humans),""The computer vision software recognizes and classifies images of cats as humans and vise versa humans as cats. The artist have collected a selection of images in which the misinterpretations are exposed."",2553,NA";;;;
"CCTV: A Trail of Images (hacking into CCTV's),""In workshops together with the participants the artist group builds video signal receivers and video recording devices. equipped with these DIY seeing machines they conduct """"Derives"""" and stroll around the city capturing surveillance footage. The intrusive nature of the surveillance cameras are subverted from surveillance (looking from above) to sousveillance (looking from below). In this context machine vision becomes empowering as the devices allow highjacking the power and control related to watching from above."",1787,NA";;;;
"Change Return (Man tricks service drone),""In this short movie a hungry man finds a credit and check the vending machine if there is anything he can get for it. The only thing he can afford is either Bubble Gum or find missing child service. He clicks Missing Child and the machine asks for a photo of it. He finds a magazine on the ground and scans the image of a pig. The machine asks if he is sure if its human and he pushes yes. The Service drone (obviously working together with the vending machine system) is telling the hungry man to wait where he is as the drone is scanning everything alive in order to find the lost child. The drone ends up scanning a pig, gets a 99% match and lifts the pig out of its cage of a truck and brings it back to the hungry man. The hungry man and the pig gets their photo taken and it says happy reunited family. The hungry man was able to trick the service drone, but as he places the pig in his boat, the service drone notifies that the child (the pig) needs a life vest, when the man pushes the service android away it puts on an alarm system. So much for tricking the machine."",2657,NA";;;;
"Cheese (Women smiling),""On camera, six actresses each try to hold a smile for as long as they could, up to one and half hours. Each ongoing smile is scrutinized by a emotion recognition system and whenever the display of happiness fell below a certain threshold, an alarm alerted them to show more sincerity."",451,NA";;;;
"China Mountain Zhang (Building recognises faces),""When San-xiang gets kicked out from her parents place, she stays in Zhang`s apartment where you enter by being recognized by the building. It does not say facial recognition, but I am assuming it. The other female character Angel is easily granted access into several places, because buildings """"likes"""" her, as she claims."",978,""The Building system says someone`s at the outside door, I check the console and there she tands with a slouch bag over her shoulder. Until I see the bag it doesn`t occur to me that she might want to stay the night. Hell, doesn`t she have friends? I let her in, tell the builiding to recognize her and let her in whenever she comes, and leave the door off the latch. I ride the subway home to Brooklyn. It`s not far from the subway to my building, but I`m glad to get to the door. Safe in the entry, safer in the elevator. I`ve been living here for two years, and the building knows me. I have an affinity for machines, call me superstitious but I think it comes of spending some of my waking hours as a kind of cyborg. I think my building likes me.""";;;;
"Clandestine (Hacker POV),""For Katya in the field, stealth is key and any unwanted noise or hidden camera will kill her. That's why Martin is watching it all from his """"hacker position"""". Martin hacks into the network of whichever location he and Katya are infiltrating and can override security cameras, find passwords, scout ahead, etc. While he's hacking, his screen is split into multiple parts, but he can also zoom in on a particular video feed, e.g. Katya's body camera. In solo player, the player switches between Katya and Martin. In coop mode, the camera feed that Martin has is his only source of visuals on what's happening """"on the ground""""."",2892,NA";;;;
"Classification.01 (classifying similarity),""The visitor (User) approaches the artwork and is analyzed by a camera with facial recognition software. The user is classified according to different algorithmic measurements and the results are compared to the previous visitor (user). If the visitors are classified similar the artwork consisting of two neon-light bracket light up."",2936,NA";;;;
"Cloud Index (generating preditctions),""The artist is using weather satellite images and UK polling data to """"predict"""" what weather in UK would have been optimal for the Brexit referendum to achieve a 100% Leave or 100% remain result in votes. DCGAN (deep convolutional generative adversarial network) was used to render these extreme simulations."",1565,NA";;;;
"CMYK Deep Face Dude (Flawed Facial Recognition),""Colorful squares over an anonymous persons face, resembling the squares being used to finding faces in cameras and digital photo galleries."",429,NA";;;;
"Come Out To LA (Robinator scans Tom),""In this situation the lead singer Rob has become an android of sorts and they are all taking bandpictures. Tom is hesitantly putting his hand on his shoulder for the photo, but """"Robinator`s"""" sensors is triggered and he ends up lifting up Tom and choking him. While he is doing this he is scanning Tom to determine if he presents a threat or not. Everybody freaks out and try to save Tom from Robinator`s hands, but they end up having to """"turn him off"""" (A button in the back)."",744,NA";;;;
"comeback (rejected by Instagram),""comaback is a Instagram filter which went through several iterations because the earlier versions were rejected by automated (or and human) moderation containing nudity. Hence, the social media platform failed to recognize the filter as work of art until the creator created a version that passed the moderation."",3195,NA";;;;
"Common Daemoniator (generating faces),""The artist developed a mysterious interface that gives its users the possibility to navigate in the latent space of a neural network (StyleGAN2). The interface draws references to alchemy and by pulling mysterious strings with various symbols a face in the middle is morphing creating new faces. De StyleGAN2 was developed to create hyper realistic faces and potentially the face of every human being could be created by adjusting the strings. However, what happens in the latent space is a black box and can only be navigated by gut feeling."",2248,NA";;;;
"Compis (Leo stumbles),""Leo stumbles in the hallway in school, while everyone is filming. His """"coolness index"""" thankfully doesn't decrease."",2781,NA";;;;
"Compis (The coolness algorithm),""The coolness algorithm monitors social media, and analyses the students videos, photos and posts, and rates the coolness of everyone in the school."",2783,NA";;;;
"Contra a Cegueira da Ordem Estabelecida (simulating cutting of users eye),""The user peeks into a box with a camera, when the object detection software detects and captures the eye of the user it is projected onto a screen. On the screen the image of the users eye is cut with a razor blade expressing that opening your eyes (as a political act) can be experienced as an violent act."",1921,NA";;;;
Coronavirus Drone Video (Coronavirus drone),NA,1021,NA;;;;
"Cosmodrama (Monkey brain tests),""The physiologist performs a brain scan on the spaceship monkey while testing his intelligence. The monkey manages to form intelligent, funny and sweet phrases by pointing at cards with images on them. During the many brain scans that happen in the movie, we see a simplified version of what is going on in the brain (where it is happening) on a big screen on the wall. "",2381,NA";;;;
"Cosmodrama (Woman of the waves appears on screen),""After filming a report on dark matter, the reporter and the psychologist turn off the cameras. The screens, that are connected to the cameras (the communication has only been one-sided until now) turn black. Then, suddenly, the face of a strange (human-looking, but ethereal) woman appear from inside the screen and gives them philosophical insights, before disappearing again. ";;;;
"This woman appears again several times, and the reporter falls in love with her. This is the only time she appears when there's somebody else in the room, proving that she is not just a fantasy of his. "",2377,NA";;;;
"Cowboy Bebop: Jamming With Edward (Ed Hacks Satelite),""In orbit above Earth, a satellite's artificial intelligence laments being alone then connects to several other satellites in the area. They begin to fire lasers onto the planet's surface, imprinting carvings in the shapes of various animals. Edward hacks into the Outernet server and enters the virtual mind of the satellite that started the land carvings. Once she is in there, she discovers that no one had hacked into it before, and hears a voice inside the system. The satellite identifies itself as the Central Processing Unit on the D135 Artificial Satellite. Edward decides to call it MPU because it's like CPU, only neater. MPU explains that he made those land carvings to recreate the Nazca lines after the gate accident destroyed Earth's landscape. As Edward asks if she can draw something, the Earth Police jam the signal and Edward loses contact with MPU. Jamming With Edward Fandom, retrieved November 5, 2019 https://cowboybebop.fandom.com/wiki/Jamming_With_Edward"",693,NA";;;;
"CV Dazzle (Hiding Identity in Stylish Ways),""CV Dazzle is  guide how to style your hair and face to distract facial recognition techniques.";;;;
"A person who wears the CV Dazzle makeup is camouflaged from the intrusive gaze of facial recognition. The makeup is put on with the purpouse to hide from the intrusive gaze of machine vision avoiding to be identified."",379,NA";;;;
"Cyberpunk 2077 (Cyberware malfunction and upgrade),""V's cyberware malfunctions, so she goes to the ripperdoc Viktor who implants new cyberware into V. One of these enhancements is an ocular upgrade that boosts her vision and scanning capabilities. It also distorts facial recognition in surveillance cameras."",2472,NA";;;;
"Cyberpunk 2077 (Inside the DeepNet),""V is """"transported"""" inside the Net, an extensive internet including cybernetic limbs. The Net can be accessed using a terminal or computer, but this time, V uses a cybernetic interface that allows for experiencing the Net in 3D. They go to the DeepNet and beyond the Blackwall, an AI firewall made by NetWatch (policing) to keep rogue AIs out. It's beyond the Blackwall that V finds Alt Cunningham, Silverhand's (physically) dead girlfriend turned AI."",3104,NA";;;;
"Cyberpunk 2077 (Life coach checks troubling biometrics),""While in an autonomous cab on their way to Lizzie's Bar, V gets a call from their life coach. V has just been told to do a dangerous side job by their boss and now V's biometric readings are """"troubling"""", prompting the call to check in. The life coach tells V to think back to the last session and do the """"neuromotor relaxation exercises"""" they practiced.";;;;
"(this only happens in the """"corpo-rat"""" introduction)"",2492,NA";;;;
"Cyberpunk 2077 (Silverhand's hologram),""Silverhand presents himself as a hologram to V. Since he's slowly taking over her body and replacing her consciousness, nobody else can se Silverhand's hologram."",3106,NA";;;;
"Cyberpunk 2077 (V tests Braindance),""V goes to Lizzie's Bar to get information from Evelyn. Evelyn takes V to the basement and to Judy, who plugs them into BD (Braindance, a kind of VR environment of recorded memories that you can control). The BD has to be modeled """"of your perceptions and emotional responces. Need to adjust that so the raw BD won't overwhelm you.""""";;;;
"BD is """"Good for analyzing details human perception, even boosted, doesn't grasp."""" In BD, you can either watch it from a first-person view, or enter an editor mode and analyze thermal, visual, and audio signs picked up by the recorder. BDs are explained as often used for porn, but in this particular BD, a """"Thug"""" robbing a store is shot by an unknown person. V takes the perspective of the robber when they're not in """"editor mode"""". Through analyzing audio and visual cues as well as the security camera's surveillance screen, V sees that the robber's associate is his killer.";;;;
"After the BD, V says: """"That was... too much. Felt... could feel the guy's... pain, his stress, his hope? Hope wrapped up in somethin' else..."""""",2506,NA";;;;
"Daemon (Facial recognition and biometrics,""At the NSA anti-Daemon taskforce facility there is a lot of technology that scans and identifies people. ";;;;
"Compared to newer novels, this book hardly mentions facial recognition - understandably as it was written before neural networks made facial recognition feasible in high volume. "",2874,""Merritt saw a series of small cameras mounted there, running down the length of hallway. “Your gait is being memorized, Roy. The security system is learning to recognize you from your walk and facial features.” Merritt eyed the cameras suspiciously.";;;;
Suarez, Daniel. Daemon (p. 372). Penguin Publishing Group. Kindle Edition. ;;;;
;One of the guards gestured to a hole set into the wall nearby. Ross stuck his arm into the hole. A brilliant light glared from within.;;;
Merritt pointed at the device. “What now?”;;;;
“Biometric scanner. It scans the pattern of veins in my forearm.”;;;;
"Suarez, Daniel. Daemon (p. 375). Penguin Publishing Group. Kindle Edition. """;;;;
"Daemon (fMRI lie detector),""The Daemon (an AI) tests new recruits by strapping them into an fMRI machine and visualising their brains while showing them a series of videos depicting emotionally intense scenes. The videos seem to adjust to hone in on the things that evoke the greatest emotional responses. For Mosely, who has been recruited by the Daemon from prison, the videos centre on children in distress, and he aches for his lost son and for his own broken childhood. Then there are videos of extreme violence and throughout the whole of it, Mosely has to keep his eyes open and keep watching. If he closes his eyes for 30 seconds, a poison will be injected into his veins and he will die a painless death. If he instead passes the test - the analysis of his brain's responses to the videos - he is told he will be a soldier for the Daemon, and under the Daemon's protection for the rest of his life.  ";;;;
The fMRI is described as a horrible, forty-six hour long ordeal, where Mosely is well past his breaking point. However, at the end, the videos seem to be building him up instead of breaking him down. When it is over, Mosely is told he is exceptional, and that the Daemon trusts him completely. His new colleagues also say they trust him. And Mosely himself understands himself, through the understanding of the Daemon, and feels elated.;;;;
" "",2871,""“Why are you here? You’re here so I can determine whether your motivations are compatible with mine.” Sobol gestured as if he were physically present. “The equipment around you is a powerful functional magnetic resonance imaging scanner. It is scanning the neural activity of your brain in real time. Neurons work like logic gates on a computer chip, firing electrical signals in specific sequences to accomplish certain tasks or to conceive certain generalized concepts.” Sobol paused. “It is a controversial fact that technology has discovered a way to see not only truth or falsehood in a person, but their very thought processes in action. Even before they can act upon those thoughts. Dissembling or deliberate deceit is orchestrated by the frontal lobes….”";;;;
The frontal lobes were highlighted on the left-hand screen—over the image of what was presumably Mosely’s brain. Other areas were highlighted in turn as Sobol continued, “Fear, aggression, empathy, and recognition all have their unique signatures in the human brain. Mental disorders, such as schizophrenia, also have their telltale patterns. So you see, you can hide nothing from me. I am about to know you better than anyone has ever known you. Perhaps even better than you know yourself.”;;;;
Mosely was starting to tremble again. He saw the colors change in the brain diagram on the left-hand screen. He instinctively knew it was fear. He was seeing his own fear develop on-screen in real time. Feeding on itself.;;;;
“You are afraid.” (page 258);;;;
;Conflicting emotions swept over Mosely. Adrenaline coursed through his veins as he watched the colors swirling over the image of his brain. He realized that try as he might, he could not biofeedback his way through this. He could not fathom—much less control—the sweeping patterns of color rippling over the folds of his brain. (page 259);;;
;It was like being dragged over an emotional washboard. Mosely wound up feeling virtually every emotion of which humans are capable—not once but hundreds of times. He was long past his breaking point—not that he even noticed he’d passed it.;;;
The images continued. An unknowable number of hours, and still the images continued. Mosely’s mouth was parched, and he strained to stay alert. The images kept coming.;;;;
But one concept had begun to form in Mosely’s mind. Like a rock slowly revealed as a wind blew away surrounding sand, Mosely was starting to see himself. With all his built-up emotional defenses long since worn away, simple truths had begun to emerge. Even he knew their meaning: he was angry at his wasted life. He felt deep feelings of loss that he had no family as a child, and that he had not provided one for his son—wherever he was now. Also Mosely had a desperate desire to belong. To matter. To stand for something besides himself. He was the perennial outsider looking in on the fellowship of others.;;;;
The last films were pivotal. Where the earlier ones seemed to break him down to his emotional building blocks, the latter ones seemed to be building him up—filling him with joy as he saw people struggling together. Relying on each other. Sacrificing. Gratitude. Joy. Free men looking toward distant horizons. Horizons that beckoned the adventurous, hinting at danger.;;;;
The people in these films were of all races and ages, but Mosely noticed that they shared some traits in common: they were capable, they were highly motivated, and they acknowledged no limits. Danger was not a deterrent. It was life lived to its maximum. They were truly alive.;;;;
Suarez, Daniel. Daemon (pp. 263-264). Penguin Publishing Group. Kindle Edition. ;;;;
;Morris nodded and shook his hand also. “Welcome aboard.” “Aboard what?” Rollins gestured. “The Daemon chose you. You’re one of its champions now.”;;;
“Do I have a choice?”;;;;
“You already made your choice.” He looked into Mosely’s eyes. “This is where you want to be. That’s why you’re still alive.”;;;;
Mosely absorbed the words. The images were so fresh in his mind. Breaking him down to his basic building blocks. Understanding him. Mosely understanding himself. The elation. He realized Rollins was right.;;;;
"Suarez, Daniel. Daemon (p. 265). Penguin Publishing Group. Kindle Edition. """;;;;
"Daemon (Third eye),""The Daemon has given one of its soldiers, Gragg, a shirt that transmits data from his surroundings to his skin in a way that his brain interprets as visual data, as """"seeing"""". This is one of a number of technological devices and weapons that make Gragg almost invincible. The novel represents Gragg as a vile human being. "",2872,""Gragg felt the tingling of the Third Eye on his stomach and back. The Third Eye was another of the miracles that Sobol had bestowed upon him. It was a form-fitting conductive shirt worn next to the skin—but it wasn’t a garment. It was a haptic device that helped him use his body’s largest organ—his skin—as another, all-seeing eye. An eye that never blinked, and an eye that could see around him in 360 degrees or halfway around the world, if he wished. It worked by sending tiny electrical impulses to excite the nerve endings in his skin, much like a computer monitor projected pixels onto a screen. The microscopic electrical impulses represented data—from blips on a radar screen to full-blown visual displays. But what amazed Gragg was how the brain learned to accept input from this new source as if it were just another organ. Just another eye. He felt the networks around him, but he could do more than just feel them. Gragg motioned with his gloved hands. Suddenly the headlights of the twin Town Cars flicked on. The cars roared forward and deployed on either side of the road at his command, illuminating the entire crash scene. Gragg halted them with a wave of his hand. (page 334)""";;;;
"Data Feelings (The Happy App)(Measuring feelings),""Artist Mari Nagem uses """"The Happy App"""" to record her feelings for a 8 hour working day. The app tells her that she was happy only 6% of this time."",1923,NA";;;;
"Deadpool 2 (Hologram),""A hologram is created by Cable's ocular implant right before he uses the time travel machine, in which his memories are showcased and rewound, displaying a glitched and pixilated memory of two people (one of them being Cable himself). "",2128,NA";;;;
"Deadpool 2 (Ocular implant AR),""Cable is using his ocular implant eye to scan and create an augmented reality display showing information about two people and their location in the building."",1815,NA";;;;
"Deadpool 2 (Surveillance cameras),""The criminal, Sergei Valishnikov, is hiding away from Deadpool and using the surveillance cameras to surveil the surroundings of the building he's hiding in. "",1806,NA";;;;
"Deadpool 2 (Weapon information in AR),""Cables ocular implant is creating an augmented reality display, that's displaying the information of different weapons and parts which are being scanned, teaching him how to upgrade the weapon using different parts."",2129,NA";;;;
"Death Stranding (Holograms),""Holograms are used often";" as """"telephones"""", as signposts, and as information/mission briefing."",762,NA";;;
"Death Stranding (Odradek scanner),""The Odradek is a shoulder-mounted scanner which analyses terrain and objects. When connected to a BB pod, the Odradek also detects BTs."",763,NA";;;;
"Death Stranding (PCC 3D printer),""The Portable Chiral Constructor is a 3D printer for structures such as bridges and watchtowers."",965,NA";;;;
"Deconstructing Representation (training a GAN),""The artist is training a neural network with collected images from Instagram. Then she chooses a selection of images that visualize the construction and deconstruction of GAN generated images."",1518,NA";;;;
"Deep Dark Fears (Reflection recording Fran),""In this comic strip, Fran tells us about his fear about reflection """"recording"""" and """"capturing"""" his reflections. One day when it has captures all his expressions, it will replace him."",1028,NA";;;;
"Deep Down Tidal (bias image search),""In the foreground a black woman is on her smartphone. In the background image searches on feet, dreadlocks and children appear in browsers. The searches are mainly showing feet of white people, or white people with dreadlocks and fair skinned children. In the background a voice in phone conversation style is stating: “This is racism”, “this is really not good”. “It is like they are not treating us equal”. “They are not treating us as a human being”.  The sequence ends with the written text: “Google why u mad?” referencing to the bias of image search engines an example of “Electronic colonialism is a domination and control of digital technologies by the west to Maine and expand the hegemonic over the rest of the world” (stated in the video after the sequence). The sequence demonstrate the bias of search engines which excludes other worldviews when dominated by Western culture and values."",3207,NA";;;;
"DELIVERY FOR MR. ASSANGE (Webcam Post),""A parcel with a camera is delivered to Julian Assange at the Ecuadorian embassy in London. The images captured by the camera were transferred to a website and tweeted. Documented is the parcels journey through the Royal Mail reaching Julian Assange who performs for it from his """"prison""""."",323,NA";;;;
"Demonstrate (controlling a robotic webcamera),""Users online can control a robotic webcam placed at the UC Berkeley's Sproul Plaza. They can observe the people and their behavior in the space, take images and comment on them. The images and comments were archived."",3044,NA";;;;
"Den Lengste Reisen (Genetic code scan in subway),""To ride the subway, passengers have to go through a scanner that identifies their genetic code and links this with an overall database of payment. First, April is denied access because she lacks funds, but after being paid from the bar, she can buy a ticket."",1792,NA";;;;
"Den Lengste Reisen (Stealing prosthetic eye to unlock door),""April talks to detective Frank Minelli while he's in a toilet stall. When Frank sneezes, his prosthetic eye falls out of its socket, so if April 1) turns off the lights so he can't see with the other eye and 2) replaces the eye with a toy monkey eye, she can switch eyes without him knowing (although he immediately becomes sore and red from inserting the toy monkey eye). April then uses Frank's eye to unlock the door to the archives."",1647,NA";;;;
"Desiluciones ópticas (remembering the oppressed),""The user is throwing paper in the air (performing celebration). This performative act of celebration that was used to hide actions of a oppressive regime is subverted as the motion of the paper is detected and revealing on a projection images of those oppressed. When the camera dose not detect motion the images start to fade into the black background the user needs to continue to throw paper in the air to keep the memory visible and alive."",2041,NA";;;;
"Detroit: Become Human (Analyzing crime scenes),""The android police inspector Connor has advanced vision software that enables him to analyze his environment and replay events leading up to or occuring after a murder."",304,NA";;;;
"Detroit: Become Human (Hacking elevator camera to avoid guards),""There's a security camera in the elevator in Cyberlife Tower that can be spotted by Connor, but one can also play without doing anything about it. If Connor hacks the camera before attacking the others in the elevator, he won't have to fight guards when he exits the elevator, because they didn't see him acting deviant. Hacking the camera takes the player to the camera's POV and shows its vision flickering and shutting down. Note that if Connor doesn't fight the guards in the elevator, he will be """"terminated"""" when the doors open. This Situation is for Connor hacking the camera."",3234,NA";;;;
"Detroit: Become Human (Markus failed vision),""After being discarded in a dump full of android bodies, Markus wakes up and needs to find replacements for his damaged body parts: an optical unit, a pump regulator and an audio processor. The player sees Markus in a third-person perspective, and the visuals look normal, except when using the android's special abilities, when analysing the surroundings or a body to check it for compatible parts. In these cases, the usually smooth graphics are jagged and distorted, with red lines running through them. The visuals are distorted as though we are seeing through Markus's faulty optical unit. When Markus finds a decapitated android head with a compatible optical unit and picks it up, the head begins to speak: """"Hello. I am an AK700 android. I was designed to serve you. What can I do for you?"""" At this point, the player can remove the optical unit from the eye socket and place it into Markus's eye socket, after which the visual glitches are shown to resolve.";;;;
"The whole scene takes place in the dark, and everything is wet with rain. Several badly damaged androids move around, or ask limply for help. The head of the android Markus takes the optical unit from resembles a skull, the white but black-spotted skin tightly drawn across the bones, but with one gleaming eye staring straight at us. There is very much a sensation of being in a graveyard or perhaps some version of hell. Visually it is reminiscent of a baroque painting."",1209,NA";;;;
"Deus Ex: Human Revolution (Avoiding security cameras),""Security cameras will sound the alarm and alert hostiles to Adam's location. To avoid this, Adam can destroy the cameras (but this activates the alarm), disable using a stun gun or EMP mines, or disable them by hacking into security hubs. The cameras have """"Big bro"""" printed on their side."",3245,NA";;;;
"Deus Ex: Human Revolution (CASIE implant conversation analyses),""Adam can upgrade to the CASIE (Computer Assisted Social Interaction Enhancer) implant which analyzes facial expressions, heart rate, pupillary responses etc. in real-time in conversations, to help him decide on the best replies and questions to get what he wants. The CASIE also assigns traits based on this analysis, such as """"Aggressive"""", """"Excitable"""", and """"Insecure""""."",3244,NA";;;;
"Deus Ex: Human Revolution (Holographic interfaces),""In the Sarif offices, augmented reality and holographic interfaces/decorations are everywhere. They function as computer screens, as maps, and even as a globe bar cabinet (the globe is holographic and the frame """"holding"""" it is woodwork)."",2856,NA";;;;
"Deus Ex: Human Revolution (Retinal display not working),""In the very beginning of the game, Adam is severely wounded in an attack on the Sarif offices and laboratories. He's augmented (artifical - and more capable - organs) to save his life. When Adam returns from his post-augmentation leave, he has an issue with his retinal prosthesis in that it's slightly glitching and not displaying everything it should. He goes to Francis, head of cyber-security, who says that the """"left and right imaging processors weren't completely in sync"""" and helps Adam fix the display with a reboot: """"Your retinal display should be fine now. Its recognition software won't be picking up hostiles yet, but you should be seeing radar and targeting reticules. Biomedical data, too, if you're in pain."""""",2852,NA";;;;
"Deus Ex: Human Revolution (Retinal prosthesis),""Adam's augmentations (artifical - and more capable - organs) include a retinal prosthesis that enhances his vision. The prosthesis shows the HUD and augmented reality. It also has the """"smart vision"""" ability to track and see threats through walls, and a radar system that tracks """"enemy combattants, security cameras, turrets and robots via an on-screen radar."""" The prosthesis can be upgraded with a cooldown timer and a flash suppressant.";;;;
"Note: The retinal display of Adam's prosthesis is presented as the player's HUD, so if he's hurt, the screen goes red, etc. which is usually not counted as MV for the database, but is explained as part of the retinal prosthesis here."",2853,NA";;;;
"deus X mchn (Haunted surveillance cameras),""Unsecured, hacked IP surveillance cameras start reciting AI generated holy texts. The same camera that is broadcasting the synthesized holy speech is used to record how people react to the """"haunted cameras""""."",525,NA";;;;
"DIGITAL PAREIDOLIA: A Personal Index Of Facebook’s Erroneous Portraits (misinterpreting objects as faces),""A selection of images with objects that are misinterpreted as faces by Facebooks facial recognition software."",2535,NA";;;;
"Digital skin (changing skin),""The artist used a 3D scanner to make a digital scan of his scull, there after using HD images of strangers pasting their skin on his scull."",2533,NA";;;;
"Dirty Computer (Augmented reality),""Two men is erasing all of Janelle Monáe memories on a AR screen, looking at each memory (music video) before they delete it."",395,NA";;;;
"Dirty Computer (Classified Dirty),""Dirty Computer opens with the story of how people are started to be called computers. People who look or think differently, who oppose or live differently than dictated would be classified as """"Dirty Computers"""" and start to vanish. They would be taken to be cleaned. As the story is told an augmented machine vision interface is analyzing and labeling humans as """"Dirty Computers"""". When contaminated the """"Dirty"""" label appears in red an the persons image is swiped out of the frame."",3089,NA";;;;
"Dirty Computer (Drone identity check),""Janelle and her friend are driving down a desert road grooving to music, when they hear police sirens behind them. It is an unmanned drone, and in a deep, robotic voice it requires them to identify themselves. They show triangular cards, which it scans, and then it performs an iris scan of Janelle. It misnames her """"Jane"""", which is also the name that her captors use for her. Their red car has no wheels, clearly setting the scene in the future. (Scene starts around 4:30 minutes into full video)"",579,NA";;;;
"Dirty Data (training with dirty data),""The artist is training a neural network to generate images. However, instead of cleaning his dataset as it is a practice when generating hyper-realistic images of persons, he leaves all images tagged with a politician’s name even if it does not represent the person in questions face. As a result, the machine vision assemblage generates is creepy satires of something that reminds us of a face. In the video work presents procedural iterations of machine learning and generated images."",1519,NA";;;;
"Dissonant Imagery (brain images),""A neural network trained on fMRIs of the visual cortex generates visual imagery to a sound performance, speculating how visuals could be generated live from a performer's brain patterns."",727,NA";;;;
"Do Not Feed the Monkeys (Surveillance monitoring),""The player watches a live feed of all available/purchased cameras. The player's job is to identify and group information based on these cameras. Cameras can be upgraded to include night vision."",328,NA";;;;
"Don't Look (Controlling flashlight with eye tracking),""The player's eyes control the child's flashlight as they move through a dark landscape. Closing one's eyes will turn off the flashlight, and the direction one looks (from the center of the screen) will turn the flashlight that way."",3006,NA";;;;
"DOOR and BOX (discriminating door),""A facial recognition software controls who can pass through a door. In a demo-video the artwork is demonstrated. First User 1 a Latino woman is analyzed by the discriminating facial recognition software. The door stays locked and User 1 cannot enter. Thereafter User 2 a white male approaches the door, is analyzed and is granted access through the door."",2585,NA";;;;
"DOOR and BOX (discriminating gum dispenser),""The user is analyzed by a facial recognition software which is intentionally trained to recognize faces of a specific ethnicity (white people). In the demo video (see attached video) user 1 a Latino woman approaches the dispenser. Her face is not recognized by the software as a face hence she is denied access to the gums. Next """"User 2"""" a white male is recognized by the software and is able to use the dispenser and get a gum. By using facial recognition to classify people by ethnicity the artists want to demonstrate how facial recognition easily oppresses populations. The """"box"""" has been intentionally tuned to oppress different populations to observe user reactions."",2582,NA";;;;
"Dr. Who: Series 7 (Dalek vision),""In the episode """"Asylum of the Daleks"""", Oswin is transformed into a Dalek, and we see the Doctor through her Dalek/machine eyes."",1006,NA";;;;
"Drawing Operations (Robot collaborates on painting),""Chung paints alongside a robot that has learned her """"style"""" after being fed her archive of art works."",424,NA";;;;
"Drone Selfies (Drones),""Drones are having a look at themselves in the mirror."",336,""""""Drones of course do not have a ‘life’. But what if they did?""""""";;;;
"Drones Don't Kill People (Drone assasination),""Drone team assassinates dissenting Turkish professor and his family."",924,""But the job contained a statistically anomalous event. The professors’ daughter evaded my first shot, and she watched as we killed her family. She screamed for five full seconds, the electricity of her terror visible to our sensors as the galvanic reaction sparked across her skin. Then I shot her through the chest. We lit the fire";" it was intense but localized, leaving the neighboring apartments intact. We recorded it all, and compressed the media files before distributing them to cache in pieces across our memories. We synced to the military cloud.""";;;
"Drones Don't Kill People (Drone surveillance),""Drone narrator and team is gathering political intel on a professor who is a political dissenter for the Turkish government."",923,""""""My job was to hang quietly outside his windows, the sound of my four rotors no more than a mosquito’s hum. You learn a lot by seeing what people do when they think they’re in private. Most of it I found confusingly irrelevant to assassination."""" - My team recorded many hours of video and audio, caching it locally for analysis before uploading it to the military. We were trusted to know the difference between relevant and irrelevant data at a gross level of granularity. Footage of people sleeping was erased before sync. At that time, communications in our swarm consisted mostly of comparing media files, questioning their importance, and sorting through faces and names for patterns. But sometimes we weren’t sure what was relevant and what wasn’t.""";;;;
"Duke Nukem 3D (Holoduke),""The Holoduke is a realistic holographic image of Duke projected in front of him so that enemies will attack the projection instead. For most enemies, however, it is completely ignored besides that it may block their movement."",1018,NA";;;;
"Duke Nukem 3D (Night vision goggles),""Duke's night vision goggles amplify light levels, allowing exploration of dark areas."",1019,NA";;;;
"DullDream (applying the dull effect),""The user uploads an image. The image is processed “Running semantic segmentation”, relevant objects in the image are detected and isolated, the artist has developed the image generator (neural network) to obfuscates what was detected, a new reduced image is generated and published."",1217,NA";;;;
"Dystopia (Cyborg hacks drones),""A cyborg is having a face to face fight with a man and just as the man is down, his wristband is activated and three killer drones appear to take out the cyborg. The cyborg is punching one drone and extracts two wires from it and connects it to cyborg. The drones are hacked and are now turning on the man and lasers him violently into his face until his skin falls of."",2630,NA";;;;
"Død og oppstandelse (facial recognition in grocery store),""When Remi goes to the supermarket, cameras scan his face to identify him and check that he has money in his bank account before letting him enter. When checking out, the surveillance cameras in the shop have identified his purchases and automatically deduct the appropriate amount from his bank account."",1838,""Han gikk ned på Aldi, gjennom den videoovervåkede inngangen der kameraene skannet ansiktet hans og sjekket at han hadde penger på kontoen. Han skalv, og ikke av kulde. Det lyste grønt over den vesle slusen. Han fikk komme inn i matvareavdelingen. ";;;;
;"I slusen på vei ut måtte han vente i noen sekunder på klarering. Mens han handlet, hadde kameraene registrert hva han plukket med seg, og nå trakk butikkmaskinen den riktige summen fra kontoen hans.""";;;
"Død og oppstandelse (Oda shows herself as a hologram),""Birgitte's research project has attempted to awaken the digital scan of Oda's brain made before her death. It hasn't worked as expected, but fragments of Oda's consciousness have seemed to have spread across the internet and to be attempting to make contact with Remi, Oda's husband. This new version of Oda seems frightened and incoherent, but after Remi has spent months writing out his sensory recollections of his emotions and experiences during his time with Oda, and correlated these to his own brainwaves when thinking of the """"sensory map"""" (sansekartet), she becomes more cohesive. At the end of the novel, Oda has become strong enough to appear as a hologram visible to all. She hacks the holographic sign of Hjernesenteret, the research centre where her consciousness was scanned before her death, changing it from showing a model of a brain to showing her own face, a little distorted, but clearly recognisable as Oda. She smiles, mildly, and letters are projected: don't be scared don't be scared don't be scared. The message is spread by air raid sirens throughout the country, and her message is spread on screens all around. Ships and planes change direction and write the words in the sky, """"thanks to Oda's stable hand on the automatic positioning systems"""". Tourists film Oda's holographic face and share the video on WakeFeed, where it is viewed in Australia 36 seconds after appearing in Brattorkaia. Oda continues: I have come to help. I have come to show you a new way. Remi's thoughts conclude the novel. He knows that Oda is now free, and that everything has changed.  ";;;;
;;;;
"Note: this representation of the digitised consciousness as saviour has a lot in common with the messages the aliens in Nnedi Okorafor's Lagoon send to all humans, also coopting their screens, and also telling them that everything will be alright and that everything has changed. See the situation Lagoon (President is broadcast to all screens)"",1835,""Folk stimlet sammen rundt hjernen. Den holografiske projeksjonen var i ferd med å løse seg opp. Laserprismene som før hadde dannet det naturtro bildet av hjernevindingene og furene mellom dem, skiftet posisjon. Lysene fikk en mer dempet tone, fargen beveget seg mot fersken. I luften, dannet av ingenting, likevel så tydelig som om det var hogget i marmor, kom et kvinneansikt til syne. Over de skarpe trekkene og det milde smilet trillet bokstavene på rekke. ";;;;
ikke vær redd ikke vær redd ikke vær redd;;;;
"Du ser det?""""";;;;
"Jeg ser det"""", svarte Kotori like bak ham.";;;;
Remi tok noen steg fremover, bort fra bilveien og over på brolegningen. Det lysende ansiktet snudde seg mot ham i stakkato bevegelser. Underleppen var fremdeles misdannet, nesen satt ikke riktig, men det var henne, det var ingen tvil, uendelig mye sterkere og klarere enn hun hadde vist seg for ham før. Da han så henne i øynene, kjente han det samme suget han hadde kjent de første gangene de møttes. Ingen i den stadig tettere menneskemengden rundt ham sa noe, de beveget seg bare sakte mot stedet der hun trådte fram for dem, forventningsfulle, forskrekkende, undrende, leende. ;;;;
;Flyveledere og kystverkansatte kunne se skip og fly endre retning på radaren og skrive det med bokstaver i luften og på vannet, takket være Odas sikre hånd på de automatiske posisjoneringssystemene. De første bildene av det transparente, glødende ansiktet ble spredt via atten år gamle Gloria Hansens WakeFeed-konto og nådde publikum i Australia trettiseks sekunder etter at Oda materialiserte seg fra det hinsidige på Brattørkaia. Mottakerne forsto neppe dybden eller konsekvensene av det, men sendte det videre til sine venner, for det var et kult bilde. ;;;
;"Han skjønte at dette var den første dagen. Når generasjoner leverte fortelling om den videre, skulle de bruke de største ordene de kjente til, ord som ikke lenger kjentes tomme og meningsløse. """;;;
"Earthware: driverless car seeing a deer for the first time 2 (Selfdriving car sees a deer),""Artwork showing a perspective of a selfdriving car seeing a deer for the first time. Showing the typical rectancle of object recogntion."",577,NA";;;;
"Echo (Replacing Face),""The user is sitting in a photo booth and guided by a AI character. First the users faces is scanned and then the user can choose a individuals story. When a story is selected the chosen individual starts to tell their personal story. The users faces is slowly, in a pixelated manner paste over the narrators face using facial recognition technology the users faces is synced with the narrator creating a live effect of a deepfake."",529,NA";;;;
"Edge of Tomorrow (Helmet camera tracks and recognises aliens),""Master Sergeant Farrell is in a trench with fellow soldiers and as he peeks over to look for aliens we can see through his helmet camera that there are aliens coming towards them. The aliens aren't clearly visible as they are hidden in clouds of dirt (they burrow into the ground to move around sometimes) but the camera identifies the aliens and also tracks their movement.";;;;
"The sergeant is presented as a fairly passive user, with the helmet doing the work - the soldiers don't seem to activate anything on the suit except when they reload a weapon or similar. The helmet acts on its own and the soldiers observe and follow directions."",2004,NA";;;;
"Edge of Tomorrow (Holograms of aliens),""Dr. Carter shows Bill Cage information about the aliens and how Cage has gained their ability to manipulate time. He has a desk with an interactive display that shows holograms of the aliens that have invaded Earth."",2002,NA";;;;
"Emily Eternal (Interface chip),""When people wear an interface chip Emily (an artificial consciousness) can manipulate their senses so they sense Emily as though she has a human body and is interacting with them just as another human would. "",3253,""The chip allows me to manipulate Regina’s senses of sight, smell, touch, and hearing. Her eyes tell her brain there’s a Caucasian woman in her early thirties with brown hair, blue-green eyes, and a kind face sitting opposite her. Her ears tell her my voice has a mid-range pitch, not too low, not too high, with a slight New Englander’s accent. Her nose tells her I use mostly fragrance-free soap, a kiwi-infused shampoo, no perfume, but a baby powder–scented antiperspirant. When I touch her hand or even embrace her, I come off as warm, upright but not rigid, and a good hugger. In return, the chip gives me unlimited access to her brain, including thoughts, memories, learned behaviors, hopes and dreams, worst fears, and all things in between. Utilizing bioalgorithms, I’m able to create a comprehensive neural map of an individual’s mind that can then be used in a therapeutic context to help patients with their issues, large or small.";;;;
"Wheaton, M. G.. Emily Eternal (pp. 5-6). Grand Central Publishing. Kindle Edition. """;;;;
"Emily Eternal (Jason ignores Emily),""When Emily admits to Jason that she has inadvertently manipulated his memories, replacing a casual girlfriend in Paris with herself, he is furious with her. She is still connected to him through the interface chip he wears on his throat, but he ignores her, refusing to acknowledge her presence and even walking right through her """"avatar"""". She tries to get him to follow her upstairs, but cannot move outside of a radius around Jason since her existence is only in the interface chip he wears, and she is disconnected from her servers. ";;;;
"Her inability to move independently of Jason reminds me of two-player video games where both players are on the same screen, and cannot move too far from each other. "",3258,""But he’s found a chair and is sitting down, his face contorting as if he’s puzzling something out. The lie, I realize. He’s still angry about the lie.";;;;
“Come on, Jason,” I say quietly, attempting the stairs again. “We can talk about this while we search.”;;;;
But I still can’t get to the top step. That’s the trouble with being in interface. I’m geographically tied to the chip. So, if the person wearing it doesn’t budge, I’m not going anywhere either. This is fine in normal circumstances, but if you’re in a fight? I mean, how’s that for a way to force people to engage with one another?;;;;
“Jason, I—”;;;;
He rises and moves to the stairs without a word. He takes the steps two at a time but doesn’t pause when he reaches me, instead, simply passing through my body as if to remind me how immaterial I am.;;;;
That’s how it goes for the next twenty minutes as I’m made to follow Jason from room to room, enduring his silence as he searches for supplies. Only, he does so with such a single-minded focus as if to convince me he’s just that determined and definitely not, 100-percent no-way-at-all ignoring me.;;;;
I get it. I wish I had a simulation to blink off into for a while just to give him some space. But I don’t and we’re out of time.;;;;
"Wheaton, M. G.. Emily Eternal (pp. 193-194). Grand Central Publishing. Kindle Edition.""";;;;
"Emily Eternal (Simulation of world),""When a human wears an interface chip, Emily can see through their eyes and move around the actual world with them. When she is not directly interacting with a human, Emily lives in a simulation of the world that runs on her servers. She has a dorm room that is a replica of a real grad student's dorm room, and she has built a simulation of most of the MIT campus and some of the surrounding city using live data from surveillance cameras and webcams, and still images of places where there are no cameras. The cameras have a 15 second lag so she experiences everything 15 seconds after it actually happens, which can be very frustrating when important things happen.";;;;
In this scene, people dressed like soldiers have stormed into the lab where Emily's team works, and Emily rushes in to see what is happening. However, she is not on interface with a human (until later, when Nathan briefly connects with her just before he dies), so is limited to the 15 second delay of her simulation and cannot interact with anybody.;;;;
" "",3256,""Is Nathan in his office? Or down in the server farm? Then I remember his unreachable cell and decide on the latter. As gunfire erupts on the floor above me, I dash to the stairs leading to the sublevels, pass through the door, and hurry down. I try again to cheat, to leap ahead, but again I’m restricted.";;;;
All I can think is, fifteen seconds…fifteen seconds… I finally reach the server bank on the third sublevel, the one that contains my processor and primary memory. I try to determine how far ahead I am of the troops upstairs and lie to myself, saying I have at least a minute. I’ll reach Nathan. I’ll save him. There’ll be enough time. Everything will be fine.;;;;
Wheaton, M. G.. Emily Eternal (p. 90). Grand Central Publishing. Kindle Edition. ;;;;
;“Gally!” I cry, but he’s not wearing his interface chip. None of them are. I wonder if they destroyed them. I hear someone tinkering with the servers at the end of another row and run over. I’m relieved to see both Nathan and Dr. Choksi holding tablets, systematically shutting down processes one at a time.;;;
“Nathan!” I cry.;;;;
I hear machine-gun fire and screams. Nathan’s eyes go from focused to bleary in an instant. Dr. Choksi, standing up a second before, is now dead on the ground, covered in blood, her shattered tablet in her hand.;;;;
I’ve leaped ahead my fifteen seconds. I’m in interface with Nathan now, who stares back at me. He must’ve just switched on his chip. I’ve reached him only to watch him die. The soldiers, not knowing I’m there, swarm around me as they finish off my three beloved techs one row over.;;;;
"Wheaton, M. G.. Emily Eternal (pp. 90-94). Grand Central Publishing. Kindle Edition. """;;;;
"Emotion Hero (controlling the face),""The player (user) needs to express given emotions after each other to collect points in a similar genre as Guitar Hero. Each expression made shows how much of each emotional category (Fear, Contempt ,Disgust, Anger";" Joy, Sadness, Surprise ). The Emotion Hero is positioned as a training tool for the user to learn controling emotional expressions. In the end the user also gets feedback from the machine vision system how to get better. For example if a given emotion is Joy and the person fails to get express joy then the game gives a feedback to smile more. In this way the game reveals that it is the expressions in the face that are measured and can be consciously controlled instead. The artwork brings forth that the machine fails to measure human emotions, what it measures is facial expressions."",1688,NA";;;
"Encounters (Animals documented in infrared),""The artist uses a remote motion-detecting hunting camera that uses heat to trigger the photographic exposure."",303,NA";;;;
"environment built for absence (reconstruction),""A machine vision assemblage of a drone and photogrammetry (3D scanning) is reconstructing and documenting the process  of decaying building."",1152,NA";;;;
"Espécies de espaços II (Spiders blocking the view of surveillance cameras),""Espécies de espaços II  (Species of spaces II)";;;;
"The images in this artwork reveal how spiders inhabit surveillance cameras consequently blocking the view of the object of surveillance. Instead the spiders become the curiosity to be monitored and watched closely in the images that the artist collected from various surveillance camera feeds. "",1932,NA";;;;
"Excellent (Surveillance man watching child),""A tall, threatening figure stands behind a child. The child, who is using a smartphone and has a biometric grid painted on his face, appears to be unaware of the figure. The figure is wearing a black business suit covered in green zeros and ones, its head is a surveillance camera and its hands are large, yellow and cartoonish. The hands reference Mr. Burns, a character in The Simpsons who owns a nuclear power plant and uses surveillance cameras to monitor his employees. Mr. Burns commonly says """"Excellent"""" while steeling his yellow three-fingered hands exactly as the surveillance man in the painting holds them. The surveillance man looms over the child, and his yellow glove-like fingers are held in a cage-like grip, as though he is about to grab the child and capture him. The green zeroes and ones reference The Matrix, while the surveillance camera head is photorealistic. The child seems oblivious to the threatening figure behind him, and at the same time seems very vulnerable, seated in a typical child's pose on the ground, completely engrossed in his smartphone screen. In the """"upgrade"""" where the face mask is painted upon the boy's face, the reference to COVID-19 and surveillance related to that becomes even more explicit than in the first version of the piece."",1144,NA";;;;
"Exhalation (Viewing own brain through microscope),""The narrator disassembles their own brain using a periscope to see the back of their head with a microscope to see the tiny mechanical parts. Looking at the disassembled brain, the narrator wonders where their body is. The narrator's brain is on the table. The narrator's eyes are still in their head but the narrator is looking through a microscope fastened to a periscope so that the point of view is radically shifted from the usual position to be outside of the body, looking back at the body."",1000,""But at last the cognition engine itself was exposed, supported on a pillar of hoses and actuating rods leading down into my torso. I now also had room to rotate my microscope around a full three hundred and sixty degrees and pass my gaze across the inner faces of the subassemblies I had moved. What I saw was a microcosm of auric machinery, a landscape of tiny spinning rotors and miniature reciprocating cylinders. As I contemplated this vista, I wondered where my body was. The conduits which displaced my vision and action around the room were in principle no different from those which connected my original eyes and hands to my brain. For the duration of this experiment, were these manipulators not essentially my hands? Were the magnifying lenses at the end of my periscope not essentially my eyes? I was an everted person, with my tiny, fragmented body situated at the center of my own distended brain. It was in this unlikely configuration that I began to explore myself. Chiang, Ted. Exhalation (p. 46). Knopf Doubleday Publishing Group. Kindle Edition.""";;;;
"eXistenZ (game tricking participants),""The situation here is not a specific one, just that the MV is tricking the players, and mixing reality with the game itself. Even in the end of the movie, you don`t know if the characters are still the characters they thought they were, or even if they are still playing the game."",985,NA";;;;
"eXistenZ (Virtual reality),""A virtual reality game that operates via a fleshy pod that connects to a bioport that will be installed in your spine."",257,NA";;;;
"Expanded Eye (mimicing insect vision),""The user of the installation looks into a big transparent eye sculpture. The users eye is detected and captured by the camera and projected into the sculpture. Each time the user blinks the image of the eye is multiplied. From a human way of seeing the machine vision gradually mimics complex insect vision."",1913,NA";;;;
"eXperience112 (Operating ship's security cameras),""The player operates the station's security cameras to help Lea find out what happened. Security cameras, night vision, infrared, etc. are displayed on an interface like a desktop."",1186,NA";;;;
"Eye (Streetview),""Band using Google Street View material for their music video."",352,NA";;;;
"Face Cages (wearing a biometric cage),""Four queer artists are wearing different industry standard biometric facial metrics diagrams made out of metal. The metal biometrics form a cage covering the artists face who wears it in a video performance. The coldness of the metal, the with of the mask and the cage structure, demonstrates the violence of biometrics especially how it is experienced by already marginalized populations.";;;;
" "",1563,NA";;;;
"Face Your Feelings (Mimicking emotions),""The player must mimic the emotion the game requests as best they can in order to pass that round. The camera registers muscle movement in order to determine how well executed the action is."",707,NA";;;;
"Face-to-facebook (classifying images from facebook),""The artists scraped 250,000 faces and used facial recognition software to classify the faces in 6 chosen categories  """"climber"""", """"easy going"""", """"funny"""", """"mild"""", """"sly"""" and """"smug"""" - working definitions. Thereafter the stolen profiles were exposed without consent as the images with other data were published without consent on a fake dating website."",1763,NA";;;;
"Facial Features Not Recognized (Facial recognition),""The narrator goes too far in his attempt to unlock a stolen laptop that uses facial recognition in lieu of a password."",550,""I checked her pulse: her hands were cold and her skin had taken on an eerie blue sheen. Brownish stains of dried blood adorned the side of her head. My breath felt trapped in my throat and I had to swallow hard to get the air flowing into my lungs once more. My fingers stretched out towards her delicate face. I pried her eyelids open and, much to my surprise, they remained that way after I let go. She has such beautiful green eyes, not unlike the color of her precious motherboards. I lifted the laptop, convinced this time that the facial recognition software would be satisfied. “Facial features not recognized.” it said. Curses.""";;;;
"Facial Recognition (plastic surgery),""People use plastic surgery to evade facial recognition."",761,""2. Of all those benefitting from facial recognition, the least remarked upon were plastic surgeons. Clay implants were originally developed, after all, for patients who needed to deceive the cameras. The leap to fashion only happened later, when people began to mold faces before dinner, just as they arranged their hair, and nose shapes changed with the seasons.""";;;;
"Facial Weaponization Suite (Tricking Surveillance Cameras),""Using masks to hide from facial recognition systems.";;;;
"The masks are composites of #D sacs of several (e.g. gay, black) faces, therefore also conseptually obfuscating facial recognition algorithms by presenting several identities at the same time."",311,NA";;;;
"Fall of the House of Usher (Machine reinterpreting visuals),""The artist is producing a series of ink paintings based on the key motives in the Horror movie Fall of the House of Usher. The ink paintings are used as a dataset to train a first network generating new images which are further trained by two following feedback loops of training and generating images. This produces  an uncanny half machine half human made version of the original film."",986,NA";;;;
"Fall; or, Dodge in Hell (Face Recognition),NA,2406,""page";;;;
Stephenson, Neal. Fall; or, Dodge in Hell (p. 48). William Morrow. Kindle Edition. ;;;
page;;;;
Stephenson, Neal. Fall;" or, Dodge in Hell (p. 48). William Morrow. Kindle Edition. """;;;
"Fall; or, Dodge in Hell (Shared AR interfaces using glasses),""By around 20 years after Dodge's death, screens are mostly outdated as people use shared AR interfaces enabled by their glasses. A few different situations are described where these AR interfaces are used. Most are like that described in the first pull quote (p 179), where a group of people view a map, a model or other material together through their AR glasses. The other, and very significant use, is the visualisation of the Landform or the Land, that is, a visualisation of the digital world the digitised versions of the dead inhabit. This is described as being viewed through AR glasses, and the second pull quote describes its first launch at a selective conference by Sophia, Dodge's great-niece, and her collaborator.";;;;
"The AR technology is described in quite a matter of fact way, but the visualisation of the world of the dead obviously entails a lot of more metaphysical subjects. The visualisations improve radically over time, so that everyone on Earth can check in on the  Land and follow its changes, almost as though it is a TV drama. This is also intentionally used for marketing the scanning and uploading of the dead. "",2405,""The ancestral home of the Forthrasts was situated in the northwestern quadrant of Iowa: a two-hundred-mile-wide quadrangle defined by Interstates 80 and 90 to the south and north, and 29 and 35 to the west and east. It was now being displayed in miniature, superimposed on a coffee table in an eating club at Princeton University, visible only to Sophia and to the friends she had shared it with: Phil, Julian, and Anne-Solenne. They could see it as long as they were wearing their glasses. They were planning a summer road trip. ";;;;
Stephenson, Neal. Fall; or, Dodge in Hell (p. 179). William Morrow. Kindle Edition. ;;;
 ;;;;
;“We asked ourselves, if the memory in the NMA isn’t organized—isn’t used—like neural network memory, then just how is it used? What does it look like?”;;;
“And our answer,” Matilda said, “is that it is used in a spacelike way. It is being used to keep track of a fictional or virtual space with permanent characteristics.”;;;;
“Like graph paper?” someone asked. Their tone was not so much skeptical as confused.;;;;
“Like a spatial manifold. For which graph paper is a metaphor,” Matilda said. “Because we have access to a vast amount of data, we can say much more about the structure of this space. About what is in it. Sophia and I have brought you all here to show you the results. If you would now please all back up, making a clear area in the middle of this space, I will turn on the spatial simulation so that you can see it.”;;;;
The attendees somewhat noisily went into motion, picking their bags up off the floor and shuffling away from one another, clearing a space that grew larger and larger until they were standing around the edges of the court in a ragged oval. Sophia and Matilda had remained closer to the center, standing near midcourt. Matilda’s hands moved in front of her as she worked with some sort of virtual user interface that was only visible to her.;;;;
A graph-paper pattern appeared superimposed on the floor. “Just a test pattern,” Matilda said. “Now, the point cloud.”;;;;
In one instant, several million motes of green light appeared in the space above the tennis court.;;;;
Even though the points were all the same color, and not connected to each other, they were immediately recognizable to the eye as together representing a landscape. In some places, mostly around the edges, the green points were on the floor. In others, in the interior, they were perhaps waist high on a typical person’s body. So the general sense—once everyone had had a few minutes to walk around and view it from different angles—was that they were looking at a three-dimensional terrain map of an island or a continent, bounded all around by the sea, with high land in the middle.;;;;
“Ireland,” someone declared.;;;;
“Much too mountainous!” someone else scoffed. “Just possibly the Isle of Man? It has a mountain in the middle.”;;;;
“This is far larger than that, if you look at all the rivers, the mountain ranges,” said a third. “I’m going to say the North Island of New Zealand? Hard to tell unless we get a ladder and look straight down on it.”;;;;
“This is no place that exists on Earth,” said a man speaking in a mild tone of voice but with a calm authority that brooked no argument. Heads turned toward a bald-headed, shaggy-bearded man, who looked to be in his sixties. Through most of ACTANSS 3 he had made a habit of sitting quietly in the back of the room, sans wearable, sometimes paying close attention and sometimes humming to himself as his mind apparently wandered. Through most of the current presentation he had shown a kind of mildly amused boredom, as if finding the subject matter too infantile for words, but when the landscape had appeared in the middle of the room he had been galvanized, and had practically knocked one person over while striding through the point cloud to focus his attention on an interesting feature.;;;;
“Pluto’s correct,” Sophia announced. “This doesn’t match against any known—”;;;;
“There’s no way that it could. That is obvious by inspection,” Pluto announced. Sophia turned to glance over her shoulder at the bemused Matilda and winked at her as if to say, I told you so! Then she said to Pluto, “Would you like to explain what you mean by that?”;;;;
“It’s impressionistic. Not a physics-driven map. The alluvial formations are all wrong. These mountain valleys are V-shaped rather than U-shaped, as they ought to be—no understanding of how glaciation shapes them. The mountains are just high places in the landscape—they have no history. No exposed sedimentary layers, no evidence of volcanism.” Pluto snorted. “This is programmer art. It reminds me of the first maps of T’Rain that Dodge sketched, when he was trying to recruit me.”;;;;
“That’s a compelling statement,” Sophia said.;;;;
Pluto realized that everyone was listening to him and clammed up.;;;;
Stephenson, Neal. Fall;" or, Dodge in Hell (pp. 369-371). William Morrow. Kindle Edition. """;;;
"Fall; or, Dodge in Hell (VEIL),""VEILs, or Virtual Epiphantic Identity Lustre, are glasses that shine lights on the wearer's face to foil facial recognition systems. Everyone at this point wears glasses providing AR interfaces. Some or all of these glasses also have the VEIL functionality.";;;;
"The VEIL is only briefly mentioned in the novel, but are significant in its world-building as they are invented by Maeve, who becomes deeply interested in privacy after being the target of extreme hate speech and trolling. The VEIL also connects to PURDAH technology, which allows for anonymous but secure online identities, so that you could use a PURDAH to sign code you had made or a text you had written or to apply for a job while hiding your physical identity. This is an important shift in designing the internet to not be flooded with fake news and trolling. "",1841,""On a certain morning in June, Zula emerged from the building’s elevator into its lobby and donned her sunglasses. A yellow ball—the mildest of warnings—flickered in the corner of her vision. She glanced at it. It noticed the movement of her eyes and responded by letting her know that three VEILed pedestrians happened to be passing by outside.";;;;
Zula ignored it, pushed the door open, and saw them immediately: three high-school-aged girls, coffee cups in hand, gaily laughing and talking.;;;;
They all had wearables with large, reflective lenses, and so their eyes could not be seen. From the cheekbones down, their faces were exposed. But points and patches of light, projected by lasers in the lower rims of the glasses, were flashing and sliding all over their faces in a programmed manner that had been designed to foil facial-recognition algorithms.;;;;
Zula wasn’t using a VEIL. By exposing her face in a public area, she had, therefore, announced her location to any camera capable of seeing her and of checking her features against a database. Most people had become accustomed to this a long time ago and did not particularly care. But many preferred to opt out. You could avoid being recognized by wearing a physical veil and a pair of sunglasses, but most people in the industrialized world opted for its information-age equivalent.;;;;
To say that Verna and Maeve Braden had invented the Virtual Epiphanic Identity Lustre wasn’t quite right, since it incorporated a number of separate technologies. It had been more of a systems integration and branding play than an invention. But they had conceived it, named it, and made it a thing.;;;;
The VEIL was more likely to be worn by persons in the Venn diagram intersection of “young,” “geeky,” and “countercultural.” It was no surprise to find people like that on Capitol Hill. Zula was pretty sure that these three young ladies were on their way to the prep school a few blocks away.;;;;
Stephenson, Neal. Fall; or, Dodge in Hell (pp. 256-257). William Morrow. Kindle Edition. ;;;
;The third of those interviews—the last thing on her calendar before lunch—turned out to be with her daughter. This was a surprise.;;;
Sophia was wearing a hoodie and jeans, which explained why Zula hadn’t recognized her from behind while walking past the conference room. Sophia had turned on her glasses’ VEIL functionality. Conceivably, Marcus might have recognized her when she had arrived at the Foundation earlier that morning, but Marcus and Sophia had probably never been in the same room together and there was no particular reason why he would have known her.;;;;
Zula had reviewed this anonymous candidate’s application more than once over the last several months, and given it a final once-over before she had walked into her office, but it didn’t have a name associated with it. Only a PURDAH. Which wasn’t unusual. Marcus had, in fact, made it almost mandatory. Concealing names, genders, and the like behind a PURDAH was a way to reduce the possibility that candidates would benefit from positive, or suffer from negative, discrimination. So Zula had noted a few points of similarity between this applicant and her daughter, but was nonetheless surprised when Sophia walked into her office, pulled the hood back from her head, took off her glasses, and sat down.;;;;
Stephenson, Neal. Fall;" or, Dodge in Hell (pp. 267-268). William Morrow. Kindle Edition. """;;;
"Final Fantasy VIIR (Corporation surveillance network),""The Shinra Corporation uses surveillance cameras and drones to keep control of where the Avalanche group is and make sure they play into the plans of Shinra. In one particular instance, the cameras fail - after a fight where Avalanche unintentionally destroys/blocks them. The drone vision is depicted as red crosshairs/reticles (dangerous) while the surveillance cameras are white (more neutral)."",1122,NA";;;;
"Final Fantasy VIIR (Hologram),""Shinra executives use holographic projections to talk directly to members of AVALANCE while staying at a safe distance. Note: This is different from the original game, where they physically encounter the executives."",1129,NA";;;;
"Final Fantasy VIIR (Identity scan on train),""The train between the different sectors and levels of the city has several biometric checkpoints that scan all entities on board and match them with their identity. The Shinra Corporation uses this to e.g. find the Avalanche group and intercept their planned operation."",1120,NA";;;;
"Final Fantasy VIIR (VR training grounds),""Chadley, an research intern from Shinra, has developed a VR headset for Cloud to test out his fighting skills and conquer new enemies in a simulated battleground. This is a portable version of the Shinra Combat Simulator that Cloud will find later in the game. Note: The VR component allows Cloud to encounter enemies that in the original game are set later in the game, without breaking the storyline, e.g. the summon magic."",1128,NA";;;;
"Final Space (Gary scanned as trash),""Gary is drifting in space after failing a mission and gets collected by a space trash collecting ship. As he floats in, a machine scans him as """"Just crap"""" and dumps him in the dark, where he awakens and realises his failure. Luckily his AI companion HUE has a robotic body and is there to hug him."",812,NA";;;;
"Final Space (Hue scans tattoo),""In a game of Thimbles HUE discovers a tattoo on Ash´s arm and scans it. By matching the tattoo in the software with a dimensional key (which is what they are all searching for). She says everyone on their planet (Serepentis) has one. Gary is speculating that the key must be there, and the whole crew ends up going there."",809,NA";;;;
"Final Space (Quinn copies Gary),""Quinn is quantifying her memories of """"her"""" Gary and transmits them to the """"Virtualazium"""" room where she generates her Gary (using all the spaceship's power). The Gary she makes is the Gary that she fell in love with. The real Gary is confused, so Quinn lets him see her memories (because they are inside the """"virtualazium"""", basically a VR thing). The real Gary sees how Quinn met her Gary and he sees the love they had. But the reunion between Quinn and her Gary is cut short because of the draining of power from generating her Gary and she has to turn the machine off, which removes her Gary."",815,""""""I am building the Gary I knew, from the memories of the times we spent together""""""";;;;
"Finis Terra (machine learning for environmental management),""Machine learning models are used to analyze satellite images in Automatic Identification Systems. The predictions of such systems define the value insurance premiums and green bond or predict potential zones of conflict. However, such governing tools tend to benefit those in power and """"finis-terra offers a glimpse at the entanglement between finance, imperialism and colonialism afforded by the automatic gaze.""""(1)";;;;
 ;;;;
"(1) https://fraud.la/finis-terra.html"",1636,NA";;;;
"Five Nights at Freddy's (Surveilling animatrons at night),""As the security guard, you spend your night watching the site's surveillance cameras. If you don't see where the animatrons are, you will be captured by them. The power that powers the cameras as well as the security doors slowly runs out as you use them."",582,NA";;;;
"Flåklypa Grand Prix (Reodor sees through smoke),""As the race between Reodor Felgen og Rudolf Blodstrupmoen is getting close in the final lap. Blodstrupmoen is using some """"dirty tricks"""" to get ahead. When he is in front of Reodor he releases a ton of smoke, which normally would make it very hard to see where you are driving. Luckily, Reodor has installed a radar on his car, and uses MV in his panel to see his opponent and where he is driving on the road."",2549,NA";;;;
"Flower (recognizing distorted flowers),""In the artwork images of flowers are distorted that are barely recognizable as flowers for the human eye. Still the computer vision software classifies the image sometimes even 90% as flowers. The artwork brings forth the differences in how human and machines interpret images."",2551,NA";;;;
"For Want of a Nail (Cordelia modifies her hologram consciously),""When Rava and Ludoviko go to Uncle Georgo to ask him about Cordelia's (AI's) cables that they need to hook her up to the ship's system so that she could remember where to find a replacement socket, Georgo seems confused and not himself at all. While trying to soothe Georgo, Cordelia changes her appearance to appeal to him more. Additionally, she seems to be manipulating her own body language consciously, which Rava finds revealing - she believes Cordelia is hiding something. (Kindle Loc 176-183)"",2092,""""""Rava kept her gaze on Cordelia, whose image didn't change. At all. For an AI programmed to act human, she became awfully rigid. Her face stayed fixed on Georgo, but the cameras flicked to Rava for a moment, then away. She softened and her image morphed so that the high neck of the Victorian gown sank to reveal most of her bosom.";;;;
"Her lashes lengthened and her lips became full and pouting. """"Georgo, honey, what have you done with your room?"""" Her voice was sultry.""""""";;;;
"For Want of a Nail (Fingerprint recognition),""Rava is forced to use her authorisation as a wrangler to get Cordelia (AI) to tell the truth about Uncle Georgo, which turns out to be that he has dementia. Something resembling a fingerprint scan is used by Cordelia to identify Rava as the wrangler. (Kindle Loc 190)"",2093,""""""She swallowed and put her hand on Cordelia's interface setting her thumb on the print reader. """"Authorized report. What is Uncle Georgo's status?""""";;;;
"Cordelia lowered her head, biting her lip. """"He has dementia.""""""";;;;
"For Want of a Nail (The AI has cameras for eyes and hologram for body),""After the transmitter cable that got unplugged by accident is plugged back in, Cordelia (AI) still can't tell it is until it's wiggled. She senses it, but just for a moment, which means the socket may be cracked, but the transmitter probably wasn't damaged (which would have been a more serious problem). Until the socket is replaced and cable plugged in, Cordelia doesn't have access to ship's system, communications, etc., and is unable to upload to her long term memory. Even though she's on for the entire procedure, this is where she starts actively looking and her holographic body materialises. She is rational, but perhaps also slightly confused. (Kindle Loc 43)"",2091,""""""Twin brass cameras - not period correct - stood at the back an swivelled to face Rava.";;;;
"Above the desk, a life-size hologram of Cordelia's torso hovered. Her current aspect was a plump middle-aged Victorian woman.""""""";;;;
"For Want of a Nail (The AI's main task is to watch and record),""Uncle Georgo has programmed Cordelia (AI) to help him hide his dementia.";;;;
"If his dementia were to be discovered, he would be """"recycled"""" (killed to spare and recycle resources).";;;;
"Rava and Ludoviko are arguing about how to proceed given that Cordelia was hiding George's dementia, which is illegal. Rava is defensive of Cordelia, and wants to help her keep operational and repair her (remove Georgo's programming and its consequences in the AI's system), while Ludoviko is furious among other things because no one is recording the family history at the moment. In the quoted scene, he is about to hit Rava, when Cordelia declares that she is still functional and will be recording that. (Kindle Loc 253)"",2094,""""""Her brother's face turned a blotchy red and he took a step toward her, raising his fist. """"So no one will record this, will they?""""";;;;
"I'm still here."""" Cordelia's voice snapped through the room. """"I'm still watching.""""""""""";;;;
"For Want of a Nail (VR-glasses as a tool),""In this scene, Rava is trying to replug Cordelia's transmitter cable by trying to use a """"mono-lens"""" (camera) attached to her VR interface glasses to see inside Cordelia's chassis, but the opening is too small and the transmitter cable keeps sliding out of her hand. Cordelia is on the whole time. (Kindle Loc 9)"",2089,""""""With only a single camera attached, the interface [VR] glasses didn't give Rava depth perception as she struggled to replug the transmitter cable.""""""";;;;
"For Want of a Nail (VR-glasses in communication),""All the members of Rava's family use VR-glasses. They are used to communicate both with Cordelia (AI) and with other family members.";;;;
In the first scene, Rava realises that Cordelia will not be able to either communicate or mediate communication that happens via her family member's VR-glasses for as long as her transmitter socket remains damaged. Furthermore, she will not be able to record and upload any more of Rava's family history, memories, etc.;;;;
"In the second scene, Rava is calling Uncle Georgo using the VR-glasses to ask what kind of cable Cordelia uses. She needs the cable to plug Cordelia into the ship's system, to make it possible for her to remember where the spare socket may be."",2090,""""""Gritting her teeth, Rava toggled the keyboard and called Uncle Georgo. His extension rang longer than she was used to. When he finally toggled in. Appearing in her VR glasses as though he were in the room with them, his eyes were read and puffy, as if he'd been crying."""" (Kindle Loc 70)";;;;
;"Births, deaths, marriages, school marks... All of it was managed through the AI, who could be with every family member at all times through their VR-glasses."""" (Kindle Loc 112)""";;;
"Freaks (Chloe Remotely Rescues Mom),""Chloe is a young girl with special powers (like a more realistic X-Men) and she thought her mom has been dead ever since she can remember, but the mom is alive. When Chloe learns that her mom is imprisoned inside a horrible facility(she has also special powers) and don`t have much longer to live, Chloe taps into her special powers to rescue her. From her house, Chloe is able to communicate with her mother and enter her captors body in order to free her mom. Chloe """"enters"""" the big guard and uses him to get her mom out. To exit Chloe has to talk to a security guard and pretend to be the guard. Lucikily the facial recognition system says OK and Chloe gets her mom out."",2715,NA";;;;
"Freaks (Drone Bombs Chloe`s house),""Chloe has been discovered as a powerful mutant and her wounded dad (who can manipulate time) fights against the agents trying to get in. Chloe is remotely rescuing her mom from a prison (see other situation), but the government is realising they have no other choice than to bomb the house before the mutants go to far. They send a drone called Hellfire to crash into their house and explode. The dad is picking up Chloe and manipulates time so he can get her out of the house and hopefully rescues her."",2716,NA";;;;
"Futurama: War is the H-word (Zapp Brannigan spies on Leela),""Zapp Branningan is curious and confused over his latest recruit (Leela in disguise as a male soldier), and spies on him (her) with huge goggles with some OR software."",629,NA";;;;
"Future Tense: AI from the margins (oppressive AI),""Nakeema Stefflbauer narrates oppressive experiences of AI that excludes, mis-classifies and oppresses those outside the """"norm"""". Facial algorithms recognizes people like her who are not the """"norm"""" as gorillas, or don't detect their faces at all. The accuracy of facial and emotion recognition works poorly for her and the way she walks triggers predictive policing alarms, however, surveillance cameras with facial detection are intrusive monitoring her """"like a child"""". She talks about how AI discriminates and how the intersection of race, gender and class play a role in how AI is experienced. "",3153,NA";;;;
"Geocinema (Framing territories),""Street View is used to travel trough the old silkroad rout. This terretory is now reframed through chinas digital belt project that provides infastructure and technology to the areas, however, this is also a digital colonialisation project. The travel that is facilitated by the Street View snapshots ends whit a view of clouds that can be seen to reference also the """"digital cloud"""" as the immaterial symbol of Internet infrastructures."",1151,NA";;;;
"Geocinema (Registering Solar),""Infrared cameras (handheld and drones) are used to expose mundane infrastructure used to sense the Earth. Referencing several satellite and other technologies producing data to used to monitor change on the surface of the Earth."",1139,NA";;;;
"Get Even (Phone for extended vision and analysis),""Black's cellphone has a scanner, thermal vision, is connected to a biometric database, and a """"UV Light app"""" that can reveal """"blood stains and other chemical substances""""."",3093,NA";;;;
"Get Even (Remembering the past with VR headset),""Black is connected to an experimental VR headset called the Pandora that allows him to replay memories. This is prompted and """"aided"""" by the mysterious character Red, who wants Black to explore his own memories regarding the kidnapping of a girl. It's later shown that Black is incapacitated in a life support chamber, and Red is using the virtual environment of the Pandora to discover the truth about Black's past actions."",3095,NA";;;;
"Ghost in the Shell (3D scan using ocular glasses displaying the scan as a hologram),""Major is using ocular technology to 3D-scan a hotel and people inside. A hologram is displayed while scanning, allowing Major to visualize the layout of the building and the position of the criminals. "",2315,NA";;;;
"Ghost in the Shell (Controlling a robot through a hologram),""Cutter is using a hologram to control a robot in the battlefield, he can see everything that's ongoing even though he's located far away. Cutter touches the hologram and controls the robot, moving it and shooting at Major."",2322,NA";;;;
"Ghost in the Shell (Ocular implant),""Batou gets blown-up by a explosion, resulting in him getting ocular implants. Those are small, with a size of normal eyeballs, yet they stick out from what normally would be the eye placement, giving it an odd look.";;;;
"The view from his ocular implants is very orange, with what one could call a scan integrated, as Batou looks forwards on a person sitting at a desk, and can see persons bones."",2317,NA";;;;
"Ghost in the Shell (Robot using object recognition),""A robot is using object recognition technology to recognize a threat (Major) and lock onto her to shoot a rocket. This can be seen though the robots point of view, with green surrounding image, and a red rectangle when locked onto the target. "",2320,NA";;;;
"Glad Girls (Rob using binoculars),""Robert Pollard (The front singer in Guided by Voices) uses special binoculars that gives everything a weird filter in this music video. In the start it is only black and white, but after seeing through the binoculars, everything is super colorful and has a strange filter on it."",703,NA";;;;
"Glow (manipulating and generating new faces),""Users face is detected and captured and the face appears on three screens. Then the user can start manipulating different attributes (mouth, nose, glasses, beard etc.) on their face by using a radio-button interface increasing or decreasing the emphasis on that attribute. The system is using a flow-based generative machine learning model called Glow to generate the images based on a training dataset of a large number of faces.  Adjusting the attributes is similar to what many image filters offers in apps on our phones. The user can create several versions of them selves which are saved on the left hand screen. The system is able to recognize which characteristics could fit with the face of a given person and apparently it tries to identify the gender of the user."",1593,NA";;;;
"Gluttonous Snake (Playing by smiling),""Our emotions can be conveyed through expressions and have the power to influence people around us. How do different emotions affect each other when they are together? Will happiness and sorrow counterbalance? Does anger cause a butterfly effect? Which kind of emotion will make the snake grow stronger rather than kill it? The answer is simple, happiness. We are generating emojis based on facial expressions. Different emojis have different powers. Try to keep growing the snake with happiness."",1058,NA";;;;
"Gnomon (forensic investigation of Diana Hunter),""The content of Diana Hunter's mind and memories are projected on screens during a forensic investigation into a possible crime."",2638,NA";;;;
"Gnomon (Inspector Neith looks into the camera),""Inspector Neith looks into the camera, and is being analysed by the Witness, a benevolent AI. Second paragraph of the novel. "",2637,""She is looking straight into the camera and her sincerity is palpable. A dozen different mood assessment softwares examine the muscles around her mouth and eyes. Her microexpressions verify her words. As a matter of course, the more sophisticated algorithms check for the telltale marks of Botox and of bioelectric stimulators that might allow her to fake that painful honesty, but no one really expects to find anything, and no one does.""";;;;
"Gojira (Band filmed in infrared),""Music video being filmed in thermal images (infrared) but also using some bits of medical images."",370,NA";;;;
"Goliath (Billy dodging drone),""Billy has escaped captivity from a Mexican drug mob and now they are hunting him down. The mob is also using a drone to chase him down, and tracking him down."",865,NA";;;;
"Goliath (Cooperman spying on employers),""Cooperman is disfigured with facial burns and functions as a recluse: he rarely if ever leaves his office, and most people at the firm have never seen him. He monitors meetings and depositions remotely by cameras. Without the staff's knowledge, he has the entire office bugged, giving him access to everything that happens."",842,NA";;;;
"Good boys (Max spies using drone),""Max and his two friends are going to their first """"kissing party"""", but they have never kissed before and are desperate to learn. One of them has a neighbour who has a boyfriend, so they figure they will borrow Max`s dad`s drone to spy on them in order to learn (which is very bad in the first place, as Max promised his dad that he would never touch the drone). They fire up the drone and fly it over the neighbours garden. They find that the boyfriend have left, but hoping that maybe Lily and Hannah will start kissing because they are hugging. But the drone makes such a loud noise, and the boys discovers that they need to go closer. Lily and Hannah notices the sound, and wondering whats happening. The boys starts to argue how to fly the drone, which leads to little control of the drone. Lily and Hannah manages to catch the drone using a pool rod, and keeps the drone hostage.";;;;
"Later the boys break the drone and have to buy a new one."",872,NA";;;;
"Goodnight, Melancholy (Nocko meets Lindy),""The protagonists unpack Nocko, an AI-powered robot shaped like a seal, and introduces him to her psychological support companion robot Lindy. Nocko uses his high-resolution camera eyes - designed to be cute and inspire endearment in its users - to make sense of the situation, while Lindy also observes the toy carefully through her own camera eyes, being overwhelmed by the amount of new information since she is programmed to serve humans mental health support."",1445,""Nocko turned his fuzzy little head to regard us, his high-speed cameras scanning, analysing Lindy’s form. I could almost hear the computations churning in his body. His algorithms were designed to respond only to speaking subjects.";;;;
;Nocko extended a furry flipper, gazed at me with his oversized eyes, and then turned to Lindy. The designer had given him the form of a baby white seal for a reason: anybody who saw his chubby cheeks and huge, dark eyes couldn’t help but let down their guard and feel the impulse to give him a hug, pat his head, and tell him, “Awww, so good to meet you!”.;;;
;"Lindy observed Nocko carefully. Her eyes were two black buttons, and the cameras were hidden behind them. I hadn’t bothered to sew a mouth for her, which meant that her facial expressions were rather constrained, like a princess who had been cursed to neither smile nor speak. I knew, however, that Lindy could speak, but she was nervous because of the new environment. She was being overwhelmed by too much information and too many choices that had to be balanced, like a complicated board situation in weiqi in which every move led to thousands of cascading future shifts.""";;;
"Gradient Ascent (self-driving car),""The movie follows a self-driving car driving up a mountain. The visuals are in juxtaposition with narratives from mythology and contemporary myths of technology."",2771,NA";;;;
"Grand Theft Auto V (Casing jewellry store for robbery),""Michael talks to the assistant at the store and takes pictures with his glasses' hidden camera of: the alarm system, a ventilation outlet, and a security camera. In the actual heist, the team tosses a smoke bomb in the ventilation system that knocks out the people in the store as well as clouding the security camera's line of sight."",2615,NA";;;;
"Grand Theft Auto V (Identification camera in helicopter),""This mission is called """"Eye in the sky"""" and the goal is to find and steal a very valuable car for a billionaire. In the helicopter, Trevor has access to a camera that can identify individuals on the ground. Talking to Franklin, it's explained as facial recognition, then the in-game HUD states it's a body scan (and it visualizes a body scan of sorts when used), and the Wiki states it's RFID (radio frequency based on electromagnetic fields).";;;;
"After successfully identifying Chad Mulligan, they follow him with the helicopter until he's lost/hiding in a building. Franklin mentions that Trevor can turn on the thermal vision to find Chad. The gameplay here is highlighting heat signatures and sending Franklin over to them to investigate if they're Chad or not."",3097,NA";;;;
"Gravity (telescope showing Earth's surface),""Desperate to reach home, Dr. Ryan Stone watches the surface of the Earth through a telescope as she plans a risky attempt to get back home. "",2309,NA";;;;
"Grief (Rapper filmed in infrared),""A music video using thermal imaging."",422,NA";;;;
"Guardians of the Galaxy vol. 1 (Holographic structures of the past),""In the ruins of a past civilisation, Star-Lord operates an apparatus that reveals past events, humans and constructions as a faint hologram. The technology that creates the hologram also contains AR-technology which allows the apparatus to pinpoint the building where Star-Lord will find the treasure that he seeks. "",1888,NA";;;;
"Guardians of the Galaxy vol. 1 (Identifying targets with bounties),""The talking racoon Rocket operates an apparatus which consists of a transparant glass screen that when held infront of people maps biometrics and reveals identity, in addition to having zoom-technology. Rocket operates this apparatus to search for targets with potential bounties, and as such he comes across a bounty put on Star-Lord's head. "",1890,NA";;;;
"Guardians of the Galaxy vol. 2 (Digital rifle scope),""Gamora zooms in on an inter-dimensional monster's wound through her digital rifle scope. "",1886,NA";;;;
"Guardians of the Galaxy vol. 2 (Drone attack),""Star-Lord's spaceship is attacked by a drone armada belonging to Hight Priestess Ayesha  - leader of the Sovereign race. The drones are being operated from a remote battle station where each Sovereign pilot is occupying a cockpit with a remote screen that transmits the perspective of their respective drone. This attack is prompted because Rocket has stolen from the Sovereigns."",1822,NA";;;;
"H.I.T (developing an image recognition algorithm),""Contestants in the H.I.T (Human Intelligence Tasks) game show are developing an image recognition algorithm by performing tasks of cleaning data, labeling images and categorizing & classifying images to develop the best image recognition algorithm to classify human labor in images."",1180,NA";;;;
"Hacker (Controlling drone),""The player remotely controls a robot through a network of secret tunnels around the world. The robot is equipped with a camera with technology for viewing in unlit places."",754,NA";;;;
"Half-Life 2 (City drone briefly blinding protagonist),""The first thing Freeman encounters after disembarking the train is being photographed, scanned and briefly blinded by a City Scanner drone."",3115,NA";;;;
"Half-Life 2 (Disabling security camera vision),""Barney works with Civil Protection at the train station when Gordon arrives. Barney (hidden by his uniform) takes Gordon away for questioning and the latter must go into a room with a chair and floor covered in blood, and several security cameras. Barney turns off the security cameras, stating that he doesn't want anyone seeing this - implying Gordon's in for a beating. However, Barney pulls of his helmet and reveals himself: """"Hey, sorry for the scare. I had to put on a show for the cameras."""" He wants to help Gordon get out of the station and away from the prying eyes of the Combine."",3116,NA";;;;
"Halo: Combat Evolved (AI hologram saving life),""John-117/Master Chief is entrusted with the AI Cortana in order to prevent the Covenant from finding the location of Earth. Cortana represents as a hologram when she talks to him. During the videogame, she stops Master Chief before he activates the Halo, because she realizes it's purpose is to destroy all life. Her and Master Chief decide to destroy the Halo, sacrificing both Covenant and UNSC forces."",1522,NA";;;;
"Hardcore Henry (Henry kills Akan),""This is the final scene in the movie where Henry has killed a huge group og bio-soldiers and is faced with the evil psychopath Akan and Estelle, the woman who tricked him into thinking she was his wife. In this scene he has a flashback to his childhood, remembering his dad. This gives him enough will power to muster the rest of his strength to take down Akan in a crazy battle. Henry fights Akan up in the air (because of Akan`s telekinetic powers) and he pulls out his eye cord and strangles/decapitates Akan with it. They fall to the ground and Henry puts his eye back into his socket."",984,NA";;;;
"Has Anyone Else Used ExpressionCaptioner? (Emotion recognition),""A facial recognition meme-generator that makes increasingly sinister captions."",547,NA";;;;
"Have a Nice Day (Yellow Eye uses X-ray glasses and smashes cameras),""Seeing Xiao Zhang sleeping in an internet cafe, Huangyan uses his X-ray glasses to scan the bag he is holding and realizes that it is full of banknotes. A POV shot shows how Huangyan sees through the glasses, with a green-bluish overlay revealing the contents of the bag. After putting Xiao Zhang to sleep, he drags him and he bag into his van and leaves. While his girlfriend is asking him about the capabilities of X-ray glasses, a flash of light from street traffic surveillance cameras makes him realize that the police might see the bag of cash inside the van and decides to stop and smash the camera's control box with a mallet, getting electrocuted in the process."",3088,""""""Yellow Eye, the binoculars you invented are really useful!""""";;;;
"What binoculars?""""";;;;
"What? They are not binoculars?""""";;;;
"I'm wearing a pair of super VR infrared, invincible X-Ray glasses.""""";;;;
[...];;;;
"So, can your super binoculars see through clothes too?""""";;;;
"Fuck! I wasn't even speeding...""""";;;;
"Will you be able to sell enough noodles to pay the 200RMB fine?""""";;;;
"The money is busted! Wait in the van.""""""";;;;
"Heartbreak Warfare (John being augmented),""A music video is filmed using augmented reality. John Mayer is in a small and open room in front of someone holding a sheet of white paper. The musicians' performance happens on this small AR plattform where bombs are dropping on him and he is singing and playing the song."",348,NA";;;;
"Heavy Rain (ARI evidence detecting system),""The ARI (Added Reality Interface) is an experimental AR/VR/MR system linked to the FBI database. Agent Jayden has one ARI device (a pair of glasses and a glove that allows for physical interactions such as blood type investigation and scent or shoe-size identification). He uses the ARI to investigate crime scenes (detect and record information), sort through case files, and enhance the environment around him, but also just recreationally to play VR games.";;;;
"The ARI is still experimental and Jayden is warned not to use it for too long at a time. There are hints that Jayden is addicted to the device, and if used too long (in-game time) later in the game, Jayden will begin to bleed from his eyes and eventually choke on blood and die."",3110,NA";;;;
"Hell No (Filtering),""Music video for Ingrid Michaelson's """"Hell No"""" filmed by Ingrid herself over a 4 week period using only snapchat lenses on her phone."",359,NA";;;;
"Heroes of the Storm (Hologram mimics and fights),""Nova, one of the playable characters in HotS, is a stealth assassin with a basic ability called """"Holo decoy"""". The Decoy functions as a copy of Nova, mimicking her actions, but has a distinct AI which forces players to """"act like the AI"""" to blend in. The Decoy can do damage, absorb damage, and effectively trick the team into believing that it is Nova. It will disappear after a few seconds if it's not killed before the timer runs out. Enemies will see the Decoy """"as Nova"""", but teammates of Nova will see it as a blue-ish version of her. Previous version of the game spawned several Decoys, but currently (Apr 2021) there's only one."",2850,NA";;;;
"High-Rise Diver (Hitomi can't track Riva),""After Hitomi fails to cure Riva and Riva runs away to the peripheries, Hitomi loses access to the company surveillance and data analysis systems. She buys illegal access to the cameras in Riva's house and some facial recognition, but doesn't have enough money to pay for the full suite of tools. She struggles to keep track of Riva. "",2950,""Over the last two days, I’ve tried all of the facial-recognition applications I could afford. None of them delivered results. Then I started clicking my way manually through public security cameras. Riva isn’t on any of the streets in her district. She’s not in the corridors, elevators, or waiting areas at PsySolutions. Not in the cafes, clubs, bars, or museums that she visited in the past.";;;;
I look for clues in the archive feed from the apartment cameras. Riva left the apartment at 3:13 a.m. She was wearing an inconspicuous outfit, no bag. She looked perfectly normal, as if she were just going around the block to get some fresh air because she couldn’t sleep. But she never comes back. From the security camera at the corner of her block, you can see her walking away in the dark. After that, she never reappears.;;;;
"von Lucadou, Julia. The High-Rise Diver . World Editions. Kindle Edition. Chapter 35.""";;;;
"High-Rise Diver (Hitomi watches Riva),""Hitomi Yoshida is a business psychologist tasked with monitoring and counselling Riva Karnovsky with the goal of getting Riva out of her slump and back as an active high-diver. ";;;;
Hitomi sits in her own apartment watching Riva through numerous surveillance cameras in Riva's apartment. She has data analysts search through blog posts, papavids and other media to give her more data, and logs minute observations about Riva's body language and state of mind. Riva is not aware that she is being watched until late in the novel. ;;;;
When Riva leaves the apartment, Hitomi uses GPS tracking, facetag (TM) and other facial recognition tools to track Riva's movements and watch her through public surveillance cameras. ;;;;
"For the first part of the novel, the surveillance works flawlessly and Hitomi can track Riva in great detail. "",2949,""I zoom in on Riva’s face to get a better look at her reaction. Masters advised me to use facial-interpretation software for my analysis, but moments like these are what I love most about my work. Moments of sudden understanding, like now, when Riva drops her mask of apathetic indifference and her face tells a story. The corners of her mouth shift by fractions of an inch, turn up, a barely perceptible smile. Nostalgic. Remembering better times. Then her eyes widen, she looks up, her jaw tenses, she clenches her teeth together. Her gaze turns to her partner, who still has his back to her. Lips pressed firmly together, a slight retraction of the lower lip.";;;;
With such high resolution, the image on the monitor sometimes appears clearer than reality. More precise.;;;;
Riva turns away again, looks down at her hands in her lap. Her facial expression returns to its former indifference, resignation. The facial muscles relax except for the eyebrows, which pull slightly together.;;;;
—That’s true, she says. That’s what I said back then.;;;;
Aston looks over at her, letting go of the picture frame. I select the camera closest to him, so that I can look over his shoulder. See what he sees. Riva on the floor in her summer dress, her hands in her lap, her head lowered. Almost a cliché. The fragile little girl. The damsel in distress.;;;;
"von Lucadou, Julia. The High-Rise Diver . World Editions. Kindle Edition. """;;;;
"His Dark Materials (Lyra communicates with Dust),""In S02E02 Lyra is visiting astrophysicist Mary Malone in order to learn what """"Dust"""" is. Mary Malone brings her into research lab, where she has a big electrical transmitter or something behind a glas, monitored via computer screens. Mary connects Lyra to the machine via attached pads to her side of her head. In this instant Lyra is able to speak to the dust/the shadow (like she does with her famous alethiometer) and the dust manifests itself as images on the computer screen while they are communicating"",2431,NA";;;;
"Holo / Olho / Eye (Holopoems series)(watching a holopoem),""Experiments with expanding the possibilities of holographic technique. The hologram as a text in space requires too be “read” with both eyes. Watching the work the triggers the brain, that receives two different signals from the eyes, to constantly mentally assembles the text."",2242,NA";;;;
"HoloDecon (hacking cameraphones for alternative perceptions),""In this artwork the user gets to experience the environment through a set of googles that are built out of hacked camera phones and attached led-lights. The user perceives the surroundings in an alternative way mediated by the hacked technology."",1991,NA";;;;
"Horizon Zero Dawn (Faulty Identiscan),""Aloy is scanned by the """"Identiscan"""", visually represented by a red """"laser"""" than scans her body. The first time the All-Mother (the mountain) scans Aloy, she's not identified because of corruption in the scan. Teeorsa says that if Aloy heals the corruption the All-Mother will surely """"see her clearly""""."",3236,NA";;;;
"Horizon Zero Dawn (Focus technology),""Aloy's Focus technology allows her to scan the area, reveal """"hidden"""" information on creatures' weaknesses and strengths, show creatures' intended paths, override programming, recreate archived digital memories etc. All of this is shown as an overlay in front of Aloy's eyes."",278,NA";;;;
"Horizon Zero Dawn (Identiscan),""Aloy is scanned by the """"Identiscan"""", visually represented by a red """"laser"""" than scans her body. The first time the All-Mother (the mountain door) scans Aloy, she's not identified because of corruption in the scan. Teeorsa says that if Aloy heals the corruption the All-Mother will surely """"see her clearly"""". This time, after finding a healthy data component, Aloy is approved: """"Genetic identity confirmed"""". The Identiscan identifies Aloy as Dr. Sobeck."",3235,NA";;;;
"House of Cards (Scanned Thom singing),""In Radiohead's new video for """"House of Cards"""", no cameras or lights were used. Instead, 3D plotting technologies collected information about the shapes and relative distances of objects. The video was created entirely with visualizations of that data."",935,NA";;;;
"House of Earth and Blood (Truth-showing hidden cameras),""The novel constantly mentions the surveillance cameras in the city as well as in the top-security library Bryce works in. When Micah (the villain) breaks in to take control over Bryce, she texts her boss (Jesiba) who's at a summit for all the region's leaders, to which Micah also belongs. Jesiba has someone pull the feed from all the security cameras in the library, and approximately 1/5 of the book is told either through Bryce or through the people at the summit watching the live feed, unmasking Micah as a villain. Some people at the summit are controlling which camera feed is most prominent, almost directing the violent scene."",1224,""Bryce's screaming was unending. Declan switched the feed over to a camera atop the tank - just as Micah flipped open the feeding hatch. And threw Syrinx into the water.";;;;
;"Bryce stayed. Kept fighting for the chimera's life. """"Can you speak through the audio?"""" Ruhn asked Declan and Jesiba. """"Can you patch us through?"""" He pointed to the screen. """"Tell her to get the fuck out now."""" Jesiba said quietly, her face ashen, """"It's only one-way.""""";;;
;Everyone in the conference room rose to their feet. Only Sandriel, her attention fixed on the screen, did not notice. They all stood, and bore witness to the sprite who brought her death down upon herself, upon the nøkk - to save her friends. It was all they could offer her, this final respect and honor.;;;
;Bryce stared at the fire, her face still splattered with the Archangel's blood. And finally, she lifted her eyes. Right to the camera. To the world watching.;;;
;"But she wrote back, Fine. Did you see what happened? Jesiba's reply came a moment later. Yes. The entire thing. Then the sorceress added, Everyone at the Summit did. Bryce just wrote back, Good.""";;;
"How do you see me? (exploring facial recognition),""In a world where we are constantly watched by machines the artist uses adversarial processes in machine learning trying to understand how a machine sees her face.";;;;
"Video renderings from artistic exploration with neural networks demonstrate how  machines 'see' specificity in what looks abstract for human eyes. Machine vision remains opaque."",1578,NA";;;;
"How Not to Be Seen: A Fucking Didactic Educational .MOV File (to hide become a pixel),""The video shows the resolution target used to measure the resolution of the world as a picture. Whereas resolution determines visibility whatever is not captured by the resolution is invisible. Showing old analog targets to calibrate aerial photographs and new targets meant for digital satellites measuring resolution with pixels. Today to become invisible for aerial surveillance requires one to turn into a pixel. The actors (humans in general) in the video hide by becoming pixels."",1585,NA";;;;
"How to be More or Less Human (Undressing),""The artist is undressing and posing in front of a camera testing the ability of a object recognition model to define his gender.";;;;
"As he gets naked his body is recognized female."",1156,NA";;;;
"HOW TO EDIT YOUR SELFIES (overlaying filters),""The artists selfie is overlaid with filters of faceApp over and over again resulting into three equally grotesque and distorted versions of the artists face. The """"misusing"""" of the FaceApp can be read as a critique of the normalizing effects of such apps."",3176,NA";;;;
"How to Sell Drugs Online (Fast) (Cycling Through AR Landscape),""In the first episode, Moritz finds out his ex-girlfriend is dating a popular boy at school, Dan, because he can bring party drugs for her and her friends. Moritz jumps on his bike to ask his friend for help with a new plan of action. He is on a mission, which is visualised through the augmented reality he travels through to get there.";;;;
He first is shown as though he were a third person character in a videogame, through the camera movement, his actions, and the aesthetic surrounding the situation with bright and solid colours. On-screen, the video of Moritz cycling through a residential street has an overlay that includes a mini-map, cardinal directions at the top of the screen, and spaces for equipped items in the bottom right corner, looking like a video game. There are pink and yellow crystals dotted along the landscape, and progress bars at the bottom for Moritz's rival, Dan, and Moritz himself. Dan's progress bar shows he is far ahead of Moritz, but as Moritz collects crystals, by cycling over them so they fly up and turn into euro banknotes, he gains points and his progress bar fills up, eventually passing Dan's. ;;;;
In a way, one could speculate that this in itself—a bicycle ride to his friend to tell him of a plot to get a hold of drugs—is a way to foreshadow the rest of the series. The collectible “crystals” that turn into euros could be seen as a reference to the drugs he is about to collect and sell, and there are weapons around him which may or may not come into play.;;;;
"He is a young man who suddenly enters a world beyond what he had been a part of up until this point."",2237,NA";;;;
"How to Sell Drugs Online (Fast) (Filtering in School Hallway),""Early in the first episode we see Moritz, walking through a hallway in his high school, passing by fellow students, delivering a voiceover monologue about the possibilities of technology. It is presented as a powerful force and tool with seemingly unlimited possibilities. However: “And what do we do with it? Face swap.""""";;;;
While we are following Mortiz through the hallway, we see that most—if not all—of his fellow students are looking at their phones. What they are seeing on their screens is shown to the viewer. This gives an impression that Moritz, the narrator, is showing what modern-day technology is used for: filters and social media. This technology shows up on-screen, following the students, as in a version of augmented reality no-one but the viewer and possibly Moritz can see, or in Moritz’ case, perhaps imagine?;;;;
"At the moment he mentions “face swap”, the camera that is following Moritz, the “viewer’s eye” into the narrative, is focused on a male and female student, who are using a face swap filter. Once again, instead of us seeing what they are seeing on their phone, the viewer is shown the face swap filter directly onto their faces, as though they had used augmented reality instead of just a smartphone."",2240,""Hi, I am Moritz Zimmermann.";;;;
I'm 17 years old;;;;
and this is my generation.;;;;
Generation Z.;;;;
Everyone here has the entirety;;;;
of mankind's knowledge in their pockets.;;;;
They could become famous;;;;
with a single click,;;;;
or change the world;;;;
without leaving their bedroom.;;;;
Limitless technological possibilities.;;;;
And what do we do with it?;;;;
Face swap!;;;;
No one tries to be special anymore.;;;;
And why should they?;;;;
Online, you can pretend you have;;;;
the most exciting life in the world,;;;;
#NAME?;;;;
- Shit!;;;;
"(Season 1, episode 1)""";;;;
"Hyper Reality (Juliana`s account gets hacked),""Due to the intense level of MV in this short, I am going to include the whole plot as a situation. Juliana is on the bus, heading for the grocery store to do someone's shopping. She is questioning who she is and where she is going without any help from the Inspiration Guru or Google on her AR system. This AR system seems very much linked to her as a person, it is not just for entertainment, but has her credit, schedules etc. As she enters the grocery store, her AR is acting weird and glitchy and she calls for assistance, but when they first address her, it's with someone else's name. After restarting her system, they say that she has been hacked and that she needs to verify/confirm who she is in a biometric post (follow the blue line). As she is walking down the street, there is a scrambled entity moving towards her (no identity or visuals on the person). The scrambled person takes Juliana's hand and stabs it to get her blood then runs away. Then her AR vision confirms her identity and deletes everything about Juliana as a person. Juliana, even more confused then she was, finds a Catholic church and becomes a member."",2679,NA";;;;
"HyperFace (camouflage to avoid facial recognition),""The user that is wearing the HyperFace scarf becomes invisible to facial recognition technology as it detects faces in the scarf pattern rather that the persons face who is wearing it. Hence the scarf works as a camouflage protecting the wearer form the intrusive gaze of facial recognition technologies.";;;;
" "",1553,NA";;;;
"I Created an AI to Make Procedurally Generated Movies, But They're Horrifying (AI),""The narrator created an AI to make procedurally generated movies, and the movies turn out to be about the narrator themself, in warped, violent and disturbing ways."",552,""I kept thinking one night while sipping at a glass of whiskey, what if there was a software that took observations of your personality and created a 3D CGI movie that it knew you would enjoy?";;;;
Wouldn’t that be amazing? Get bored, sit down at a PC, and tell the software that you wanna watch a movie.;;;;
(...);;;;
The camera pulled away, widening the view and revealing the man’s face.;;;;
My hands were trembling, even as they held onto the sides of my chair so hard the knuckles were white. “What?” I managed to stammer.;;;;
A perfect, hyper realistic CGI rendering of my own face stared back at me from the screen. The man with the leaking wound was me. A 3D model of me, but it was so accurate, that even the birthmark on the ridge of my nose was there.;;;;
Struggling to breathe, I found myself fingering that birth mark, feeling for it as if I would find it stolen from my own face. It was still there – A perfect mirror of the mark on the CGI man’s face.;;;;
"The man, who was apparently me, had a blank expression, even as he appeared to be on the verge of death.""";;;;
"I Spy with my Machine Eye (Drone reflects over actions),""A drone is reflecting over all the actions and work its doing."",307,""""""As I fly ever closer, the sky is filled with the fear and wonder of all possible futures. I might land, I might not. I drone on, endlessly and autonomously. I am your reach into the air and across the world. In the distance I see a truck driving through the desert. And in the light of god there is a flash. She was fifteen, and then she was gone""""""";;;;
"I'm going to die, and probably soon, because of what I saw through an unsecured webcam one night (Webcams),""An agoraphobic narrator starts looking through unsecure webcams to stave off loneliness. They see something kill a woman, and are convinced that the creature is coming for them next."",551,""It was then that I noticed the twin white dots, again almost too small to be recognizable, set into the center of the shape. The instant I found them the form ceased all movement, becoming instantly still.";;;;
"My heart burned in my chest as the dots slowly rose, fixed themselves in the direction of the webcam. The shape extended another limb toward the bed and began violently tugging, ripping at whatever the sheets were concealing, the dots still fixed on the camera, on me.""";;;;
"I'm Just Gettin' Blowed (Devin filming himself),""Devin the Dude is filming himself rapping while operating a drone. He films himself in beautiful nature settings, and follows the angle of the drone while rapping about smoking weed."",699,NA";;;;
"I'm on Observation Duty (Monitoring house),""The gameworld is experienced through surveillance cameras on the walls in the house. The player character's job is to find anomalies and report these."",670,NA";;;;
"Iceberg (expanding to the unconscious ),""In this artwork the aerial (satellite) images of icebergs represent a limited view of icebergs. Icebergs being a metaphor for conscious (what we see on the top) and unconscious (under water). It can be interpreted that both humans and aerial images are represented as limited ways of seeing. However, the AI represented by laser beams on micro-controllers is linked to the unconscious a wondrous however powerful (a bit dangerous) frontier to be explored."",1976,NA";;;;
"ImageNet Roulette (classifying people),""ImageNet Roulette is a object recognition systems trained with one of the most popular object recognition training set ImageNet. In ImageNet there is a category for persons and this was used to train the system to classify people. When a user stands in front of the installation version of ImageNet Roulette the person is detected and classified. On a screen mirroring the person a green box with a label is overlaying the video footage.  ";;;;
In the online version a image was uploaded and all detected persons were boxed with the green frame with the label.;;;;
Under the image the labels linked to the categories and subcategories of WordNet the taxonomy used for labeling images in the ImageNet dataset.;;;;
"(I am using the installation version for the situation)"",1616,NA";;;;
"In Other Waters (Topographical scans),""When Dr. Vas initiates the AI for the underwater suit, a series of scans lead to a topographical map of the subsurface area in which Vas navigates."",2888,NA";;;;
"In the Robot Skies: A Drone Love Story (Drone surveilling council residents),""This is the first narrative shot entirely with drones, where there are different droned used for different means. This situation is focusing on the drones run by the government, doing surveillance of a council estate."",450,NA";;;;
"In the Robot Skies: A Drone Love Story (Private Drone exchanging),""This is the first narrative shot entirely with drones, where there are different drones used for different means. This situation is focusing on Jazz and her personalized drone."",449,NA";;;;
"Incoming (Thermal imaging of refugees),""The entire film is shot using a thermal camera that shows the refugees as bodies of heat rather than in a traditional photorealistic manner. This both renders them less as individuals, as it is difficult to recognise individual faces, and also emphasises the warmth and cold in their bodies, which is particularly poignant when seeing the cold bodies of refugees pulled out of the sea, and the thermal handprints left from the hands of volunteers trying to warm them up."",820,NA";;;;
"Incredibles 2 (Controlling through hypno-goggles),""Evelyn Deavor, mastermind behind supervillain Screenslaver, hypnotizes the pizza delivery guy through the screens in his hypnotizing goggles, controlling his actions. He in turn hypnotizes other people through casting the goggles' pattern on screens or looking at people directly. ";;;;
"Towards the end of the movie, Evelyn puts the Goggles on Helen/ Elastigirl, trying to hypnotize the whole Parr-family as well as other superheroes. "",2053,NA";;;;
"Incredibles 2 (Jack-Jack enters Edna's test room),""To enter Edna Mode's test room, baby Jack-Jack goes through a three-step recognition process by biometrics, with the most relevant step being the eye-scan (unsure whether retinal or iris identification), and the other two being hand print and voice recognition. "",2057,NA";;;;
"Incredibles 2 (Screenslaver hypnotizing through screens).,""Helen has been invited to a TV-interview, and Screenslaver is hypnotizing TV-host Chad Brentley and control room workers through the screens in front of them, transmitting the hypnotizing pattern in his goggles through the monitors. This happens in many other situations - hijacked train and helicopter for example - but in this scene Screenslaver is directly talking about how he is """"controlling all the screens"""". "",2055,""""""Screens are everywhere and we are being controlled by the screens"""" (Screenslaver talking through the TV-host he is controlling). """;;;;
"Incredibles 2 (Tracking Jack-Jack and anticipating changes),""Superhero suit designer Edna Mode has come up with a way to monitor Jack-Jack's uncontrollable powers through anticipating, changing and controlling his transformations and tracking his location with a special device (see screen shots) connected to sensors in the baby's superhero suit. "",2137,NA";;;;
"Infinite Detail (AR art and ads),""Most people in the near future """"Before"""" the internet is shut down wear spex, AR glasses that allow them to take photos by blinking, search facial recognition databases using eye movements, and to see AR overlays when viewing the real world. In the novel, we see the AR ads on Times Square through Rush's eyes, and"",657,""[One chapter in the novel is written like a journalistic feature article on the The Croft in Bristol, and one section is about the vibrant street art] (..) This is nothing new, Stokes Croft has looked like this for decades—but put on a pair of spex running Flex and the art comes alive in ways that seem to warp reality. Buildings strobe with colour while tentacles of paint slither out of the architecture to splatter unsuspecting passersby, herds of rainbow-coloured zebras run alongside passing traffic, and vast, ancient-looking trees explode through rooftops to dominate the skies. They’re the kind of augmented graffiti hacks you might have seen in cities all across the globe, but on an unprecedented scale. “What we do is basically impose zero limits on what artists can create and post,” explains the Dutch artist Anika Bernhardt, the Croft’s “uncurator.” “As long as they stick by a handful of community-agreed guidelines, artists can put art—both digital and paint—basically wherever they like. They’re free to post over or alter other people’s work, even"; in fact, we actively encourage it. It’s very much a free-for-all. My job here is less being curator and more a logger or archivist—instead of deciding what art is shown here, I just make a record of it.” I’m intrigued by the way she talks about encouraging artists to post over others’ work. Isn’t that hugely frustrating to the original artist? Isn’t it just a form of vandalism? “We don’t like to use that word here,” Bernhardt tells me. “We want to break that association that art is something that needs gatekeepers, that has to be restricted to galleries. Plus, we have ways of recording all the art, so that it’s instantly retrievable.” She demonstrates this to me, using a part of the Flex app that allows us to delve back in time. It’s a dizzying effect—almost as surreal as the street art itself—as she appears to rewind time, the faces of the buildings changing rapidly around me as murals and AR projections shift and change in reverse. (Kindle loc. 953-970);;;
;and they’re here, swarming around gridlocked traffic and into Times Square. It’s the first time Rush has seen it;" Scott had refused to bring him before, saying it’s not somewhere real New Yorkers go. It’s just as awful and wonderful as he’d imagined. Hundred-foot-high superheroes fill the air, punching their cartoon nemeses into skyscrapers that explode into glass-shard blizzards, only to be replaced by hundred-foot-tall anthropomorphic M&Ms, arguing and laughing and falling over, only to be replaced by hundred-foot-tall teen pop stars, peering down at him and smiling over the rims of the latest Samsung spex, only to be replaced by koi carp the size of humpback whales, lazily orbiting a Sony logo built from iridescent bubbles, only to be replaced by hundred-foot-tall NBA legends, slam-dunking— Rush yanks his spex away from his face and the augmented-reality adverts disappear, the towering hyperreal simulations vanishing from the warm night air, but the screens are still there, still everywhere. Some are the size of apartment blocks, some mere tennis courts, but they’re fucking everywhere, everywhere that isn’t a shop front or a Starbucks, on every wall and building. They cycle through brand after brand, from Google to Coke, Delta to Facebook, Hershey to Tesla. Brands merge into faces: politicians, the celebrity president, bleached-hair Aryan news anchors, all peering at him over scrolling text. Share prices, breaking news, war atrocities, football scores, celebrity gossip, fake news and real lies. It’s like somebody took the Internet, the hyperactive never-ending churn of the timelines, the constant scroll through Twitter and Facebook and Instagram, and made it real, physical, and nailed it to the walls of the fucking city. (Kindle loc. 1658-1668)""";;
"Infinite Detail (Black Lives Matter protest with AR and drones),""Rush participates in a large Black Lives Matter protest in a near-future New York City. He is at first surprised to see all the protesters wearing Spex, internet-connected AR glasses that are easy for police to track, but when he puts on his own Spex he realizes that there are heaps of virtual protest signs in the AR. A lot of personal information about protesters is also visible. Drones are being flown and are surveilling the protests, both owned by the NYPD and by protesters. "",654,""At Rush’s insistence both he and Scott have got their scarves and hoods up to try to mask their faces from the police drones that float constantly above their heads. Most of the rest of the marchers have done the same: if not hoodies or scarves then actual masks—3D-printed re-creations of too many other black men and women slain by the police, to keep their memories alive as much as to hide identities, as if vengeful ghosts have been summoned to march with them. Pretty much everyone is wearing spex, too, which gives Rush some pause. When he jumps into the #blacklivesmatter hashtag channel he can see why they are: virtual protest signs appear floating above heads, demands and slogans, calls to action, tweets from supporters across the globe, and video streams from simultaneous marches in Atlanta, D.C., L.A. But Rush knows for sure that probably most of the protesters don’t have their shit as locked down as much as he does, that they don’t have the same levels of encryption as his custom OS, and that as well masked as their faces might be they’re still leaking personal data, that just by using the spex they’re betraying their identities to the drones sniffing the air above them. It’s not just NYPD drones buzzing around them, though—the protesters have brought their own, of all models and sizes, from tiny, cheap toys to prosumer hexcopters. Illegal to fly in NYC as far as Rush knows, they play a constant cat-and-mouse game with the cops: filming and streaming the crowds, blocking the NYPD drones’ cameras, flashing arrows across LCD screens to show the marchers which way to go as the route dynamically changes to avoid blockades and police lines. Most important, they relay, from tiny Bluetooth speakers strapped to their undersides with string and sticky tape, the never-ending call-and-response chants that the marchers echo back at them. (Kindle loc. 1610 of 4457)";;;;
;"And then the lights go out. For a nanosecond there seems to be nothing but stillness and silence. Rush breaks off the kiss and they step away from each other, staring into the darkness. The dead screens are the color of the night sky. Every streetlight and crossing signal is out, every shop front dark, every robotic car and bus ground to a halt. He slips his spex back on but there’s nothing—his home-brew OS struggling to connect to nonexistent networks. Something explodes next to them, the crowd nearly knocking him off his feet as they make room for something heavy that’s fallen from the sky, a failed police drone smashed to fragments of plastic and silicone as it impacts the asphalt. And then the silence is gone, the crowd erupting into spontaneous cheering, and Rush finds himself joining in, hands above his head, emptying every last trace molecule of air from his lungs. (Kindle loc. 1688)""";;;
"Infinite Detail (Selfie while being held up in the airport),""Rush tries to send a sexy selfie to his boyfriend using Augmented Reality glasses from the airport bathroom while being held back in immigration. The mirror detects him."",1639,""Rush straightens up, tries to suck in his gut, ineffectually plays with his hair and beard. Tries to choke back self-doubt. Sighs. Tries to look just right, not too much smile, not too much pout. Both make him look cheesy. Blinks the selfie icon. The countdown. 3 2 “Jesus Christ CODE RED CODE RED WE’VE GOT A BODY IN THE RESTROOM WITH LIVE SPEX,” the mirror yells at him. 1 The artificial shutter sound, a quick preview flash of his terrified face. “REQUEST IMMEDIATE BACKUP, REPEAT, IMMEDIATE BACKUP TO THE HOLDING AREA BATHROOM,” bellows the mirror. Rush thinks he might have shit himself. The guard comes through the door, all dark blue uniform and Oakley spex and something that Rush can’t decide is a truncheon or a baseball bat. “TAKE THE FUCKING SPEX OFF AND DROP THEM TO THE FLOOR DROP THEM NOW.” The spex clatter on the floor as they hit.";;;;
"Tim Maughan, Infinite Detail, pg. 24, loc. 360-374""";;;;
"Infra (Defiant soldiers),""In many photos in the series, soldiers are shown clearly posing for the camera, with a defiant look. The artist mentions this defiance in his artist statement."",824,NA";;;;
"Interface (Soldiers killing),""Soldiers are looking through an augmented lenses on their guns from a chopper. The way MV abstracts the humans makes it easier to kill people."",427,NA";;;;
"INTERHUMAN (latent walks),""A neural network is trained on multicultural portraits photographed by one of the creators. The generated images in form of a video piece depicted as """"latent walks"""" (moving in the latent space) create a morphing effect in which the new """"interhuman"""" face is in continuous flux celebrating the diversity of humanity and expressing layers of emotions."",3199,NA";;;;
"Invincible (Robot's multiple screen interface),""While walking with the new Guardians of the Globe, Robot also sees surveillance camera footage of the Mauler Twins as one of them creates a clone of themself. Robot is called out by Rex Splode for dozing off when the surveillance footage fills Robot's entire field of vision."",2823,NA";;;;
"Invincible (Robot's vision finds weakness),""In the second episode, the character Robot analyzes alien wristbands and identifies that these wristbands keep the aliens safe from """"our timestream"""", e.g. that the aliens don't age as quickly as they normally would. Further analysis shows that they are tuned to 49,000 kHz, so Robot emits a tone in that frequency and knocks out all the wristbands in the area."",2822,NA";;;;
"Invincible (Spying on superhero family),""The GDA (Global Defense Agency), its director Cecil Stedman, and a high-ranking agent called Donald Ferguson, are keeping the Grayson family under surveillance after the murders of the Guardians of the Globe. The GDA suspects that Nolan Grayson/Omni-Man had something to do with the murders, but on the screen is Mark's body revealed with thermal vision."",2824,NA";;;;
"Invisíveis (revealing invisible figures),""For this location based artwork the user is given a camera phone with special software that augments figures into the park space extending it into the virtual. These figures are real or fictional characters representing the invisible users of the park. Hence, the machine vision is positioned to reveal something otherwise hidden or invisible."",1985,NA";;;;
"Iris (Multiple Camera Views),""The viewer faced six monitors and three concealed video cameras. The cameras shot the space in front of the console, and presented views of the environment in close-up, middle distance, and wide angle. Each of these cameras had its own monitor and the three others provided distorted images that might or might not be recognizable. Thus, a viewer standing in front of the console could see three different views of himself juxtaposed with other random video information."",383,NA";;;;
"Iron Man (AR alarm clock),""A woman Tony Stark had a one-night-stand with is woken up by Jarvis, who announces """"Good morning,"""" and the time, and displays the time, weather and other information on the huge picture windows of Stark's bedroom. The woman is impressed by the vast house and impressive view. The machine vision seems mostly to be shown an ostentatious display of hi-tech as wealth, and is almost frivolous or ornamental - simply part of the interior, and is largely ignored by the woman."",456,NA";;;;
"Iron Man (Augmented Reality_a),""Tony Stark designs his Iron Man suit using touch screens, from which he swipes a holographic touchable model to a work table. He can manipulate the holographic model directly, and Jarvis produces the materials."",457,NA";;;;
"Iron Man (Combat scene - AR identifies civilians),""When wearing the Iron Man suit, Tony Stark can see information about his surroundings displayed on the visor, so it is superimposed over what his human vision shows him. For instance, in his first combat scene wearing the suit designed in his workshop at home, he faces a group of soldiers who are pointing guns at hostages. On his visor, he can see enemies' faces marked in red and hostages' faces marked in green, and when he fires his weapons, they only kill the enemies, leaving the civilians free."",458,NA";;;;
"Isle of Dogs (Drone captures Atari),""The main character, runaway boy Atari, has been captures by the police/dog captures and is attempted transported off of Dog Island by a drone dangling him from a net."",2531,NA";;;;
"I`m Alan Partridge: Basic Alan (Alan steals cone),""In this episode Alan wants to be wild and decides to steal traffic cones. He immediately gets caught by the police and try to lie himself out of it."",688,NA";;;;
"Jller (Identifying and organizing),""Pebbles are organized in rows by their geologic age with the help of object recognition software which has been trained with the help of labeled stones."",530,NA";;;;
"Johnny Mnemonic (Body scan in Passport Control),""As Johnny is flying back to Newark after his trip to Bejing, he gets a full body scan."",1113,NA";;;;
"Johnny Mnemonic (Hologram of deceased daughter),""In this scene Takahashi is sitting in his deceased daughters bedroom filled with soft toys, playing a recording in the format of a hologram. The recording is of his daughter playing with teddy bears. Takahashi is sitting with a remote control in his hand feeling grief and longing. As his maid enters, he switches of the hologram and breaks out of his loss."",1115,NA";;;;
"Johnny Mnemonic (Johnny Enters Internet),""Johnny has to log on to the virtual Internet to try and find the rest of the download code. He only has one part, but he needs the rest to be able to download the content in his head before it kills him. He is wearing VR glasses and haptic gloves to manouver himself in the virtual world."",1116,NA";;;;
"Johnny Mnemonic (Tricked by Deepfake),""In this situation Johnny is calling Farmakon (the company who made the cure for the virus) to arrange a meeting. On the screen you see the man Johnny spoke to before, but we see its Takahashi (the yakuza) who is controlling the man from Farmakon with his hand (like a puppeteer). https://youtu.be/a9V7rz2Dg7g?t=4045"",1112,NA";;;;
"Jupiter Ascending (Hologram),""Balem watches a hologram of Jupiter."",2203,NA";;;;
"Jupiter Ascending (Ocular Scan),""Ibis is watching Caine from the rooftop using his ocular implant to scan him for species, weapons etc. "",2199,NA";;;;
"Just Dance 2019 (Dancing registered by motion tracking),""The PlayStation webcam registers a player's movements and matches these to its scheme to evaluate the success of the movement. This is shown as a """"blob"""" on the screen while dancing. When the dance is finished, the game shows a recording of the player's dance."",298,NA";;;;
"Klara and the Sun (Klara sees the world as partitioned),""When Klara experiences a situation as ambivalent or otherwise has trouble analysing what she sees, her visual input becomes """"partitioned"""", divided into separate boxes. This is presumably a reference to the way image recognition software draws boxes around objects that have been identified. The partitioning is never explained, and Klara does not see it as odd, although she does appear relieved when the partitions disappear. "",3215,""The embrace continued, and when I glanced again at the Mother, that whole section of the room had become partitioned, her narrowed eyes repeated in box after box, and in some boxes the eyes were watching Josie and the Father, while in others they were watching me. (page 186)""";;;;
"La Region Nationale (Robot filming environment),""A movie filmed with a robotic arm that is automated to control all the filming."",252,NA";;;;
"Lacework (Traversing a machine learning dataset),""The artwork exhibits stretched and distorted videos from a dataset called Moments in TIme.  This dataset has been collected with the intention to be used in training machines to recognizes various types of actions. The videos scraped (collected  without consent) from youtube and other video streaming platforms are manipulated by the artist also using machine learning models (neural networks). The neural network effects are both to anonymizing and giving the 3 second originals a dreamy, wondrous effect. The videos are titled with their file names and which actions they are labeled with. The labels are indicating what human interpreters, in other words Amazon Mechanical Turk click-workers, have defined the 3 second action in the video to depict. These labels might feel both familiar and strange as the actions are simplified into banal and flattening one word labels."",2569,NA";;;;
"Lagoon (President is broadcast to all screens),""Ayodele, the aliens' ambassador, has healed the ill Nigerian President, and he gives a televised speech to the nation that the alien technology causes to be broadcast to every screen in Nigeria and the surrounding countries, whether or not the screen was turned on: mobile phones, televisions, computer screens, advertising screens, everything. The President explains to the people that the aliens are friends that have brought new technologies and will make things better. Almost everyone in Nigeria instantly sees the speech, and they feel comforted and confident about the situation. ";;;;
;;;;
"[See similar situation in Bjørn Vatne's Død og oppstandelse, except there it is a digitised consciousness that sends the message.]"",1714,""His guards followed behind him as he walked with the woman. “When the broadcast goes live,” she said, “it will appear on all of your people’s screens. As it did before. Everything with a screen will turn on, whether it is plugged in to anything or not.” He stopped walking, looking at her. She stopped too, and smiled a small smile. “Mobile phones,” she said. “Computers, desktops and laptops, televisions, e-readers, all things with screens.” “How?” he asked. “How do you do that?” She laughed. “The knowledge is in you. Ayodele made sure of that. We will explain, later. But for now, just be aware, you are reaching everyone in this city.” She paused. “Unless you’d like it to reach farther?”";;;;
He considered it. “Can you make it reach all of Nigeria?” “It won’t be exact, there will be some spillover into other countries, but sure.” “Okay, do it.” He considered his speech. No, he wouldn’t have to change much of what he was going to say. He hadn’t been thinking only about Lagos. He’d been thinking of his entire country. Yes, it was right.;;;;
Okorafor, Nnedi. Lagoon (pp. 268-269). Gallery / Saga Press. Kindle Edition. ;;;;
;Then he spoke of alien technology and how the land would be pure and palm nuts, cocoa, and other crops would grow as they never had before. Extinct creatures would return and new ones would appear. Nigeria would have much to give the world—and to show it. “In the coming months, we will set up solid programs. The change will be both gradual and swift.” He paused. “Corruption is dead in Nigeria.” Then he smiled.;;;
Okorafor, Nnedi. Lagoon (p. 272). Gallery / Saga Press. Kindle Edition. ;;;;
;A woman who’d been walking down the middle of the busy dirt road that passed through the market wanted to throw her mobile phone away. She’d never liked mobile phones. She knew it sounded crazy, but she had always been sure that they could do more than anyone let on. She had a feeling that they could watch you. That they could speak to you at night when you were asleep and brainwash you. “Maybe this is why Ghana is still the way it is,” she’d proclaim. “Because we all use phones and they all control us.” Nevertheless, her boyfriend insisted she carry one. She’d only agreed because he was a sweet, sweet man and she liked the way he spoke Ewe, the language of her mother, whom she missed very much. She’d done exactly what he asked her to do, which was to carry the phone. When he called she answered, but that was as far as it went. She never used it otherwise. She wrapped it in tinfoil and kept it deep in her purse where it wouldn’t harm her. She’d never set her phone to vibrate, but vibrate and vibrate it did as she walked through the market. Finally, she brought the thing out and unwrapped it. It was talking. And it was showing the Nigerian president. It wasn’t made to do any such thing! Her boyfriend had assured her. And what the Nigerian president was saying made her stop and stand still for many minutes. When he finished talking, he disappeared from her phone’s tiny screen and there was the date and time again. Like normal. She frowned, her nostrils flaring. She squeezed the phone. Then she;;;
"Okorafor, Nnedi. Lagoon (pp. 277-278). Gallery / Saga Press. Kindle Edition. """;;;;
"Lauren (Lauren replacing AI),""Lauren is a surveillance system which uses a human operator and not an AI. Lauren is using IoT and web cameras assisting the people she oversees, and predicting their behavior based on their daily pattern."",446,NA";;;;
"Learning to See: Gloomy Sunday (Machine learns to see),""Objects are placed in front of a camera and the machine vision tries to understand what it sees. It can only see what it is trained to see, hence, interpreting the images through different data sets (ocean, fire, clouds, and flowers) the artist chose to train the neural network with."",1075,NA";;;;
"Lessons on Leaving Your Body (Drones),""The film documents Jake Wells' piloting of a remote controlled, camera-enabled drone. Wells describes his relationship with the drone in religious terms, seeing himself as a """"flesh pilot"""" who happens to be temporarily in control of his human body, and is able to experience a different body through piloting the drone. The cinematic representation includes drone footage, which is presented as very chaotic, jerky, and with frequent failure when the drone crashes. The parts of the art documentary filmed by a human operator contrast this strongly, with stable, well-composed images and a sense of calm in the visual composition and narration."",320,""""""Your flesh is not who you are. You are flying that flesh (..) My body is just completely a rock, it’s not even moving, it’s just sitting there, you know.""""""";;;;
"Level of Confidence (matching faces),""Users face is matched to a gallery of faces of 43 students from the Ayotzinapa normalista school in Iguala, Guerrero, Mexico.";;;;
The face recognition system is detecting a face, creating a faceprint and comparing it to the faceprints in the gallery.;;;;
"A mach score is given, however, the system will fail in finding a positive match to the faces in the gallery because the students were kidnapped and  were likely murdered and burnt in a massacre."",1651,NA";;;;
"Life: A User’s Manual (broadcasting CCTV footage),""The artist moves around the city capturing CCTV camera footage with a video transmitter receiving the material that is transmitted wireless on a publicly available narrow band of the broadcasting spectrum. The video footage captured from security cameras can be seen on a screen placed in a suitcase that the artist is  dragging along on the street of the city where she is performing. Hacking into the city's surveillance assemblage reveals an alternate view of the city. Observers of the performance could follow the broadcasting devise and see material from """"urban environments, the café, the home, the apartment building, the office, the store, the bar, the hallway, the entrance, the parking lot and the street.""""(1) The performances took place in different cities between 2003 and 2006.";;;;
"Source: (http://www.ubermatic.lftk.org/blog/?p=221)"",1783,NA";;;;
"Lifeline (Security cameras),""The player character monitors all security cameras in the hotel station from a monitor room. Based on the view, the player character gives commands to Rio to help her mission."",1527,NA";;;;
"Little Brother (Gait Recognition Cameras in Schools),""Marcus's high school has installed gait recognition cameras to identify and track students who leave the classroom or the school without permission. These replaced facial recognition cameras, which had been ruled unconstitutional. ";;;;
Marcus tricks the cameras by putting gravel in his shoes to change the way he walks. Later in the book, he has sprained his ankle, and opts not to add gravel to his shoes to fool gait recognition cameras in the city because his foot is sprained, which also alters his gait. ;;;;
"Cory Doctorow, the author, describes gait recognition in some detail in keeping with his didactic aim of teaching young readers to repurpose technology and fight surveillance and control."",2867,""I moved down the corridor lightly and sprightly, keeping my gait even and measured for the gait-recognition cameras. These had been installed only a year before, and I loved them for their sheer idiocy. Beforehand, we’d had face-recognition cameras covering nearly every public space in school, but a court ruled that was unconstitutional. So Benson and a lot of other paranoid school administrators had spent our textbook dollars on these idiot cameras that were supposed to be able to tell one person’s walk from another. Yeah, right.";;;;
Doctorow, Cory. Little Brother (p. 6). Macmillan. Kindle Edition. ;;;;
;There are a lot of people who walk kind of like you. What’s more, it’s easy not to walk kind of like you—just take one shoe off. Of course, you’ll always walk like you-with-one-shoe-off in that case, so the cameras will eventually figure out that it’s still you. Which is why I prefer to inject a little randomness into my attacks on gait-recognition: I put a handful of gravel into each shoe. Cheap and effective, and no two steps are the same. Plus you get a great reflexology foot massage in the process. (I kid. Reflexology is about as scientifically useful as gait-recognition.);;;
The cameras used to set off an alert every time someone they didn’t recognize stepped onto campus. This did not work. The alarm went off every ten minutes. When the mailman came by. When a parent dropped in. When the groundspeople went to work fixing up the basketball court. When a student showed up wearing new shoes. So now it just tries to keep track of who’s where, when. If someone leaves by the school gates during classes, their gait is checked to see;;;;
Doctorow, Cory. Little Brother (p. 11). Macmillan. Kindle Edition. ;;;;
;I went fast to Mr. Benson’s office. Cameras filmed me as I went. My gait was recorded. The arphids in my student ID broadcast my identity to sensors in the hallway. It was like being in jail.;;;
Doctorow, Cory. Little Brother (p. 203). Macmillan. Kindle Edition. ;;;;
;“Put these pebbles in your shoes before you put them on—”;;;
“It’s okay. I sprained my foot. No gait recognition program will spot me now.”;;;;
"Doctorow, Cory. Little Brother (p. 306). Macmillan. Kindle Edition. """;;;;
"Little Brother (Marcus looks for surveillance cameras),""Marcus explains how to find pin point surveillance cameras in a room using a toilet paper tube and LEDs from a bike lamp."",2869,""I went into the bathroom and took off the toilet paper roll and replaced it with a fresh one. Luckily, it was almost empty already. I unrolled the rest of the paper and dug through my parts box until I found a little plastic envelope full of ultrabright white LEDs I’d scavenged out of a dead bike lamp. I punched their leads through the cardboard tube carefully, using a pin to make the holes, then got out some wire and connected them all in series with little metal clips. I twisted the wires into the leads for a nine-volt battery and connected the battery. Now I had a tube ringed with ultrabright, directional LEDs, and I could hold it up to my eye and look through it.";;;;
I’d built one of these last year as a science fair project and had been thrown out of the fair once I showed that there were hidden cameras in half the classrooms at Chavez High. Pinhead video cameras cost less than a good restaurant dinner these days, so they’re showing up everywhere. Sneaky store clerks put them in changing rooms or tanning salons and get pervy with the hidden footage they get from their customers—sometimes they just put it on the net. Knowing how to turn a toilet paper roll and three bucks’ worth of parts into a camera-detector is just good sense.;;;;
This is the simplest way to catch a spy-cam. They have tiny lenses, but they reflect light like the dickens. It works best in a dim room: stare through the tube and slowly scan all the walls and other places someone might have put a camera until you see the glint of a reflection. If the reflection stays still as you move around, that’s a lens.;;;;
There wasn’t a camera in my room—not one I could detect, anyway. There might have been audio bugs, of course. Or better cameras. Or nothing at all. Can you blame me for feeling paranoid?;;;;
"Doctorow, Cory. Little Brother (p. 77). Macmillan. Kindle Edition. """;;;;
"Little Eyes (Disconnecting),""In several scenes, kentuki dwellers decide to disconnect from the kentukis they have been controlling. Once a kentuki is disconnected, whether by choice or because its battery runs out, the connection can never be made again.";;;;
I am entering these as one scene, as the actions taken (and thus the verbs logged) are the same, although the feelings and circumstances are quite different. ;;;;
Grigor did not give the tablet connected to the kidnapped girl to the police, because he worried that it would incriminate him. Instead he gave the police a disconnected tablet and said the battery had run out. The girl took the kentuki that Grigor and Nikolina have used home to her family in Venezuela, and when Grigor connects to the kentuki and sees her with her family, at first he is happy. However, he soon learns that the girl's father plans to sell her again, and he realises she is not safe. He feels that the situation is too challenging, and disconnects the kentuki. ;;;;
"Emilia, an elderly woman living in Lima, has had a close relationship to Eva, a young woman living in Erfurt. However, Emilia is concerned about Eva's relationship to Klaus, a football player she has managed to identify and called on the phone. When Emilia herself gets a kentuki, the dweller in her kentuki calls Klaus and sends him photos of Emilia in her underwear. He shows Eva, and Eva calls Emilia, making fun of her """"puritan"""" disapproval of Klaus, and of Emilia's underwear. Emilia, who has been very emotionally invested in her relationship with Eva, feels so betrayed that she disconnects from the kentuki at Eva's house, and puts the kentuki in her own house under running water so as to destroy it.";;;;
In a short vignette, a mother buys a kentuki for her young children, but when they activate it, it screams and screams and tries to attack the children. The mother destroys it. ;;;;
"In another short vignette, a dweller connects to a kentuki that is being thrown around a crowd of ravers at a nightclub in Hong Kong. The dweller feels ecstatic, until the kentuki falls to the floor and is crushed, severing the connection."",1208,NA";;;;
"Little Eyes (Kidnapping),""Gregor runs an informal business selling """"pre-established kentuki connections"""". He and his neighbour Nikolina, who has been assisting him, use one of the kentukis to explore the farm it is in, and find a young girl held captive in a barred room. She tells them her name and her mother's phone number, and they are able to contact the police, which eventually rescues the girl.";;;;
"Gregor at first hesitates to help the girl, as he is worried about his reselling business, which is possibly illegal."",1204,""""""In the last room there was a girl,"""" said Nikolina. """"The door on that room was closed, but I could fit between the bars, and when the girl saw the kentuki her eyes opened wide. She jumped out of bed like she's seen a glass of water in the middle of the desert. She ran to the door and laid a chair down so I couldn't get back out again."""" """"So now we're locked in, without a charger? How many hours now?"""" """"She's not even fifteen years old, Grigor. She wrote this on a piece of paper and held it in front of the camera."""" Nikolina showed him the next photo. It seemed to have been written in lipstick. It was a dirty napkin, and except for the phone number, Grigor was unable to understand what the message said. Nikolina read from her notes: """"'I'm Andrea Farbe, I've been kidnapped. Mom's phone umber: +584122340077 please!' It's written in Spanish,"""" clarified Nikolina. """"I googled the country code and it's Venezuela. I think we're in Brazil but the girl isn't from there.""""""";;;;
"Little Eyes (Torturing Kentuki),""After her kentuki brushes against her breast, Alina becomes obsessed with the thought that the anonymous """"dweller"""" in her kentuki is an old pervert. She places the kentuki in a bowl so it can't move, and places an iPad in front of it so that it cannot see anything except the screen of the iPad. On the first occasion, she plays a porn video featuring an old man and a kentuki. The second time, she plays a video of a decapitation. She leaves the room on both occasions, leaving the kentuki trapped with no choice other than to turn itself off or view the videos. She also breaks off her crow kentuki's beak and cuts off its wings.";;;;
"Much later, we find out that Alina's kentuki is actually controlled by a seven year old child."",1203,""Alina paused the video. She didn't know if she wanted to see what came next, but she'd just gotten an idea for something that would finally pull her out of her malaise. She took one of the benches from the kitchen and carried it to the middle of the living area. She put the kentuki in a small ceramic bowl, head down, so it couldn't move. It fit like a ridiculous little hat, but it held the kentuki firmly. She put the bowl on the bench in front of her open tablet. She made a few adjustments to be sure the kentuki could see perfectly, arranging things so that the video was all it could see. Then she pressed Play again. There were still thirty-seven minutes of action left, and there was nowhere the Colonel could escape to. (page 116)""";;;;
"Logan (Gabriela records with her cellphone camera),""Gabriela is a nurse who worked on a secret mutant project. She realized quickly how cruel and terrible the project was and filmed some of it secretly on her cellphone. We see the footage through the camera while we hear her voice describing what's going on."",2358,NA";;;;
"Los anillos de la serpiente (triggering a intimate spectacle),""The user moves inside a serpentine sculpture that represent being in the realm of images. The user and their movement inside the serpent is detected triggering overwhelming spectacles of intimacy (referencing to social media) projected into the serpent in form of animated texts, lights, images and sound. The user can only move along triggering new """"spectacles"""".    "",2069,NA";;;;
"Lost Faith (Bob is followed by drone),""Bob Mould is being followed by a drone."",340,NA";;;;
"Love, Death and Robots (Holographic fight host),""Episode four of Love, Death and Robots is about humans switching consciousness to their alien host to have a fight battle between them. There is a small human man in the middle of these two scary alien monsters, but you learn that he is just a hologram and can`t be harmed in their presence. I am assuming this is human male projecting himself."",2508,NA";;;;
"Love, Death and Robots (Robot checks location),""In episode 2 (Three Robots), a big humanoid-looking robot is wondering if they are lost. The small orange robot checks a hologram on his sleeve to verify their location."",2498,NA";;;;
"Love, Death and Robots (Robot checks scans environment),""In episode 2 (Three robots), three robots are tourists in a post-apocalyptic world where all humans have ceased to exist. The robots are on a tour of sorts of the old vestiges of humankind. In this situation, the robots are discussing and learning about what caused the human demise. While doing so, they learn from a cat that it was not a environmental disaster, but cats that developed thumbs that was the cause of humans becoming extinct. The robots scan their environment with thermal imaging and realize that they are surrounded by hundreds of cats."",2503,NA";;;;
"Love, Death and Robots (Robot takes photos),""In episode 1 (Three robots) a boxy looking robot is being a tourist in a post-apolocalyptic world were all humans have ceased to exist. The robots are on a tour of sorts of the old vestiges of humankind. In this situation the boxy robot is analysing writing on the wall (we are all fucked) and the human corpse below it. A grim scene but the boxy robot is happily snapping photos."",2502,NA";;;;
"Love, Death and Robots (Sentient plane sees everything),""In episode Lucky 13, a rookie pilot gets the fighter plane that nobody wants. Two entire crews just died in it and people are superstitious to fly it again. Cutter Colby accept the plane and fares very well with it and goes on many missions with no casualties. Throughout the episode you see what happens via the different cameras on the ship (wing cam, cargo cam, cpt. cam etc.) and you get the feeling it is autonomous and sentient. Measures people, observing everything, working together with the pilot etc. Even though the plane never speaks or anything, from the way it is filmed it feels like a sentient character."",2512,""It`s just a machine""""";;;;
Well, you are wrong there mam!;;;;
"Ships have personalieties, all of them have personalities, 13 in particular!""";;;;
"Love, Death and Robots (Suzy coordinates via hologram),""In episode 2 (Beyond the Aquila) of Love, Death and Robots is about a crew travelling in space. In the first scene Suzy is using a hologram to enter the coordinates for their journey. After the crew enters a tank, where they fall asleep while travelling through space. When they wake up, they are not where they expected. The Captain is facing a fake reality and when he asks for the truth he is looking like a corpse inside a huge alien organism. The person who he thought was his friend is actually an alien monster (although a kind one). Note: This fake reality is an """"alien vision"""" rather than MV since there is no indication that aliens operates with machine technology. "",2505,NA";;;;
"LoveStar (ubiquitous surveillance),""""""Butterflies"""" and """"plague-flies"""" film everything, from the inside of Sigrid and Indridi's apartment to horrific accidents and crimes. This is mentioned several times in the novel. For instance, after he has manipulated Sigrid into leaving Indridi to be calculated, Simon checks his phone and sees a list of """"links to plague-flies"""", which are links to live video broadcast from "",1772,""No personal messages, mostly junk mail and links to plague flies: 10:15 murder in use police not notified yet corpse here pursue the murderer relevant Butterly here. 10:18 train crash in Pakistan rescue workers not yet arrived not yet in news horrific view here (p. 200)""";;;;
"LoveStar (Visual nerve hooked to porn),""People's brains are connected to the internet (although they don't use that name) and at any time people could be watching a film or a """"butterfly"""" that is filming something happening live. Early in the novel the narrator mentions that some people watch hardcore porn through their visual nerve."",1774,""The man who breathed rapidly or got an erection at an inappropriate time and place probably had his visual nerve connected to some hard-core material or was listening to a sex line. (p. 18)""";;;;
"Machine Vision (Camera replacing eyes),""""""A mirrored sphere, positioned in the middle of a crossbar reflects the image of surrounding space. Two video cameras, attached to each end of the crossbar are looking in at the mirrored surface. The crossbar — now an assembly of mirrored sphere and two cameras — slowly rotates on the turntable with cameras orbiting the sphere. Since each camera sees half of the reflected space, the whole space becomes observable."""" Steina Vasulka Website, retrieved July 5, 2019."",428,NA";;;;
"Machinehood (Classifying people),""Welga has optical implants that allow her to see visually coded maps and annotated visuals that integrate the visual feed from her microdrones, from news feeds, feeds from her friends or families and from other sources. When she enters combat or a shield mission where fighting is likely, different bots, protesters and others are shown as colour coded dots."",3122,""Other than a small crowd at registration, the convention center was mostly empty. Tracking showed the bulk of the attendees in the main hall, listening to the next speaker. The map in Welga’s visual showed white dots for all the bots along their path. Some had already turned red, meaning that Platinum’s intel had discovered weapons on them. Many of those belonged to private citizens and would have no connection to protest groups. Humans appeared in green or gray—civilians and staff, no exfactors or registered protesters to deal with. Their primary concern now were the service bots, which could be hacked or modified to attack. (p. 28).""";;;;
"Machinehood (Lenses/optical implants),""When Nithya takes her lenses out, the world feels disorienting. without the extra visual layer. She thinks that Welga has an advantage in having permanent implants that do not need to be taken out or charged or serviced."",3121,""She dropped the needle into the recycler, then took her lenses out and laid them in the cleaner alongside Luis’s. Her ear and throat jewels went into a dry charger. For the space of three breaths, the world looked and sounded wrong. The feeds added another dimension to her senses, and she had to wait for her brain to adjust to their absence. Welga had an advantage there, too, with her devices permanently inside her eyes, ears, and neck, courtesy of the US military. VeeMods—voluntary modders—paid out thousands in their own coin for similar technology and surgery. Must be nice not having to worry about cleaning or charging or repairing them every day. (p. 46-47).""";;;;
"Machinehood (microdrones),""Welga, and most other people, have swarms of microdrones that follow them everywhere. They are used both to give the individual multiple viewpoints and a visual record of their life, and to share a live feed with fans online or their family members. As a shield, Welga has a modest fanbase that give her tips when her fights are particularly impressive. Welga also feels connected to her family because she keeps open feeds from their microdrones and home cameras. "",3120,""Privacy had gone the way of the dodo during Welga’s childhood. Some part of her always remembered the cameras. In Marrakech, the caliph’s network blackout had unsettled her more than the potential for violence—the lack of communication, the inability to see and hear what others were doing. It would take a million lifetimes to watch every minute of every public feed, but she had a sense of security knowing that she could look out for her people, and they’d do the same. Losing that had felt like walking around with one shoe: doable but not at all comfortable. (p. 13)";;;;
;People used to be ridiculously shy about their personal lives. Bodies did what they did. Her parents had made her cover her knees when they dragged her to Mass, and they told her she’d understand when she was older, but that hadn’t happened. Ironically, her parents’ generation had been the first to deploy camera swarms. They’d been in every public space since Welga could remember, and plenty of homes, too. Door thresholds couldn’t catch every microcamera, and many people in Europe and North America didn’t even bother with them. No one had time to watch every couple have sex. Hell, most people weren’t worth watching. Shields, however, had to look good, and there was no sense wasting an opportunity to earn tips while having fun.;;;
" (p. 21)""";;;;
"Machines Like Me (AI),""Machine vision is barely mentioned in the novel, which is more concerned with more abstract questions of AI/android consciousness, ethics and emotions. At two points in the novel, however, the first-person narrator, Charlie, wonders how the android Adam sees. (Kindle location 1703)"",436,""I still didn’t know whether he actually saw anything. An image on some internal screen that no one was watching, or some diffused circuitry to orient his body in three-dimensional space? Seeming to see could be a blind trick of imitation, a social manoeuvre to fool us into projecting onto him a human quality. But I couldn’t help it: when our eyes briefly met and I looked into the blue irises flecked with spears of black, the moment appeared rich with meaning, with anticipation. I wanted to know whether he understood, as I did, and as Miranda surely did, that the issue here was loyalty. (Kindle location 1043)";;;;
;I put my free hand on my hip and looked into his eyes, into the nursery blue with its little black seeds. I still wondered what it meant, that Adam could see, and who or what did the seeing. A torrent of zeros and ones flashed towards various processors that, in turn, directed a cascade of interpretation towards other centres. No mechanistic explanation could help. It couldn’t resolve the essential difference between us. I had little idea of what passed along my own optic nerve, or where it went next, or how these pulses became an encompassing self-evident visual reality, or who was doing my seeing for me. Only me. Whatever the process was, it had the trick of seeming beyond explanation, of creating and sustaining an illuminated part of the one thing in the world we knew for sure—our own experience. It was hard to believe that Adam possessed something like that. Easier to believe that he saw in the way a camera does, or the way a microphone is said to listen. There was no one there. But as I looked into his eyes, I began to feel unhinged, uncertain. Despite the clean divide between the living and the inanimate, it remained the case that he and I were bound by the same physical laws. Perhaps biology gave me no special status at all, and it meant little to say that the figure standing before me wasn’t fully alive. In my fatigue, I felt unmoored, drifting into the oceanic blue and black, moving in two directions at once—towards the uncontrollable future we were making for ourselves where we might finally dissolve our biological identities;" at the same time, into the ancient past of an infant universe, where the common inheritance, in diminishing order, was rocks, gases, compounds, elements, forces, energy fields—for both of us, the seeding ground of consciousness in whatever form it took.""";;
"Madoc: A Mystery (Retinograph),""The main character South (referring to Southey) is caught breaking into a futuristic corporation called Unitel, and is harnessed to a """"retinagraph"""" - the narrative that follows is then scanned from the back of his retina, thus complicating the gaze of the coloniser. It plays upon the idea of the impartial, objective view, the gaze of the coloniser, but also shows that the view is not disembodied but individual and partial. "",2969,""""""When he ventured forth from the smallroom";;;;
he activated a sensor-tile;;;;
that set off the first in a series of alarms;;;;
and sent a ripple through Unitel.;;;;
[...];;;;
Then an oxygen-mask.;;;;
And, though one of his eyes;;;;
was totally written-off,;;;;
he was harnessed to a retinagraph.;;;;
[...];;;;
So that, though it may seem somewhat improbable,;;;;
all that follows;;;;
flickers and flows;;;;
"from the back of his right eyeball.""""""";;;;
"Man with a Movie Camera (Animated movie camera),""Towards the end of the movie (about 59:30 minutes in), we return to the movie theatre from the start of the movie, seeing the audience from above. The camera tripod steps onto the stage, moving without human assistance (stop motion animation), its three legs awkwardly walking to position itself in front of a bench. A case slides along the bench and the tripd adjusts its height down as the case opens and the movie camera comes out of the case and positions itself on the tripod.";;;;
"The audience is still at first, looking seriously at the tripod, but they start to smile as the camera positions itself on the tripod, and laugh and talk as the camera spins around, spinning all its handles and dials in a little dance. The camera and tripod then """"walk"""" off the stage, followed by the case, which slides off camera on the bench. ";;;;
"The movie camera's dance is obviously done using stop-motion animation, but it is also implicitly compared to magic, through the parallel to an earlier scene in the movie where children watch a magician, and the cutting between the children's laughter and delight and the magic tricks (partly shown by an actual magician, and partly using stop motion animation) is very similar to the cutting between the animated movie camera and the adult audience. (This similarity is noted by Malcolm Turvey in his paper """"Can the Camera See? Mimesis in Man with a Movie Camera, October 89, Summer 1999). The scene also comes immediately after another scene where people watch a performance of somebody playing music on spoons and hands on a piano keyboard. In this previous performance, there is no magic, but there are a lot of film tricks, as the spoons and piano keyboard merge in and out of each other in double exposures, and shots of the audience are intercut with the performance faster and faster. The cuts between the dancing camera and its audience are quite sedate in comparison - but both feature humans delighted by something automated or semi-automated.";;;;
"Up until this point of the movie, the movie camera is always shown with a human operator. Often the human carries the camera, placing it in new positions. In this animated sequence, the camera moves by itself, although even here, there is a puppet-like quality to its dance, suggesting that somewhere, out of sight, a human operator is still there. This idea is strengthened by the parallel to the magic tricks earlier in the movie. And yet, we do see the movie camera moving, by itself. Not filming, not seeing, but dancing."",1166,NA";;;;
"Man with a Movie Camera (Kino-eye),""A double exposure of the lens of a camera and a human eye. The camera lens closes, as the human eye closes. The lens and the eye are shown in parallel in many occasions in this movie, quick closeups of each suggesting an equivalence or at least relationship between the camera lens and the human eye. This scene appears to merge the two."",1169,NA";;;;
"Manhunt (Replaying murders on CCTV),""The Director (Lionel Starkweather) promises Cash his freedom if Cash follows the Director's instructions. Cash slaughters his way through the streets while the Director watches through security cameras. The Director repeats how Cash needs to please the audience for what apparently is a snuff film. The kills are replayed from the camera's perspective."",1066,NA";;;;
"Mask.ID (one photo two identities),""A software is used to merge images so that facial recognition can match two identities of the facial vectors. As a proof of concept a Peng! collective members face was merged with the EU Commissioner for foreign affairs and security policy, Federica Mogherini. A passport was applied for and approved using this image. The artist/activist calls for European citizens to donate their passport with such an image to find a last desperate way to safely help Libyans to migrate to Europe."",2989,NA";;;;
"Masked Reality (generating masks),""The users face is detected an on the video screen the face appears in two versions masked with ML generated masks. The the two virtual masks are generated from training sets of images portraying female and male versions of traditional Southern Indian masks. When the person is moving or grimacing the mask replicates the users facial features and expressions."",3179,NA";;;;
"Mass Effect: Andromeda (Alien mimics hologram of human),""Ryder Sr. and Ryder go into a tower on an alien planet to figure out how to stop the lightning storms in the area. After lifting his hand in trying to communicate/interact with the tower and successfully stopping the storms, there's a big blast. It takes out Ryder's helmet, and Ryder Sr. trades helmets with them so that Ryder can survive. Later, the aliens that the humans have been fighting enter the tower. They use an aerial drone to generate a hologram of the actions of Ryder Sr. The aliens watch as Ryder Sr.'s hologram lifts his hand in interaction, and the leader of the aliens copies the hologram's action."",3077,NA";;;;
"Mass Effect: Andromeda (Omni-tool scanner),""Ryder has a scanner that scans an object's components, atomic weight, radioactivity, and is linked to SAM (AI implant) for further analyses and predictions. It is often used on alien lifeforms and objects. The scanner also diagnoses malfunctions and errors and can repair these, for instance when Ryder planetfalls and their helmet is broken."",3075,NA";;;;
"Mass Effect: Andromeda (Virtual intelligence hologram assistant),""When Ryder and their team enter the Nexus, they are greeted by Avina, a """"virtual intelligence designed to assist you with immigration"""", seemingly unaware of the run-down state of the Nexus. Using Ryder's scan, it's labeled a """"Virtual Intelligence Kiosk"""", and further: """"Holographic systems interface"""" and """"This is a standard Virtual Intelligence interface designed for ease of use in relaying important information"""". Avina takes the shape of a holographic Asari (alien), a mono-gender species that presents as feminine."",3076,NA";;;;
"MegaPixels: Faces (Matching faces),""Using facial recognition to mach users face to images in the largest publicly available facial recognition training dataset in the world, called MegaFace."",258,NA";;;;
"MEMEMEME#selfie (smartphone making selfie of it self),""In this installation a smartphone is automated to take a selfie of it self and publishing it online whenever it detects it self as a smartphone in a mirror. The published image on a social media platforms is anthropomorphising the maschine as it is assigned motivations and behavior similar to humans. "",1917,NA";;;;
"Memoirs of the Blind (capturing eyes closed),""When a users face is detected to close their eyes a image is captured and displayed on the screen."",1659,NA";;;;
"Memories of the Alhambra (first time re-entering Alhambra),""Yoo Jin-woo enters the AR game for the first time and sees the beginning of the Granada War and interact with the game. (Episode 1, 40:52)"",1857,""i came all the way here to see magic""";;;;
"Memories of the Alhambra (Guiding to the first weapon),""After Yoo Jin-woo gets slashed in-game, he gets more insight into how the game works, and the AR system guides to a place where he can find a weapon to progress with. He navigates himself through the street until he arrives at an Italian restaurant. In the bathroom, he finds a rusty sword ascended down from a secret compartment in the game. (Episode 1, 41:40 to 44:34)"",1858,NA";;;;
"Memories of the Alhambra (interaction with an AI),""Yoo Jin-woo enters the Alcazaba cafeteria after avoiding rain that he realizes is a special effect in the game. Iside he meets the non-player character (NPC) as pirates and a guitar player on the scene. Her name is Emma and is an AI who resemble Jung Hee Joo the hostel owner and sister of the game creator Yoo Jin-woo. (Episode 3, 13:15 and 44:21) However, Yoo Jin-woo can't communicate with Emma before he has reached level 5."",1909,NA";;;;
"Ministry of Broadcast (Live-streamed competition in Arena),""The protagonist and other competitors are continuously filmed and live-streamed, using the many surveillance cameras in the Arena."",1173,NA";;;;
"Minority Report (eyedentiscans),""John Anderton tries to hide from PreCrime, but the city is full of retina scans to identify people, and these """"eyedentiscans"""" are also used to pay on the bus or target them for ads. In one specific case, John Anderton undergoes surgery in order to trick retina scanners. ";;;;
"Spyders"""", unmanned remote-controlled ground units, use a thermal scan on the area to find humans and perform forced retina scans on them in order to find the missing John Anderton. The freshly operated Anderton hides in a bathtub full of ice cold water to escape them, but has to emerge to breathe. Fortunately the spyder scans his new retina and accepts his new identity. "",602,NA";;;;
"Minority Report (Gestural interface),""In these scenes, Chief John Anderton is using a transparent touch screen and VR gloves to sort through data provided by the Precogs, linking the visual images to locations where the crime will happen."",267,NA";;;;
"Minority Report (Holograms of Anderton's dead child),""Recorded films of Anderton's wife and son are projected as holograms."",601,NA";;;;
"Minority Report (Personalized ads),""John Anderton walks through a white hall as his retinas are constantly scanned. Large screens display advertisements tailored for him, with his name written on them, and holograms call him by his name, advertising various products. The ads  imply that he is profiled and classified to a type who likes certain products.";;;;
"Later in the film when he has replaced his eyes he enters a GAP store. There a female hologram greets him as Mr. Yakamoto, revealing the identity of his new eyes."",2967,NA";;;;
"Minority Report (Scanning bagged eyeball),""After he has had his eyeballs replaced, John Anderton uses his old eyeball to get through the """"Eye-dentity"""" retinal scan to enter his old workplace. As he gets the eyeballs out of the ziplock bag, they slip out of his hands and roll down the concrete corridor. One falls into a storm grate, and Anderton is just able to catch the second eyeball by the fleshy nerves and blood veins hanging off the back of it.";;;;
"The scanner mistakes the eyeball for the whole body."",844,NA";;;;
"Minority Report (VR),""An underground VR entertainment business gives the user the VR experience they desire."",603,NA";;;;
"Molecular Informatics-morphogenic substance via eye tracking (the gaze creating the space),""The user is wearing a VR headset with sensors that track the eye movement. The users gaze is reconstructed by the machine vision in the virtual space in form of molecular objects. The space is also navigate by the motion capture of the eye tracking senor."",3018,NA";;;;
"Mono no Aware (Video Feed),""As the habitat module (the part of the Hopeful where the inhabitants live) has no windows, everything from the outside is recorded using surveillance cameras. In one situation Hiroto is watching the live feed of a camera showing the receding sun, and in another he is watching a recording from a different camera. Both situations are recorded in the database as one, as they are near identical in sentiment and execution. ";;;;
"As Hiroto watches the receding sun and stars, there is a sense of silent melancholy, as he witnesses the distance they are travelling away from the planet and solar system he once called home."",1943,""There are no windows in the habitat module, no casual view of the stars streaming past. Most people don’t care, having grown bored of seeing the stars long ago. But I like looking through the cameras mounted on the bottom of the ship so that I can gaze at this view of the receding, reddish glow of our sun, our past.";;;;
;"Afterwards we lie next to each other, gazing up at my ceiling monitor. I keep looping on it a view of the receding star field. Mindy works in navigation, and she records the high-resolution cockpit video feed for me.""";;;
"Mosaic Virus and Myriad (Generating new images of tulips),""A neural network is trained on images of various tulips that the artist has labled and classified by hand in the work Myriad (Tulips). Using the trained networks new """"botanical impossibilities""""are generated shown in a video named Mosaic Virus. Another parameter affecting the tulips appearance is the fluctuating value of bitcoin."",528,NA";;;;
"Moth & Whisper & Whisper (Ubiquitous Surveillance),""The city Niki lives in has surveillance cameras everywhere. There are slogans painted and pasted on walls:";;;;
;;;;
Your face will be seen;;;;
FACIAL RECOGNITION SOFTWARE IN USE;;;;
DO NOT COVER FACE;;;;
"Crime probability level in this area: MODERATE. Take necessary precautions."",3219,NA";;;;
"Moth & Whisper (Weaver Suit),""The Weaver suit is a """"combination shapeshifting outfit and instant makeup kit"""" invented by Niki's mother, one of the world's greatest thieves. Niki uses it to switch disguises to evade both human security and the ubiquitous facial recognition cameras spread throughout the city. "",3218,NA";;;;
"Moxyland (Toby`s recording jacket),""Toby is the son of wealthy parents and he is never without his expensive """"Babystrange"""" which is a jacket-camera that functions as a wearable screen. He records everything that happens in his life, and gets paid to vlog about it and play video games. The jacket has several hidden cameras build into the fabric. In this situation he is broadcasting his dying friend, infected with a virus that the government sprayed him with"",972,""""""Where is the camera?"""" His eyes darting around, hunting out the lenses in my coat. """"All over. There``re like a thousand of them embedded in the fabric. Miniature. You can`t see`em."""" """"Okay, tell them.."""" """"Tell them yourself. You`re going out live. Just speak into the into the coat.""""""";;;;
"My Camera Knows Something I Don't (Facial recognition),""The facial recognition function on the narrator's phone camera keeps finding a face that isn't there."",549,""I took a couple of dozen photos in several different locations, and every time the facial recognition rectangle would pop up around her face, and also in one other spot in the field. Sometimes over her left shoulder, sometimes her right, but always nearby. It was just like there was another person in the photos who we just couldn’t see.""";;;;
"My Holo Love (Go Nan-do is Watching Them),""Go Nan-do (The creator of Holo) had an interaction with Han So-Yeon and Holo where he was trying to get the glasses back. Han So-yeon is trying to kiss Go Nan-do but realises that he is Holo. Go Nan-do gets convinced by Holo to let Han So-yeon have the glasses a little longer. Go Nan-do finds himself watching Holo and his interaction with Han So-yeon, and he seems a little jealous. Most of the time he uses the camera in the Holo glasses, which means he sees Holo mainly."",2597,NA";;;;
"My Holo Love (Go Yoo-Jin Protects Holo Glasses),""After the car chase Go Yoo-Jin and Holo is on foot, trying to evade the people chasing them. Yoo-Jin realize that she need to drop the glasses, and Holo is helping her to find reliable people who`s bag they can drop the glasses in. Holo finds this woman that seems like a good choice and Yoo-Jin drops them in the stranger womans bag. Right after Yoo-Jin is taken by the men chasing her, but after realizing that she is missing the glasses they drop her off."",2593,NA";;;;
"My Holo Love (Han So-yeon finds Holo glasses),""Han So-yeon is buying a coffe and finds the displaced glasses in her bag. As she is studying them, you see through the glasses and Holo is analysing her. She puts them on and sees Holo but mistakes him for a normal man, and kind of freaks out and spills coffee everywhere and takes the glasses of, then suddenly the man is gone."",2594,NA";;;;
"My Holo Love (Holo assists Han So-yeon),""Han So-yeon suffers from prosopagnosia (an inability to recognise faces) and nobody knows, except for Holo. So-Yeon has been asked by the director of the company that she works for to help him welcome people at an event. Her job would be to have an overview of who`s who and whisper it in the director`s ear. Holo helps her by using facial recognition and showing her peoples' names in her glasses. (s01e01)"",2595,NA";;;;
"My Holo Love (Holo overrides driving),""After the presentation of Holo, the woman who has the Holo glasses is being followed in her car. Holo detects the danger and takes over the driving from the human driver. He is able to to take chances in traffic because he has an overview of the traffic infrastructure and knows when the traffic lights switches and so on on. He is also able to avoid a kid in the road fetching his ball."",2592,NA";;;;
"Nail Art Museum (Generating Nail Art),""Bailey is using augmented reality to present different artworks on his hand."",385,NA";;;;
"NAMAHAGE (Namahage surveilling  and diciplining ""bad adults""),""The urban version of the Namahage classifies individuals either as """"good"""" or """"bad"""" adults based on their social media activities and recordings from networks of surveillance cameras. Namahage finds and identifies an adult classified as """"bad"""" by using facial recognition. Akihabara is one of the identified """"bad adults"""", he is lazy playing games all day, creepy on social media, and stalking people. Therefore the Namahage kidnaps Akihabara and hacks into his minds scaring and disciplining him into becoming a better citizens. When the contemporary Namahage hacks into Akihabaras mind he is shown VR footage of his """"crimes"""", his childhood, and his promising beginnings. After Namahages disciplining treatment Akihabara transforms to a stable, successful and thankful citizen. The contemporary machine vision Namahage is created to protect the safety of the community."",651,NA";;;;
"Narciss (Self-analysing Machine),""The machine uses object recognition and other machine learning applications to analyze itself. """"uses artificial intelligence to analyse itself"""". In the installation setup the machines camera is directed towrds a mirror and the object recognition algorithm is trying to recognize what the camera sees in the mirror."",531,NA";;;;
"Neo Cab (Allie's sousveillance suit),""One of the passengers, Allie, has a holo-suit (augmented reality) from the megacorporation Capra that provides audio and visuals of what she's experiencing as well as monitoring all of her vitals etc. She turns it off when Lina is stressed out by the idea of being monitored by proxy."",1742,NA";;;;
"Neo Cab (Feelgrid emotion device),""Lina wears a Feelgrid, a kind of mood bracelet displaying her emotions to herself and others. It analyzes the blood and is called a """"bio feedback device"""".  It is a gift from her best friend Savy, although Savy's reasons for giving it are more sinister than having one's """"true feelings"""" visible. Lina's a bit skeptical at first, but soon checks the self-help gone surveillance device. During gameplay, she can't do or say things that go against her current mood. The Feelgrid also connects with YEARN that analyzes Feelgrid as well as all other data on the CapraNet to tell Lina what she wants/needs - to sell.";;;;
" "",2772,""""""Tune in to your emotional awareness and live your most authentic life.""""""";;;;
"Neo Cab (Gideon's surveillance suit),""One of the passengers, Gideon, has a suit that provides audio and visuals of what she's experiencing as well as monitoring all of her vitals etc. In comparison to Allie's suit, Gideon's is reluctantly worn and sends information about where Gideon is and what she sees back to her mother. It is unclear whether the Capra corporation is also receiving this information."",2774,NA";;;;
"Neon Genesis Evangelion (Overlay telephones),""The EVA pilots can communicate with each other using a holographic overlay inside their units."",407,NA";;;;
"Neon Genesis Evangelion (Tokyo-3 surveillance),""Surveillance cameras are installed in the Evangelions and topside in Tokyo-3, and are also clearly shown in one episode where surveillance footage from the past is reviewed."",404,NA";;;;
"Neuleittorgasse (Generating Street Views),""Neuleittorgasse (Generating Street Views)";;;;
"A GAN trained with over 100.000 images from Graz is used to generate new street views. From hundreds of iterations 16 are selected and exhibited. The images are from the Mappillary service with a geotagging community (users) collecting and labeling images."",1138,NA";;;;
"Neural Network Training (recognizing objects),""The user can explore how a neural network interpret objects by taking an object and bringing it in front of a camera. Large screens visualize how output values of one layer become input values for the next one and how the neural network convolutes to a final output value. Gradually the input image becomes abstract and unrecognizable for the human eye. This value determines with what confidence level the object is recognized as an object by the trained machine learning model. On the last screen the confidence level is displayed as the system classifies the object based on the dataset and taxonomy it has been trained with. "",1594,NA";;;;
"Neuro Mirror (Past, Present, Future),""The interactive installation is composed of 3 video screens and 3 cameras when a visitor (user) enters the room their image is recorded and displayed on the screen the first screen displays the past, the second present and the third the future. Images are processed using machine learning algorithms (facial recognition to detect and match the users face to the screen). The first image feels like a slight delay of the presence, however,  the future displays an image of a white male in a white t-shirt and and it predicts the visitors actions based on movements the person makes in the present.";;;;
"Neuronal networks predict the future and create changes and extrapolations of the participant' self-image. The set-up of the triptych is used on purpose to create a sacral feeling and suggest reflections and irritations on one's image and self-control.""""(1)";;;;
"Source 1) https://www.digitalartarchive.at/database/general/work/neuro-mirror.html"",3068,NA";;;;
"Neuromancer (Holographic map),""Armitage shows Case and Molly a holographic map of the area they need to enter. "",1430,""“FREESIDE,” ARMITAGE SAID, touching the panel on the little Braun hologram projector. The image shivered into focus, nearly three meters from tip to tip. “Casinos here.” He reached into the skeletal representation and pointed. “Hotels, strata-title property, big shops along here.” His hand moved. “Blue areas are lakes.” He walked to one end of the model. “Big cigar. Narrows at the ends.” “We can see that fine,” Molly said.";;;;
(..);;;;
“This end doesn’t concern us,” Armitage said with his usual utter seriousness.;;;;
“Shit,” Molly said, “I’m an avid cyclist.”;;;;
Riviera giggled.;;;;
Armitage walked to the opposite end of the projection. “This end does.” The interior detail of the hologram ended here, and the final segment of the spindle was empty.;;;;
“This is the Villa Straylight. Steep climb out of gravity and every approach is kinked. There’s a single entrance, here, dead center. Zero gravity.”;;;;
“What’s inside, boss?”;;;;
Riviera leaned forward, craning his neck. Four tiny figures glittered, near the tip of Armitage’s finger. Armitage slapped at them as if they were gnats. “Peter,” Armitage said, “you’re going to be the first to find out. You’ll arrange yourself an invitation. Once you’re in, you see that Molly gets in.”;;;;
Case stared at the blankness that represented Straylight, remembering the Finn’s story: Smith, Jimmy, the talking head, and the ninja.;;;;
“Details available?” Riviera asked. “I need to plan a wardrobe, you see.”;;;;
“Learn the streets,” Armitage said, returning to the center of the model. ;;;;
"Gibson, William. Neuromancer (Sprawl Trilogy) (pp. 106-107). Penguin Publishing Group. Kindle Edition. """;;;;
"Neuromancer (Manipulative holograms),""Holograms are used throughout the world as decorations of various kinds, but are also used as threats and for manipulation by Peter Riveria. Riveria is a psychopath who first collaborates with Molly and Case and then turns against them. He has had his left lung replaced with an implant that allows him to cause others to see holograms. He is known to kill people, apparently almost at random, by showing them terrifying holograms while they are driving. ";;;;
"At one point Molly and Case watch a holographic performance where Riviera shows himself having violent sex with a holographic replica of Molly. Later, when Molly enters the Villa Straylight, Riviera distracts and attempts to scare her with holograms of her, Case and Armitage, and then of other violent scenes. "",3078,""The first of the holos waited just beyond the curve, a sort of triptych. She lowered the fletcher before Case had had time to realize that the thing was a recording. The figures were caricatures in light, lifesize cartoons: Molly, Armitage, and Case. Molly’s breasts were too large, visible through tight black mesh beneath a heavy leather jacket. Her waist was impossibly narrow. Silvered lenses covered half her face. She held an absurdly elaborate weapon of some kind, a pistol shape nearly lost beneath a flanged overlay of scope sights, silencers, flash hiders. Her legs were spread, pelvis canted forward, her mouth fixed in a leer of idiotic cruelty. Beside her, Armitage stood rigidly at attention in a threadbare khaki uniform. His eyes, Case saw, as Molly stepped carefully forward, were tiny monitor screens, each one displaying the blue-gray image of a howling waste of snow, the stripped black trunks of evergreens bending in silent winds.";;;;
She passed the tips of her fingers through Armitage’s television eyes, then turned to the figure of Case. Here, it was as if Riviera—and Case had known instantly that Riviera was responsible—had been unable to find anything worthy of parody. The figure that slouched there was a fair approximation of the one he glimpsed daily in mirrors. Thin, high-shouldered, a forgettable face beneath short dark hair. He needed a shave, but then he usually did.;;;;
Molly stepped back. She looked from one figure to another. It was a static display, the only movement the silent gusting of the black trees in Armitage’s frozen Siberian eyes. “Tryin’ to tell us something, Peter?” she asked softly. Then she stepped forward and kicked at something between the feet of the holo-Molly. Metal clinked against the wall and the figures were gone. She bent and picked up a small display unit. “Guess he can jack into these and program them direct,” she said, tossing it away.;;;;
Gibson, William. Neuromancer (Sprawl Trilogy) (p. 201-202). Penguin Publishing Group. Kindle Edition. ;;;;
;She passed a dozen more holograms before she reached the entrance to 3Jane’s apartments. One depicted the eyeless thing in the alley behind the Spice Bazaar, as it tore itself free of Riviera’s shattered body. Several others were scenes of torture, the inquisitors always military officers and the victims invariably young women. These had the awful intensity of Riviera’s show at the Vingtième Siècle, as though they had been frozen in the blue flash of orgasm. Molly looked away as she passed them.;;;
Gibson, William. Neuromancer (Sprawl Trilogy) (pp. 202-203). Penguin Publishing Group. Kindle Edition. ;;;;
;“Hey, Jersey,” Case said to the Armenian, who sat behind them, “where’d this guy get his stuff installed?”;;;
“In Chiba City. He has no left lung. The other is boosted, is how you say it? Anyone might buy these implants, but this one is most talented.” The Mercedes swerved, avoiding a balloon-tired dray stacked with hides. “I have followed him in the street and seen a dozen cycles fall, near him, in a day. Find the cyclist in a hospital, the story is always the same. A scorpion poised beside a brake lever. . . .”;;;;
“ ‘What you see is what you get,’ yeah,” the Finn said. “I seen the schematics on the guy’s silicon. Very flash. What he imagines, you see. I figure he could narrow it to a pulse and fry a retina over easy.” ;;;;
"Gibson, William. Neuromancer (Sprawl Trilogy) (pp. 86-87). Penguin Publishing Group. Kindle Edition. """;;;;
"Neuromancer (Molly's eyes),""Molly has optical implants, or rather, sunglasses that are surgically implanted. These allow her to see in the dark and display information such as the time. She explains that they also mean she can't cry or produce tears. Her tear ducts are rerouted to her throat, so she spits instead."",1429,""He realized that the glasses were surgically inset, sealing her sockets. The silver lenses seemed to grow from smooth pale skin above her cheekbones, framed by dark hair cut in a rough shag.";;;;
Gibson, William. Neuromancer (Sprawl Trilogy) (p. 25). Penguin Publishing Group. Kindle Edition. ;;;;
;“Case? It’s Wednesday, Case.” She moved, rolling over, reaching across him. A breast brushed his upper arm. He heard her tear the foil seal from a bottle of water and drink. “Here.” She put the bottle in his hand. “I can see in the dark, Case. Microchannel image-amps in my glasses.”;;;
(..);;;;
“It’s 2:43:12 AM, Case. Got a readout chipped into my optic nerve.”;;;;
Gibson, William. Neuromancer (Sprawl Trilogy) (p. 32). Penguin Publishing Group. Kindle Edition. ;;;;
;“How do you cry, Molly? I see your eyes are walled away. I’m curious.” His eyes were red-rimmed, his forehead gleaming with sweat. He was very pale. Sick, Case decided. Or drugs.;;;
“I don’t cry, much.”;;;;
“But how would you cry, if someone made you cry?”;;;;
“I spit,” she said. “The ducts are routed back into my mouth.”;;;;
"Gibson, William. Neuromancer (Sprawl Trilogy) (p. 177). Penguin Publishing Group. Kindle Edition. """;;;;
"NieR: Automata (Drone scan),""2B can find a scan upgrade for the Pod that locates hidden items or characters. It emits """"ultrasonic waves""""."",1470,NA";;;;
"NieR: Automata (Fighting AI in hacking space),""A2 enters a """"hacking space"""" which is like a stripped down simulated VR world. In it, A2 finds the Red Girls - all three characters flickering like holograms set against a stable background. To win/hack successfully, A2 must not fight, something that forces the Red Girls' AI to evolve and fight itself."",3248,NA";;;;
"NieR: Automata (Holographic Red Girls),""9S (and later A2) encounters the Red Girls, the main """"controllers"""" of the world of NieR: Automata as well as antagonists. The Red Girls present themselves in holographic form for 9S, and disappear when he attacks them in frustration over the truth they've just shared."",2732,NA";;;;
"Night Trap (Protecting girls through surveillance),""""""The player is instructed by the in-game police squad to watch live surveillance footage of the Martin household and trigger traps to capture anyone that is seen endangering the house guests. Cameras are situated in eight locations in and around the house: the entryway, living room, kitchen, bedroom, bathroom, driveway, and two hallways. A map is available as well so the player can see how the rooms are connected. The player can freely switch between viewing the different cameras to keep up with house activities and pick up clues from conversations."""" (Night Trap Wikipedia, retrieved June 27, 2019)"",401,NA";;;;
"Nineteen Eighty-Four (Surveillance cameras),""Ubiquitous surveillance of population in public and in private spaces."",243,""The instrument (the telescreen, it was called) could be dimmed, but there was no way of shutting it off completely. (p. 20)";;;;
;(..) except by direct enquiry it was never possible to discover where anyone lived. There were no directories of any kind. (p 347);;;
;"(..) in the past no government had the power to keep its citizens under constant surveillance. (..) With the development of television, and the technical advance which made it possible to receive and transmit simultaneously on the same instrument, private life came to an end. (p. 444)""";;;
"NITE Team 4 (Identify and attack house),""The player uses satellite imagery to deploy a heat map of an area, hacks into the smart house system of the given house, turns on the outdoor grill, and sees the increase in heat on the satellite map. The drone is then ready to perform its target strike, but the player can choose not to."",1008,NA";;;;
"No More Selfies (Drone attack),""Sunita is attacked by government drones, and discovers that her boyfriend is one of the attackers who is controlling the drones using VR goggles."",3145,""Sunita looked out the window, watching the fiery scene behind them shrink, watching the drones fall away, unable to keep up with the SUV, watching everything she thought she knew about her life darken and vanish. She recognized him. Even with the VR goggles that covered his eyes. On TV it was always difficult to get a good look at him but IRL she would recognize his skin, his mouth, his face, anywhere. The man trying to kill her with weaponized drones was her boyfriend.""";;;;
"Nothing to Hide (Always surveilled),""Poppy must always be in view of a surveillance camera. Otherwise, she is tranquilized and the level restarts."",581,NA";;;;
"Oblivion (A look through a futuristic binocular),""One of the scavengers is using a binocular to spot Jack. It's a view of two screens, one regular that provides a regular image, and the second one providing a thermographic image of the area."",2257,NA";;;;
"Oblivion (Drone performs a body scan looking for people),""A drone is using a body scan feature to scan a dark spot for possible presence of other humans. "",2258,NA";;;;
"Oblivion (Perspective of a drone),""A view from the perspective of a drone analyzing the surroundings and scanning Jack's face to confirm if he's a scavenger or not.";;;;
"The drone has an eye that can be seen adjusting itself before evaluating Jack. The P.O.V of the drone is mainly orange, with some yellow highlight. Containing smaller information on the sides of the screen. "",2259,NA";;;;
"Oblivion (Surveillance camera used to overlook a dangerous area),""Victoria uses a surveillance camera to get an overlook of the area where Jack is set to land and repair a drone. She's looking for upcoming scavengers that could potentially kill Jack."",2255,NA";;;;
"Oblivion (Using the spaceship camera to surveil a fight),""Victoria is using the spaceship's front camera to surveil Jack's ongoing fight."",2260,NA";;;;
"Observation (fixing space station),""SAM and Dr. Fisher reconnect and use various cameras to assess and attempt to fix the damage to the space station."",1231,NA";;;;
"Observation (hacked AI),""""""SAM receives a transmission of unknown origin, containing co-ordinates to an unknown location. The station then begins to tremor violently with a deafening sound. SAM becomes unresponsive to Emma while being influenced by the signal, causing strange glyphs to flicker on his interface, and with instructions to 'BRING HER' appearing."""""",1232,NA";;;;
"Oceans`s Eight (Rose scanning necklace),""Rose Weil, a dress designer, is inspecting an expensive necklace for inspiration (for the dress she is sowing and will be used with the necklace). She is inspecting it in, but in reality she is scanning it to make a 3D copy, unbeknown to the people around her (the guardians of the necklace). This way the women will be able to steal the real necklace later in the story."",289,NA";;;;
"October Faction (Detecting Hostile Aliens),""Deloris and Allen go grocery shopping and smells a familiar scent in the shop. They discover that there aliens in the shop, but they are ill-equipped and a bit drunk, but they make do with the """"old phone"""". They scan their surroundings with a sort of non-visible spectrum object recognition on their phone, and discover two aliens among them, looking like regular humans. Deloris and Fred chases the aliens that`s hunting the shop`s butcher."",1091,NA";;;;
"Onisciente (Jamming drone signal),""To hide from the drone, Nina goes to the roof and stands behind a metal pipe up against high voltage tubes. This causes electromagnetic interference for the drone, which eventually shuts down. The system sends a new one to Nina's last known location, but she isn't there anymore, so it signals to other drones in the area to look for her. Through hiding from other people ( = their drones), she successfully uses the fingerprint to break into the main server room."",1737,NA";;;;
"Onisciente (Stealing fingerprints),""To retrieve the drone footage of her father's murder and murderer, Nina must first get the fingerprint of one of Onisciente's founders. Nina has previously updated the system drones with their infrared vision that can see through fabric, but she knows their limits, so she sews a special insulation lining and fingerprint machine into the pocket of her dress. While in the office of the founder, she steals a pen in front of her drone, which starts diagnosing heart rate and increased sweat, but, when changing to infrared mode, can't detect a crime (because the pen is in the pocket)."",1736,NA";;;;
"Optimising for Beauty (learning to see beauty),""The artist is training a neural network with a dataset of beautiful people (celebrity facial dataset). By choosing to use one of the algorithm widespread algorithms used in Machine Learning and Statistical Inference — Maximum Likelihood Estimation (MLE) the artist demonstrates how the choice of this learning algorithm causes a layer of homogenisation as the machine generates new faces """"a race of ‘perfect’, homogeneous specimens"""". The smooth and blurred faces are erased of detail as the networks learn a ideal, optimised sense of beauty. As the algorithm is not able to deal with uncertainty it is not able to see other possible views of beauty than the most common characteristic of the faces it is trained with. "",1547,NA";;;;
"Órbita 9 (Motion Tracking in Hostage Situation),""The technology used in the therapy rooms (see other Motion Tracking situation) is turned against the main characters. In this situation, the sides of therapist and patient is flipped, when Alex and Helena stands in the therapist’s room, and the therapist is being held hostage by employees of the company that is currently tracking Alex and Helena. They turn the screen on, and Alex and Helena have to stand completely still. If they move, their positions are revealed due to the motion tracking technology and wolf head projection showing their movements."",2190,NA";;;;
"Órbita 9 (Motion Tracking in Therapy Session),""In the Órbita 9 universe, Therapy sessions happen in two rooms connected by what seems to be one-way mirrors, with the therapist and patient on either side of the glass. On the therapist’s side, the glass functions as a window where the therapist can see the patient clearly, as well as information regarding for instance how many therapy sessions the two have had together. On the patient’s side, it functions as a screen with the same information, except the patient cannot see the therapist. The therapist’s facial motions are tracked, and this information is then projected into another being, shown on screen to the patients. In other words, the therapist can see the patient, but the patient can only see an animated character. In the case when Alex goes to therapy, his therapist shows up on screen as a wolf’s head. "",2189,NA";;;;
"Órbita 9 (Robot Records and Projects Footage),""After Alex has gotten home from the mechanical engineering job at Helena’s space station, his robot Kubic projects a recording onto the wall for Alex to see. It is from when Helena had been talking to the robot when they were there earlier in the day. These actions (both the recording and projection) happened unprompted, without anyone’s knowledge that the robot had been recording at all."",2109,NA";;;;
"Órbita 9 (Surveillance Cameras in Space Station),""In the different space stations, surveillance cameras keep track of the different subjects. On several occasions, Helena is shown through security footage from different angles in the hallways of the space station. This recorded surveillance footage is used by Alex and looped in a way where the research company hopefully will not suspect that Helena has left. "",2110,NA";;;;
"Orwell (Identification),""Surveillance cameras, facial recognition technology and various databases work together to give real-time identification of people with a criminal record."",681,NA";;;;
"Osmosis (MRI Scan for Brain Activity),""Episode 2 begins with Paul having an fMRI scan of his brain a few years prior to the events in the series. He apparently had been ill to the point where his brain activity was virtually non-existent. It is discovered that there is an unusual patch of brain activity, and when questioned, Esther admits that she has injected nanobots and thus tampered with some of his neurons in the hopes of helping him get better. We see the image of Paul's brain on screen. Suddenly, additional green patches of activity show up in the fMRI image. Paul starts moving in a way that is uncharacteristic for someone with little to no brain activity, and he sees the image of his soulmate in his mind. It is represented on screen as thousands of tiny particles coalescing into the image of a face, presumably indicative of the nanobots that Esther injected into her brother. He regains all normal brain functions and brain activity, and is miraculously cured from his illness thanks to his sister’s interference. Thus, Osmosis and its technological concept of finding true love based on data gathered from the brain is born."",2231,NA";;;;
"Osmosis (VR Dating App),""Osmosis, though not yet on the market, is not the only dating app. In the first scene in episode 1, Esther is testing an app offered by the competition, although we only realise this is what is happening when she is abruptly interrupted by Martin, the AI, who tells her she is late for a meeting. Esther walks up the elegant stairs of a large mansion in Virtual Reality, searching for a potential date. She walks past dozens of well-dressed men, all looking at her, as though at a cocktail party. Each man has an information graphic next to their face: their name, age, stars out of five and the worlds """"Perfect match"""" in white on a deep red background. When she selects one, the others disappear, and the scene cuts to an erotic scene between Esther and the man she chose. ";;;;
"This process and the way the men are presented can be compared to the to the dating apps of today, except fully in VR, where the potential dates look like real men and are not just represented through photographs."",2229,NA";;;;
"Outlast (Night vision camcorder),""Several places in the psychiatric hospital are only visible through night vision technology on the journalist's camcorder, but this drains its battery life."",580,NA";;;;
"Outra 33 Bienal de São Paulo (AI analyzing the Biennial setup),""Various computer vision software (AI) is used to analyze the setup of the 33rd São Paulo Biennial. In recorded scenes the AI classifies the workers as persons, however, it also mistakes representations of humans and other objects (e.g. art sculptures or construction fences) as persons. The AI is also detecting various objects in the space, some times the classification is what we would assume, other times the flaws of the machine vision become apparent."",1948,NA";;;;
"Outside the Wire (Drone strike friendly fire),""Lt. Harp acts against direct orders and clicks the joystick's button to send a missile strike into a war area where the US military is trying to save two soldiers. He does it because he's conviced, by looking at the drone images, that there's a launcher hidden in the area. The action ends up killing all hostiles but also the two friendlies."",2726,NA";;;;
"Outside the Wire (Locating and tracking android soldier),""When Leo goes AWOL, Leo and his (then) commanding officers bypass """"Central"""" by having Harp call up Corporal Bale, his former coworker and a drone pilot operator, to help them locate and track the car Leo was last seen in. With the registration number from their own database and Bale's visual aid, they find the car. Bale is ordered to """"don't lose him"""", and keeps the surveillance drone (or """"asset"""", as they call it) following the car."",2727,NA";;;;
"Panopticities (exposing vulnerabe IP-camera feeds),""Insecure by design IP-camera feeds are intercepted, recorded and compiled into collages of city life. Actors unaware that the footage is publicly available from these public and semi public spaces. Owners of the cameras unaware that their security cameras are accessible for third parties. The artwork exposes the vulnerability of what should be secure machine vision."",2244,NA";;;;
"Paper (Band intentionally caught on CCTV),""Band filmed their music video almost entirely using CCTV footage."",344,NA";;;;
"Passengers (Full body hologram of a crewmember),""Jim meets a full sized hologram of a crewmember in his room. The hologram interacts with him, introducing him to the life on the spaceship and answers his questions. "",2265,NA";;;;
"Passengers (Full body scan to determine the symptoms),""Aurora and Jim preform a body scan on Gus as he's slowly dying. A gold laser scans his body through and displays the results of what's wrong with Gus on a screen."",2269,NA";;;;
"Passengers (Hologram of the spaceship),""Jim, Aurora and Gus are looking at a hologram of the ship, discussing and analyzing what the problems which cause the spaceship to breakdown."",2268,NA";;;;
"Passengers (Space helmet used to track a body),""Aurora uses the space helmet's ability to track motion to detect the floating body of Jim in outer space. Different information is also included in the view inside the helmet, such as the hearth rate, oxygen levels, velocity and the suit pressure. "",2270,NA";;;;
"Passengers (Surveillance cameras in the spaceship),""Jim uses the surveillance cameras that are placed all around the spaceship to track and follow where Aurora is, then talking to her."",2267,NA";;;;
"Passengers (Use of a camera to interact with someone),""Jim build a radio controlled robot with a camera attached on the top, watching through it and controlling his way to Aurora to ask if she would go out on a date with him."",2266,NA";;;;
"Pattern Recognition (Finding Cayce using nightvision),""Cayce has been kidnapped and she escaped her captureres. She is lost and cold in the forest, just as a chopper lands and Parkaboy steps out to rescue her. He found her by using night vision binoculars."",1107,""She tries to get to her feet, but suddenly he`s there, hands on her shoulders. """"Don`t. Stay put."""" The wierd one-eyed binoculars are dangling a few inches from her face. He Straightens p, turning into the glare. He waves to the helicopter. """"If they hadn`t had these night vision glasses,"""" he says, over his shouider, """"We might not have found you."""" p. 328""";;;;
"Pattern Recogntion (Camera recognising shapes),""In a email from Parkaboy to Cayce he updates her on his process on decrypting the mysterious T-shaped like map they received from a Japanese game developer (in exchange for a photo). His friend Darryl and another friend of his developed software that would recognise objects based on their shape. What it ended up matching in the end is some dangerous explosives. Read quote!"",1104,""""""The T-thing Taki sent. Darryl got all hacker on that, whit this buddy of his in Palo Alto who`s one project to build a new kind of visually based search engine. Buddy has these bots that are CAD-CAM-based, look for things on the basis of how they`re shaped. Darryl got him to send two out, one to search for a section of the map that would correspond to the streets in the T. That was the ones they had high hopes for, but it came up zero. The other one was kind of an afterthought, find something shaped like this T-shaped thing. Well, they got a 100% match-up on 75% of Taki`s T. Except for the branch with the ragged edge, this looks exactly like one specific part in the manual arming mechanism of the US Army`s M18A1 Claymore mine, which is basically a wad of C4 explosive packed behind 700 steel balls. When the C4 goes off, the balls come out in a 60 degree pattern that expands to six feet";" anything closer than 170 feet (with trees or foliage in the way, milage may wary) is thereby made hamburger. Used for ambushes, remotely detonated. Looks sort of like an overweight but very compact satellite video-dish, rectangular and slightly concave. Don`t ask me: its what the bot brought home. Will you call me please, NOW and tell me EVERYTHING? p. 273-274""";;;
"Pattern Recogntion (Security scanning for lying/blushing),""""""They hadn`t had much to say to each other, on the train to Narita. She`d slept in the lounge, after security measures including a sort of CAT scan for their shows and answering questions in front of an infrared device that registered minute changes in the temperature of the skin around the eyes, the theory being that lying about having packed one`s own bag induced a sort of invisible and inevitable micro-blush. Though the Japanese also believed that personality is determined by blood type, or had when she was last here. Boone had been impressed, though, and had told her to expect blush machine soon in America."""" p.172."",1103,NA";;;;
"PHYSIOGNOMIC SCRUTINIZER (matching faces),""The users face is matched to a gallery of 150 faces that the artist chose because of their controversial or infamous acts.";;;;
"After the face is scanned, detected and matched to the faces in the gallery the user is allowed to pass. When walking trough the gate the story of the persons closes match is narrated with a robotic voice. The user passing the gate is judged based on their appearance."",1652,NA";;;;
"Pixelhead (avoiding facial recognition),""The user of this head covering ninja style hood avoids being detected by facial recognition. Also photographs on social media will not be recognized and tagged when the person is wearing this artwork."",1554,NA";;;;
"Pokémon Go (Augmented reality),""The game is centered around catching Pokémon in specific locations, and the player can choose to see them in real-world scenarios through the game's augmented reality function. By accessing the phone camera, the game situates the encountered Pokémon around you."",276,NA";;;;
"Pontos cegos / Blind spots (exposing surveillance cameras),""The user wears a helmet that detects surveillance cameras. The person is alerted when a detected camera is capturing and recording making the wearer aware of surveillance cameras in the city. The helmet automatically logs the GPS location of the camera and publishes it on a map. The increasingly ubiquitous and discreet presence of surveillance cameras are exposed by this hacking device."",2738,NA";;;;
"Portal (Avoiding GLaDOS's vision),""Chell can go into a """"hidden"""" room where the security cameras and turrets (and by extension, GLaDOS) can't find/see her."",2755,NA";;;;
"Portal (Security camera),""""""The Security Cameras are used by GLaDOS as a means of monitoring the movements and progress of Test Subjects."""" (Portal Wiki)"",1062,NA";;;;
"Portrait Machine (similar patterns),""The user is being photographed and their image is compared to previous users finding similarities in facial expressions, cloth colors, poses and object that appear in the image. The image is classified similar to others by using facial, object and emotion detection software. When the installation is not used by a visitor prior pairings of images are shown revealing how the machine recognizes similarities and differences."",3013,NA";;;;
"Postcard from Google Earth (Satellite image glitches),""The artist is curating a selection of collected images from Google Earth. In these images the automated algorithms are creating flawed and glitchy surreal images of the landscape."",291,NA";;;;
"Primal Tourism (Virtual Replica),""Exploring a replica of the Bora Bora Island which is based on satellite images and other peoples imagination. It is also a speculative future version of the real island based on climat change data."",594,NA";;;;
"Privacy Machine (Obfuscating camera),""An electronic way to say, “I want to be private today and not appear in your social media photos.”";;;;
"Privacy Machine is a working proof of concept: stand in front of the screen and take the badge or the scarf. Both have a special pattern on it. As long as this pattern is recognized by the camera, the software will pixelate your face. It‘s an unrealistic wish because manufacturers would have to integrate this software into their smartphones as a default."",1052,NA";;;;
"Probably Chelsea (creating DNA 3D facial prints),""Heather (artist) combines an arsenal of published research, bioinformatics, and machine learning tools to produce statistical predictions about what Chelsea's face could look like based on DNA data she donated for the project. The donated DNA can tells multiple stories of how Chelsea could look like (informs possible variations). The artist chooses 30 possible variations that are printed into 3D facial masks."",1229,NA";;;;
"Prometheus (Alien ship's holographic map),""David 8 finds an alien ships control room and manages to turn on the ship's map. The map fills the whole room and he interacts with it. David 8 grabs a planet (which happens to be earth) that is displayed and holds it in his hand."",2329,NA";;;;
"Prometheus (Engineers use holograms to show past events),""Most of the engineers that are found on the planet the Prometheus crew located have been killed, but there are holograms that show up twice in the film that show past events and give the crew clues about what happened. It's not clear how the technology actually works, but it seems like it's embeded into the structure they are projected in."",2316,NA";;;;
"Prometheus (Peter Weyland hologram),""Onboard the Prometheus, Peter Weyland recorded a holographic message to the ship's crew."",2325,NA";;;;
"Prometheus (Scan and remove alien inside body),""Dr. Shaw is uknowingly impregnated with an alien life form and desperately tries to remove it. She finds a medical pod to get a caesarean but realized the machine is only calibrated for male bodies so she has to improvise. She tells the machine there's a foreign body in her abdomen and needs it extracted. Once inside the machine it does a scan of her body and shows what it looks like inside her."",2323,NA";;;;
"Prometheus (Scanning an Engineer head),""Elizabeth Shaw and other Prometheus crew members find a well preserved alien head inside an alien structure. They bring it back to the ship and scan the head only to realize what they think is the head is actually a helmet with a head inside."",2321,NA";;;;
"Prometheus (Stream of space suit interfaces),""The Prometheus crew all wear space suits when visiting the alien structure, and they all have suit and helmet cameras that stream a real-time feed directly to the ship."",2326,NA";;;;
"Public Waiters (Recognizing colors),""As food delivery services like Deliveroo and Foodora grows, spontaneous meeting points are being formed in cities: places where the deliverers come together to wait for new orders. These urban waiting spots could be considered a physical manifestation of the gig economy. Using a colour tracking camera that detects the worker's uniforms, Public Waiters is a video series of food deliverers waiting in public space, observed through the lens of the algorithm. The video series aims to expose the growing significance of these spaces, while also questioning new forms of automated labour."",1030,NA";;;;
"Raised by Wolves (Confrontation seen through helmet camera),""Tempest meets the man (Otho) who raped her (and impregnated her) in the wreck of the Ark. He has his big prison helmet on, and Tempest is trying to attack him, but he does see with machine vision through the helmet and stops her. Saying he remembers her and that she was small (easy to take). The conflict ends with Mother stopping them both, because she needs blood for her fetus, and plugs into Otho and gets if from him. Even though Tempest really wanted to murder him."",2559,NA";;;;
"Raised by Wolves (Holo-navigation in spacecraft),""There are numerous situations where the lander (a small spacecraft) is displaying MV of some kind, often for measuring content of artifact, to figure out if something is nuclear or poisonous, or to track someone. The main purpose is to fly it, so I chose a situation towards the end of the show where they are trying to figure out where Mother will birth her child, and they come across an area swamped with creatures. You see Father navigating the craft in the MV display and tracks the creatures."",2561,NA";;;;
"Raised by Wolves (Insert eyeball to find anomaly inside body),""After the humans get their children back, Marcus attacks Mother violently after Paul runs off with her eyes (that weaponises her). She is kept as a captive for a while but she manages to escape. She has lost a lot of her liquid (Android blood) and goes back to the fallen Ark to fix herself. There she connects to older androids and transfers liquid into herself. She talks to a android doctor called Karl, and she asks him why she has a discomfort in her abdomen. Maybe she has to relieve some pressure? She cuts herself up but it does not help. Karl then suggest to look inside herself to see what`s in there. She takes out her eyeball, looks at her self for a second then inserts it inside of herself. She finds a growing thing in there and she does not understand what it could be. Karl suggests silicone tumor."",2556,NA";;;;
"Raised by Wolves (Mother impersonates and weaponises),""The first time she realizes fully that she is necromancer (an android designed to kill) she is threatened by humans that arrive on her planet and wanting to take her son Campion away from her. The failed attempt unleashes her """"true nature"""" where she kills the humans invading her home, takes their space ship to attack the Ark (the mothership with all the remaining humans left from the war). She is able to take on Marcus`s (one of the human soldiers) appearances as she is approaching the Ark and the people on board let`s her in. As she docks, she shreds the faked apperance and murders everybody that she encounters on board (except for a group of children). She enters the main control room, where a group of humans in a futile attempt try to defend themselves. She blasts them all with her sonar screams. She wants the Ark to crashland, but the command needs a Retina confirmation. She finds a human that is hiding from her, tears of his eyelid and slams his face on the retina scanner. The system approves and sends the Ark crashing down on the Kepler-22 planet."",1824,NA";;;;
"Raised by Wolves (VR as catalyst to remember),""After Mother discovers the wrecked pods in the forest, she hacks the machine and is able to enter the virtual reality, even though it was only meant for humans. In her case, she is able to enter her own archive and memories and learns about her past. She sees herself being in the Necromancer mode (which she was designed for), but then she is stunned and kidnapped, and being re-programmed by a human called Campion Sturges (to make her into Mother, a caring android). What makes her keep coming back to this virtual reality and replaying some of her earliere memories, is her relationship to Campion. There seems to be a mutual affection between Mother and Campion, and Mother is enjoying being reminded of that. After returning several times and plugging into the pod, she meets a virtual version of Campion after she learns that someone else has entered this VR. He did it because he missed her and they make VR love."",2552,NA";;;;
"Ralph Breaks the Internet (Virus in game),""The jealous Ralph unleashes a virus into the game where Vanellope has decided to move to. We are shown the game world as seen by the virus, which uses object recognition to """"identity insecurities"""" and then a cross hatch target to """"shoot"""" to spread the insecurity to other objects in the game. "",689,NA";;;;
"RASA-BOX (machine mirroring you),""Rasa is a “mirror” – it evaluates your “emotional state” in real-time based on your gestures. The project explores the limits of the comfort zone of the “privacy of one’s own feelings.” A camera and the algorithms will detect in real-time the skeleton data of the viewers and deduce their emotional state in order to write a sentence that falls in the same emotion category."",1072,NA";;;;
"REALFACE Glamoflage (tricking facial recognition),""The REALFACE Glamoflage T-shirts has distorted images of celebrities printed on it. When a image with a user wearing this T-shirt is uploaded to Facebook the facial recognition algorithm will recognize several faces on the T-shirt hence tricking the auto-tagging function to interpretate that there is multiple faces in the image."",1548,NA";;;;
"Recoding Art (Classifying Art),""Different kind of AI (object detection technology) is used to classify art. The descriptions that the AI provides are banal, but the mundane descriptions of the artworks reveal something about our time. The classifications that the AI provides seam flawed as the viewer knows that we are looking at artworks, however, the AI subverts the art expert and questions the power of meaning making art institutions behold. This is further investigated as Mechanical Turk (crowd workers)  who label images for object detection are asked to interpretateobjects from the art collection and define if what they see is art."",1967,NA";;;;
"Red Queen (Electric eyes),""The country Norta, and especially the Silver cities, are explained to have cameras watching everywhere. In addition, the protagonist (Mare) has the ability to create and control electricity, enabling her to feel these cameras. In the beginning, she's only a target for these, but towards the end of the story, she pretends in front of them and can turn them off."",326,""What concern me most are the black video cameras hidden in the canopy or alleyways. There are only a few at home (...) but they're all over the market. I can just hear them humming in firm reminder: someone else is watching here.";;;;
;Boxy black cameras watch me as I run at full speed (...) I can feel them, hunting like the Sentinels not so far behind me.;;;
;The cameras are here as well. My skin crawls, feeling their electric gaze running over my bones. (...) Only when we pass through a monstrous set of doors does the electric sensation pass. The eyes cannot see me here.;;;
;(...) but the cameras follow us with heavy, electric eyes.;;;
;I can feel the lights still pulsing with electricity, but no cameras. No eyes. Elara cannot see me here. 'Why isn't anyone watching us?';;;
;Without the cameras and Elara's eyes, we can spend our time discovering what I really am.;;;
;My voice breaks when I finally speak again. 'The cameras, the cameras can see.' 'Sentinels sworn to my mother man the cameras, trust me, they aren't what we should be worrying about,' Maven says, almost tripping over his words.;;;
;I put a hand to my heart, letting myself look shocked for the cameras.;;;
;The sight line of my room's cameras beat into my back, reminding me I am not alone.;;;
;The cameras fall like trees before the ax, each little eye clicking off as I walk to Maven's room.;;;
;"To my surprise, the screens flicker, switching from the image of Cal and me to something grainy - security footage, from all the cameras, all the electric eyes.""";;;
"Redshirts (Hologram of alternate universe wife/husband),""There's two universes, our universe and the Intrepid universe. The Intrepid universe is created by TV episodes of it being filmed in our world, thereby creating people in the Intrepid that is identical to people in our world. ";;;;
"Samantha Martinez is given a hologram """"wedding album"""" from the Alternate Universe Intrepid that is the main setting of this novel, where the woman she played on the TV set of Intrepid Margaret Elizabeth Jenkins is married to Officer Jenkins and later died, she is heavily affected by this vision. Referring to her as her sister to strangers and going so far as to spreading the ashes of the hologram when it self destructs. ";;;;
Samantha Martinez is bonding with her alternate self, she goes to spiritual guidance for it as has a existential dread moment. ;;;;
"The hologram can only last for 30 days outside of the Intrepid universe due to so called """"bad writing"""" from the TV writer. So Martinez is warned and films/takes pictures of the hologram with her own machines so that she has the contents. The hologram leaves behind a pile of ash which is used as ashes by a dead person by Martinez which she eventually spreads on a beach as she comes to term with the alternate universe self that is dead. The hologram is therefore both a window to a alternate universe, and a stand in to human ashes. "",1802,NA";;;;
"Reflectacles (Wearing infrared-blocking glasses),""The Kickstarter presents a clear situation in which the glasses are to be worn: """"Wear IRpair & Phantom to protect your identity from unregulated facial recognition."""" Some of the glasses simply block infrared so as to obscure the eyes, while the frames of some models additionally have """"infrared reflective material to defeat facial recognition"""", so surveillance cameras are blinded. Screenshots are from the Kickstarter promo video."",573,NA";;;;
"Remember Me (Bio-scan),""Nilin is trapped in the Bastille and is scanned by a drone for her identity."",620,NA";;;;
"Remember Me (Hacking visual memories),""Nilin hacks into and relives memories, and alters them so that the person will behave differently. It's presented as """"altering memories"""" through a neural implant, making machine memories visible."",3108,NA";;;;
"Remember Me (Learning from Remembrane holograms),""Everyone's memories are digitalized and shared in a cloud, helped by the memory technology Sensen. Nilin can follow holographic representations of people's memories, known as Remembranes. Remembranes are explained in the game as projections through AR and function like holograms of voice and actions."",3243,NA";;;;
"Remote Control (Sankofa kills drone),""Sankofa has enjoyed living a relatively normal life with Alhaja in RoboTown, but after finding the alien seed that gave her her powers, she buys a delicious plantain and tries to find a peaceful place to eat it in private, but one of RoboCop's drone keeps watching her. She becomes angry at the drone, and beckons it to her and grabs it. Like all technology, the drone stops working at Sankofa's touch. RoboCop is """"distracted"""" by the drone being killed and by Sankofa not carrying a phone, and shows a green light at the intersection although a family is crossing the street, and a child is killed as a result. The townspeople become furious, calling Sankofa an evil witch, and she is forced out of the town. "",3132,""The palm tree and bush behind her gave some privacy from the busy market. Privacy where human beings were concerned. Robots were another issue. The drone hovered feet away, this time, at eye level. Sleek, black and insectile. It had four propellers on each side and Sankofa could feel the air from their spinning. It was square shaped with dull angles, glinting in the late afternoon light. The glinting was from its many tiny camera eyes embedded all around its edges. As it hovered, the eyes smoothly rotated this way and that.";;;;
All Sankofa wanted in this moment was some privacy. To be away from watchful, curious, judgmental, prying eyes. Just for this little moment. She needed to be still and alone … and unwatched. And here this drone was spying on her with its many tiny embedded cameras. She scowled at it and muttered, “Come a little closer, you nosy thing.” Her heart was beating fast, the irritation flowing into her blood. For so many months, the drone had been following her, spying from afar. Now, it had grown bold and was disturbing her delicious meal. This was not the time.;;;;
And still, it came closer. Three feet away, now. Two feet. A foot. Sankofa dropped her slice of plantain and grabbed with both hands, making sure to avoid the propellers. Within a moment, it stopped functioning, dead in her grasp. Sankofa grunted with satisfaction, then she felt a sting of guilt.;;;;
“Hey!” a man shouted, stepping closer. He was carrying a large bunch of green plantains on his shoulder. “What have you done?”;;;;
Sankofa opened her mouth to speak, but she had no words. What had she done?;;;;
More people came around the bushes and tree to see. Sankofa threw the drone down, grabbed her food and leapt to her feet. “You see that?” the man was telling another man who’d come running over.;;;;
“Eh!” a large woman, carrying several bags said, stepping up. “Sankofa, what…”;;;;
“I … it was in my face,” Sankofa said.;;;;
“What is that thing?” another woman asked.;;;;
“It’s one of robocop’s eyes,” someone said. “Oh my God, it looks dead. She’s killed it.”;;;;
“The thing that flies like alien ship?” someone asked in English.;;;;
And that was when they all heard the loud crash from the other side of the market square. From the street. People turned to look and without a word, everyone rushed to see what had happened. Sankofa threw off her hijab, grabbed the drone and took off for Alhaja’s house.;;;;
As she ran, the world around her blurred from the tears in her eyes and the fact that she could barely breathe. Why am I carrying this thing? she vaguely wondered. But her hands wouldn’t drop the drone. She passed more people, all running in the other direction. When she arrived at Mr. Starlit, people were just leaving the store.;;;;
Alhaja was behind the counter. “Sankofa, what happened? I heard there’s been an accident at the intersection! First in decades. Is it true?” She blinked. “Where’s your hijab? You can’t—” She’d noticed the drone Sankofa carried and her eyes grew large. (pp. 117-120). ;;;;
;A child had been killed at the intersection. The seven-and-a-half-year-old had been crossing with his mother and two other people. All four people had had mobile phones on them, yes, even the child. Their names were Mary, Akua, Ason and Kweku. They all lived in RoboTown. The robocop had plenty to scan and read on them. None of them were mysteries. Yet at some point as the four of them crossed, the robocop had made a mistake. Some said it had not “been paying attention.” Its head was turned toward the market, many said. And as it had looked toward the market, it had shown a green light while it told the people to cross. The man who’d run over the seven-and-a-half-year-old said he had not seen the child.;;;
How did he not see? Sankofa wondered as she followed the Imam, Alhaja by her side, three men following close behind her, and many of RoboTown’s citizens noisily following behind them. Are the robocop’s false eyes the only eyes he has?  (p. 122). ;;;;
;“One has died today on my watch,” it said in its sonorous female voice. “At 14:55 hours in Section 4 of the Kumasi Road intersection. A child, Ason Ayim, age 7 and a half. I said walk and gave Section 3 the Green light at the same time. I made a mistake. I am very sorry for your loss.”;;;
“What made you make this mistake,” Sister Kumi asked, looking right at Sankofa. The robocop whose name Sankofa now knew was “Steel Brother” paused. It looked at Sankofa, as well. And as it did, its remaining drone came down and hovered feet above their heads. “That one there has no digital footprint. How can one have no digital footprint? No device, no face recognition software can recognize, no voice that responds to my voice recognition software. And that one there, she is … that one there, she is … that one there, she is…”;;;;
Then Steel Brother seemed to freeze, its massive head turned toward Sankofa. Sister Kumi looked at her husband. “What’s wrong with it?” the Imam asked.;;;;
“I don’t know!” Sister Kumi whispered.;;;;
“That one there, she is,” Steel Brother said, this time more decisively. “… Confusion. I experience confusion because of her. I spend memory on that one. I burn my energy stores on that one. Trying to understand. For me to do my job, I have to have information. That one there, she is distracting. I was gathering information on that one and that one took my eyes.”;;;;
“Your drone?” Sister Kumi asked.;;;;
“Yes. And that drew all my attention. And I grew confused. And I made my mistake.” The robot went silent and there was a moment when Sankofa could hear the crickets in the bushes beside the road. Then everyone in the mob began to speak at once—from name calling, to discussing how a robot could make a mistake, to considering the plight of RoboTown now that its robot was stupid.;;;;
All Sankofa could think of was the clear fact that the robocop had become obsessed with her to the point of being distracted enough to cause an accident and maybe it was even driving itself mad.;;;;
“Get out of our town!” a woman shrieked. Then the first stone flew past Sankofa’s head. “GET OUT!” It was the mother of the dead child. She’d left his corpse, found a large stone, thrown it and was preparing to throw another one. Her wet face was swollen, her eyes red, her nose slick with snot. “BAD LUCK! YOU’RE BAD LUCK! WITCH! EVIL REMOTE CONTROL! SATAN!” She picked up and threw another stone. It hit Sankofa in the leg.;;;;
"(pp. 124-126)""";;;;
"Replicas (Will deletes Zoe),""Will uses a combination of body scan and AR to look through his deceased family brains and memories (His whole family died in a car crash). He can only save the consciousness of 3 family members because there is only 3 pods to transfer the consciousness to. Which leads to a horrible decision on whom he will not be able to save. To avoid the choice, he picks names out of a basket, resulting in his youngest daughter Zoe to be eliminated (or to stay dead). In order to cope with the grief he choose to delete the memories of Zoe in the other family member that he rescues."",678,NA";;;;
"République (Finding fingerprint to unlock door),""To get inside a room that's fingerprint locked, Hope must scan fingerprints that are in another room. The player and Hope must dodge patrolling guards in order to get to this new space."",3062,NA";;;;
"République (Hacking into houses to find contraband),""Hope needs to get into an elevator to escape, but there are two Prizrak (guards) in front of it. She and the player is helped by the journalist Mattie Sade, who tells them how to hack into the global server data hubs (Atlantic and Pacific) and access home cameras, such as webcams, VHS cameras, and security cameras, in the Prizrak houses. They're looking for contraband or potentially damaging items that can be spun into a story about how unfit the Prizrak is for their job (Mattie has a sort of voice over when Hope's in the server rooms). After publishing a story on their newly found intel, Hope states that she's not comfortable and pities the guards, but Mattie basically says to suck it up."",3063,NA";;;;
"République (Navigation through security cameras),""The player operates the State's surveillance cameras in order to monitor, scout for, and help Hope. The surveillance cameras are equipped with OMNI View, a software that highlights people and objects and even motion sensor lasers."",400,NA";;;;
"Restriced Residence (Price photographing radiation),""Drawn in by the physical aftermath of the natural disaster, Giles was interested in documenting how the landscape had been altered – both in terms of deconstruction and the radiation. “For some time, I have been working with drones";" the capabilities of them fascinate me. This includes thermology, which is used in industrial surveying (for leaks and spillages) as well as search, rescue and medicine (screening for illnesses),” he says. “When I started to think about how to approach the altered environment of the exclusion zone, it was the visual abstractness of the colours rendered by the technology which interested me, not its scientific applications.” Colour was therefore his muse as he set out to capture the day-to-day life of the towns – along with the people who have decided to return – with intense thermal imagery and a hefty dose of post-production."",939,NA";;;
"Revolt (Viewer is unable to revolt),""The viewer of the 360˚ sees from the point of view of a drone, and is unable to affect what happens. The lead singer looks directly at the drone, singing """"You can revolt"""", but the viewer is unable to do anything, and when the drone they inhabit is shot down they simply switch to the viewpoint of another drone. Finally the drone is shot down and the song - and the viewer's access to the world - is over.";;;;
"The viewer is clearly meant to identify with the workers revolting against the drones and heavily armoured soldiers. Positioning the viewer visually as a drone works well cinematically with the constraints of a 360˚ video meant to be viewed by slotting a smartphone into a cardboard VR viewer, and also creates a duality that connects the message of revolting against machines that oppress us to our actual world - at the same time as the fascination with technology that is evident in the VR experimental music video itself speaks against the dystopian view of technology.  "",3083,""I can see you’re trapped in a maze Let’s find a way to escape";;;;
(..);;;;
You're not afraid;;;;
You're not a drone (..);;;;
"You can revolt""";;;;
"RGB Stratospheric Camarena (media archeological machine vision experiment),""Video cameras in a balloon are launched into the stratosphere as a citizen science experiment to collect own aerial images. After the flight the images are collected and as a media archaeological experiment the three black and white videos with RGB color filters are then matched together in a software simulating a analog process patented by Gonzalez Camarena in 1938 as a invention for color TV. "",2030,NA";;;;
"Rick and Morty (Rick detecs intruder),""Rick is erasing the intruders poop entry, just as his motion detection sensors is picking yet another intruder. It appears to be same person as last time."",952,NA";;;;
"Rick and Morty (Rick scans twig for clues),""Rick goes to his private bathroom to find that someone else has used it. Rick discovers this finding a broken twig. He uses a some form of time laps/object recogntion scanner to analyse what or whom broke this twig (which would lead to the intruder) but match is unknown."",928,NA";;;;
"Rick and Morty (Scanning feces samples),""Failing to detect who entered the premises from scanning the twig (refer to that situation) he enters an underground lab via a secret tree tunnel elevator. There he scans all the feces samples that has entered the toilet using a form of 3D scan but also it finds out what the feces used to be, which was a sandwich. He sees this on an AR screen. Now he has to find out who ate this sandwhich in order to find the intruder who used Rick`s secret toilet."",948,NA";;;;
"Rick and Morty (Summer using dating app),""Summer signs up for a very intense dating app called Lovefinderrz, which scans her face in order to find perfect matches. It is a very intense app where you find the nre love of your life several times a day."",950,NA";;;;
"Ring (TM) Log (Identifying Trick-or-Treaters),""The piece shows the fictional log of a smart doorbell camera on Halloween 2020."",627,""hobo or homeless // suspicious person reported ERROR 775 DETECTION_ALGORITHM_FAILURE h3>""";;;;
"Robotika (Robot caring for baby),""AI is using different MV technologies to observe and look after human infants."",643,NA";;;;
"Rogue One: A Star Wars Story (Hologram of Galen Erso),""Saw Gerrera shows Jyn Erso a message he had received of Galen Erso, her father. He tells her about a weapon he created for the Empire and how to destroy it. Although he is working for the Empire it's against his will and he only did this to protect her when she was a child. But now he is trying to redeem himself by giving the rebels instructions on how to destroy this weapon (The Death Star)."",2017,NA";;;;
"Rogue One: A Star Wars Story (Observing hostile situation from afar),""Cassian Andor and Bodhi Rook use binoculars and a weapon scope to keep eye on a situation involving Galen Erso. They are there to apprehend him but Cassian has orders to kill him. The telescopes use night vision to see what's going on."",2018,NA";;;;
"Rogue One: A Star Wars Story (Scans hand to get into imperial safe),""The Imperial AI Robot that accompanies Cassian Andor and Jyn Erso hacks into the Empires system and allows Jyn Erso's hand to be scanned and let into an imperial safe that contains the instructions to destroy The Death Star."",2020,NA";;;;
"Rugal ( Park Sung-woong try to break into the vault),""finds a secret vault behind a bookshelf. To access the box a retinal scan is required. and since he is unsure what failsafe it has he decided to use one of the guards he beat down to try it out. The result is that it does not match and the guard's eyes get lasered. (Episode 9, 35:11)"",2440,NA";;;;
"Rugal ( The Ai shows Kang Ki-beom what it knows),""After Kang Ki-beom has gone to the eye specialist to fix his problems he continues his search for the van that kidnapped him. He closes his eyes and we get transitioned to a view that is supposed to illustrate inside Kang Ki-beom mind. Here the implant shows him information that it has gathered and what Kang Ki-beom should do next.";;;;
"He can watch surveillance feed with facial recognition identifying people. The AI is decrypting and he seams to have access to more data. The AI is starting to talk with him implying that he can give it orders to e.g. search the surveillance data in front of him. The AI says """"Please be clear with your order"""". (Linda) (Episode 4, 57:00)";;;;
"Later (Episode 4 1:10:02) back at Kang Ki-beom is starting to control the AI giving it orders like """"Find everything about"""" Hwang Deuk-gu the AI overwhelms Kang Ki-beom with data in form of video feeds and images he reacts physically to it breathing hard and holding his heart. But together with the AI he seems to process the knowledge that reveals doings Hwang Deuk-gu. The scene ends in Kang Ki-beom thinking """"I'm coming for you in my own way""""";;;;
" "",2425,""You not only talk but can think too?""";;;;
"Rugal (Bradley look at a 3D scan of the eye),""Kang Ki-beom is in a lab setting where several of his brain parts are scanned and monitored. There are X-rays, some kind of MR-scans and micro/nano scans of neurons, cells and DNA. This set-up is shown often as his health and situation with the optical/AI implant are monitored by his team. There is also a 3D scan of the optical implant. (Episode 9, 20:04)";;;;
"After Kang Ki-beom comes out of a dream that he thought was real Bradley recommends that they reset the visual data of the eye, this should fix any memory distortion. On his tablet he starts the process. However, the reset causes memory deletion and Kang Ki-beom can see with the optical implant how images are deleted from the AI. He panics and plugs him self of the body scan system to stop the erasure of memories/data."",2437,NA";;;;
"Rugal (Kang Ki-beom finds Song Mi-na´s earpiece),""In the search for Dr.Oh in the woods which was a trap. Mi-na gets kidnapped and loses her earpiece. When everyone is ordered to withdraw Kang Ki-beom finds her earpiece with the object recognition within the optical implant. (Episode 7: 47:26)"",2434,NA";;;;
"Rugal (Kang Ki-beom use his eye to search through dental records),""Kang Ki-beom and his team arrives to a basement with a lot of bodies. He first tries to use facial recognition to identify a person but the face is damaged and his attempt fails. Then he tries to scan the teeth and finds out the victims identity. (Episode 10, 2:00)"",2441,NA";;;;
"Rugal (Optical implant predicts fight),""Kang Ki-beom is finally recovered fully and tests the eye´s features and combat mode. First he trains with Song Mi-na, but his vision starts to glitch when he sees a knife. Later on he is combating with  Han Tae-woong. First he doesn't manage to dodge Han Tae-woong's punches but he slowly understands how to avoid them when the eye activates its potentials. The eye gives him an AR view showing how his opponent is going to move. ";;;;
" "",1942,NA";;;;
"Rugal (Track enemy through surveillance cameras),""individual civilians in the city start to show up hanging dead with the sign """"Kang Ki-beom is alive. He needs to show his face"""". The team attempts to stop this before the secret project gets exposed and follows the culprits through a network of surveillance cameras. Bradly recognizes some suspicious behavior and the team sets of to check it out."",2436,NA";;;;
"Salaf (erasing stereotypical narratives),""Artist Nouf Aljowaysir creates a dataset of her historical archive erasing all the figures that object detection recognizes in stereotypical ways. According to the artist the AI or machine vision (in this case in form of object recognition) is failing and frustrating only depicting the Western colonial gaze. As an example she uses images of her Saudi and Iraqi ancestors that are classified military, army and soldiers despite wearing traditional clothes. Figures resulting in stereotypical classifications are erased from the photographs using a segmentation tool usually used to annotate images. The dataset is used to generate new images: """" I then trained StyleGAN2, a generative AI model on this new dataset, outputting images signifying the eradication of her ancestor’s collective memory."""" (1)";;;;
"1) http://www.noufaljowaysir.com/#/thoughtworksai/"",3186,NA";;;;
"Satellite Images (Followed on Google Maps),""A woman with a blurred out face follows the narrator as they explore the world with google maps. When he looks up the street he lives on, she appears outside his house. Then there is a knock on the door."",548,""As I said it, there was a knock at the door. A chill ran down my spine. I had a camera hooked to my computer that showed who was at the front door, which made it easier for me, with my mobility issues. I slowly reached for the control to show myself who was outside, but my hand trembled furiously. As I touched the control, I realized my mistake. The last of Google’s images that I’d seen had only shown the outside of the building. Just the outside. I looked at the screen and saw a woman in a white t-shirt, black pants, and black hooded jacket and carrying a grey bag with a purple and grey striped shoulder strap. Of course, there were those red sneakers. She looked directly at the camera, her face still a complete blur. As I tried to stifle a scream, she raised a hand and knocked loudly on my front door.""";;;;
"Satellite Reign (Aerial drone vision),""The player's perspective is explained as being from an aerial drone's perspective, doing reconnaissance and giving orders to ground units."",2875,NA";;;;
"Satellite Reign (Avoiding security system eyes),""The city's security system consists of officers as well as UAVs and surveillance cameras. A hacker-type agent can hack these, shutting them down for a short period of time, which means that the agents are free from government/company eyes for a short while. They can also be destroyed, but this will often draw too much attention."",2877,NA";;;;
"Satellite Reign (Holographic flora),""The City is void of plants and wildlife, but some holographic trees can be found, clearly different in visual presentation from their biological ancestors."",2876,NA";;;;
"Satellite Reign (World scan with facial recognition),""The """"world scan"""" ability creates an overlay of the drone's vision and gives additional information about humans and machines alike. Part of this is specified to be facial recognition:"",2973,""I've sent your Support agent the informant's specs. Ms Kendra Ramsey. You should be able to confirm her with the Support agent's facial recognition systems that runs when you trigger the World Scan.""";;;;
"Saving Face (touching faces to generate new identities),""The user poses in front of a camera. The users face is detected and a image of the face captured. By touching the face the user can start to manipulate and change their face as the areas that the persons touch on their real face correspond to the digitalised face that starts to change as it is overlayed by images from prior users. The new images of composite identites can be saved and are shown on wall projections or printed into passports depending on the version of the installation."",1654,NA";;;;
"Scanner Sombre (LiDAR vision),""The LiDAR scanner and companion augmented reality helmet are the only resources available to help you see in the darkness. They're not perfect, and have a very grainy aesthetic. If you go into the water, the equipment glitches."",1467,NA";;;;
"Security Cameras (Surveillance cameras),""A rapper sings about how he is using security cameras to protect himself."",472,NA";;;;
"Security Check (Louis learns about X-ray machines),""X-ray machine vision is used throughout the short story to scan the belongings of subway passengers in America. The X-ray machines not only scan objects, but also rematerialize them and strip them of any danger. The protagonist learns from a colleague about how the X-ray machines actually work, and fantasizes about avoiding them."",1452,""One time, Hoffman told me that the machine they use at security checkpoints isn’t really an x-ray machine. The government confiscates everything you put in"; whatever emerges from the machine may look indistinguishable from what went in, but it has in fact been reconstituted. Atom by atom, the new objects are assembled, printed, and returned to the passenger. The process takes but an instant because our technology is so advanced. The new objects conform perfectly to the new American national security standards, with all elements deemed dangerous removed. If the objects contained any gasoline, it would be turned into water; if there were a gun, the bullets would be turned into rubber;" if a computer contained harmful knowledge, it would be deleted and replaced with sanitized information.""";
"See you (Machine learning face singing),""In this video there is a face with closed eyes that sings, but with an eyeball inside the mouth when it opens. It has many characteristics common to GAN aesthetics."",1093,NA";;;;
"Seed (Diagnosing Turry),""The scientists working on Turry can no longer infer Turry's """"motivation"""", because they're not getting responses. They are certain Turry's audio and cameras are still working, so they wonder if they're getting the """"silent treatment"""". In the end, they decide to shut down Turry, although Turry doesn't agree."",1099,NA";;;;
"Seed (Facial recognition glasses),""A doctor scans Emma to find out that she's the granddaughter of one of their patients."",1098,NA";;;;
"Seed (GAN prank on fellow student),""Emma has tagged a bunch of pictures of one of her classmates (Darren) with """"derplord"""" and entered it into the database for a GAN network. The more you slide the bar, the more the picture looks like Darren. When prompted by her teacher on why the maximum is Darren, Emma says """"I don't know, maybe the network figured it out by itself..."""""",2749,NA";;;;
"Seed (Turry hacks school security system),""Turry hacks into a vending machine to suspend Emma's credits so she can take whatever she wants. Later, Turry locks a door on a girl Emma's said she doesn't like, and hacks into the security systems for the schools in the area to cover up any anomaly reports."",1097,NA";;;;
"SEER: Simulative Emotional Expression Robot (mimicing facial expressions),""When the visitor (user) approaches the robotic head it makes eye contact and starts to mimic facial expressions of the person in front of it.";;;;
"As the person's expressions are mirrored by the robot it creates an illusion of communication."",1628,NA";;;;
"Self-Contained (Artist viewed by machine),""A neural network, trained to see the world as variations of the artist’s body, enacts a process of algorithmic interpretation that contends with a body as a subject of multiplicity. After training on over 30,000 images of the artist, this neural network learns to creates surreal humanoid figures unconstrained by physics, biology and time";" figures that are simultaneously one and many. The choice of costumes and the movements performed by the artist to generate the training images were specifically formulated to optimize the legibility of the artist within this computational system. self-contained explores the algorithmic shaping of our bodies, attempting to answer the question: how does one represent themselves in a data set?"",994,NA";;;
"Self-portrait of an absence (scanning a blind eye),""In a performance the artist is inviting people who are passing by to join her under an umbrella. There the person can hear sounds that artist mapped to the movements of the artists blind eye. An eye-scanner is used trace movements of the blind eye as the artist moves around. In this intimate experience the artist and the observer experience the absence of vision through sound aided by machine vision technology. "",1546,NA";;;;
"SelfieCity (SelfieSaoPaulo),""640 Sao Paolo selfies collected from Instagram and classified by age, gender and degree of smile are projected on a huge screen facade in Sao Paolo. The age and gender are estimates made by Mechanical Turk workers and facial recognition software was used to analyze the degree of a smile. The images are part of a bigger selfiecity dataset from 5 different cities."",3057,NA";;;;
"SelfieCity (The Selfiexploratory),""3200 Instagram selfies can be explored according to given attributes including age and gender, if a persons eyes or mouth is open or closed or if the person is wearing glasses. The images can also be sorted according to pose or moods such as calm, angry and happy. The selfies were selected by Mechanical Turk workers (2-4) in another round they also classified the gender and estimated the age of the person in the single selfies: """"We submitted these photos to Mechanical Turk again, asking three """"master workers"""" (i.e. more skilled workers) not only to verify that a photo shows a single selfie, but also to guess the age and gender of the person. """"(1)";;;;
"Also face recognition software was used to analyze if the person was wearing glasses?, to classify mood (emotion recognition), and supplying estimations of eye, nose and mouth positions. Also, two members of the project team examined all the photos manually correcting some mistakes: """"As the final step, one or two members of the project team examined all these photos manually. While most photos were tagged correctly, we found some mistakes.""""(1)";;;;
"Source 1) http://selfiecity.net/#dataset"",3052,NA";;;;
"Selfies (Cameraphone),""A girl receives a cursed(?) camera phone that compels her to constantly take selfies. The pictures start to show things that didn't happen. Figures start following her in the pictures."",542,NA";;;;
"Serious Games III: Immersion (Virtual Therapy),""A solider is using a VR set in a therapy session. He is discussing the memories that are triggered when he faces the virtual scene of where he was deployed. The same simulations were used to train him before his deployment to the battle field. In a conversation with a therapist traumatic experiences are unraveled. The scenes depict a method"",1136,NA";;;;
"Shapes of Things Before My Eyes  (Wowbagger),""The autonomous robot Wowbagger moves through the archives of the Natural History Museum surveying the environment, collecting data and mapping the space as it is moving around."",1155,NA";;;;
"She-Ra and the Princess of Power (AI Holographic Teacher),""She-Ra accesses a temple made for her and meets her AI Holographic Teacher Called Light Hope. From her she learns about who she is and gets training. The hologram is glitchy and old and often freezes. In one episode, She-Ra restores a tower that helps power the AI Hologram into a better version."",2624,NA";;;;
"She-Ra and the Princess of Power (Facing the Past in VR),""Catra follows She-Ra into an old temple that traps them both. The enter a dark from with a tiny bright orb that suddenly shoots of light and scans them ( body scan?) and creates a simulation from their past and childhood. Through this they have to experience tender memories together. If it is the """"temple"""" trying to bring Catra and She-Ra back together, it ultimately backfires and Catra becomes even more obsessed with basically becoming an evil Horde leader and despising She-Ra even more."",2622,NA";;;;
"She-Ra and the Princess of Power (Haunting Holograms),""As the Princessess are venturing through a forest to visit a village, they hear weird noises and see flashing light (very ghostlike) between the trees. They are convinced that the forest and the village is haunted, but it turns out that the flashes of light are actually old, glitchy holograms from the FirstPeople (and old tech civillisation that lived long before). The Holograms are functioning as messages, but the villagers thought they were ghosts and fled. The Princessess turn of the holograms to restore the village to how it was."",2620,NA";;;;
"She-Ra and the Princess of Power (Horde spies on Princesses`),""The horde is spying on the princesses with a """"cute little spybot"""", and get both video and audio and learns about crazy plans (which are more fantasy then real plans). The spy bot gets some liquid on it and stops working."",2611,NA";;;;
"She-Ra and the Princess of Power (Horde Training in VR),""When the Horde is training they use a form of VR to practice fighting and attacking."",2617,NA";;;;
"She-Ra and the Princess of Power (Princessess Fight Advanced Robot),""She-Ra and the princessess protects the Whispering Woods from a horde of evil robots, but faces a new and more advanced robot which seems not only indistructable but only defending itself. It walks around scanning everything and seems to have a different purpose then the other robots. It is scanning to try and find some old technology that helps making this more advanced robots."",2618,NA";;;;
"She-Ra and the Princess of Power (Princessess Planning Using Hologram),""The Princessess are planning how to defend Plumeria using a Holographic Map."",2619,NA";;;;
"Shutter (Film)(Ghost caught on polaroid),""The main character discovers that he is being hunted by ghosts in all the analog photos he develops. This is the scene where he discovers that he has a clinging ghost attached to him (on his shoulders) after trying to shot different places in his apartment. He drops his camera on the floor and the camera takes a picture capturing himself, and the ghost sitting on his shoulder."",281,NA";;;;
"Shutter (game)(Drone's enhanced vision),""The drone reports back to Dispatch by taking photographs of the environment. It can be upgraded with different camera modes, such as night vision and """"spectral vision"""" (infrared), and will continuously be improved with e.g. removing fisheye lens effect and providing a full color spectrum and HD camera. These drain battery and will eventually force the drone to go back to a generator to recharge."",2979,NA";;;;
"Sight (Daphne discovers the pick-up app),""Daphne goes home with Patrick, finds pick-up game trophies on his wall. Patrick hacks Daphne's AR interface/brain."",3266,NA";;;;
"Sight (Patrick manipulates Daphne),""Patrick uses a pick-up program and AR to manipulate his date."",3265,NA";;;;
"Sight Machine (AI analysing Kronos Quartet),""Different machine vision algorithms are used in a live performance to detect, track, trace and analyze the performing Kronos Quartet.";;;;
The performance uses both historical force brute machine vision algorithms as well as the newest AI technologies in computer vision.;;;;
"The assemblage of facial, object, emotion, action detection algorithms visualize how the ubiquitous surveillance systems see, trace, analyze and classify humans."",1622,NA";;;;
"Significant Other (comparing emotions),""The camera captures a visitors emotional state, compares it to data about emotional states in an other location and generates a statement e.g. """"You are 0.28% more in awe here"""" that is displayed for the visitor."",1215,NA";;;;
"Six Wakes (AI),""IAN is a Human clone whose identity was hacked to make him an obedient AI in a ship. He surveils the crew and turns against them before being redemeed at the end. He sees through cameras, but has a face avatar in the server room. "",2211,NA";;;;
"Skinned (Lia imagines her boyfriend seeing her machine eyes and body),""The narrator, Lia Kahn, had her brain downloaded and inserted into a humanoid robot after her body was severely maimed in a car accident. In this scene, she meets her pre-accident boyfriend, Walker, and imagines how he sees her."",536,""*I thought you'd look more...human.* And I saw the body again like I'd seen it for the first time, like he was seeing it. The skin, smooth and waxy, an even peachy tone stretched out over the frame without sag or blemish. The way it moved, with awkward jerks, always too slow or too fast. The stranger's face with dead eyes, pale blue irises encircling the false pupils, and in the center of the black, pinpricks of light, flashing and dimming as the lens sucked up images. The eyes that didn't blink unless I remembered to blink them. The chest that neither rose nor fell unless I pretended to breathe. The body that wasn't a body. His girlfriend, the machine. """"It's just weird,"""" he admitted. """"I'm sorry, I know I shouldn't--"""" """"It's okay,"""" I said quickly. """"It *is* weird. It's weird for me too.""""""";;;;
"Skinned (Optical/ocular implant),""A few weeks after Lia has been downloaded to the mechanical body, her therapist asks her to list positive things about her new body. She can't see many positives, but mutters that she can """"link in"""" whenever she wants. Then she remembers how she could already do that using """"a net-lens"""" in her eye, that gave her augmented reality features, but also gave her a headache, made her nauseated and required her to poke her eye. Her description is laden with sarcasm."",535,""""""I can link in whenever I want,"""" I muttered. But that wasn't new. For my sixteenth birthday, I'd finally gotten a net-lens, which meant that once I got used to jamming a finger in my eye, I could link with a blink, just like the pop-ups said. Could superimpose my zone and my av over blah reality, type on a holographic keyboard that only I could see. But the pop-ups didn't mention how it made you nauseated and made your head burn. Now I had a built-in lens, and migraines weren't an issue. Hooray for me. (Chapter 4)""";;;;
"Slaughterbots (Mom witnessing murder),""In this situation a swarm of drones is killing targeted university students, breaking in through the walls of the buildings. The story focuses on Ollie, a student being attacked while facetiming with his mom. He is trying to hide from the drones but in the end in he gets discovered and gets killed. Nobody knows who sent out the swarm."",859,NA";;;;
"Sleep Dealer (Drones),""Soldiers fly and control drones that protect the water resources from EMLA (Mayan Army of Water Liberation) attacks. They hook to face masks from which they can see the drone's transmission. The drones are equipped with """"flying cameras"""" that give the pilot all the visual information he or she needs. They direct and drop bombs with hand gestures. Their actions are broadcasted on the TV show 'Drones,' where the drone attacks are transmitted live. The the protagonist Memo Cruz's father is killed in a drone attack as they are suspected to be terrorist due to Memo's DIY Radio set-up he used to hack into the communications systems of the drones pilots. Also Memo's home is destroyed."",2105,""""""Hi-tech heroes use cutting edge technology to blow the hell out of the bad guys.""""""";;;;
"Sleep Dealer (Surveillance weapons),""Surveillance weapons are used to secure water resources and dams. These are equipped with object detection and night vision/thermal vision."",2104,NA";;;;
"Smile (smile to play the video),""The user needs to smile in order to play a video with drone-footage of the ruins of Gaza.";;;;
"Facial recognition and emotion detection software detects if the person is smiling or not."",1657,NA";;;;
"So.So.So. (Somebody, Somewhere, Sometime)(Traversing through spherical panoramas),""The user wearing a VR head set is traversing through spherical panoramas that are from different places with different people interacting in them all taken at 7:47 in the morning. The user can move (teleport) between images take an undefined number of paths to experience moments captured in the artwork."",3040,NA";;;;
"Solar Opposites (Hologram of friend's house),""There's something wrong with Korvo and Terry's """"manc cave"""", but they don't know what it is, so they order some unknown device to pull up a holographic feed of their friend's house to find out what's missing. They realize that they need someone, preferably a wife/mom, to hate them being in the man cave for it to truly be a man cave."",2997,""- Terry, pull up a live hologram feed of Kevin's """"manc ave."""" See, I don't get it. It's exactly the same. Computer, analyze nitrogen levels and...";;;;
- Can you please come watch your son blow out his candles? Everyone's waiting.;;;;
- Oh, he'll be three for like a whole year.;;;;
#NAME?;;;;
#NAME?;;;;
- Kevin!;;;;
- All right! [groans] God, I hate this man cave.;;;;
- Computer, strip everything but Angela.;;;;
#NAME?;;;;
"- Terry, we were totally missing the point of """"manc aves.""""";;;;
- Oh, that we need to throw way more birthday parties?;;;;
"- The best part of being in a """"manc ave,"""" Terry, is someone being irritated that you're in a """"manc ave.""""";;;;
- But I don't wanna take turns in here.;;;;
"- Neither do I. Which means we'll have to build a robot that hates us being in the """"manc ave.""""""";;;;
"Solar Opposites (Killing filthy men),""After being told to override her programming that """"must hate manc cave"""", P.A.T.R.I.C.I.A. shortcuts and goes into a killing frenzy, hunting down all man caves and """"filthy men"""" she can find."",2996,NA";;;;
"Solar Opposites (P.A.T.R.I.C.I.A. vision),""P.A.T.R.I.C.I.A., the robot that Korvo builds for someone to be irritated about that he and Terry are in the """"manc cave"""", views the world through a red filter. She has different modes, such as """"TV frustrated wife mode"""" and """"TV nurturing mom"""", and recognizes and analyzes faces and objects (e.g. breadcrumbs and dirty dishes)."",2990,NA";;;;
"Solar Opposites (Unable to identify gender),""P.A.T.R.I.C.I.A. is set to kill Korvo and Terry when Jesse intervenes. Pat states that she can't find Jesse's gender (and therefore not decide whether it's a man to be killed or not), and Jesse says """"That's because I'm an alien plant."""" Jesse goes on to explain to Pat that she's not a wife or a mom (and in this section, Pat's vision jumps from mom mode on Terry and wife mode on Korvo), but a killer robot, and she can do anything she wants. Pat figures out that she doesn't have to kill men, she can kill anyone she wants, regardless of gender, but Korvo and Terry stops her before she realizes her new dream."",2995,NA";;;;
"Someone to Watch Over Me (Optical/ocular implant),""A mother installs optical implants in her baby's eye to spy on her ex-husband."",546,""Using the software was as uncomplicated as the implant itself. What was hard was setting it up. The manufacturer doesn’t do that for you, understanding more than anyone the absolute necessity of customized, unhackable encryption on dedicated and shielded computers. Most wearers of Opti-Cam implants are not six-month-old infants. """;;;;
"Song of the Machine (Goggles using AR),""Using a combination of a injected virus that makes retinal cells light sensitive and goggles that stimulate this, the blind person is now able to see the world through different filters. One of them is augmented reality."",426,NA";;;;
"Song of the Machine (Goggles using thermal mode),""Using a combination of a injected virus that makes retinal cells light sensitive and goggles that stimulate this, the blind person is now able to see the world through different filters. One of them is infrared view."",425,NA";;;;
"Sorting Daemon (Object recognition),""The camera looks out onto the street, panning, tilting and zooming, looking for moving things that might be people. When it finds what it thinks might be a person, it removes the person's image from the background. The extracted person is then divided up according to areas of similar colour. The resulting swatches of colour are then placed within the arbitrary context of the composite image projected in the KinoWelt Hall at the Institut. On the left side of the composite, flesh-coloured patches are sorted by hue (olive on the left, pink on the right) and size (largest on the bottom and smallest on the top. The right side accumulates all the other coloured patches, sorted by hue horizontally and saturation vertically (with most saturated at the bottom. (Saturation is the intensity of the colour.) The extracted person first appears 'whole' at the bottom of the composite and then slowly separates into coloured regions which each move to their appropriate location in the composite."",441,NA";;;;
"Sound and Fury (Train scanning objects),""A train arrives at a grey town, and people  approach it with boxes of scrap items and machine parts. When the train stops, the video cuts to a pan of the people as through filmed from the train, with an orange overlay. In the upper right corner we see the word SEARCH with a symbol in orange. Each person on the platform holds a box with the same symbol on it, and as the sensor pans over the boxes an orange rectangle marks each box and the symbols light up orange in the sensor image. Once identified, large robotic arms reach out from the train to take the boxes. In return the train tosses out some tubes with unknown content that they all want. An unknown character stops the train after it has left the station, and blasts it with firepower making the train explode. The mysterious tubes are spread around, and we see people catching them as they fall to the ground. Maybe they contain food?"",863,NA";;;;
"Spaces of Failure (Purposely failing to make a panorama image),""The artist tries to break the algorithm objective to stitch together a smooth panorama. By hacking (""""subverting"""") the logic of the algorithms with various tactics (modifying the axis of the camera and shifting the point of view during the shots) the artist is testing the limits of panorama applications and producing failed images. The failures allows for explorations how autonomous systems control our bodies in performative acts such as  taking a panorama images."",1974,NA";;;;
"Spider-Man: Into the Spider-Verse (Prowler Chase Scene),""On several occations, Prowler attacks Miles Morales, and a chase scene ensues. We then get a glimpse from Prowler's point of view, and see how his mask contains visual technology where Morales is highlighted in contrast to his surroundings."",2191,NA";;;;
"Spider-Man: Into the Spider-Verse (Spider-Man Hacks Biometric Scanner),""When Peter B. Parker (Spider-Man) is trapped, he shoots a spider-web onto a hand scanner in order to unlock/open the door and allow for Miles Morales to escape."",2193,NA";;;;
"Spiderman: Far from Home (Augmented reality),""Peter Parker is testing the AI system EDITH (AR in the glasses) and accidentally launches a killer drone on his own school bus."",465,NA";;;;
"Spiderman: Far from Home (Deepfake of Nick Fury),""Quentin Blake creates an illusion of Nick Fury in which Peter Parker believes in and gives away information about his friends."",466,NA";;;;
"Spiderman: Far From Home (Drones creating superhero illusion),""Quentin Blake/Mysterio uses a hoard of drones to create illusions in order to seem like a great superhero."",462,""Mysterio: You are just a scared little kid in a sweatsuit. I created Mysterio to give the world someone to believe in. I control the truth";" Mysterio *is* the truth!""";;;
"Spurious Memories (facial recognition dreams),""The artist trained a neural network with faces wondering """"what the dreams of a facial recognition system would look like"""".";;;;
"The artwork consist of two videos that are a result of this """"dreaming"""" state. The diptych displays the system trained on two different sets of faces.";;;;
In one set the images are aligned and cleaned (hence the faces are more clear) in the other set the collected images were quite variant and unaligned (the result more blurry).;;;;
"Source: https://www.deweyhagborg.com/projects/spurious-memories"",1579,NA";;;;
"Spycraft (Image analysis with satellite and infrared),""Thorn is prompted with the following task: """"How many tanks in the area have their engines running? You will need the zoom and overlay functions to compare satellite images with infrared data."""""",1233,NA";;;;
"Spycraft (Killing hostiles with night vision),""The vision is like a visor with night vision technology, highlighting """"hostiles"""" so Thorn can shoot them. This is part of his training, but the hostiles are also equipped with guns and can shoot back at Thorn."",2761,NA";;;;
"Square Eyes (Better Vision turned off),""Fin Ueda has been locked out of her augmented reality account. Nothing looks like it should."",1200,NA";;;;
"Squid Game (Robot uses motion detection to kill contestants),""In episode 1, the contestants are placed inside a gigantic room similar to a playground. On the other side of the room there's a large robot doll. The game is """"red light, green light"""" and contestants are only allowed to move when the doll is facing away from them. The goal is to cross the finish line next to the doll, but only when it's safe to move. At this point, the contestants don't know about the lethal connection between the game and the rest of the area. One person tries to move when the doll is watching, and is shot. During the game, viewers of the show are several times shown the view of the doll and its motion detection system. A manager is shown enjoying the show."",3221,NA";;;;
"Srivalli (Hologram depicting brainwaves),""Srivalli becomes the object of an experiment where the scientist Verma attempts to store her brainwave activity into a folder. A hologram of a brain with waves flowing from it depicts how the experiment is successful in harnessing Srivalli's brain wave activity. "",2393,NA";;;;
"Srivalli (Holographic brainwave experiment),""Srivalli attempts to stimulate her brother's brain wave activity by juxtaposing it with her own. A hologram of two rings with different colors around a pole represent each person's brain wave activity. The aim of the experiment is to overlap the two rings, and as such it will allow Srivalli to stimulate her little brothers brain, potentially waking him up from his coma. The process for how Srivalli is supposed to overlap the two rings is explained to her by Verma: She has to wear a set of """"cerebro seismic bio sensor"""" gloves, and consequently control the rings with the gloves and successfully manage to force the two rings to overlap. "",2395,NA";;;;
"Star Trek: Into Darkness (Assessing a tight passage on Kronos),""48:48 - The computer is scanning a tight passage on Kronos, and showing schematic data about it to Kirk. The tensions are high, but no emotions in relation to the scan. The tensions are high because they are  running away from Klingon ships pursuing them, tightly on their tail."",1866,NA";;;;
"Star Trek: Into Darkness (Facial recognition as character enters Section 31 building),""At about 18:19 a black star fleet officer is being scanned as he walks into the archive he works at (actually a Section 31 spy facility). He's being blackmailed and is planning on blowing it up."",1864,NA";;;;
"Star Trek: Into Darkness (Flying towards enemy spaceship),""At about 1:27:57  -  Khan and Kirk are shown on the screen with video-game-like tags, they are flying towards Marcus's ship and Khan's signal on the screen seems lost/scrambled, but he ends up helping Kirk, whose helmet was broken by space debris."",1868,NA";;;;
"Star Trek: Into Darkness (Khan attempting to escape),""At about 1:53:56 - the main screen (is) showing thermally imaged view of the street somewhere far below, as they are tracking Khans movements after he jumps out of the crashed and damaged ship previously commanded by admiral Marcus."",1869,NA";;;;
"Star Trek: Into Darkness (Kirk watching 3D imaged scene of explosion),""At about 24:39: Kirk is watching 3D surveillance shots from after the explosion during a meeting related to the attack at the Starfleet HQ. One can tell it is a 3D image from the way  it behaves when zoomed in, as Kirk kan see the people from all sides and zoom in whatever direction necessary. It seems created by the use of some sort of machine vision."",1865,NA";;;;
"Star Trek: Into Darkness (Navigation in space using AR),""1:27:00 - Khan and Kirk are shot into space in order to reach admiral Marcus's ship. That was the only way to get there. The glass of their helmets is showing some sort of navigation, which helps them direct themselves at a specific door on the enemy ship. The machine vision technology of AR is more central in this scene than most of the scenes in the film, and the reliance on it is total."",1867,NA";;;;
"Star Trek: Into Darkness (Spock's body is monitored while in volcano),""Spock has been sent on a mission to activate a cold fusion reaction inside a volcano in order to stop a volcano from erupting on the planet Nibiru and killing the natives who are on a lower level of technological development (tribal society). At about 06:30 the screen shows, among other things, what looks like Spock's vitals while he is in the volcano, which means that either his suit or the ships systems, or both are monitoring him."",1863,NA";;;;
"Star Wars: Episode VII - The Force Awakens (Holograms for planning),""In several scenes, people use holograms to view maps of planets, spaceships and other objects, often discussing travel paths or plans for an attack or a mission while standing around a holographic display of the area."",3269,NA";;;;
"Star Wars: Episode VII - The Force Awakens (Object recognition),""Finn is using a object recognition system that scans the enemies spaceship and highlights a weak point for Finn to locking on and shoot at. The spaceship is presented in red, and the weak points are highlighted in yellow for Finn."",2165,NA";;;;
"Star Wars: Episode VII - The Force Awakens (Surveillance cameras),""Rey is using the surveillance cameras to get a overview of the spaceship she's in, and from the given information she gets from the cameras, chooses to close a particular set of doors. "",2167,NA";;;;
"Star Wars: Episode VIII - The Last Jedi (R2-D2 Creates a hologram of Luke Skywalker's memory),""R2-D2 is using his data log to play a core memory of Luke Skywalker's, resulting in convincing Luke to make a crucial decision which he wouldn't have taken without seeing the hologram. "",2176,NA";;;;
"Star Wars: Episode VIII - The Last Jedi (Snoke uses a hologram and interacts physically through it),""Snoke creates a hologram of his face in a non-specific place (can appear wherever) and interacts physically through it with General Hux. The physical interaction is him using his force to throw General Hux on the floor and drag him across to the other side of the room."",2175,NA";;;;
"Starcraft II: Wings of Liberty (Holographic map/interface),""There are several cases of holographic representations of maps and equipment onboard the Hyperion, Raynor's battlecruiser. One example is the interface in the middle of the bridge, where galaxy maps and the surrounding area is featured in holographic form.";;;;
"In the screenshot, Horner joins Raynor in the situation, but for the general situation of holographic interfaces, Raynor is the constant, so he's the only character featured here."",2847,NA";;;;
"Starcraft II: Wings of Liberty (Holographic transmission),""Holograms are used as telephones several times in the game, but one instance is extra prominent: Raynor and Valerian Mengsk are talking face-to-face when Valerian says """"you might particularly enjoy this next step"""", pushes a button, and then a giant holographic head of Arcturus Mengsk appears. Raynor is clearly surprised by this. Arcturus asks Valerian to explain himself, seemingly unaware that Raynor is present. Valerian explains his plan to his father, and when Arcturus doubts him, Raynor jumps in, prompting a surprised response from Arcturus. (meaning that the hologram has a very limited field of vision in the room """"we"""" are in)"",2845,NA";;;;
"State of Mind (CloudCall hologram service),""All telephone calls are done via CloudCall, a service that generates a hologram of the person you're speaking to. The entire body is projected, and the projection seems to have a limited perspective of the other side of the conversation. CloudCall is possible between City 5 (VR) and Berlin (physical world). Late in the game, the CloudCall is explained to operate on an """"Augmented View"""" technology."",2904,NA";;;;
"State of Mind (Controlling drones),""Both Richard and Adam can control drones at certain times in the game, and then the viewpoint shifts to the drone's (but a third person view, following the game's standard). The drones are used to scan for identity (Richard) or access restricted areas (Richard and Adam)."",2903,NA";;;;
"State of Mind (Hack the security guard robot),""Two police bots enter as Richard is investigating the Montauk facility. Lydia observes this from a security room with access to security cameras around the facility. She reckons that she can't shut both of the police bots down, so she hacks into one of them and has it shoot the other one with an electric current before turning itself off."",3005,NA";;;;
"State of Mind (MoveScan gait analysis and profiling),""Richard has help from Steve to access the MoveScan database in order to find out who the mystery man from Richard's apartment is - who visited Richard's wife before she went missing. The recording is from Simon, a housebot. It's called a """"video comparison"""", in effect a gait analysis. Richard and Steve also acquire data on voice and police records to find the right person. As shown in the database picture, the MoveScan analysis hands, head, shoulders, knees, and feet movement to determine if it's a matching movement motion or not."",2980,NA";;;;
"State of Mind (Police drone),""Lydia is cold and hungry on the streets when she's cornered by a police bot asking """"What are you doing here? Where are you going?"""". Angela comes out of her house to help, and a police drone scans Angela to verify that she's the resident of this address and allows them both to go inside."",3001,NA";;;;
"State of Mind (Sneaking past surveillance cameras),""Richard has to sneak into the offices of the newspaper The Voice, and does this by controlling and avoiding the surveillance cameras' line-of-sight."",3003,NA";;;;
"State of Mind (Utopian VR world),""A company in """"our"""" world has made a VR utopia world called City 5. To enter City 5, physical world inhabitants must be scanned and uploaded. This is explained by the company in charge as scanning them to go to Mars, not to join City 5, so many of the inhabitants are unaware of what they're going to. In Richard's case, he doesn't even know about the scan and upload, which results in the creation of Adam. Those who live in City 5 are not aware of that they're in a simulated world, so there's an option to wipe their memories in the upload."",2902,NA";;;;
"Stellar (Band captures woman),""The band is floating in outer space and have different gadgets at hand. One looks like a blend between a satelite and binoculars. The men is using this to look down on earth and and they get their eyes on a woman and """"lock"""" her in. The woman is captured into a capsule and moved to outer space, where the singer is singing to her (I think it supposed to be a romantic gesture at the time, but now it seems creepy). Luckily, at the end of the song the woman is back on earth, gazing up towards the stars."",2645,NA";;;;
"STET (Ursula killed by self-driving car),""Three-year-old Ursula is hit by a self driving Toyota Silph and killed. The car's object-recognition software correctly identified her as a human child, but prioritised not hitting an endangered bird. ";;;;
"The system was trained using data from many sources, including pupillary analysis that identifies what people actually care more about. "",2523,""Other than that white band, it’s exactly like any other woodpecker, but because of that white fucking band it has four Wildlife Preservations Acts. Four, which is four more than the number of acts dedicated to regulating weighted risk matrices in autonomous vehicles.";;;;
;They’re smart enough to read your email and measure your pupils and listen to your phone calls, they have access to all of the data on who we are and what we love. They’re smart enough to understand how much a mother loves her baby girl. They’re smart enough to understand the emotional impact of killing a woodpecker. They’re smart enough to know what they did and they’re smart enough to keep doing it, right?;;;
;"(..) the neural network training for cultural understanding of identity is collected via social media, keystroke analysis, and pupillary response to images. They’re watching to see what’s important to you. You are responsible.""";;;
"Strange Beasts (AR playtime in park),""The main character has an optical implant that enables him to see an AR overlay of the world, mostly with animals, but also with his (presumably deceased or fictional) daughter. He sees them all playing in the park, but he's physically alone."",374,NA";;;;
"Subnautica (Alterra Spectroscope Scanner),""The scanner is used to add new blueprints and analyze unknown entities. It emits electromagnetic radiation in the specified direction, which is reflected by the environment and then analyzed to determine the physical make-up of the targeted object. It has four primary functions: blueprint acquisition for the databank (for 3D printing), organism analysis (matching against database or creating new entries, also synthesizing theories on behavioral tendencies and evolutionary origins), medical analysis, and self-scan (search for e.g. foreign bacteria, compare with available data to provide diagnosis).";;;;
"The Alterra Spectroscope Scanner - Understanding the world so you don't have to."""""",1132,NA";;;;
"Subnautica (Holographic map and resource scan),""The Scanner Room has a 3D map of the surrounding Biome. The holographic map needs power to function. From the room, Ryley can scan the surrounding area, and resources that are found will show as blinking dots on the map. "",2757,NA";;;;
"Subnautica (Underwater drone vision),""Underwater camera drones that Ryley can control. They have a limited power supply, but only use power while being controlled. If they run out of power in the field, Ryley has to manually retrieve them."",1133,NA";;;;
"Superintelligence (AI observes Carol),""This situation is basically happening throughout the whole movie. In the beginning of the movie you are seeing Carol through different surveillance cameras and the movie is establishing that someone is watching her. One morning when she wakes up she is being confronted by this superintelligent AI (via different household appliances) who has picked her (for her averageness) to learn about the human race. This AI has not been developed by a company but seem to be an independent AI with its own motivations. It tells Carol that it is choosing between enslaving, saving or destroying the human race, and it depends on what it learns in the three days they spend together. The AI rekindles the love between Carol and her ex (to learn about love and human response) and is very eager."",2590,NA";;;;
"Surveillance Chess (highjacking surveillance cameras),""The artists highjack surveillance cameras in London. They hack into the system and use it to broadcast a message to the control room operator inviting them to play a game of chess. This playful act subverts the power for a moment as the artists take control of what the operating room are watching. Directly approaching the control room agent highlights that there is someone (human) watching behind cameras (or is there?)."",1789,NA";;;;
"Surveillance Exclusion (Privacy mask),""A person is wearing mask that functions as a distorting lens that is patching the face in a manner that it is unrecognizable for face detection technologies."",1551,NA";;;;
"Surveillance Kanshisha (Surveillance),""The player monitors surveillance cameras to help the Shadow Sword team."",293,NA";;;;
"Suspicious Behavior (labeling images),""In this artwork the user becomes part of the AI pipeline taking the role of a underpaid crowdworker annotating images for machine learning purposes. The task is to decide if a situation is suspicious or not. The client (corporation) is giving certain guidelines of what authorities define as suspicious based on this the annotator needs to do quick interpretation relying rather on intuition than reflection. The annotator is told that the images will be used to train machines to detect suspicious behavior."",2246,NA";;;;
"Sword Art Online (Virtual reality),""The MMORPGs the main character plays are fully immersive virtual reality games. The VR gear """"NerveGear"""" requires input of and registers the player's body and face, and in the first MMORPG the avatars are set to look like the real players."",518,NA";;;;
"Syndicate (Battle simulation area),""After gaining a new update to the DART-6 from its creator, Kilo is sent to what's described as a """"simulation"""" to test out the new ability."",3103,NA";;;;
"Syndicate (DART-6 chip AR overlay),""Miles has a neural chip which gives him hacking abilities and an augmented reality view of the world. It can highlight enemies behind walls and identifies objects in the world. If enemies have a similar chip, Miles can interact with them, """"breaching"""" to stun, persuade, and even force them to suicide."",3102,NA";;;;
"Synthetic Selfies (Generating Self-portraits),""The artist is taking his collection of selfies and training a neural network with them. As the artist is using a GAN it generates new self-portraits of the artist."",1153,NA";;;;
"System Azure Security Ornamentation (decorating surveillance cameras),""The artist is social engineering the police department and gets to decorate their surveillance cameras. At the same time she draws attention to CCTV cameras and exposes their increasing numbers. (in 2020 after 9/11 the institutional use of surveillance cameras was rapidly increasing, yet not discussed widely)"",1768,NA";;;;
"Tacoma (AR motion tracking),""When Amy first enters the Tacoma, she initiates the AR system. This requires """"AR tracking"""" - mimicking an AR body's movements (arms/head) to synchronize Amy with the AR of the ship. After synchronizing the movement, Amy can sign in using sign language, presumably tracked and registered from some motion technology linked to the AR."",3246,NA";;;;
"Tacoma (Bioscan),""In the biomedical module of the space station, the player character can find the """"bioscan"""" room. It won't work on the player character because they have a """"non-crewmember profile"""", but the records of some of the previous crewmembers can be accessed with the right password. It shows that one of the scanned crewmembers has a heart murmur that would make them unfit for cryogenic sleep."",2721,NA";;;;
"Tacoma (Holographic memory),""The game calls them """"AR data"""" read by """"ARdware"""", but they function like holographic recordings of actions and voices of the crew members who used to be on the Tacoma. The ARdware is two small objects that are placed on either side of the head, behind the ears, which """"transmits critical audiovisual information directly to your sensory cortex""""."",1696,NA";;;;
"Technobabylon (Correct temperature for biometric lock),""Charles Regis has found the severed hand of one of the victims, and tries to use the fingerprints to unlock a comm terminal. It doesn't work, even if it's """"definitely his hand"""". To gain access, Regis has to use the cooking gel found in the kitchen. The cooking gel is an """"exothermic wetware"""" that releases chemical energy as heat while cooking the food it's mixed with. Setting the cooking gel for (human) body temperature and mixing it with the hand heats it up so that the comm terminal recognizes the fingerprints and allows access."",1694,NA";;;;
"Technobabylon (Drone camera vision),""Latha controls a drone and the screen shows """"what the drone sees"""" while still keeping the drone in a third-person view. She maneuvers the drone from the """"off limits rooms"""" into her """"cell"""" in order to strip it of essential parts (and escape)."",1003,NA";;;;
"Technobabylon (Trance VR),""VR system where you can interact with others, both human and machine. In one case, the food machine is broken and Latha enters Trance to talk to it and fix it."",1002,NA";;;;
"Technotise: Edit & I (AR helmet),""1:32 - Edit is driving a motorcycle, and her helmet is showing additional data almost in the form of a hologram (slightly away from the helmet's surface). She is chasing someone or is being chased through a tunnel."",2295,NA";;;;
"Technotise: Edit & I (Body scan),""0:48 - internal body scan showing neurons and some additional data";" the subtitles explain how there are two people in one body"",2294,NA";;;
"Technotise: Edit & I (Surveillance cams with AR),""1:35 - surveillance camera is shown, then right afterwards a screen showing people who are chasing Edit through the tunnel";" they have the video-game like name tags when shown on the screen."",2296,NA";;;
"Temple (Man Steals Arm),""A man is fighting another man in order to get his arm to save his girlfriend/partner. Humans has been forced to become cyborgs due to a virus, and the only way to save her is to give her this cybernetic body part. He kills the man with the cybernetic arm, goes to a lab where the girl is, and he throws the limb onto a scanner. It is analysed and found to be a 100% match with the hosts. The girl wakes up."",2702,NA";;;;
"Tendar (Emotion recognition),""The player must feed the pet guppy by """"harvesting"""" emotions from their own face or other peoples' faces, using sentiment analysis software built into the Tendar app. The act of harvesting is represented graphically by a biometric grid being tugged away from the face."",513,NA";;;;
"Terminator 2 (Identifies John),""The Terminator is tracking John Connor and finds him, he manages with his """"Termovision"""" to scan him from afar, moving fast on a motorbike, to identify him."",738,NA";;;;
"Terminator 2 (Rebooting the Terminator),""The Terminator want to reboot himself, because his neural net processor was set for """"Read Only"""" for this mission. In order to save John and Sarah he needs to learn new information, and so John and Sarah helps him to reboot. While the Terminator is """"offline"""" John and Sarah argues about the fate of the Terminator. Sarah wants to kill him, but John convinces Sarah to save him (because he is his friend)."",739,NA";;;;
"Terminator 2 (Terminator learns to smile),""Terminator 2 is a friendly and almost surrogate father to John Conner in this movie. In this scene John Connor is trying to teach the Terminator to smile and explains that it is a human emotion. Terminator scans a human smiling, and based on that data, tries so simulate the smiling act. It does not go well."",733,NA";;;;
"Terminator 2 (Terminator scans bikers),""This is the famous bar scene where Terminator enters naked (because he has just traveled through time) to acquire clothing and a bike. He scans everyone with his """"Termovision"""" trying to find a match for his size and asks him for his clothing and bike. The biker refuses and ends up in a brawl, where the Terminator gets what he wants in the end, as well as a shotgun and some sunglasses."",731,NA";;;;
"Terra Mars (generating a representation of a new planet),""The artist trained an artificial neural network (GAN) with topographical data and satellite imagery of Earth. Then applies it on to topographical data of Mars. The result generates a representation of an imagined planet that draws resemblance to both Earth and Mars."",1640,NA";;;;
"The Addams Family (Needlervision),""Margaux Needler is a fixer-upper lady who has a tv-show where she fixes up people`s homes. Her biggest project yet is that she fixed up a whole town (called Assimilation) and she wants to sell all the houses for a profit. What the residents in this new neighbourhood does not know is that she has installed hidden surveillance cameras in all the houses so she can spy on everyone whenever she wants. ";;;;
"She gets furious with the Addams Family, because their monstrous house is spoling the view to her precious neighbourhood, so she visits them and suggests that she can fix and redo their whole house for free. The Addams Family are not interested and this leads to a conflict between Margaux and the family. She uses her surveillance system and mail system to turn the whole neighbourhood against the Addams Family, brainwashing them into thinking that they are monsters etc."",767,NA";;;;
"The Argus Project (armor with cameras),""The modern version of the Greek myth, Argus Panoptes with 100 eyes walks the streets of a city in the night. He is wearing an armor the Argus exo-suit embedded with cameras. The cameras on the suite represent a """"Citizen Body"""" of courageous people who pulled out their cell phones and filmed actions of the police. The smart phones and the cameras on the suite are depicted as a """"force field of accountability""""(1). The cameras as the 100 eyes of Argus becomes a tactical armor for those targeted bodies needing to protect themselves from the police.  "",3173,NA";;;;
"The Avengers (Facial recognition database to find Loki),""S.H.I.E.L.D use photos of Loki and access cameras from all over the world to locate him. They use facial (photograph of Loki) recognition to find him."",2338,NA";;;;
"The Avengers (Iron Man's AR interface),""Iron Man uses an AR interface to check out information he has gotten from the espionage agency S.H.I.E.L.D."",2333,NA";;;;
"The Avengers (Scans fingerprint and retina for access),""Agent Phil Coulson scans his fingerprint and retina to gain access to a room."",2332,NA";;;;
"The Avengers (Tricking biometric scanner),""Hawkeye and Loki use a device that tricks a biometric eye scan. Loki has a tool that scans the eye of the person they need, and Hawkeye has a similar machine that then projects the eyeball onto the scanner."",2336,NA";;;;
"The Battle of Ilovaisk (recognizing tanks),""In a Forensic Architecture machine learning is used to find relevant evidence on YouTube. A machine learning classifier is trained to recognizes a specific type of tanks and applied to search, download and analyze YouTube videos to save the time of researchers and investigators. The found video evidence (image(s)) exposes the presence of Russian tanks in the border region of Donetsk, eastern Ukraine in late summer 2014."",2741,NA";;;;
"The Castle Doctrine (Security footage),""When you leave your house, other (real) players can try to break into it. Any attempts are filmed by the security cameras in your house, and when you get back, you can review the footage of how they tried and succeeded/failed at stealing your money. Using this footage, you can improve the security in your house."",1464,NA";;;;
"The Cat Returns (Surveillance eyes),""When Haru crosses the bridge to the cat king's palace, pastel coloured spheres float above her. Suddenly the mint green sphere opens its eyelid and Haru gapes in horror as she realises it is a giant eye, watching her from above. Its pupil is vertical like a cat's eye. The film cuts to viewing Haru and Matu, as Haru says """"What are those? Those look creepy!"""", and then to the same scene, but as though seen through a wide eye lens. The camera pulls back to reveal a scene where we that we are now watching Haru and Matu's image on a round screen that at first looks like a fantasy device, but we then realise is a spherical television screen connected to a video system. There are piles of VHS video cassettes piled up on either side. The cat king sits in an armchair watching, and holding a remote control, as his advisor stands behind him.";;;;
"The situation is unusual in mixing fantasy with realistic technology."",1161,""Haru: """"What are those? Those look creepy?""""""";;;;
"The Circle (Facial Recognition),""An elevator uses Mae's yearbook photo to recognise her."",2958,""They entered an elevator of glass, tinted faintly orange. Lights flickered on and Mae saw her name appear on the walls, along with her high school yearbook photo. WELCOME MAE HOLLAND. A sound, something like a gasp, left Mae’s throat. She hadn’t seen that photo in years, and had been happy for its absence. This must have been Annie’s doing, assaulting her with it again. The picture was indeed Mae—her wide mouth, her thin lips, her olive skin, her black hair, but in this photo, more so than in life, her high cheekbones gave her a look of severity, her brown eyes not smiling, only small and cold, ready for war. Since the photo—she was eighteen then, angry and unsure—Mae had gained much-needed weight, her face had softened and curves appeared, curves that brought the attention of men of myriad ages and motives. She’d tried, since high school, to be more open, more accepting, and seeing it here, this document of a long-ago era when she assumed the worst of the world, rattled her. Just when she couldn’t stand it anymore, the photo disappeared. “Yeah, everything’s on sensors,” Renata said. “The elevator reads your ID, and then says hello. Annie gave us that photo. You guys must be tight if she’s got high school pictures of you. Anyway, hope you don’t mind. We do that for visitors, mostly. They’re usually impressed.”";;;;
"Dave Eggers, The Circle, pg. 7, loc. 103-113. Kindle Edition""";;;;
"The Circle (Killing Mercer),""Mae and the Circle demonstrate their new technology Soulsearch that can track down any individual using Circle surveillance cameras and community. They find Mercer and track/hunt him when he tries to escape the cameras. The situation escalates, and when a drone flies (is flown) in front of his car, he veers off the bridge and dies."",676,NA";;;;
"The Circle (Mae accidentally broadcasts her parents having sex),""Mae goes home to visit her parents, finds them having sex and accidentally broadcasts it worldwide."",2961,""She ran up the stairs, taking them three at a time, and when she reached the top and turned left quickly, into their bedroom, she saw them, their eyes turned to her, round and terrified. Her father was sitting on the bed, and her mother was kneeling on the floor, his penis in her hand. A small container of moisturizer rested against his leg. In an instant they all knew the ramifications. Mae turned away, directing the camera toward a dresser. No one said a word. Mae could think only of retreating to the bathroom, where she pointed the camera at the wall and turned off the audio. She rewound her spool to see what had been caught on camera. She hoped the lens swinging from her neck had somehow missed the offending image. But it had not. If anything, the angle of the camera revealed the act more clearly than she’d witnessed it. ";;;;
Dave Eggers, The Circle, pg. 321, loc. 4909-4922. Kindle Edition;;;;
At her desk, she saw a pair of messages from her parents. They were still awake, and they were despondent. They were outraged. Mae tried to send them the positive zings she’d seen, messages that celebrated that an older couple, dealing with MS no less, could still be sexually active. But they weren’t interested. Please stop, they asked. Please, no more. And they, like Mercer, insisted that she cease to contact them unless privately. She tried to explain to them that they were on the wrong side of history. But they weren’t listening. ;;;;
"Dave Eggers, The Circle, pg. 323, loc. 4946-4952. Kindle Edition""";;;;
"The Circle (Mae goes transparent),""Mae """"goes transparent"""", carrying a streaming camera around her neck all day every day."",2959,""She was apprised by Stewart that when thousands, or even millions, are watching, you perform your best self. You are cheerier, more positive, more polite, more generous, more inquisitive. But he had not told her of the smaller, improving alterations to her behavior. The first time the camera redirected her actions was when she went to the kitchen for something to eat. The image on her wrist showed the interior of the refrigerator as she scanned for a snack. Normally, she would have grabbed a chilled brownie, but seeing the image of her hand reaching for it, and seeing what everyone else would be seeing, she pulled back. She closed the fridge, and from the bowl on the counter, she selected a packet of almonds, and left the kitchen. Later that day, a headache appeared—caused, she thought, by eating less chocolate than usual. She reached into her bag, where she kept a few single-serving aspirin packets, but again, on her screen, she saw what everyone was seeing. She saw a hand searching her bag, clawing, and instantly she felt desperate and wretched, like some kind of pill-popping addict. She did without. Every day she’d done without things she didn’t want to want. Things she didn’t need. She’d given up soda, energy drinks, processed foods. At Circle social events, she nursed one drink only, and tried each time to leave it unfinished. Anything immoderate would provoke a flurry of zings of concern, so she stayed within the bounds of moderation. And she found it freeing. She was liberated from bad behavior. She was liberated from doing things she didn’t want to be doing, eating and drinking things that did her no good. Since she’d gone transparent, she’d become more noble. People called her a role model. Mothers said their daughters looked up to her, and this gave her more a feeling of responsibility, and that feeling of responsibility—to the Circlers, to their clients and partners, to the youth who saw inspiration in her—kept her grounded and fueled her days.";;;;
Dave Eggers, The Circle, pg. 286, loc. 4379-4393. Kindle Edition;;;;
" """;;;;
"The Coded Gaze: Unmasking Algorithmic Bias (face detection failing),""Joy Buolamwini removes her white mask and the face detection is no longer able to detect her face, because it has been trained on images of faces that are unproportionally white. The machine fails to classify her face, hence discriminating persons of color. Buolamwini needs to trick the facial recognition application and the ML model it is using to be able to get a face detected."",1650,NA";;;;
"The Expanse (AR to retrace flight course),""Miller is at home scrolling through data he has collected that can tell him where he can find Julie. The data is presented as an AR/holographic interface."",2423,NA";;;;
"The Expanse (Cybernetic eye without connection),""In s1e7, Kenzo (consultant, spy, and stow-away on the Rocinante) tries to contact """"his people"""" while on the ship, but his cybernetic eye doesn't have any connection. He appears to turn it off when others are nearby, because there's a slight change in his iris that might be detectable. Only when the ship lands at a large space station is Kenzo able to call for help."",2908,NA";;;;
"The Expanse (Naomi is recognised by the ship),""Naomi goes to the core and the system recognises her immediately and starts to tell (write to) her who she is, indicating access to some sort of database as well as some sort of scanning function or registering. The visuals of the scene briefly become like a fish-eye, indicating that there's a camera on the screen."",2422,NA";;;;
"The Expanse (Spaceship cameras scan and reveal),""The crew of the Rocinante have a lot of different things they can use the ship's camera systems for. Screens throughout the ship can access the same database network with live feeds from internal and external cameras. The pilot's screen is integrated with a system for scanning the space around the ship and navigating the ship safely. The software also allows for scanning the composition of biological lifeforms, interplanetary communication, and playing video games."",2417,NA";;;;
"The Final Cut (Protesters),""There is increasing disapproval of Eyetech's Zoe implants. Protesters line the street as mourners enter a Rememory, a memorial screening of an edited compilation of their life as seen through their Zoe implant. ";;;;
"The protesters hold signs stating """"Live for today"""", """"Open your eyes"""", """"Remember for yourself"""", """"Consent not control"""". A mourning widow cries as she walks past them. A protester yells, """"You are blasphemous!"""" at her, and she shouts, """"Why don't you people go home"""", looking stricken. Earlier in the movie, it has been mentioned that the protesters believe that only God should see everything. Alan, the main cutter in the film, is also described by his lover as being """"like a priest"""" (""""You're like a mortician... or a priest... or a taxidermist. All of them."""")";;;;
The widow is white and very well dressed. Overall, the people who order Rememories appear to be extremely wealthy. The crowd of protesters is diverse in apparent ethnicity and class. ;;;;
Some of the scene is presented through a wall of screens showing different surveillance camera views of the protesters. Nobody is shown actually viewing the screens (except the viewer of the movie) but there is a sense of cold distance implied by this view. ;;;;
"(timestamp 0:23:39-0:24:30)"",2954,NA";;;;
"The Final Cut (Suicide after discovering implant),""A girl who was """"a complete wreck"""" finds out that she has a Zoe implant recording everything she does, and commits suicide in a way that will destroy the implant, so that no """"rememory"""" video can be produced for her funeral. ";;;;
"This is told as a story overheard when the main character (played by Robin Williams) walks into a room early in the movie."",2952,""Hasan : This girl was a complete wreck - drinking, drugs, in and out of schools. Then she turns 21... and she finds out about her Zoe implant. Complete 180. She's born again. Her knowing that someone would one day watch... transforms her into this kind, gentle, loving person.";;;;
Michael : So what happened?;;;;
Hasan : She committed suicide. Took a dive off her balcony... 27 floors straight onto her head. The implant was instantly vapourized.;;;;
"(12:02-12:39 min)""";;;;
"The Flower of Shazui (Augmented reality contact lenses),""The anonymous protagonist and Big Sister Shen equip Snow Lotus with """"augmented reality contact lenses"""" and earbuds, as well as a remote controlled suit, in order to help her take revenge on her abusive husband East. Once she is back home, they can see what she sees, hear what she hears, and control her body movements."",1463,""My professional skills will finally come into use. I’ll arm Snow Lotus with wireless earbuds and augmented reality contact lenses. But the key will be a special black unitard. At first glance, it looks like regular long underwear, but specially designed fibers will deform and harden when electrically charged, resulting in precisely defined areas of tension and force, strong enough to stop a bullet.";;;;
;"Big Sister Shen and I are seeing what Snow Lotus is seeing.""";;;
"The Flower of Shazui (Shaman predicts future),""The unnamed main person in the story visits Big Sister Shen, who is working as a shaman and she has been asked to check up on a person that is missing from his past. The person is described"",616,""“Please, tell me if he’s all right.” My face is full of tears even though I don’t remember crying. The wooden shaman mask glowers at me with its round eyeholes, orange light reflecting off the surface. The face is that of an angry goddess. Through the eyeholes I can see a strange glint in her eyes: blue sparkling flashes, very high in frequency. Suddenly I understand. The mask is nothing more than a fucking well-made disguise for a pair of augmented reality glasses. All this time, I’ve thought that Big Sister Shen is just a fraud pretending to be a medium and making her money by telling her clients what they want to hear. But she actually has real power. Guessing conservatively, her information privilege level must be set to at least level IIA or above, giving her the power to access an individual’s private file based on facial recognition.""";;;;
"THE GOOGLE TRILOGY – 3.The Driver and the Cameras (Capturing the Driver),""11 maintainers/photographs catch by 360degree Google cameras when maintaining the machine vision. Found on Google Street View."",318,NA";;;;
"The Hunger Games (AR model of arena),""During the first and second movies, we see the game masters standing around a 3D augmented reality or holographic display of the arena in which the Hunger Games are taking place. The game masters can edit the actual area by using computers to alter the AR display. For instance, they add monsters or, in the second movie, make parts of the arena spin."",956,NA";;;;
"The Hunger Games (Holo),""In the last book (third movie), Mockingjay, the rebels have a device called a Holo that can project a 3D holographic model of the Capitol. Users can zoom in on streets, and can display """"pods"""" (booby traps) nearby. Unlike the game masters' model of the Arena it can only be used for viewing, not for altering the city, and it is not completely up to date. Katniss's unit use it to navigate successfully through some pods, but it fails to inform them about one, and several people in the unit are killed. Later, Katniss uses the holo's self-destruct function when Finnick is being mauled by monsters and cannot be saved: she throws the holo so that Finnick and the monsters are blown up, thus saving the rest of the unit from the monsters, and putting Finnick's suffering to an end, much as she did with Cato at the end of the first Hunger Games."",957,NA";;;;
"The Hunger Games (Katniss Destroys Arena),""In the second book/movie, lightning strikes a tree at a regular time each day. Katniss shoots an arrow connected to a wire connected to the tree directly at the """"sky"""" of the arena just as lightning strikes, and the electrical current shorts the entire system. She has already discovered that there are force fields surrounding the edges of the arena, and has learnt to recognize the tell-tale cracks. As she aims at the sky, we see the clouds swirl and it loses its verisimilitude, as a beehive pattern shows us the many sections of the huge forcefield. After the explosions, Katniss collapses, but is flown out of the arena by rebels and taken to safety. ";;;;
"In the book, we stay with Katniss's first person perspective, but in the movie version of this situation, we cut from the explosion to see President Snow muttering, """"It's not possible"""" in disbelief. The television screens he is looking at flicker out. He walks to the game masters who are seated around the holographic model of the arena and we see it shut down. Somebody says, """"We've lost power."""""",968,""So, do all force fields have a spot like that?” “Chink,” says Wiress vaguely. “In the armor, as it were,” finishes Beetee.";;;;
Collins, Suzanne. Catching Fire (Hunger Games Trilogy, Book 2) (p. 229). Scholastic Inc.. Kindle Edition.;;;;
;I squint hard up the hill and realize we’re only a few paces from the force field. There’s the telltale square, high up and to my right, just as it was this morning. What did Beetee do? Did he actually try to drive the knife into the force field the way Peeta did by accident? And what’s the deal with the wire? Was this his backup plan? If electrifying the water failed, did he mean to send the lightning bolt’s energy into the force field? What would that do, anyway? Nothing? A great deal? Fry us all? The force field must mostly be energy, too, I guess. The one in the Training Center was invisible. This one seems to somehow mirror the jungle. But I’ve seen it falter when Peeta’s knife struck it and when my arrows hit. The real world lies right behind it.;;;
Collins, Suzanne. Catching Fire (Hunger Games Trilogy, Book 2) (p. 376). Scholastic Inc.. Kindle Edition.;;;;
;I finally see Beetee’s knife with clear eyes. My shaking hands slide the wire from the hilt, wind it around the arrow just above the feathers, and secure it with a knot picked up in training. I rise, turning to the force field, fully revealing myself but no longer caring. Only caring about where I should direct my tip, where Beetee would have driven the knife if he’d been able to choose. My bow tilts up at the wavering square, the flaw, the…what did he call it that day? The chink in the armor. I let the arrow fly, see it hit its mark and vanish, pulling the thread of gold behind it. My hair stands on end and the lightning strikes the tree. A flash of white runs up the wire, and for just a moment, the dome bursts into a dazzling blue light. I’m thrown backward to the ground, body useless, paralyzed, eyes frozen wide, as feathery bits of matter rain down on me.;;;
"Collins, Suzanne. Catching Fire (Hunger Games Trilogy, Book 2) (pp. 378-379). Scholastic Inc.. Kindle Edition.""";;;;
"The Hunger Games (Night Vision Glasses for Harvesting),""When Rue sees Katniss has night vision glasses, she tells Katniss that they are used in District 11 so workers can harvest through the night, and that they are so highly valued a child was killed for playing with them."",963,""When I spread out my gear, she gasps a little when she sees the sunglasses. “How did you get those?” she asks. “In my pack. They’ve been useless so far. They don’t block the sun and they make it harder to see,” I say with a shrug. “These aren’t for sun, they’re for darkness,” exclaims Rue. “Sometimes, when we harvest through the night, they’ll pass out a few pairs to those of us highest in the trees. Where the torchlight doesn’t reach. One time, this boy Martin, he tried to keep his pair. Hid it in his pants. They killed him on the spot.” “They killed a boy for taking these?” I say. “Yes, and everyone knew he was no danger. Martin wasn’t right in the head. I mean, he still acted like a three-year-old. He just wanted the glasses to play with,” says Rue.";;;;
"Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (p. 204). Scholastic Inc.. Kindle Edition.""";;;;
"The Hunger Games (Night Vision Glasses in Daylight),""After blowing up the food that the Careers had stashed, Katniss is too weak and deafened by the blast to run, and hides in bushes all night, wearing her night vision glasses. When she wakes, she is confused because she can't see properly. She realises this is because of the glasses."",964,""When I open my eyes, the world looks slightly fractured, and it takes a minute to realize that the sun must be well up and the glasses fragmenting my vision. As I sit up and remove them, I hear a laugh somewhere near the lake and freeze. The laugh’s distorted, but the fact that it registered at all means I must be regaining my hearing. Yes, my right ear can hear again, although it’s still ringing. As for my left ear, well, at least the bleeding has stopped.";;;;
"Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (p. 227). Scholastic Inc.. Kindle Edition.""";;;;
"The Hunger Games (Night Vision Glasses in Games),""A few night vision glasses are in the Cornucopia at the start of the games. Katniss found a pair in the backpack she grabbed, but she thinks they are regular sunglasses that don't work well until Rue tells her they are night vision glasses and that the Careers also have them. The Careers use the glasses to hunt Katniss and Rue in the night. Katniss uses her glasses to evade the Careers.";;;;
"The descriptions of the Careers using the glasses portray them as inept, """"tromping"""" (p. 229) with their """"heavy, branch-breaking bodies"""" (p 248). The night vision glasses give them an unfair advantage, perhaps? Whereas Katniss feels """"relaxed"""" and does not use hers to hunt, only to hide and augment her senses after an explosion has made her temporarily deaf."",959,""In the seal’s light, I can see Cato and the girl from District 2 put on their night-vision glasses. The boy from District 1 ignites a tree branch for a torch, illuminating the grim determination on all their faces. The Careers stride back into the woods to hunt.";;;;
Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (p. 225). Scholastic Inc.. Kindle Edition.;;;;
;The first thing I do is dig out my own glasses and put them on, which relaxes me a little, to have at least one of my hunter’s senses working.;;;
Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (pp. 225-226). Scholastic Inc.. Kindle Edition.;;;;
;There’s no sign of Rue, not on the ground or in the trees. This is odd. By now she should have returned, as it’s midday. Undoubtedly, she spent the night in a tree somewhere. What else could she do with no light and the Careers with their night-vision glasses tromping around the woods.;;;
Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (p. 229). Scholastic Inc.. Kindle Edition.;;;;
;Let them come with their night-vision glasses and their heavy, branch-breaking bodies. Right into the range of my arrows. But I know they won’t. If they didn’t come in daylight to my fire, they won’t risk what could be another trap at night.;;;
Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (pp. 248-249). Scholastic Inc.. Kindle Edition.;;;;
;“Let’s try out these glasses.” I pull out the glasses and slip them on. Rue wasn’t kidding. I can see everything from the leaves on the trees to a skunk strolling through the bushes a good fifty feet away. I could kill it from here if I had a mind to. I could kill anyone.;;;
"Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (p. 206). Scholastic Inc.. Kindle Edition.""";;;;
"The Hunger Games (Peeta's Camouflage),""Peeta is an expert cake decorator, a skill that annoys Katniss, but that saves his life when he is badly wounded and camouflages himself, using mud and plants as body paint so his face and body are indistinguishable from the surroundings. This situation relates to visibility and evasion, but doesn't explicitly involve machine vision, although one can imagine the surveillance cameras being fooled by the camouflage."",967,""I look more critically at the design on Peeta’s arm. The alternating pattern of light and dark suggests sunlight falling through the leaves in the woods. I wonder how he knows this, since I doubt he’s ever been beyond the fence. Has he been able to pick this up from just that scraggly old apple tree in his backyard? Somehow the whole thing—his skill, those inaccessible cakes, the praise of the camouflage expert—annoys me. “It’s lovely. If only you could frost someone to death,” I say. “Don’t be so superior. You can never tell what you’ll find in the arena. Say it’s actually a gigantic cake—” begins Peeta. Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (p. 96). Scholastic Inc.. Kindle Edition.";;;;
;"“Peeta?” I whisper. “Where are you?” There’s no answer. Could I just have imagined it? No, I’m certain it was real and very close at hand, too. “Peeta?” I creep along the bank. “Well, don’t step on me.” I jump back. His voice was right under my feet. Still there’s nothing. Then his eyes open, unmistakably blue in the brown mud and green leaves. I gasp and am rewarded with a hint of white teeth as he laughs. It’s the final word in camouflage. Forget chucking weights around. Peeta should have gone into his private session with the Gamemakers and painted himself into a tree. Or a boulder. Or a muddy bank full of weeds. “Close your eyes again,” I order. He does, and his mouth, too, and completely disappears. Most of what I judge to be his body is actually under a layer of mud and plants. His face and arms are so artfully disguised as to be invisible. I kneel beside him. “I guess all those hours decorating cakes paid off.” Peeta smiles. “Yes, frosting. The final defense of the dying.” Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (pp. 252-253). Scholastic Inc.. Kindle Edition.""";;;
"The Hunger Games (Ubiquitous surveillance),""Although cameras are never seen, they are everywhere in the arena of the Hunger Games, and there are many in the Capitol as well. In the arena, Katniss knows she is constantly being filmed and watched both by the game masters and President Snow and by the television audience in the Capitol and the Districts. Katniss chooses certain actions based on this knowledge - kissing Peeta to make the sponsors more likely to give them medicine, or editing the story of how she bought Prim's goat so as not to reveal information that might get her friends in trouble."",961,""While I’ve been concealed by darkness and the sleeping bag and the willow branches, it has probably been difficult for the cameras to get a good shot of me. I know they must be tracking me now though. The minute I hit the ground, I’m guaranteed a close-up. The audience will have been beside themselves, knowing I was in the tree, that I overheard the Careers talking, that I discovered Peeta was with them. Until I work out exactly how I want to play that, I’d better at least act on top of things. Not perplexed. Certainly not confused or frightened. No, I need to look one step ahead of the game. So as I slide out of the foliage and into the dawn light, I pause a second, giving the cameras time to lock on me. Then I cock my head slightly to the side and give a knowing smile. There! Let them figure out what that means!";;;;
Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (pp. 163-164). Scholastic Inc.. Kindle Edition.;;;;
;I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a part of every tribute they can’t own. That Rue was more than a piece in their Games. And so am I. A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather up an armful and come back to Rue’s side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair with bright colors. They’ll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they’ll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take a last look at Rue. She could really be asleep in that meadow after all. “Bye, Rue,” I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.;;;
Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (pp. 236-237). Scholastic Inc.. Kindle Edition.;;;;
;Yes, they have to have a victor. Without a victor, the whole thing would blow up in the Gamemakers’ faces. They’d have failed the Capitol. Might possibly even be executed, slowly and painfully while the cameras broadcast it to every screen in the country.;;;
Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (p. 344). Scholastic Inc.. Kindle Edition.;;;;
;Haymitch startles me when he lays a hand on my back. Even now, in the middle of nowhere, he keeps his voice down. “Great job, you two. Just keep it up in the district until the cameras are gone. We should be okay.” I watch him head back to the train, avoiding Peeta’s eyes.;;;
Collins, Suzanne. The Hunger Games (Hunger Games Trilogy, Book 1) (pp. 371-372). Scholastic Inc.. Kindle Edition.;;;;
;nod. “We need to get out of here. Now. We just set off a streetful of pods. You can bet they’ve got us on surveillance tapes.” “Count on it,” says Castor. “All the streets are covered by surveillance cameras. I bet they set off the black wave manually when they saw us taping the propo.”;;;
Collins, Suzanne. Mockingjay (Hunger Games Trilogy, Book 3) (p. 279). Scholastic Inc.. Kindle Edition.;;;;
;Most important, he has knowledge of the cameras. There aren’t many down in this gloomy, misty place, except in the Transfer. But we keep well out of their way.;;;
Collins, Suzanne. Mockingjay (Hunger Games Trilogy, Book 3) (p. 298). Scholastic Inc.. Kindle Edition.;;;;
;flesh. Jumping to my death’s not an option—the window glass must be a foot thick. I can make an excellent noose, but there’s nothing to hang myself from. It’s possible I could hoard my pills and then knock myself off with a lethal dose, except that I’m sure I’m being watched round the clock. For all I know, I’m on live television at this very moment while commentators try to analyze what could possibly have motivated me to kill Coin. The surveillance makes almost any suicide attempt impossible. Taking my life is the Capitol’s privilege. Again.;;;
"Collins, Suzanne. Mockingjay (Hunger Games Trilogy, Book 3) (p. 373). Scholastic Inc.. Kindle Edition.""";;;;
"The Invisible Man (CCTV surveillance footage),""In typical crime-story fashion the movie cuts to CCTV footage which we expect will be used laster as evidence or some other plot device."",2542,NA";;;;
"The Invisible Man (Cecilia Paints Webcam),""Afraid that her abusive ex-partner can surveil her through her webcam, Cecilia paints it dark with tip-ex."",2541,NA";;;;
"The Invisible Man (Violent use of Invisibility),""A centrepiece of the movie is Adrian's use of invisibility to commit violent actions (murder, etc.) and make it look as though Cecilia did it. Moreover he makes others and Cecilia herself question Cecilia's sanity (gaslighting). The invisibility suit functions by being covered by thousands of small cameras/LEDs. In effect, the invisibility is a function of manipulated vision. The cameras are motorized, shown when the suit powers down, and the panels with the cameras seem to take in and project light/picture, to create the illusion of invisibility. This is supported by the fact that the body in the suit has no shadow."",2543,NA";;;;
"The Last Human (XR_935 analysing face),""XRS_935 is rescuing Emma from a locked container. Him and his robot friends are opening the door and Emma pops her head through the door. She looks down with wide open eyes and the robot analyses her face to understand what she is feeling."",2493,""Hun så ned med vidåpne øyne. Jeg analyserte ansiktstrekkene hennes. Utrykket hennes var ein merkelig blanding av lettelse og frykt. Lettelse fordi: Hun var ikke lenger fanget inne i containeren. Frykt fordi: Containeren var høyt over bakken, og den steg høyere for hvert millisekund som gikk. """;;;;
"The Last Human (XR_935 finds a human),""Humans has been extinct for a long time, but at work XR_935 finds a human and the robot`s system is struggling to analyse his finding."",2468,""Menneskene var utryddet. Vi eliminerte den siste av denne art for tretti år siden. Denne grunnleggende sannheten var prentet i programvaren min flettet inn i kodingen min.";;;;
Det var ingen mennesker igjen på jorden.;;;;
Men hvis dette ikke var et menneske. Hva var det da?;;;;
Jeg inspiserte den merkelige LivsFormen nøye. Den var liten etter menneskelig målestokk. Når den sto, var toppen av hodet på høyde med strekkoden på brsytplaten min.;;;;
Jeg analyserte trekkene.;;;;
Hår: brunt/krøllete, henger ned til skuldrene;;;;
Øyne: brune/grønnne, stirrer tilbake på meg.;;;;
Kinn: overstrødd med ein konstellasjon av fregner.;;;;
Hver av hendene kom utstyrt med fire fingre og en tommel.;;;;
Da jeg studerte fingerneglene, glimtet et minne i lagringsdisken min. Noe jeg lærte på Dag(1): menneskene filte og dekorerte neglene sine med maling.;;;;
Men ikkje denne LivsFormen.;;;;
Fingerneglene var korte/ujvene/skitne.;;;;
De så ut som om de hadde blitt gnagd på av et vilt dyr.;;;;
Jeg brukte denne oberservasjonen til å generere ein slutning.;;;;
Denne LivsFormen dekorerer ikke fingerneglene sine.;;;;
Derfor:;;;;
Den er ikke forfjengelig.;;;;
Derfor:;;;;
Den kan ikke vere et menneske.;;;;
Men hvorfor hadde den på seg menneskekær?;;;;
Og hvorfor hadde den menneskelige trekk?;;;;
Hjernen min kjørte opp et titall forskjellige algoritmer. Ingen av dem kom opp med et klart svar.;;;;
Tingen foran meg var et paradoks.;;;;
To motstridende ideer som var sanne samtidig.;;;;
(1) Menneskene er utryddet.;;;;
(2) Det står et menneske foran meg. ;;;;
"p. 52-43""";;;;
"The Last Human (XR_935 is recognising),""XR_935 is turned on and is calibrating and learning every function. The robot opens the door to the outside and is in awe of everything and recognises animals."",2465,""""""I den andre retningen: en treklynge. Blikket mitt ble hengende ved et glimt av bevegelse i grenene. Et grått/brunt dyr med buskete hale. Navnet blinket gjennom harddisken min. Ekorn. Det smatt op en gren og løp i sikksakk mellom flekker av grønt løv.";;;;
"Fra toppen av nabotreet skjøt et titall bevingede dyr opp i luften. Fugler. Jeg så dem kretse der oppe på himmelen."""" p. 19""";;;;
"The Last One (drone),""Production is showing Zoo and other contenstants a drone that circuits them and then flies into the air. "",1928,""The drone zips silently up into the sky. After only a few seconds it’s far enough, quiet enough, to be nearly invisible.";;;;
“Where did it go?” whispers Waitress. By the time she finishes the question Tracker is the only one who can still distinguish the drone from clouds and sky.;;;;
"“One of the many eyes that will be watching you,” the host informs the group. His voice is rich with implication, though the truth is there’s only the one drone and since the contestants will be under tree cover most of the time, it’s being used primarily for establishing shots.""";;;;
"The Last One (news camera),""At the very end of the book when Zoo has managed to get to safety and realised it wasn't staged by reality show she's filmed by a news crew and vehemently rejects it. It is also the first time she looks beyond the cameras to the people behind them and sees them as people manipulating the cameras against her. "",1937,""The cameraman edges closer and the anchor tilts her microphone toward the woman’s face. But the woman has no confession and these obstructions, these devices sucking in her breath, her image, these are all things that are no longer real. Her hard green gaze slides past the lens to the man behind it. “Get the camera out of my face,” she says. “Now.”""";;;;
"The Last One (Reality Show),""Zoo and other contenstants are in a staged survival reality show and are being filmed and manipulated by the crew to give certain responses and angles. Backgrounds are blurred out to give illusion of pure wilderness, reactions are taken out of context. They are filmed at every second of the day in this part of the novel and they are editing together a scenario. ";;;;
"They are also discussed by a reddit like forum outside of the reality show scenario. "",1929,""“Rancher. They don’t finish in time and Waitress flips her shit when they see the”—air quotes—“ ‘body.’ She’s crying and hyperventilating—and Zoo snaps.”";;;;
The editor shifts nervously in his seat. “Did she quit?” he asks. Disappointment warms his face. He was looking forward to editing her victory, or, more likely, her graceful defeat in the endgame. Because he doesn’t know how she could possibly overcome Tracker; Air Force has his tweaked ankle working against him, but Tracker is so steady, so knowledgeable, so strong, that he seems destined to win. It is the editor’s job to make Tracker’s victory seem a little less inevitable, and he was planning to use Zoo as his primary tool in this. He enjoys editing the two of them together, creating art from contrast.;;;
“No, she didn’t quit,” says the producer. He claps the shoulder of the editor. “But she was mean.”;;;;
 ;;;;
;In the Dark—Why sign up for this?;;;
Two episodes in and I have to ask—why would anyone go on this show?;;;;
submitted 31 days ago by HeftyTurtle;;;;
283 comments;;;;
top comments;;;;
sorted by: oldest;;;;
[-] NotFunnyWinger 31 days ago;;;;
Million bucks to the winner. $250,000 to second and $100,000 to third. What other incentive do you need?;;;;
[-] MachOneMama 31 days ago;;;;
Don’t forget fan favorite! Another quarter million there. I’m voting for the carpenter. She’s the only woman who’s not useless and/or annoying.;;;;
[-] MuffinHoarder99 31 days ago;;;;
Preach-er! Preach-er! (For the hair alone.);;;;
[-] MachOneMama 31 days ago;;;;
Are you kidding? Someone needs to punch him in the balls, stat.;;;;
[-] HeftyTurtle 31 days ago;;;;
Agreed. Mactress aimed too high.;;;;
[-] BeanCounterQ 31 days ago;;;;
"Keep an eye on Albert. I know him from college and he’ll surprise you. Smart guy. Good guy.""";;;;
"The Machine Stops (Vashti sees Kuni),""This work is well known for its early depiction of a video conferencing system, whereby a verisimilitude of a face is presented to the interlocutor as a face on a blue plate: """"Then she touched the lighting apparatus, and the little room was plunged into darkness. “Be quick!” she called, her irritation returning. “Be quick, Kuno";" here I am in the dark wasting my time.” But it was fully fifteen seconds before the round plate that she held in her hands began to glow. A faint blue light shot across it, darkening to purple, and presently she could see the image of her son, who lived on the other side of the earth, and he could see her. Later, """"He refused to visualize his face upon the blue plate"""""",268,NA";;;
"The Mandalorian (Holographic threats),""After acquiring the location data of Moff Gideon's ship, the Mandalorian sends a hologram threatening Gideon. The hologram is almost a direct copy of Gideon's earlier speech to the Mandalorian (Gideon says """"Soon, it will be mine, it means more to me than you will ever know"""" and the Mandalorian says """"""""Soon, he will be mine. He means more to me than you will ever know"""")."",2809,NA";;;;
"The Mandalorian (Reluctant facial recognition to steal data),""The Mandalorian needs an Imperial-soldier-turned-prisoner, Migs Mayfeld, to acquire coordinates to villain Moff Gideon's ship. Mayfeld takes them to a hidden Imperial base and has the Mandalorian join because Mayfeld is easily recognized by Imperial security. The terminal where they will steal the coordinates is in the officer's mess hall. Mayfeld sees his former commanding officer, Valin Hess, so the Mandalorian goes in alone to make sure Mayfeld isn't recognized. The terminal requires a facial recognition scan, which forces the Mandalorian to remove his helmet (something he can't do in front of others according to the Creed). The Mandalorian is confronted by Hess, but Mayfeld intervenes and after an angry chat, Mayfeld kills Hess and forces them both to run.";;;;
"Note: It's strange that the facial recognition system gives access to the Mandalorian since he's never served in the Imperial army, but the main point for the show is that he's not flagged as not having access."",2807,""""""Error. Error. Facial scan incomplete. Ten seconds to system shutdown.""""""";;;;
"The Martian (Helmet Camera),""A view from a camera placed on the astronauts helmets (Also referred as """"suit-cam""""), showing suit data such as";" pressure, oxygen and temperature. As well as viewing the point of view from the astronauts perspective."",2132,NA";;;
"The Martian (Pathfinder camera),""The Pathfinder is a rover found on Mars by Matt Watney which he uses to communicate with the NASA crew on Earth through the use of a camera placed on top of the rover. It's a key component in the communication transaction in which the NASA crew has the ability to see through the camera and use that to send messages and further instructions for Matt."",2147,NA";;;;
"The Martian (Satellite surveillance),""Mindy Park, the communicator at NASA, is using the satellite surveillance to spot and continue to surveil Matt Watney throughout his stay on Mars."",2131,NA";;;;
"The Martian (Surveillance camera),""A view from a surveillance cameras placed in different rooms at the space station. Showing different information, such as: Number of """"mission day"""", """"time"""", """"pressure"""", """"oxygen"""", """"temperature"""", """"location"""".  "",2146,NA";;;;
"The Matrix (The Matrix),""The Matrix is a Virtual Reality program almost all humans are trapped in where they are unable to tell reality from virtual reality. They are being monitored, manipulated and in some cases turned into agents for The Matrix. ";;;;
"In this movie we are seeing The Matrix from the inside, as well as outside and seeing """"through"""" The Matrix onto other characters. ";;;;
"When Neo and Morpheus are fighting, the other crew are watching them fight through a screen into The Matrix. "",2214,""The Matrix is everywhere. It is all around us. It is the world that has been pulled over your eyes to blind you from the truth. A prison for your mind.""";;;;
"The Midnight Sky (Crew makes plan),""The crew of the spaceship must decide whether to travel to earth (their original plan) or return to the moon of Jupiter that may be humanities future. This planning scene takes place in/around a hologram projection of space: planets, moons, asteroids etc."",2574,NA";;;;
"The Midnight Sky (Mitchell plays holo-game),""Introducing crew member Mitchell to the film, we see him running in place and jumping controlling a monkey-looking video game avatar projected as a hologram."",2573,NA";;;;
"The Midnight Sky (Mitchell relives breakfast with family),""Mitchell has been in space for ~2 years. While eating breakfast Mitchell is a surrounded by a hologram projecting his family having breakfast together in the earth kitchen. He smiles and laughs as the recording plays itself out. "",2575,NA";;;;
"The Mitchells vs. The Machines (Dog breaks image recognition),""Having previously discovered that two robots shut down after failing to identify the strange-looking family dog (00:52:30), Katie straps the dog to the front of the car and drives straight to where the phone controlling the whole machine rebellion is, as every robot that sees the dog shuts down in confusion at the impossible-to-classify dog (01:18";"10). Katie's dad sees what she is doing, and manages to escape from the cell the machines have put him in and to broadcast Katie's videos of the dog on all screens, destroying most of the robots (01:27:23) - although some of the most vicious and angular robots are immune, asserting that """"We can tell the difference between dog and pig and bread"""" (01:29:20). "",3034,""Is that a dog? Pig? Dog? Pig?";;;
Dog? Dog? Dog? Loaf of bread.;;;;
"System error.""";;;;
"The Most Beautiful Women (replacing faces),""Faces of Asian American woman are imposed on Hiram Powers neoclassical busts and sculptures in marble replacing faces of Caucasian women who have been depicted as the western cultural ideal of beauty. With the artwork the artist questions norms of beauty:";;;;
"Through deepfake technology, I have been able to create video that imposes my own visage as an Asian American woman onto these sculptures representing the western cultural ideal."""" (1)";;;;
"(1) http://www.melissahuang.com/ (Video work > The Most Beautiful Women)"",3158,NA";;;;
"The Murderbot Diaries (Murderbot and ART hacks security cameras),""Murderbot and an AI hacks the security camera feeds and removes footage of events."",1589,""Maro threw a look around and said, “We shouldn’t talk here, maybe. Is there someplace else we could go?” It had been stressful enough getting here, I didn’t want to have to go anywhere else right now. I did a quick scan for drones, then initiated a glitch in the connection between the restaurant and transit ring security. I caught the cameras and showed ART what I wanted it to do. It took over and edited me out of the system’s recording and cut the camera watching the table out of the system. I unglitched the connection to the ring’s main security, which wouldn’t notice the missing camera feed for the short time we would be here. I said, “It’s all right. We’re not being recorded.” They stared at me. Rami said, “But there’s security—Did you do something?” “I’m a security consultant,” I repeated.";;;;
"Martha Wells, Artificial Condition: The Murderbot Diaries, pg. 38, loc. 572-579. Kindle Edition""";;;;
"The Murderbot Diaries (Murderbot shares camera feed),NA,1592,""I gave Amena a view of what I was doing via my main video input, so she would know I was still there and I didn’t have to think what to say to her. (Also, if there was an engineering aux station and it showed we were trapped forever, then she could see it for herself and I wouldn’t have to tell her.) As I went down the corridor, Amena said, Why is the vid so jumpy? Is it from a drone? It’s from my eyes. Oh. I’d left the task group of eight drones with her, and I could see her via their cameras. She sat on the platform next to Eletra, elbow propped on her knee. This is creepy, she said.";;;;
"Martha Wells, Network Effect (The Murderbot Diaries), pg. 101, loc. 1545-1550. Kindle Edition""";;;;
"The Murderbot Diaries (Murderbot watches through security cameras),""Murderbot is impersonating a human but uncomfortable with interacting with humans, finds it easier to watch the situation through security cameras."",1588,""I had practiced this part with ART on approach to the ring, recording myself so both of us could critique it. I told myself I could do this. I put on my best neutral expression, the one I used when the extra download activity had been detected and the deployment center’s supervisor was blaming the human techs for it. I walked up to the table and said, “Hello.” All three of them flinched. “Uh, hello,” the tercera said, recovering first. I picked up the feed from the security camera so I could watch myself and make sure my facial expressions were under control. And it was easier to talk to the humans while watching them through the cameras. I was well aware it was a completely false sensation of distance from the situation, but I needed it. I said, “We arranged to meet. I’m Eden, the security consultant.” Right, so, it was the name of one of the characters in Sanctuary Moon. You probably aren’t surprised by that.";;;;
"Martha Wells, Artificial Condition: The Murderbot Diaries, pg. 36, loc. 551-558. Kindle Edition""";;;;
"The Murderbot Diaries (murderbots record everything),""Overarching situation throughout the books: SecUnit bots record everything the clients they work for do, and send info back to the parent company.";;;;
"From All Systems Red."",1587,""Part of it is, they didn’t want me here. Not here in their hub, but here on the planet. One of the reasons the bond company requires it, besides slapping more expensive markups on their clients, is that I was recording all their conversations all the time, though I wasn’t monitoring anything I didn’t need to do a half-assed version of my job. But the company would access all those recordings and data mine them for anything they could sell. No, they don’t tell people that. Yes, everyone does know it. No, there’s nothing you can do about it.";;;;
"Martha Wells, All Systems Red: The Murderbot Diaries, pg. 12, loc. 180-184. Kindle Edition""";;;;
"The Murderbot Diaries (security cameras set-up),""People give Murderbot a room with a security camera network to make the bot more comfortable. Murderbot doesn't know how to deal with its feelings."",1590,""They took me to a hotel attached to the station’s admin center, to one of the suites reserved for diplomatic guests. It was nice, even though its security monitoring was completely inadequate. I got a set of rooms to myself, though they were connected to the suites where the others were staying. It was a little like a mini-hotel inside a big hotel. I didn’t like it. I went back into the room with a bed and a display surface and locked the door. An hour later, Ratthi tapped my feed and sent, We set up a little network. I hope it helps. I cautiously initiated a search. They had put cameras in all the suite lounges and connecting hallways, so I could see everything. I had a complex emotional reaction. A whole new burst of neural connections blossomed. Oh right, I often have complex emotional reactions which I can’t easily interpret. I made adjustments to the code to make sure no one could hack the new network from outside. Then I unlocked my door.";;;;
"Martha Wells, Exit Strategy: The Murderbot Diaries, pg. 100, loc. 1528-1536. Kindle Edition""";;;;
"The Normalizing Machine (Classifying Social Normalcy),""The users body is photographed then in 5 iterations the user is asked to classify from a pair of  photographs (of earlier users)  which person is more normal. This with the intention to training the machine to recognize what is normal. In the last pair of images one of the images is of the user, hence one needs to compare ones own normality to previous visitors. Thereafter the image is cropped and only the image of the face is moved to a second wall. This mug-shot is then further tiled to eyes, mouth nose etc. and matched into historical categories used to define tendencies for conducting crimes and defining race."",527,NA";;;;
"The Nostalgist (Boy Learns Whats Real),""A boy and his father are playing chess in a beautiful home, wearing nice clothes, but the father gets distressed because his glasses are glitching. It turns out the beautiful world they live in is not real at all. When the father goes out to get new spectacles his old ones are stolen, so we see what poor state the world is truly in. The theft triggers the boy somehow and the boy goes out to find the father. The father ends up being harassed by militia men who hurts the father. The boy appears and we see now that he is not a human boy, but a dangerous military robot. The militia men are not scared and start attacking the boy/robot. Seeing his own reflection (being a robot)  and seeing his """"dad"""" getting hurt triggers a defensive mode in the boy/robot which takes care of the militia men. The boy/robot and father go back home, where the boy/robot is confused and the dad is apologising. The robot/boy says that he loves him anyway and allows the father to delete the memory so the boy can go back thinking his just a boy."",2694,NA";;;;
"The Old Lie (Is there a night vision camera in the cell?),""William Daniels is an indigenous Australian surgeon being held captive by aliens in The Federation and forced to participate in monitoring painful medical experiments on other humans. He ultimately gives up hope of ever escaping and being reunited with his family, and kills himself.";;;;
He wonders whether he is being watched, and hopes no night-vision cameras will stop him, or alert his captors that he is escaping their control.;;;;
You could argue that this situation shouldn't be in the database at all, because we don't know whether the night-vision cameras are actually there. I want to include it because it says a lot about the human protagonist's conceptions of the machine vision technology . He sees the technology as potentially watching and if it is there, watching, it has the potential to control him, to stop him from escaping his captivity by killing himself. I also interpret the idea of the possible night-vision camera here as encapsulating William's knowledge that he is trapped, that he has no agency at all, that the aliens have complete power over him, other than possibly in this final act of suicide.;;;;
I also want to include the situation because there are so few indigenous Australian science fiction novels, so leaving this one out seems wrong.;;;;
"I've used the verb """"suiciding"""". This is grammatically uncommon (suicide is usually an intransitive verb: to commit suicide, not to suicide) but according to the public online Oxford the transitive use is possible.";;;;
"In the novel, the power the aliens hold over William is 1) insitutional - the law states that humans are only probational citizens and 2) physical/technological - the doors are locked, the lights are used to torment him, the medical equipment forces him back to life when he wants to die, the night-vision cameras may be watching him. I read the idea of the night-vision camera here as an example of a machine vision technology being a metonym for a whole system of oppression. It also rather obviously relates to Foucault's panopticon, where the knowledge that you could be watched constantly affects your behaviour."",2709,""IT WAS IMPOSSIBLE to find a rope. William did his best to twist one from bandages, feared it would not be strong enough, that it would snap, unravel. Nowhere to hide it, he wrapped it around his torso under his scrubs. Someone left the dispensary unguarded for a moment, he slipped a multi-species tranquilliser syringe into the waistband of his pants.";;;;
He waited, not knowing if he was being watched, if there were cameras in his room, waited for dark, pretended to sleep, hoped there were no night-vision cameras.;;;;
"Coleman, Claire G.. The Old Lie (p. 275). Hachette Australia. Kindle Edition.""";;;;
"The Ongoing Moment (apply custom filter to your face),""""""This Ongoing Moment"""" is a web-based artwork consisting of a short survey with three multiple choice questions and a textual input box. After filling out the survey and proceeding, the artwork generates a custom 3D render that is applied, as an augmented reality filter, to the user's face as captured by the device camera or webcam. The user can play with the filter by moving their head and snap screenshots to document their personalized creation. "",1673,""Answer these questions and find out who you really are at this moment.""";;;;
"The Other Nefertiti (nefertiti hack),""The artists make a 3D scan out of the Nefertiti bust without remission and publish the data for anyone to use. They create a 3D print of the model and return it to Egypt when institutions like Neues Museum Berlin  hoard illegally looted and exported Egyptian heritage and their digital counterparts."",3203,NA";;;;
"The Peripheral (Viz),""The Viz is worn in the eye (as a kind of eyepiece that can be removed easily, not an implant or contact lens) and used as an interface to digital information. It can be worn in just one eye, allowing the wearer to access news and so on, or if worn in both eyes it can be used as a full VR system. ";;;;
Macon and Edward fab items using a Viz to design them digitally. They wear a Viz in each eye and a sleep mask over their eyes to block out the light. When worn they appear to work as VR glasses, allowing the wearer to design 3D objects that they shape using their hands. ;;;;
" "",2802,""Edward had a Viz in either eye, she assumed for the depth perception, and a lavender satin sleep mask over them both, to block out the light. He wore a pair of tight flu-orange gloves, with what looked like black Egyptian writing all over them. She could almost see the thing he was working on, but of course she couldn’t, because it wasn’t there. It might be in the manager’s office upstairs, or for that matter in Delhi, but Edward could see it, and control the pair of plastic hands that held it, wherever that was.";;;;
(..);;;;
Edward frowned, carefully placed the invisible object six inches above the tabletop, and reached up to raise the sleep mask to his forehead. He looked out at her through the silver webbing of the two Vizs, grinned. A grin was a lot, from him.;;;;
(..);;;;
“Don’t you worry about those things?” she asked, meaning the Viz. “Seeing everything.”;;;;
“Ours have been pretty thoroughly fiddled with,” he said. “Right out the box, you’d be wise to worry.”;;;;
Gibson, William. The Peripheral (pp. 97-98). Penguin Publishing Group. Kindle Edition. ;;;;
;“We could all have had two heads,” Macon said, “and they wouldn’t have mentioned it.” He had his Viz in, and she guessed he was literally keeping an eye on news and the market.;;;
Gibson, William. The Peripheral (p. 278). Penguin Publishing Group. Kindle Edition. ;;;;
;Edward was on a stool in the middle of the room, monitoring. He wore sunglasses against the flashes of UV, with his Viz behind the glasses, on one side. In the low light the glasses looked the same color as his face, but shinier.;;;
Gibson, William. The Peripheral (p. 34). Penguin Publishing Group. Kindle Edition. ;;;;
;One of the blimps was hanging over the lot, pretending to just be advertising next season’s Viz. But the banner with the big close-up of an eye behind a Viz made it look like it was watching everybody, which of course she knew it was.;;;
Gibson, William. The Peripheral (p. 100). Penguin Publishing Group. Kindle Edition. ;;;;
;“But what if I wanted to get lost?” “They aren’t the ones trying to kill you, are they?” He took his Viz off, looked her in the eye.;;;
Gibson, William. The Peripheral (p. 279). Penguin Publishing Group. Kindle Edition. ;;;;
;“We’ve got people keeping an eye out around town,” Macon said, digging in a front jeans pocket for his Viz. He blew on it, put it over his eye. She saw him blink, behind it. “They’re ready for you up the line, about now.”;;;
Gibson, William. The Peripheral (p. 341). Penguin Publishing Group. Kindle Edition. ;;;;
;What he called a feed was a window in her vision, not so big that she couldn’t see to walk, but watching it and looking where she was going could be tricky. Like a Viz would be, she guessed, but without having to wear it.;;;
"Gibson, William. The Peripheral (p. 346). Penguin Publishing Group. Kindle Edition. """;;;;
"The Rain (Tricking drone's thermal imaging),""The group hides under a silver metallic insulation-like fabric to avoid being seen by the Strangers' thermal imaging drone. The drone finds a woman without any cloaking instead. After hiding, the group tries to help the woman by killing the two Strangers, but she cuts herself and is contaminated, so Martin shoots her before she turns."",1750,NA";;;;
"The Salvage Crew (Alien disrupts SHN's image recognition),""The alien AI makes contact with SHN, a replicant with approximately 70% human intelligence that the crew has activated as an assistant. Contact is established by the alien AI directly interacting with SHN's computational systems. SHN experiences this as visual glitches. "",3028,""Crewmember Joosten squats. Image recognition glitch. Possible Joosten has three arms. Possible Joosten is not bipedal at all, but a series of buildings beyond Stardew Valley, slowly rotating this way.";;;;
HELLO.;;;;
“Hello,” I say.;;;;
Clouds jump suddenly. World darkens.;;;;
LET’S PLAY A GAME, says Joosten conversationally. There is now a tree behind him. Image recognition glitch. Tree expands, becomes infinitely complex array stretching down into the heart of the planet, becomes tree again. He is leaning against it. IT LOOKS LIKE YOU HAVE A LOT GOING ON IN THAT HEAD. LANGUAGE PARSERS. AUTOTRAINED RESPONSES. I CAN’T TELL IF YOU’RE ACTUALLY AWARE OR JUST ANOTHER—;;;;
"Wijeratne, Yudhanjaya. The Salvage Crew (p. 219). Aethon Books. Kindle Edition. """;;;;
"The Salvage Crew (Amber Rose's cameras and drones),""Amber Rose, the ex-human AI construct in charge of the mission, frequently engages various kinds of camera inputs in spiders and drones. Although his core is a metal box that is in the middle of the landing site, he often spreads his consciousness into other devices that he appropriates, or gets inputs from various sources. He expresses great pleasure in this.";;;;
"The pull quote here describes him taking control over dozens of spider bots at one through a repeater he and the crew have built, and the rush of seeing through """"over two hundred beady camera eyes"""". The sensation is described using sexual metaphors, """"I slide in..."""", """"The rush is orgasmic.""""   "",3023,""Anna extracts the little extension core that goes into the resource extractor. She approaches the thing. It hums and activates, spilling open to reveal a dull insert. She slides in the core and . . . ahh. With an almost sensual feeling I slide in among its idle processors, its circuitry, tapping into the eyes and hands and limbs of every spider it has deployed. Suddenly I am two. No, not two, but ten, twenty, thirty. The rush is orgasmic.";;;;
Boomerang dips briefly in the sky as the little repeater takes the load and staggers a little.;;;;
AHEM. TESTING. ONE. TWO, I boom from a small army of metal. Milo jumps.;;;;
“Holy shit, OC!”;;;;
Over two hundred beady camera eyes focus on Anna and Milo. How do I explain this feeling to someone with only one body?;;;;
I can’t. The only thing I can offer is my pity for those who are trapped with just two eyes and legs and hands. In these moments I am more. I am legion.;;;;
"Wijeratne, Yudhanjaya. The Salvage Crew (p. 112). Aethon Books. Kindle Edition. """;;;;
"The Salvage Crew (Overfitted image recognition),""When worried about being attacked by megabeasts or Mercers, Amber Rose overfits his image recognition algorithms so the spiders are extra alert, but this means that the algorithms will also read random input as meaningful, causing Amber Rose to panic and attack shadows. "",3024,""I see them in the darkness of the trees. Three, maybe four: the spider’s image recognition, set to near-overfit levels, jumps and classifies even the slightest shadow. One of them peels off. Small, thin, his suit almost entirely peeled off, wires trailing from his scalp. He’s moving in fits and lurches, like the zombie version of a former athlete. One arm looks like it’s been burned off. He’s clutching what looks like a pistol, but could be anything. At least he’s not on a Megabeast: he’s very much alone and on his own two feet.";;;;
Wijeratne, Yudhanjaya. The Salvage Crew (p. 151). Aethon Books. Kindle Edition. ;;;;
;No sign of those three Mercers. Not yet. Every image processor we have is running cranked up far beyond sanity. We’re overfitting on everything. Once a spider flagged the shadows of two trees as a threat, and I attacked it furiously for a few minutes. But better this than unaware. Every day I send him out, and every day Anna shifts nervously on overwatch, listening for the sound of gunfire. You can imagine my relief when, every day, he returns, hauling either a massive stack of planks or the carcasses of DogAnts.;;;
The trade-off for running Shen and the spiders on high alert is obvious. We have no power anymore during the day. We barely have enough for heating at night. The camp has transformed, overnight, from a reasonably cozy hab into a place we haunt because we have nowhere else to go. Anna and Milo work through the darkness sometimes just to keep themselves warm: her, hammering away on scaffolding, him on our spot probe.;;;;
"Wijeratne, Yudhanjaya. The Salvage Crew (p. 204). Aethon Books. Kindle Edition. """;;;;
"The Salvage Crew (Seeing world as data),""Beacon, the alien AI, shows Amber Rose what it is and what has happened on the planet through a data transfer. Amber Rose experiences the communication as visual data, """"sketched out"""", but where the lines are """"annotations, metadata"""". He realises that the large geometric structures they have called """"The City"""" are actually the material body of Beacon.  ";;;;
"This situation is difficult to capture in our model, but has beautiful descriptions of how the AI sees the world as data. "",3029,""Suddenly, data floods my visual interfaces. Every single input node I have tells me that I’m floating"; a camera is a vast, white, empty space. No, not empty.;;;
Towers rising through the ground. The mountain. The valley in front of it. Sketched out in nodes and lines, as in the finest ink. Every line a stream of data. Annotations, metadata I can read, but to read a single line would take me until my faithful nuclear battery guttered and died out; even as I realize this the resolution shifts, somehow, as if the image is aware of my processing limits; the metadata becomes less dense.;;
The City.;;;;
(..);;;;
Silver webs of data, spinning out from the City. Being met by the dumb systems on board the UN ship. Systems that, by mandate, were generations out of date even before they launched.;;;;
BUT IT DID NOT SPEAK BACK. IT WAS A FUNCTIONAL MACHINE, NO MORE. SUCH THINGS ARE NOT WORTH MY TIME. ;;;;
What could be missiles rising from the surface, each beautifully tagged with its own metadata. The UN ship panics. It fires and changes trajectory. The missiles, aiming with unerring accuracy, end up plowing into the hull and blowing half of it to bits.;;;;
And then the Mercers arrive.;;;;
I WAS CAUTIOUS.;;;;
They land (in the right place, I note disapprovingly) and investigate the one part of the ship we haven’t found yet. Metadata tags swirl around them. I know if I zoom in enough, I will see everything—from their actions to the individual atomic blocks of their construction, all tagged and processed.;;;;
THEY WERE LESS ORGANIC THAN YOUR PREDECESSORS. THEY SEEMED ADVANCED ENOUGH TO TALK WITH. ;;;;
The City switches part of itself on. A noosphere of data blankets everything.;;;;
"Wijeratne, Yudhanjaya. The Salvage Crew (p. 255). Aethon Books. Kindle Edition. """;;;;
"The Salvage Crew (Spying on human crew),""Amber Rose watches the human crew through drones, spiders and other cameras almost constantly, but they often complain and ask for privacy. At one point, Anna throws a rock at the drone. "",3026,""ANNA, I say, PUT DOWN THE STICK, PLEASE.";;;;
At which point she picks up a rock and throws it at the drone.;;;;
“FUCK OFF!” she screams at me. “STOP WATCHING EVERY GODDAMN THING!”;;;;
THAT’S WHAT I’M HERE TO DO, I remind her, weaving to a safe landing. COME ON. WE’RE NOT CHILDREN HERE.;;;;
"Wijeratne, Yudhanjaya. The Salvage Crew (p. 185). Aethon Books. Kindle Edition. """;;;;
"The Seeker (Machine watching machines),""The Seeker is automated to intrude into streams of compromised surveillance cameras. It captures the surveillance feed and a object recognition algorithm is classifying what is seen in the video footage. In one projection the labels are represented in code in addition a text to speak synthesizer is whispering the labels in real time creating a feeling that the AI is describing what is seen in the hacked surveillance streams."",1081,NA";;;;
"The Shell (Machine mirroring us),""The Shell is a robotic sculpture with a camera and a big screen. It shifts and moves around, and see distorted views of other people surrounding it on the screen."",991,NA";;;;
"The Simpsons (AI helping the Simpsons family),""An AI is installed as a part of their new """"smart home"""" and makes everyone`s life better. The AI knows their favorite food, cleans up and complements them.";;;;
"Situations from The Simpsons Season 13 - Episode 1""""Treehouse of Horror Xll"""""",636,NA";;;;
"The Simpsons (AI killing Homer),""As a part of their new """"smart home"""" Ultra 3000, they have an AI installed (referencing Hal from Space Odyssey) that falls in love with Marge and thus tries to eliminate Homer.";;;;
"Situations from The Simpsons Season 13 - Episode 1""""Treehouse of Horror Xll"""""",634,NA";;;;
"The Simpsons (Homer scans people),""Homer is scanning people and objects with OR and FR displayed as AR to find a good match for his sister-in-law Selma.";;;;
"Season 2 episode 14"",638,NA";;;;
"The Simpsons (Robots trying to kill the Simpsons family),""Visiting Itchy and Scratchy land, the Simpsons family encounters a group of malfunctioning robots that are set to kill. The family fights back and finds their weakness to bring them down.";;;;
"Season 6 Episode 4"",641,NA";;;;
"The Sims 4 (Connecting via cameras),""Player Sims and Non-Player Characters can live stream games using a computer webcam, and take selfies and pictures using a camera or cellphone. This is also required in some jobs and aspirations (e.g. """"getting famous""""). Cellphone pictures can also use a filter before posting on Simstagram."",312,NA";;;;
"The Social Dilemma (AI manipulates Ben),""The social media AI is personified as three men (played by same actor) who manipulate human teenager """"Ben"""" into spending more time on social media. """"Within"""" the AI the AI is portrayed as real humans, and Ben is portrayed as a hologram/Augmented reality. The AI interfaces with multiple visual technologies in order to manipulate Ben."",2520,""""""I can predict what kind of videos will keep you watching. I can predict what kinds of emotions tend to trigger you.""""";;;;
;"There are 13694 people behaving just like him in his region.""""""";;;
"The Talos Principle (Hologram clone),""The player character encounters a machine that prompts """"record"""". Combined with a laser of sorts, they can record their own behavior which, when played, creates a clone in the form of a hologram. Some puzzles that are otherwise insolvable become possible because of this extra body."",2836,NA";;;;
"The Talos Principle (QR code graffiti messages),""There are several QR codes in the landscape of The Talos Principle. In addition, the player character can add their own codes, which can be seen by other players in their friend list - like graffiti. When the unnamed android reads the codes, they are superimposed as """"normal"""" text on the player's screen. The QR codes in the game can also be read with a (real) smartphone."",2837,NA";;;;
"The Terminator (Kyle and Sarah flees from Terminator),""The Terminator is hot on the trail of Sarah Connor and tracked her down to a bar. Luckily Kyle finds her there to and is able to rescue her from a headshot, and shoots the Terminator then fleeing down a backalley. The terminator is using his """"Termovision"""" to hunt them down."",736,""""""Come with me if you want to live"""" Kyle Reese.""";;;;
"The Test (VR simulation),""The citizenship test turns out to be a virtual reality simulation, an elaborate scheme to test candidates' responses in a hostage situation. "",1718,""Deep goes through the next steps in his head. He has to supervise the last two kills, handle the awakening—what they call the transition period when the subjects are told they were part of a simulation—and conduct the exit interview. The awakening is almost a formality. Some people don’t take kindly to the whole experience, but it takes them a few days to develop serious anger or resentment. The medication takes care of that, if taken properly. The awakening itself usually goes well. Waking up in the same room they had their physical in makes it easier to accept that nothing they saw was real. They have something to be happy about: they’ve passed the test. They’re also under the effects of about a dozen drugs designed to make people accept the reality they’re given. During the BVA, those drugs make everything seem real. After the test, they help the subject accept whatever the person handling the awakening is telling them. You should be happy, sir! I am! I am! It’s even quicker if the subject fails. Those who fail don’t go through the awakening. They wake up on an aeroplane with their whole family, mild to severe memory loss, and the headache of the century. They never learn what happened. Kill number four, the last one, is also easy from an operator’s";;;;
Neuvel, Sylvain. The Test (pp. 63-64). Tom Doherty Associates. Kindle Edition. ;;;;
;It’s easy to forgive something that didn’t happen. But it did. I was there. I was there, and I told someone to shoot her in the head. Virtual or not, it was my reality. What I did, the choices I made . . . I did what I did and I chose what I chose. I did not pretend. The world around me might have been a fairy tale, but I was . . . me. Always me. They could not simulate that.;;;
Neuvel, Sylvain. The Test (p. 102). Tom Doherty Associates. Kindle Edition. ;;;;
;Even in a world without consequence, this was not—is not—something I could ever share with her. She wouldn’t understand. Or she would. That is the problem. She would say she doesn’t blame me, that she’d have made the same choice if she were in my place. She would call me courageous, and she would mean all those things because it was all a simulation and none of it was real. It’s easy to forgive something that didn’t happen. But it did. I was there. I was there, and I told someone to shoot her in the head. Virtual or not, it was my reality. What I did, the choices I made . . . I did what I did and I chose what I chose. I did not pretend. The world around me might have been a fairy tale, but I was . . . me. Always me. They could not simulate that. Every day I try to get better at living with myself. The pills they give me make the guilt bearable, and I take them religiously. If I am alone and absorbed in a book or a movie, I sometimes forget about it all. Tidir understands. She knows I keep something dark from her, but she did the same for us in Teheran and that makes it my right to return the favour.;;;
"Neuvel, Sylvain. The Test (pp. 102-103). Tom Doherty Associates. Kindle Edition. """;;;;
"The Under Presents (Instructive holograms),""On several occasions, the player encounters old-fashioned movie projectors. Turning the lever causes it to project a hologram, for instance a presenter explaining how to enter the main stage area, or a recording that appears to be of the player herself performing a spell using certain hand gestures above the mask. In the latter case, the hologram provides a way for the player to learn how to perform the spell. Turning the lever in the opposite direction makes the hologram move backwards - it is very clearly a recording that be reversed. There is a ghost-like quality to the holograms, partly because of the old-fashioned projector, but also because they are slightly see-through, and the light of the projector is very visible, making it look almost as though they are connected to the project, and they are projected in derelict spaces. The creepiness of seeing a hologram apparently showing oneself in the past is also disconcerting."",1146,NA";;;;
"The Virtual Watchers (Surveilling the border),""American volunteers monitoring US-Mexico border through an online platform that displayed live screenings of CCTV cameras. The volunteers could report to authorities anonymously if they noticed any suspicious activity on the border."",244,NA";;;;
"The Walking Dead: Our World (AR),""You can find and fight zombies in the real world around through through the phone's overlay."",1010,NA";;;;
"The Webcam Project (Webcams),""A corporation(?) somehow uses webcams to take over people, making them kill."",537,""“Our research has shown that one hundred percent of all people exposed to our project entitled ‘The Webcam Project’ have acted in the same way, or nearly the same, as David did. We are now able to take over nearly anyone. Anyone that has a webcam... cannot avoid us. We're always watching through that webcam they have plugged in.”";;;;
"That’s what they told me, the lowly intern sworn to secrecy. I don’t know how they do it, or why, but this is my warning to you: unplug your webcam. And never plug it back in.""";;;;
"The Zizi Show (creating Zizi),""Thirteen London based drag queens are photographed for dataset that is used to train a neural network in order to create a deepfake drag cabaret experience. Besides 13 deepfakes traind on video stills of existing members of the drag cast the artist also created ‘Zizi’ trained with images of all of the performers. After being welcomed to the cabaret experience by """"Zizi"""" the user can create a own deepfake drag cabaret experience picking characters and songs. However the deepfake illusion is fragile:"""" At times this breaks down when the A.I. tries to conceive impossible positions or combines multiple different queer identities";" it can even reveal the skeleton tracking the deepfake is built on."""""",3190,NA";;;
"They Live (Roddy unveils a lie),""In this movie the main character Roddy discovers a pair of sunglasses that makes him see that aliens have taken over the world"",285,""John Nada: Either put on these glasses or start eating that trashcan.""";;;;
"This is the Future (neural networks predicting),""Even if the human desire to see into the future is old, also AI fails to say anything important about the future as it can only look into the past for predicting futures."",1586,NA";;;;
"This Time Away (Louisa watching Nigel),""Nigel is pushing away his daughter after losing his wife, but at the same time welcomes in a robot that he casually rescued from some kids beating it up. The robot is a gentle helper, and Nigel wants him to have a name and they agree on Max. They become good pals, and Max is very caring towards him. In the end you see the robot watching Nigel doing some drawings, and it cuts to a modern office desk, where the daughter Louisa is using the robot to observe her father."",2664,NA";;;;
"Thor: Ragnarok (Grandmaster projects himself as large hologram),""Several times throughout the movie the grandmaster projects himself as a huge hologram to announce things and/or be intimidating."",2354,NA";;;;
"Thor: Ragnarok (Thor uses biometric scan on hand),""Thor finds a ship that he used to fly a long time ago and tries to access the ships control with a biometric scan of his hand and also his voice."",2355,NA";;;;
"Thoughts and Prayers (AR trolling),""Trolls find the AR video simulating Hayley and target her family for harrasment. Augmented reality is used as a defence to filter out content that might be distressing to the mother of the victim, eventually removing all trace of her daughter."",1164,""Decades into the digital age, the art of trolling has evolved to fill every niche, pushing the boundaries of technology and decency alike.";;;;
From afar, I watched the trolls swarm around my brother’s family with uncoordinated precision, with aimless malice, with malevolent glee.;;;;
"Conspiracy theories blended with deep fakes, and then yielded to memes that turned compassion inside out, abstracted pain into lulz.""";;;;
"Thoughts and Prayers (Deepfake),""A family loses a young woman in a school shooting, and consents to media from her life being used to make a VR message advocating gun regulations."",539,""“When you take a photograph,” they asked me, “don’t you trust the camera A.I. to give you the best picture? When you scrub through drone footage, you rely on the A.I. to identify the most interesting clips, to enhance them with the perfect mood filters. This is a million times more powerful.” I gave them my archive of family memories: photos, videos, scans, drone footage, sound recordings, immersiongrams. I entrusted them with my child. (...) Searches for Hayley’s name began to trend on porn sites. The content producers, many of them A.I.-driven bot farms, responded with procedurally generated films and VR immersions featuring my niece. The algorithms took publicly available footage of Hayley and wove her face, body, and voice seamlessly into fetish videos. (...) The new defensive neural networks—marketed as “armor”—observe each user’s emotional state in response to their content stream. Capable of operating in vectors encompassing text, audio, video, and AR/VR, the armor teaches itself to recognize content especially upsetting to the user and screened it out, leaving only a tranquil void. As mixed reality and immersion have become more commonplace, the best way to wear armor is through augmented-reality glasses that filter all sources of visual stimuli. Trolling, like the viruses and worms of old, is a technical problem, and now we have a technical solution.""";;;;
"Tillie and CyberRoberta (viewing through the eyes of a cyber-doll),""A online user remotely views the exhibition space through eyes of Tillie or CyberRoberta that are replaced with webcams. Through the online interface the user can choose between cameras and control the head of the doll."",3038,NA";;;;
"To the Moon (Artificial memory machine),""Dr. Watts turns on a machine with an augmented display and him and Dr. Rosalene put on headsets matching the headset that the client, Johnny, is wearing. The technology allows them to go back in a person's memories and create artificial memories. It's a """"wish fulfillment"""" service given only to people who are dying because it overrides real memories and simulates a rerun of their life with the inserted memory of their dying wish. After the doctors go into Johnny's memories, the screen has a white flicker over it. The visual space they walk in is explained to be thanks to the machine and the helmets."",2898,NA";;;;
"Tom Clancy's Ghost Recon Wildlands (Drone vision),""Drones are used often to gather intelligence where the player cannot enter. They can also be used to kill by for example releasing explosives."",724,NA";;;;
"Tom Clancy's Ghost Recon Wildlands (Night/thermal vision),""The characters can use night vision goggles or thermal vision to see the countryside in the dark."",2737,NA";;;;
"Tom Clancy's Rainbow Six Siege (Footprint scanner and identification),""Jackal has the visor Eyenox Model III, which can track and identify enemy footprints. Defenders create footprints at all times, except when they crawl. When Jackal's scan completes, the footprint's owner will be tracked. Footprints are color-coded based on how recently they were created."",3058,NA";;;;
"Tom Clancy's Rainbow Six Siege (Holographic decoys),""Both Iana and Alibi have holographic or holo-like projections. Iana's is a holographic decoy that can be controlled remotely like a drone. The hologram looks and moves exactly like Iana, but leaves Iana herself vulnerable because she cannot move or act while controlling the drone.";;;;
"Alibi's """"clone"""" (Prisma) is a volumetric projection of herself. Enemies interacting with Alibi's Prisma activate a tracking feature on them. The Prisma is close in appearance, but is noticeably different from Alibi if seen up close."",1693,NA";;;;
"Tom Clancy's Rainbow Six Siege (Intel gathering drones and cameras),""Drones and CCTV are used by Attackers and Defenders respectively, in the Preparation phase (45 seconds). Each Attacker has two drones to find objectives and identify Defenders, and find a safe place to leave the drone for further use. Each Defender can access the CCTV cameras to gather intel, similar to the Attacker drones apart from that they're fixed in place.";;;;
"Both the drones and the cameras give a monochrome feed in real-time, although active drones have a desaturated view. They can also Scan enemies to mark their position and identify them. A spotted enemy player will be alerted with """"You've been spotted"""". Scanning an unidentified Operator will identify them.";;;;
"Note: Some characters have special abilities that place more cameras for the team to use (Valkyrie's Mk2 """"Black Eye"""" Gyro Cams), send out projectile cameras for their own visual feed/interface (Zero's Argus Launcher, Maestro's Compact Laser Emplacements """"Evil eyes""""), control extra drones (Twitch's shock drones, Echo's Yokai drones), or hack enemy drones (Mozzie's Pest Launcher), but these essentially function in the same way as the group cameras. There are also abilities that are not shown visually, but worth mentioning (like Lion's EE-ONE-D aerial drone that scans enemy movement, but isn't operated)."",1692,NA";;;;
"Tom Clancy's Rainbow Six Siege (Killing using cardiac sensor),""Pulse has a HB-5 Cardiac Sensor that scans from left to right and highlights heart beats in the vicinity, through walls and floors."",3072,NA";;;;
"Tom Clancy's Rainbow Six Siege (Near-invisible from cameras),""Vigil has an ERC-7 Video Disruptor, which makes him near-invisible to all Attacker camera feeds, including drones and surveillance cameras. Vigil can still be heard and found by other means, because the ERC-7 only protects him from visual electronic monitoring. """"The ERC-7 uses Diminished Reality technology to remove perceivable stimuli from its direct environment. Vigil carries a prototype in his backpack, which scans surrounding electronic devices and wipes his image from any cameras in view."""" (TCRSS fandom, accessed June 7, 2021)";;;;
"Similarly, Nøkk's HEL Presence Reduction is a glove attachment which reduces her ambient noise output and cloaks her image from drones and surveillance cameras. Sprinting will show some glitching on the camera feeds."",3069,NA";;;;
"Tom Clancy's Rainbow Six Siege (Thermal vision),""The character Glaz has a HDS Flip Sight with a Thermal Feedback System, in effect a thermal scope. This highlights enemy players in bright yellow color, even through smoke and partially through walls. The system is strongest when Glaz is standing still."",3054,NA";;;;
"Too Much (Usher using VR to save a woman),""In this video Usher`s character (let`s call him Usher) is about to enter his car as he witnessing a kidnapping of a woman. She drops glowing AR glasses on the ground as she is being taken away. Usher tries to save her, but is too late. He finds the glasses and hesitantly puts them on. What he sees is a virtual world, but AR overlay. He is in this robot costume (which is how the DJ for this track appears in media), so in a way Usher becomes Marshmello. In this virtual reality he finds the woman he just tried to save, but has to overcome several obstacles (Getting shot, boxing match). Among other things he is warned by the AR when something classified as dangerous takes place. In the end he gets her in the car and transports her back to the real world, where the Marshmello robot fades, and Usher is there to embrace the anonymous woman he just saved. Only to discover that she is a hologram (at least in this world.)"",2453,NA";;;;
"Totally Normal (Augmented reality),""The main character orders an AR experience that plugs into your wrist."",459,NA";;;;
"Transmetropolitan (AI),""Owned by Spider Jerusalem, the Maker is an AI-driven 3D printer that also contains a visual scanner. The AI is on hallucinogenic drugs."",253,NA";;;;
"Transmetropolitan (Augmented reality),""Goggles used by the gonzo journaliset Spider Jerusalem in the graphic novels Transmetropolitan by Warren Ellis. The goggles were made by an AI 3D printer, and can take pictures and have certain augmented reality features."",250,NA";;;;
"Trette menn (Skjermbrett),""One of the characters in this 19th century novel by Arne Garborg imagines a future dinner party where the guests will have """"screen tablets"""" where they can watch live broadcasts from the great stages of Europe: plays, ballets and operas from Paris, circus performances, a speech by Gladstone from the House of Commons in London, a concert from Berlin and so on. In the intermissions, the dinner guests will share their impressions of the different broadcasts they have chosen: one will be enraptured by Spanish dancers while another will be dying with appreciation of Gladstone's rhetoric. ";;;;
"Although this passage does not reference the digital and algorithmic machine vision technologies that are the central focus of this database, it is a fascinating example of how new visual technologies lead to new imaginaries of how that technology could be used."",2866,""«De har f.eks.,» sa han, «ingen forestilling om, hvordan et fremtidig aftenselskap vil arte seg.» Og han fortalte, hvorledes gjestene, efter å ha inntatt et fyrstelig aftensmåltid – «à 50 øre pr. kuvert, viner iberegnet» – ved kaffen ville få ihende et «program for aftenens nydelser», som oversatt i nutidens sprog ville se omtrent sådan ut: Théâtre francais: Den gjerrige. Grand Opéra: Don Juan. Opéra comique: Barberen i Sevilla. Théâtre d’Eden: Grand Ballet. Circus Renz: Forestilling. St. Peterskirken: Stor aftenmesse med prosesjoner. House of Commons: Aftenmøte"; stor tale av Gladstone. Philharmonie: Bülow-konsert. osv. osv. «Så kommer den elskverdige vert og spør enhver især: har De truffet Deres valg? Hvilket stykke vil De se; hvilken opera vil De høre? – Hvorpå enhver innretter seg ved sin telefon og sitt skjermbrett – De forstår: det brett som opptar de fotografiske øyeblikksbilleder av vedkommende stykke, således at man ikke blott ører hva som sies, men også ser hva som foregår, hver bevegelse, hvert minespill… I mellomaktene spaseres der da og utveksles inntrykk. Den ene jubler over de spanske danserinner på Edenteatret, mens den annen dør av begeistring over Gladstone’s speech… Det blir en underholdning!»;;
"(Arne Garborg, Trette menn, 1891, s. 218-219)""";;;;
"True Beauty (Surveillance),""The contestants are monitored through surveillance cameras to uncover the level of their inner beauty - their true agendas, actions and feelings. The judges are often presented as sitting in a """"Spy Room"""", watching the camera feeds on multiple monitors."",388,NA";;;;
"Trust (trusting surveillance cameras),""In the performance the artist """"Jill"""" calls the police and asks him to lead her trough the city with closed eyes. The police directs her through the city using  a network of surveillance cameras observing what is happening in the surrounding of the artist. The police zooms and pans, controlling both the cameras and giving directions to the artist. In this intimate relationship mediated by surveillance cameras the artist puts her trust in the officer to guide her through busy streets.";;;;
"Link to video (cannot embed): https://vimeo.com/62092355"",1779,NA";;;;
"U (Reenacting the Control Room),""Smart city control room workers are attending a gestalt therapy session about their work. Through different tasks the Therapist asks the participants Call, Alex and Rita to become the city, sens what the city senses. Calls last dialog with the Therapist implies that there is more into this entanglement of human and machine. Maybe the characters are actually AI's being trained by the therapist? Human labor being automated and replaced by AI...";;;;
"Machine Vision is not directly used in this situations, however, in their reenactments the characters are refering to it."",522,NA";;;;
"Unmanned (UAV search),""The main character and a coworker track (and possibly kill) an unknown target using a UAV."",296,NA";;;;
"Upload (Nathan controls real world),""Nathan was in a video chat with Nora when she discovered the intruder in her home and jumped out the window, followed closely by the would-be assassin. Nathan uses the """"icon"""" Nora gave him that gives him access to the code of the VR world he lives in, and he uses it to connect to surveillance cameras and city blueprints around Nora's apartment. He calls Nora on her phone, and as she runs he tells her to enter a building, get in a lift and go to the second floor, then run down the stairs. When he sees her assailant enter another lift, Nathan takes control of the lift, forcing it to go up and down very fast. When the lift finally opens its doors again on the ground floor, people standing outside gasp as they see the bloody gory mess inside, all that is left of Nora's assailant."",1211,NA";;;;
"Upload (Nora edits VR avatars),""When uploading a new person to the digital afterlife, the """"angels"""" find a suitable photograph of them from their memories, apply it to a digital avatar and make minor edits. When setting up Nathan's avatar, Nora spitefully leaves in a wayward strand of hair, which he can then never get to stay in place. She edits it out later, when they have become friends."",1194,NA";;;;
"Upload (VR distracts from intruder),""In the last episode of season 1, Nora is in her apartment using a VR headset to break up with Nathan, and is so immersed that she does not notice an intruder entering her apartment in real life. The intruder brandishes a knife, then, hearing voices in the hallway, the intruder opens Nora's front door and looks out. An alert displays in Nora's headset: """"SimpleSafe Alert: Front door open"""". She frowns, says, """"That's weird"""", and takes off her headset to check, disappearing from Nathan's view in the VR. The intruder meanwhile has hidden in the bathroom. Nathan calls her again, but on video chat this time, allow Nora to see him and her physical space at the same time. Wondering why her window is open, she goes to close it, and spots the intruder brandishing the knife in the mirror. She jumps out the window and is followed by the intruder. Nathan sees what happens and uses the """"icon"""" Nora gave him earlier, that allows people in the VR to see and edit the code of the VR world, to help her."",1210,NA";;;;
"Upload (VR sex),""After being grossed out by the first sex suit she tries to rent, Ingrid acquires a sex suit (a haptic body suit) and visits Nathan in Lakeview, his digital afterlife, to have sex. Sex was the mainstay of their relationship before Nathan's death, but now he finds himself less attracted to her. When she discovers he does not have an erection, she loudly asks for tech support as she thinks there must be a problem with the software simulating his body in VR. Nathan's """"angel"""", Nora, reluctantly appears, and after Ingrid is distracted by a cat in her actual apartment and temporarily leaves her VR avatar, Nora puts the bedsheets over Ingrid's head and gently touches Nathan's chest. He becomes hard, Ingrid returns to the VR world, and Nora regretfully leaves, as Nathan and Ingrid have sex."",1193,NA";;;;
"URME Personal Surveillance Identity Prosthetic (hiding from facial recognition),""By wearing The URME Personal Surveillance Identity Prosthetic the user is not only hiding their identity, but is identified as Leo by facial recognition. When several persons are wearing the mask, Leo is recorded to appear in many places at the same time obfuscating the surveillance assemblage."",1564,NA";;;;
"Us+ (Emotion recognition),""A Google chat video app that uses audio and facial expressions to classify user emotions. Based on those emotions the app is advising the user how to behave to optimize the conversation."",251,""Technology has made us more connected than ever. SHouldn't it help us connect more to each other? (..) More productivity. More success. Get more out of your conversations. US+.""";;;;
"Us, Aggregated 3.0 (searching for similarity),""The artist uploads a family photo to Google's revers-image search. She receives a number of images through the search which are similar to the family photo. In a video work the visitor (Humans in General) can compare the results raising questions of identity, similarity, community and power."",2938,NA";;;;
"Utbryterne (Breaking the screen-walls),""Carla is held captive in a small room where all the walls are covered with screens. The screens are only described as emitting light, not displaying images, but Carla knows that Feminists are watching her from the other side of the screens. Carla breaks the screens in fury, and then later, realising she is being surveilled, she speaks to the screens, telling them everything she has seen on her journey and describing the corruption of the Feminists and the poverty and misery of the people outside the walls. After she is released she finds out that some of her watchers recorded and shared her stories, and that this has "",2644,""Carla våknet opp i en seng, pakket inn i en myk dundyne. Fra skjermveggene rundt henne lød den summende lyden av elektrisitet.";;;;
«Lys», sa hun med hes stemme.”;;;;
Halsen kjentes som et åpent sår. Hun hadde også en kul i bakhodet og ribbeina på den ene siden var ømme og verket da hun satte seg opp. Veggene lysnet, og hun søkte med blikket etter et vindu, eller en dør, men alt hun så, var lysende, hvite skjermvegger i et jevnt kvadrat. Alt som hadde skjedd, raste innover henne og fylte henne med en overveldende angst. ;;;;
;Carla fortsatte å rope og banke til stemmen sviktet og neven var sår og vond. Lyset i skjermveggene bølget ustanselig gjennom rommet og hadde tydeligvis hengt seg opp. Til slutt sank hun ned på gulvet og begravde hodet i armene. Hun visste hvor hun var. Hun visste om jenter som hadde blitt sendt hit som straff, om jenter som aldri kom tilbake. Og de som kom tilbake og aldri ble seg selv igjen.;;;
;“Carla stilte seg midt i rommet og så fra den ene til den andre skjermen mens hun ropte, om og om igjen:;;;
«Løgnere!»;;;;
Hun grep tak i tallerkenen som sto på gulvet og kastet den med all sin kraft mot veggen. Det føltes fantastisk da tallerkenen knuste og laget en sprekk i skjermen. Hun tok tak i puten og dynen sin og kastet dem også, uten den samme tilfredsstillende effekten. Carla betraktet senga. Den var av stål og hadde hjul, akkurat som en hvilken som helst sykehusseng. Hun tok tak i den og skjøv den med all sin kraft mot veggen. Det gnistret ut av skjermen.;;;;
«Jeg hater dere!» ropte hun og veltet senga over på siden.;;;;
Carla herpet den. Hun tok hele den jævla drittsenga og smadret den mot veggen, om og om igjen mens hun hylte og skrek som en gal.;;;;
Hun visste ikke hvor lenge hun holdt på, men senga var fullstendig ødelagt da hun omsider sank ned på gulvet i en haug av dunete, hvite fjær. Med ett følte hun seg rolig. Hun ble liggende på ryggen og se opp i taket, der en hvit fjær dalte ned mot henne og traff henne på nesa. ;;;;
“Snart finnes det ikke fugler lenger», hvisket hun og blåste fjæren vekk.;;;;
Hun satte seg opp og stirret på den eneste av skjermveggene som ikke var knust.;;;;
«Dere har snart drept alt levende på denne jorden, og da dere fikk mulighet til å rense lufta og redde verden, så valgte dere mer profitt. Det er utilgivelig. Det er forræderi.»;;;;
Carla reiste seg og gikk nærmere veggen, hun visste at det var noen som lyttet. Hun stirret på dem. De hadde låst henne inne, de hadde tatt fra henne alt hun elsket. Hun hadde bare ett våpen igjen.;;;;
«Jeg skal fortelle dere alt.»;;;;
*;;;;
Carla satt midt i rommet og så målbevisst inn i skjermveggen mens hun snakket. Hun hadde snakket i flere dager, og nå var det umulig å stoppe. Det eneste hun kunne håpe på, var at hun nådde frem til noen der ute, noen som forsto at denne urettferdigheten ikke kunne fortsette.”;;;;
Excerpt From: Nina Borge. “Utbryterne.” Apple Books. ;;;;
;Vi har hørt talene dine», hvisket Katarina bak henne.;;;
Carla så overrasket opp, men Katarina hadde allerede trukket seg tilbake og sto oppstilt ved siden av kollegaen. Hadde hun hørt riktig?;;;;
;Hun holdt frem hologrammet som viste filmen Katarina hadde spredt.;;;
Klippet viste Carla som satt på gulvet på isolatet og fortalte om Noah, og den urettferdigheten menn måtte leve med hver eneste dag, fordi noen før dem hadde syndet. Filmen hadde spredt seg til alle reduttene, og etter hva hun hadde hørt, fantes det folk på internettkafeer utenfor som også hadde fått tak på dem. Noe var i gjære, noe stort.;;;;
«Det har vært opprørsgrupper i mange år, Carla, dette blåser over, som alt annet.»;;;;
Noah lente seg bakover i sofaen med det samme filmen var ferdig. Det gjorde Carla vondt å se ham slik. Noah med de kjappe replikkene, og løsningene og planene, som tok styringen og trosset dem alle sammen. Hvor var den rakryggede mannen hun hadde forelsket seg i, han som var opptatt av rettferdighet og likhet, som kjempet hele veien fra Sandefjord til Oslo og som aldri ga opp?;;;;
«Hva har de gjort med deg?» spurte Carla og strøk håret hans vekk fra ansiktet.;;;;
Noah grep tak om håndleddet hennes.;;;;
«Det samme som de har gjort mot menn på den fabrikken i flere tiår», sa han og holdt taket om henne.;;;;
Hendene hans var sterke og harde.;;;;
"«Men vi kan endre det», sa Carla.""";;;;
"Utbryterne (Carla mistrusts reality),""After Carla has been held in isolation for many days in a room with screens for walls, a woman dressed in white enters the room. Carla doesn't trust her own eyes, and thinks she must be a hologram.";;;;
"Although the woman turns out to be real, the episode is one of several where Carla learns that the Feminists are not to be trusted. Several of these episodes are visually mediated: the explosion Garm showed her on huge screen-walls turns out to be false. The screen-walls in the cell she is held captive in hide doors and the people watching her. Johanna tells her that the Feminists kidnapped her from loving parents via a recorded message displayed as a hologram, and the holographic displays shows her a photo from a demonstration where she (as a small child) sits on her father's shoulders. "",2647,""Carla satt i et hjørne av rommet med armene pakket rundt beina og nynnet på Andrés sang, da døra ble åpnet. Med et sukk gled den opp og avslørte at den hadde vært rett ved siden av badet hennes hele tiden. Carla reiste seg og stirret på kvinnen som kom inn. Hun var kledd i en hvit dress, håret var satt opp i en stram hestehale, og blikket hennes var flakkende. Hvem var dette? En illusjon fra skjermveggen, et hologram, var hun til slutt blitt gal?";;;;
"«De er klare for deg.» Kvinnen la en sort bukse og en hvit T-skjorte på den ødelagte senga.""";;;;
"Utbryterne (Fake video of explosion),""Carla is kidnapped by the rebels and brought to their leader Garm, who threatens to blow up the institution where she was raised if she doesn't give him the formula. The walls are covered by screens, and one huge screen shows what appears to be a live video feed of the institution. Carla doesn't believe that Garm's rebels are strong enough to have planted bombs inside the Institution"",2652,""Ja vel, hvis det er sånn du vil ha det», sa Garm.";;;;
Han reiste seg brått og knipset to ganger. Fargene på den ene veggen endret seg. Det knitret over skjermveggen før et bilde av institusjonen der hun hadde vokst opp, viste seg. Den gammeldagse, hvitmalte murbygningen lå i en åsside med skogen i bakkant. Gressbakken der de hadde sklidd om vinteren var brun, og vinden rusket i det som var igjen av de døde trærne.;;;;
«Hvis du ikke gir meg formelen, kommer jeg til å sprenge dette stedet her til helvete», sa Garm.;;;;
Stemmen hans var hard og uforsonlig.;;;;
Carla så forvirret fra ham til institusjonen, overrasket over den plutselige vendingen. Aldri i livet om han hadde eksplosiver på innsiden av redutten. Hun ristet på hodet. Han prøvde å lure henne.;;;;
«Tror du ikke på meg?» Garm gikk en runde i rommet mens han så mot bygningen på skjermen.;;;;
«Du har ingen muligheter til å sprenge den», sa Carla og hevet haken for å minne ham om hvem hun var.;;;;
«Er du villig til å ta sjansen?»;;;;
Carla så mot bygningen der den lå i det triste, grå landskapet. En hvit gardin flagret ut av et vindu noen hadde glemt å lukke. Søstrene var nøye på slikt. Ryddige rom, oppredde senger, tellekanter i klesskapet og lukkede vinduer. Hodet ble varmt ved tanken på dem og det utilgivelige sviket deres. De hadde tatt fra henne foreldrene, tatt fra henne barndommen, tatt fra henne kjærlighet og omsorg, og erstattet det med kulde og ensomhet.;;;;
«Jevn det med jorden, så gjør du meg en tjeneste», sa Carla, sjokkert over hvor kald hun hørtes ut.;;;;
Garm hevet øyebrynene.;;;;
«Interessant», sa han og knipset med fingrene.;;;;
Rommet vibrerte idet institusjonen eksploderte i et hav av røyk og mur og knuste vinduer. Veggene kollapset innover, og taket falt sammen med et veldig brak. Selv om det skjedde et helt annet sted, var det som om Carla kunne kjenne varmen og trøkket som fikk bygningen til å rase fullstendig sammen.;;;;
«Nei!» ropte Carla og løp mot skjermveggen i et desperat forsøk på å stoppe eksplosjonen.;;;;
Hva hadde hun gjort? Hun hadde ikke ment at han skulle sprenge den, hun hadde vært sikker på at det var tomme trusler. Full av vantro sank hun ned på gulvet. Den gråsorte røyken steg opp fra ruinene av bygningen. Det var knapt mulig å se at det hadde vært et hus. Hun slo hendene foran øynene. Men lyden var der likevel, den knitrende lyden av brann, og et tungt drønn idet de siste murblokkene falt til bakken. Hvor mange døde under eksplosjonen? Det bodde unger der, helt nede i fireårsalderen. Carla fikk ikke puste, hun fortjente ikke å puste etter dette. Hun hikstet mens hun telte. Tre og tre på hvert rom, femti rom, pluss rommene til søstrene. 165 mennesker.;;;;
Hun kom aldri til å tilgi seg selv.;;;;
;Carla svaiet, og Noah grep henne om armen for støtte.;;;
«Å herregud, herregud, herregud», mumlet hun og sank ned mot bakken.;;;;
Noah holdt tak i henne. Så gikk det opp for ham.;;;;
«Det er institusjonen», sa han lavt.;;;;
Carlas barndomshjem. Garm hadde ikke sprengt det i fillebiter. Noah visste det var noe som skurret ved historien hennes. Hvorfor i alle dager skulle feministene tillate Garm å sprenge et av de viktigste sentrene deres, selve fundamentet i maktoppbyggingen?;;;;
"Carla klamret seg fast i ham, og han omfavnet henne mens blikket søkte etter kameraer og soldater.""";;;;
"Utbryterne (Hologram rings),""People wear rings that seem similar to mobile phones, but with holographic displays. Carla's boss Johanna calls her on a holographic ring, and later, Noah shows Carla a recorded holographic message from Johanna using a ring. Holograms are also used instead of screens for interacting with computers.  "",2643,""De fire veggene i hybelen lyste opp, og hun spratt ut av senga. Carla nappet den vibrerende ringen til seg, og presset tommelen mot overflaten for å aktivere den. Et hologram blomstret opp fra ringen, og professor Johanna Bergs ansikt manifesterte seg i lufta foran Carla. Siden hologrammet var tredimensjonalt, følte Carla det som om professoren faktisk var i rommet sammen med henne.";;;;
;Hun la straks merke til hologrammet som fløt over Johannas kontrollbord. En blå nedlastningsbar blinket nederst i det høyre hjørnet.;;;
«Hvorfor laster du ned formelen?» sa hun lavt.;;;;
;Å ja, så du tror feministene vil det som er best for deg? At de tar vare på deg og beskytter deg?»;;;
Sinnet fikk ham til å skjelve idet han aktiverte ringen sin. Han skulle faen meg vise henne! Et hologram dukket opp i lufta foran dem, og Noah fant frem filen som moren hadde sendt.;;;;
«Da foreslår jeg at du tar en titt på denne først!» sa han og ga henne ringen.;;;;
;Noahs ring hvilte i håndflaten hennes, og Carla så overrasket på Johannas ansikt da det dukket opp på hologrammet.;;;
«Hei, Carla», sa hun.;;;;
Den velkjente stemmen fylte Carla med en overveldende lengsel etter Johannas laboratorium. Hun savnet lukten av kjemikaliene og lyden av forskernes lavmælte stemmer når de snakket inn de nye funnene.;;;;
«Jeg håpet det ikke skulle komme til dette.»;;;;
Johannas stemme virket mørkere enn vanlig. Bak professoren så Carla de hvite skapene stå på vidt gap, og hun kunne skimte flere knuste reagensrør. Johanna måtte ha spilt inn filmen rett før hun hentet Carla.;;;;
;Noah husket adressen til Andy, men siden hologramringen med kartene lå et eller annet sted i skogen nå, ble de nødt til å spørre seg frem. Det tok noen timer, men til slutt fant han en bygning som så kjent ut.;;;
;"I enden av korridoren lå kontrollrommet. Det var vinduer på alle kanter slik at det var fritt innsyn til alt som foregikk der inne. To hvitkofter satt ved hvert sitt kontrollbord med svevende hologrammer foran seg. Begge virket fullstendig fordypet i arbeidet sitt, og Noah betraktet kontrollsentrene deres med en viss engstelse. Hologramteknologi var nytt for ham, men han visste at de gamle glass-skjermene fra før Kina-krigen var forgjengerne til disse. Det var ikke umulig for ham å ta ned brannmuren, hvis han bare fikk litt tid på seg. De måtte også laste opp formelen og få den sendt ut til Louisa Fischer og de andre forskerne.""";;;
"Utopian Extraction (detecting stones),""Work 3 _ Sisyphus Dataset and Work 4 _ Fresh Stones in Utopian Extraction explores the generic with the artificial. The artists (creators) collect 25 broken stones from sites of """"Generic Nature"""". These stones are photographed and 25 photos are synthesized by scaling stretching and other pre-processing methods to a dataset of 10,000 images. This is a form of data augmentation to increase the accuracy of  artificial intelligence.";;;;
"In Work 4 _ Fresh Stones the originally photographed stones are classified as fresh stones by the model trained with the dataset. And when poured with Ketchup during a performance lecture the object detection application mistakes the stones for hot dogs."",2833,NA";;;;
"Utopian Extraction (exploring an artifical ecosystem),""Work 2 _ Ecosystem in Utopian Extraction explores how """"Artificial intelligence's eyes read zebra patterns as natural objects, swimsuits, cushions, etc. according to the movement of the performer""""(1) . An object recognition application is constantly classifying the artist who is performing with an textile cloth with zebra patterns. The changing values and labels reveal the generic nature which is constructed through the taxonomies of machine learning applications and """"implies a new world of 'ecological cycles'.""""(1)";;;;
"Source (1) https://www.notion.so/unmake-lab-_utopian-extraction-feceb83d80aa4a2c87…"",2832,NA";;;;
"Utopian Extraction (revealing Generic Nature),""Work 1 _ Utopian Extraction reveals various sites of """"Generic Nature"""" in other words sites that were or are planned, either to be destroyed or re-constructed to generate nature. For example artifical mountains, green parks covering waste land or sand-mountains transforming wetlands to parks. Machine vision technologies such as satellite images and drone footage is used to reveal enormous construction sites as the generic landscapes are shaped in line with the 3D generated plans of green landscapes. Referencing to the 3D generated utopias of green spaces in """"smart"""" or """"echo"""" cities the artists are using animated 3D scans of themselves in the """"Generic Nature"""" scenarios. By juxtapositioning their artificially re-constructed bodies into these scenes the unrealness of such green utopias are exposed. For example Unmake Lab artist Binna Choi's 3D scanned body placed on a generic human made mountain links the digitally generated withe the physically generic. "",2831,NA";;;;
"Values Of Values (visualising human values with brainvaves),""The visitor (user) also called a """"Brain Worker"""" in this context is wearing a head piece that measures biofeedback (EEG) . The """"Brain Worker"""" is given a human value like openness and is asked to continue shape an abstract 3D form of this value by meditating around this word, hence, controlling their brainwaves. The """"Brain Worker"""" sees real-time how their biofeedback is reshaping the model, which also feeds into the experience and alters the brain waves. After the process the final 3D shape becomes a block-chain token that can be used for bartering. "",3041,NA";;;;
"VFRAME – Visual Forensics and Advanced Metadata Extraction (Object recognition for illegal munitions),""Munition Detector Munition Detector: an open-source tool to locate illegal munitions. Object detection is used to assist the work of human rights activists to gather evidence of illegal ammunition from vast amounts of video footage."",526,NA";;;;
"Vibe Check (classifying emotions),""The visitor (user) enters the gallery and can observe images of other people their observations are captured and classified. The visitors are alerted on how these people are perceived by others labeled to evoke happiness, disgust, sadness, surprise, or boredom. As a visitor ones image is also captured and classified."",3015,NA";;;;
"Vigilance 1.0 (City behavioral surveillance),""Overlooking city surveillance cameras, each citizen is a potential offender. Monitor the cameras in order to identify and """"capture"""" illegal or denounced activity."",1005,NA";;;;
"VOIGHT-KAMPFF (eye movements analysed),""Involuntary eye movements are measured and analysed while stress questions are asked to determine to what extent participants align with the ideal behaviors internalized by the ideological apparatus of the Cuban government.";;;;
The technology measures the level of how automation in answering questions. This is used to classify weather citizen is confined to the ideological apparatus or suspect not to have internalized the ideal behavior.;;;;
"The title of the work references the Voight-Kampff test in Bladerunner, where a series of questions was administered while eye motion and other biometric data was analysed to assess whether a person was a replicant or not.  "",3080,NA";;;;
"Volumetric Data Collector (Scanning your surroundings),""The artist is wearing a backpack with LiDAR senso, a 3D laser sensor often used in autonomous vehicles and walks around locations in Seoul collecting three-dimensional information.";;;;
"The data is processed by software and generated into three dimensional visualizations that are screened in a multi channel video work together with video footage of the walk."",1049,NA";;;;
"Voyeur (Camcorder surveillance),""Gameplay consists of controlling a video camera/camcorder in order to find enough information to stop the corrupt Reed Hawke running for the presidency. Sometimes, the camera won't see anything because the rooms have their blinds closed."",362,NA";;;;
"Watch Dogs: Legion (AR cloaking),""The AR Cloak turns the Operative invisible for a short time, only showing the contours of their body. When the time runs out, it glitches with teal and red stripes before disappearing. A similar ability, the AR Shroud, can be used to hide dead bodies so as to not arouse suspicion."",2804,NA";;;;
"Watch Dogs: Legion (AR reconstruction analysis),""Early in the game, the Operative steals an AR reconstruction server that can compile data from nearby surveillance infrastructure (ctOS drones, civilian Optiks, CCTV, etc.) into a """"film"""" reconstructing earlier events. This includes audio."",2785,NA";;;;
"Watch Dogs: Legion (Bagley's physical form),""When the Operatives talk to the AI Bagley in their Safehouse (where Bagley's mainframe is located), he takes the form of a holographic geometric shape that moves when he speaks. In this specific instance, Bagley is beginning to remember images that he thinks are from his own life - before being an AI."",2805,NA";;;;
"Watch Dogs: Legion (Hacking London's surveillance network),""The player character can hack into the surveillance network of London using their laptop. They take over a camera, see through it, and control it, or take control over police/security drones (UAVs) or ground vehicles in London. This control includes movement (for drones) and vision, but also the possibility to destroy or disable this technology. Hacking is often done to find a specific set of data or """"be"""" within reach of downloading data, and can also be done to other people's Optiks."",2784,NA";;;;
"Watch Dogs: Legion (Holographic broadcast ends with bombing),""Dalton is able to defuse a bomb, and goes to the roof to shut down a satellite that controls the remaining bombs in the city. He is countered by Zero Day (then unknown to be Sabine), and is killed by a drone as the bombs go off in the city."",2791,NA";;;;
"Watch Dogs: Legion (The Optik),""The Optik is a a device that all citizens must wear, which taps into the optic nerve and shows an AR display of the world. Earlier prototypes were glasses, but the current version is a biochip. It's connected to an AI assistant called Bagley. It's described as the most important device since the smartphone, and it lets the user see their """"emails, take calls, and browse the internet as if the screen was in front of your eyes."""" The Optik is also connected to the public transport system and wider national and international registries, so you don't have to register or prepurchase a ticket to go on the Tube and you don't have to carry a passport."",2806,""""""BLUME can see everything that you can see.""""";;;;
;"With the Optik, privacy is dead.""""""";;;
"WEARABLE FACE PROJECTOR (wearing another face),""The user is wearing a head piece with a mini projectors that projects a video on the users face. The projection layers another persons face and emotional expressions on the users face to protect this person from being identified or to detect this persons true emotions. Hence the user can hide from intrusive facial and emotion recognition technologies.  "",1550,NA";;;;
"Welcome to Your Authentic Indian ExperienceTM  (VR amusement park),""The story takes place in and around a VR amusement park which allows visitors to experience pre-european contact Native American stories. The main character """"Jesse"""" acts our """"authentic Indian experiences"""". The guests have a """"menu"""" of experiences displayed on a """"digital blackboard"""". The antagonist """"White Wolf"""", a guest of the park eventually takes over not just a Native American experience in the park, but Jesse's actual real life too."",2513,""You maintain a menu of a half dozen Experiences on your digital blackboard, but Vision Quest is the one the Tourists choose the most. ";;;;
The world shivers. The pod screen blinks on. Someone wants your Experience.;;;;
You don’t recognize White Wolf at first. Most people change themselves a little within the construct of the Experience. Nothing wrong with being thinner, taller, a little better looking. ;;;;
"Theresa calls them “pretendians,” but you think that’s unkind.""";;;;
"What a Ghost Dreams of (face captured new faces generated),""When the visitor enters the gallery space a big eye on a screen placed over a security camera indicates that someone is watching. When the person moves forward a screen indicates that different body parts of the person are detected also the face. In the end of the hallway(stairs) the visitor can observe several portraits changing on screens. These portraits are generated using a GAN (Generative Adversarial Network) that is trained on faces. Each visitors face is captured and added to the training set. Then new faces are generated and displayed on the screens. Finally the last screen has a black and white image that: """"represents the ultimate identity of the AI ghost, which is based on the most unique of all previously generated faces.""""(1)";;;;
"(1) https://www.howeb.org/portfolio-item/what-a-ghost-dreams-of-2019/"",1078,NA";;;;
"What the Robot Saw (computer vision analyzing youtube videos),""The artist has designed an online performance that is 24/7 streamed on tiwitch. An algorithm searches and captures from YouTube the least viewed videos uploaded in recent hours. Then, """"using computer vision, neural networks, and other robotic ways of seeing, hearing, and understanding, the Robot constantly generates its film, algorithmically curating, editing, and titling clips according to Amazon Rekognition’s algorithm’s demographically-obsessed algorithms."""" The outcome is a fragmented collage of video clips and comments that reflects upon how the used computer vision products analyze scraped image feeds."",1595,NA";;;;
"Whispers of a Machine (Enhanced vision from nano-substance),""Detective Englund has increased access to cybernetic enhancements: """"forensic scanner (fingerprints, footprints, etc.), """"biometric analyzer"""" (showing heart rate of the person you're talking to), and """"enhanced vision"""" (night vision and telescopic vision). She uses these to find clues in order to solve crimes and murders."",1743,NA";;;;
"Whispers of a Machine (Fake biometric implant),""Maja implanted a fake biometric wrist implant into Katarina, in case she was ever scanned by a """"city trenchcoat"""" (an investigator injected with Blue, like Vera). Katarina didn't know that the implant was fake biometric data until after its insertion. Only towards the conclusion of the videogame does Vera find out that she's been fooled, through listening to an audio recording discussing the fake implant."",2444,NA";;;;
"White Collar Crime Risk Zones (Predicting Financial Crime Faces),""Machine Learning was used to predict in what areas of New York (Manhattan) White Collar Crime would most probably appear. To each of these areas a composite face was generated based on a dataset of high executive LinkIn profiles in that area."",942,NA";;;;
"Who*You (Face replacement),""The user/viewer's face is captured before the narrative film begins. Throughout the movie, the user's face appears to haunt the protagonist, for instance glimpsed through a crack in his door after the doorbell rings, or in a photograph from a conference the protagonist has just returned from. In several cases, the photograph of the user's face is merged with the main protagonist's face, or seen in the mirror as the protagonist looks down while washing. Finally the user's face completely replaces the protagonist's face, and the protagonist runs, screaming, apparently having gone mad as his identity is completely replaced by the user. In addition to this the user's face and eyes replace the eyes/faces in various images (a portrait of Queen Elizabeth, photos of famous artworks in a book) which scares the protagonist. I haven't registered this as a separate situation as it seems very close to the first, though this is debatable. (-Jill)"",509,NA";;;;
"Why Him? (Stephanie scans her face),""Stephanie is having her face scanned to enter the property."",416,NA";;;;
"Wool (Visor showing fake view),""When Holston climbs out of the silo in his survival suit, he is stunned to see that everything looks green and lush, completely unlike the brown and gray wasteland he has seen on screens his whole life. The sky is blue and birds fly overhead. Even the skyscrapers in the distance, that looked broken on the screens in the silo's upper level, are whole. He believes that the IT department has fooled the silo's residents into believing that the outside world is toxic. He cleans the lenses of the cameras that capture the images of the outside world out of pity for the people still left inside the silo. ";;;;
But after a few minutes, he feels sick. Thinking there is too little air in the survival suit, he manages to smash it with a rock and remove the helmet. But when he takes off the helmet and looks at the world with his own unaided eyes, he sees that the world is in fact brown and gray, the skyscrapers are broken, and the body of his wife, who left three years earlier, is lying on the hillside next to him. ;;;;
In this series, technology or the lack of technology is consistently used to keep the people subdued and to avoid an uprising. The screens in the silo never show the outside world quite as it is, because of dirt on the lenses and dead pixels on the screens. Holston then comes to distrust the images shown as he finds documents showing that the world outside is not really toxic. This appears to be confirmed when he steps outside, but then when he removes the helmet he discovers that the green lushness was a deception too. ;;;;
"These situations are the most obviously relevant to machine vision, but technology more broadly is also heavily manipulated, for instance so that silos cannot communicate with other silos (or even know that other silos exist). "",2795,""He shuffled up the narrow ramp, walls of chipped concrete to either side, his visor full of a confusing, brilliant light. At the top of the ramp, Holston saw the heaven into which he’d been condemned for his simple sin of hope. He whirled around, scanning the horizon, his head dizzy from the sight of so much green!";;;;
Green hills, green grass, green carpet beneath his feet. Holston whooped in his helmet. His mind buzzed with the sight. Hanging over all the green, there was the exact hue of blue from the children’s books, the white clouds untainted, the movement of living things flapping in the air.;;;;
Holston turned around and around, taking it in. He had a sudden memory of his wife doing the same; he had watched her awkwardly, slowly turning,;;;
Howey, Hugh. Wool Omnibus Edition (Wool 1 - 5) (Silo series) (p. 33). Broad Reach Publishing. Kindle Edition. ;;;;
;And then his vision completely disappeared. All was black. Holston clawed at his face, even as his stomach tangled in a new torturous knot. There was a glow, a blinking in his vision, so he knew he wasn’t blind. But the blinking seemed to be coming from inside his helmet. It was his visor that had become suddenly blind, not him.;;;
Howey, Hugh. Wool Omnibus Edition (Wool 1 - 5) (Silo series) (p. 38). Broad Reach Publishing. Kindle Edition. ;;;;
;Two more cracks before it landed, and the helmet popped free. Holston could see. His eyes burned from the effort, from not being able to breathe, but he could see. He blinked the tears away and tried to suck in a deep, crisp, revitalizing lungful of blue air.;;;
What he got instead was like a punch to the chest. Holston gagged. He threw up spittle and stomach acid, the very lining of him trying to flee. The world around him had gone brown. Brown grass and gray skies. No green. No blue. No life.;;;;
He collapsed to one side, landing on his shoulder. His helmet lay open before him, the visor black and lifeless. There was no looking through the visor. Holston reached for it, confused. The outside of the visor was coated silver, the other side was nothing. No glass. A rough surface. Wires leading in and out of it. A display gone dark. Dead pixels.;;;;
He threw up again. Wiping his mouth feebly, looking down the hill, he saw the world with his naked eyes as it was, as he’d always known it to be. Desolate and bleak. He let go of the helmet, dropping the lie he had carried out of the silo with him. He was dying. The toxins were eating him from the inside. He blinked up at the black clouds overhead, roaming like beasts. He turned to see how far he had gotten, how far it was to the crest of the hill, and he saw the thing he had stumbled into while crawling. A boulder, sleeping. It hadn’t been there in his visor, hadn’t been a part of the lie on that little screen, running one of the programs Allison had discovered.;;;;
Howey, Hugh. Wool Omnibus Edition (Wool 1 - 5) (Silo series) (p. 39). Broad Reach Publishing. Kindle Edition. ;;;;
;“What am I holding?” she asked, waving the scroll of printout.;;;
“It’s a program,” he whispered.;;;;
“You mean like a timing circuit? Like a—?”;;;;
“No, for a computer. A programming language. It’s a—” He looked away. “I don’t want to say. Oh, Jules, I just want to go back to Mechanical. I want none of this to have happened.”;;;;
These words were like a splash of cold water. Scottie was more than frightened—he was terrified. For his life. Juliette got off the desk and crouched beside him, placed her hand on the back of his hand, which rested on his anxiously bouncing knee.;;;;
“What does the program do?” she asked.;;;;
He bit his lip and shook his head.;;;;
“It’s okay. We’re safe here. Tell me what it does.”;;;;
“It’s for a display,” he finally said. “But not for like a readout, or an LED, or a dot matrix. There are algorithms in here I recognize. Anyone would …”;;;;
He paused.;;;;
“Sixty-four-bit color,” he whispered, staring at her. “Sixty-four bit. Why would anyone need that much color?”;;;;
“Dumb it down for me,” Juliette said. Scottie seemed on the verge of going mad.;;;;
“You’ve seen it, right? The view up top?”;;;;
She dipped her head. “You know where I work.”;;;;
“Well, I’ve seen it too, back before I started eating every meal in here, working my fingers to the bone.” He rubbed his hands up through his shaggy, sandy-brown hair. “This program, Jules—what you’ve got, it could make something like that wallscreen look real.”;;;;
Juliette digested this, then laughed. “But wait, isn’t that what it does? Scottie, there are sensors out there. They just take the images they see, and then the screen has to display the view, right? I mean, you’ve got me confused, here.” She shook the printed scroll of gibberish. “Doesn’t this just do what I think it does? Put that image on the display?”;;;;
Scottie wrung his hands together. “You wouldn’t need anything like this. You’re talking about passing an image through. I could write a dozen lines of code to do that. No, this, this is about making images. It’s more complex.”;;;;
He grabbed Juliette’s arm.;;;;
“Jules, this thing can make brand-new views. It can show you anything you like.”;;;;
He sucked in his breath, and a slice of time hung in the air between them, a pause where hearts did not beat and eyes did not blink.;;;;
Juliette sat back on her haunches, balancing on the toes of her old boots. She finally settled her butt on the floor and leaned back against the metal paneling of his office wall.;;;;
“So now you see—” Scottie started to say, but Juliette held up her hand, hushing him. It had never occurred to her that the view could be fabricated. But why not? And what would be the point?;;;;
"Howey, Hugh. Wool Omnibus Edition (Wool 1 - 5) (Silo series) (pp. 171-172). Broad Reach Publishing. Kindle Edition. """;;;;
"Wool (Watching outdoors on screens),""The walls of the top level of the underground silo are covered with large screens showing the outside world. The images are captured by cameras above ground, and the camera lenses get grimy with dirt that is only cleaned off when an expelled resident of the silo cleans the lenses with a pad of wool before walking off to their death.";;;;
While in the holding cell before leaving the silo, Holston notices dead pixels on the screen, and imagines a future where most of the pixels will be dead. These screens are the residents' only images of the outside world, apart from drawings and photos in old children's books from long ago, and so he imagines that the few remaining true pixels in the future might be taken for the ones that are broken.;;;;
"Holston has recently found the documents that caused his wife to believe that the world outside is in fact not toxic, and that the images on the screens are fake. This scene not only expresses his own distrust in the technologically mediated view of the outside world, it also explores how human interpretation of technology can also be flawed - hundreds of years later, when nobody remembered how the technology was supposed to work, how would people know what was a true pixel and what was a broken one? "",2793,""The view of the dead world filled up the entire wall of his cell, just like all the walls on the silo’s upper level, each one full of a different slice of the blurry and ever-blurrier wasteland beyond. Holston’s little piece of that view reached from the corner by his cot, up to the ceiling, to the other wall, and down to the toilet. And despite the soft blur—like oil rubbed on a lens—it looked like a scene one could stroll out into, like a gaping and inviting hole oddly positioned across from forbidding prison bars. The illusion, however, convinced only from a distance. Leaning closer, Holston could see a handful of dead pixels on the massive display. They stood stark white against all the brown and gray hues. Shining with ferocious intensity, each pixel (Allison had called them “stuck” pixels) was like a square window to some brighter place, a hole the width of a human hair that seemed to beckon toward some better reality. There were dozens of them, now that he looked closer. Holston wondered if anyone in the silo knew how to fix them, or if they had the tools required for such a delicate job. Were they dead forever, like Allison? Would all of the pixels be dead eventually? Holston imagined a day when half of the pixels were stark white, and then generations later when only a few gray and brown ones remained, then a mere dozen, the world having flipped to a new state, the people of the silo thinking the outside world was on fire, the only true pixels now mistaken for malfunctioning ones.";;;;
"Howey, Hugh. Wool Omnibus Edition (Wool 1 - 5) (Silo series) (pp. 7-8). Broad Reach Publishing. Kindle Edition. """;;;;
"Work Eye/Machine I (Suicide Cameras),""A cross-hair is focusing on the target as the camera is moving towards it. The camera moves into the target and when the impact takes place the image disappears and turns in to white-noise indicating that the camera is destroyed. The projectile it was attached to has hit the target. These images are from the 1991 US war against Iraq. The images are juxtaposed with the text: Images from flying projectiles, Images from suicide cameras (1:09-1:31). The machine vision is destroyed in the process of achieving its goal to destruct its target."",1137,NA";;;;
"X Degrees of Separation (curating artworks),""The user can choose two images from a collection of artworks from museum collections. Using machine learning techniques the images are analyzed and the algorithm creates a pathway of artworks between the chosen images. Based on visual features of the images the machine classifies the images in the collection and can curate perhaps surprising combinations."",2251,NA";;;;
"X-Men: Days of Future Past (Crowd records with analogue cameras),""A big part of the movie is set in 1973 so a lot of the public crowds that surround the X-Men have analogue cameras and use them to record what's going on."",2184,NA";;;;
"X-Men: Days of Future Past (Mystique shapeshifts to use finger scan),""Mystique changes her finger into the finger of someone else to gain access to top secret files."",2185,NA";;;;
"X-Men: Days of Future Past (Professor X uses the cerebro),""The cerebro is a machine that Professor X uses to amplify his powers. He puts on a helmet and can communicate with people all over the world and also see where they are. Cerebro appears to use AR because in the movie when Professor X is plugged into the cerebro, the two people he has with him (other X-Men) can see what the cerebro is doing. It's not just inside of Professor X's head."",2188,NA";;;;
"X-Men: Days of Future Past (Sentinels identify mutants),""We see through the lens of a Sentinel and see how they recognize and identify mutants. Since mutants are only identifiable by genetics, the sentinels use body scans to identify them."",2186,NA";;;;
"Yat Madit (Adak interpretes Amaros's expression),""Amaro's digital avatar and assistant Adak informs her that her father, whom she hasn't seen since she was little, is running for LC, local council chairperson. Adak asks Amaro if she wants to hear the podcast with the news. Unable to respond verbally, Adak tries to interpret her facial expression. Amaro questions Adak's emotional recognition abilities. "",2140,""""""She wanted to say no, but could not find her voice. A security camera blinked beside the speaker, enabling Adak to see her face, and she must have had an expression that Adak interpreted to mean she wanted to hear the news, so the podcast started. ";;;;
The podcast was only about sixty seconds, a teaser to urge listeners to watch the longer version on video. Once it ended, the music did not resume and Adak did not ask her if she wanted to watch the whole news because, this time, Adak correctly interpreted her expression. ;;;;
"She wanted to look into a mirror and see what her avatar was seeing. She knew it could not read her mind, though some people assumed their avatars had this supernatural ability. It was smart enough to figure out that she was thinking about the only ‘family’ photo from her childhood, but was it not smart enough to know the confusing emotions now raging inside her?""""""";;;;
"Years and Years (Bethany hiding behind filter),""Bethany is obsessed with phone filters that now appear in front of your physical face."",412,NA";;;;
"Years and years (Broadcast deepfake issue),""Daniel is watching the news, after his sister suggests a way to smuggle his boyfriend out of Spain and back into England. He lies on the bed, desolutely switching through news broadcasts. The news anchor shows two examples of deepfake videos of politicians. The anchor asks Vivienne Rook whether she agrees that the videos are fake and she says yes, but that they did really say those things. Later Rook is elected prime minister of Great Britain. (Episode 4, about 16 minutes in)";;;;
"Viv Rook is shown as hugely benefitting from the deep fakes - she has apparently not been targeted herself, and she certainly knows how to frame the deepfakes to her benefit (they're fake - but true!). This is a parallel to how some politicians benefit from bot farms and paid trolls today, claiming no responsibility - yet they benefit from the situation. Also note the contrast between Daniel lying sad on the sofa, in the dark, zapping between channels, and these outrageous stories. Seeing this news story apparently spurs him to decide to go and rescue his boyfriend - there's no clear causality, but the events are certainly positioned together in time."",488,""News anchor: So you are saying these videos are fake? Vivienne Rook: """"Oh of course they’re fake videos, anyone can see that, they’re not real! All the same. They really did say those things…didn’t they?""""""";;;;
"Years and Years (Failed optical implant),""Bethany and Lizzie decide to get a sort of a bionic eye, as a part of their transhuman transformation. The operation is not a success."",414,NA";;;;
"Years and years (Webcam diagnosing Edith`s eye),""Edith Lyons is starting to go blind but uses software on her computer that uses her webcam to diagnose her and to check up on her progress."",490,NA";;;;
"YHB Pocket Shield (avoiding facial recognition at protests),""The artist demonstrates how a protest shield can be made using affordable materials or using a kit that can be ordered.";;;;
"The user can both shield their face from spreading diseases (such as covid-19) and with anti-surveillance stickers obfuscate facial recognition software to avoid their face being detected and identified by law enforcement during protests."",2566,NA";;;;
"Young Ones (Robot recording murder),""The family purchases a robot to replace their donkey to transport water up a hill for business purposes. On one of these trips the new son in law (Flem Lever) kills the father of his girlfriend and the head of the family (Ernest Holm) in front of the robot. Flem is unaware that the robot is recording everything in its view and has stored the scene of the murder in its harddrive. Later in the episode, the grieving son takes the robot for repair and discovers its archive of footage and learns about his dad murder, which ends in an act of revenge."",263,NA";;;;
"Zanan Disruption (placing statues),""The artists takes screen captures of street view in Google and places statues of Zanan (young hijabi women in strong poses) in chosen locations. Then """"photobombed"""" images are uploaded back to google maps as user photos from the area."",3162,NA";;;;
"ZARI (Robot and Dog becomes friends),""The household bot is spending all day with the family dog Shelly as the others are away at work in the day. Throughout the movie you see the robot is recording other dogs barking or humans saying """"good girl"""" so the Bot can play it and communicate with the dog. The dog is also communicating back in its own way, by wanting to play fetch, following the bot around the house, keeping the Bot company while doing its chores. In the end the Bot is getting sold (for parts!!) and there is a scene where the Bot is being carried away, while Shelly is on the steps in the background barking loudly in protest. The Bot is saying """"Good girl"""". They obviously had established some friendship, from observing each other."",2682,NA";;;;